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A unique look at how popular music and culture have influenced the evolution of British design. The aesthetics and spirit of popular culture have been increasingly relevant to British graphic designers over the past several decades. “Communicate” offers a fascinating selection of this innovative work, examining closely the influence of youth culture, pop music, and new(...)
Communicate : independent British graphic design since the sixties
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A unique look at how popular music and culture have influenced the evolution of British design. The aesthetics and spirit of popular culture have been increasingly relevant to British graphic designers over the past several decades. “Communicate” offers a fascinating selection of this innovative work, examining closely the influence of youth culture, pop music, and new wave aesthetics on graphic design during the 1960s and ever since. Illustrated in full colour, “Communicate” features 350 images that range from classic designs of the sixties to the work of today’s emerging design teams, including record album covers for groups including The Beatles, Led Zeppelin, and Roxy Music; political protest posters; psychedelic concert posters; typeface projects and signage; and designs for books, magazines, and film. Focusing on work from small, independent studios where creativity, rather than the bottom line, is paramount, the book includes projects by some 60 outstanding designers including Derek Birdsall, Richard Hollis, Neville Brody, Why Not Associates, and Scott King. Contributors to the volume trace how and why British graphic design has developed as it has, and interviews with ten key designers - Julian House, Ian Anderson, and Margaret Calvert among them - provide unique insider views of the design world.
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March 2005, New Haven
Graphic Design and Typography
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An expanded and updated edition of a classic study of the history of modern design. One of the most widely read books on modern design, Nikolaus Pevsner’s landmark work today remains as stimulating as it was when first published in 1936. This expanded edition of Pioneers of Modern Design provides Pevsner’s original text along with significant new and updated(...)
Pioneers of modern design from William Morris to Walter Gropius
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An expanded and updated edition of a classic study of the history of modern design. One of the most widely read books on modern design, Nikolaus Pevsner’s landmark work today remains as stimulating as it was when first published in 1936. This expanded edition of Pioneers of Modern Design provides Pevsner’s original text along with significant new and updated information, enhancing Pevsner’s illuminating account of the roots of Modernism. The book now offers many beautiful colour illustrations; biographies and bibliographies of all major figures; illustrated short essays on key themes, movements, and individuals; a critique of Pevsner’s analysis from today’s perspective; examples of works after 1914 (where the original study ended); a biography detailing Pevsner’s life and achievements; and much more. Pevsner saw Modernism as a synthesis of three main sources: William Morris and his followers, the work of nineteenth-century engineers, and Art Nouveau. The author considers the role of these sources in the work of early Modernists and looks at such masters of the movement as C.F.A. Voysey and Charles Rennie Mackintosh in Britain, Louis Sullivan and Frank Lloyd Wright in America, and Adolf Loos and Otto Wagner in Vienna. The account concludes with a discussion of the radical break with the past represented by the design work of Walter Gropius and his future Bauhaus colleagues.
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March 2005, New Haven
Interior Design
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For Siegfried Kracauer, the urban ornament was not just an aspect of design; it was the medium through which city dwellers interpreted the metropolis itself. In “Ornaments of the Metropolis”, Henrik Reeh traces variations on the theme of the ornament in Kracauer's writings on urbanism, from his early journalism in Germany between the wars to his "sociobiography" of(...)
Ornaments of the metropolis : Siegfried Kracauer and modern urban culture
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For Siegfried Kracauer, the urban ornament was not just an aspect of design; it was the medium through which city dwellers interpreted the metropolis itself. In “Ornaments of the Metropolis”, Henrik Reeh traces variations on the theme of the ornament in Kracauer's writings on urbanism, from his early journalism in Germany between the wars to his "sociobiography" of Jacques Offenbach in Paris. Kracauer (1889-1966), often associated with the Frankfurt School and the intellectual milieu of Walter Benjamin, is best known for his writings on cinema and the philosophy of history. Reeh examines Kracauer's lesser-known early work, much of it written for the trendsetting newspaper Frankfurter Zeitung in the 1920s and early 1930s, and analyzes Kracauer's continuing reflections on modern urban life, through the pivotal idea of ornament. Kracauer deciphers the subjective experience of the city by viewing fragments of the city as dynamic ornaments; an employment exchange, a day shelter for the homeless, a movie theatre, and an amusement park become urban microcosms. Reeh focuses on three substantial works written by Kracauer before his emigration to the United States in 1940. In the early autobiographical novel “Ginster, Written by Himself”, a young architect finds aesthetic pleasure in the ornamental forms that are largely unused in the profession of the time. The collection “Streets of Berlin and Elsewhere”, with many essays from Kracauer's years in Berlin, documents the subjectiveness of urban life. Finally, “Jacques Offenbach and the Paris of His Time” shows how the superficial -- in a sense, ornamental -- milieu of the operetta evolved into a critical force during the Second Empire. Reeh argues that Kracauer's novel, essays, and historiography all suggest ways in which the subjective can reappropriate urban life. The book also includes a series of photographs by the author that reflect the ornamental experience of the metropolis in Paris, Frankfurt, and other cities.
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March 2005, Cambridge, Massachusetts
Urban Theory
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This publication - the first full-length critical and historical account of the Archigram phenomenon - traces Archigram from its rediscovery of early modernist verve through its courting of students to its ascent to international notoriety for advocating the "disappearance of architecture".
Archigram: architecture without architecture
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This publication - the first full-length critical and historical account of the Archigram phenomenon - traces Archigram from its rediscovery of early modernist verve through its courting of students to its ascent to international notoriety for advocating the "disappearance of architecture".
Architecture Monographs
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We're filling up the world with technology and devices, but we've lost sight of an important question: What is this stuff for? What value does it add to our lives? So asks author John Thackara in his new book, “In the Bubble: Designing for a Complex World”. These are tough questions for the pushers of technology to answer. Our economic system is centred on technology,(...)
In the bubble : designing in a complex world
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We're filling up the world with technology and devices, but we've lost sight of an important question: What is this stuff for? What value does it add to our lives? So asks author John Thackara in his new book, “In the Bubble: Designing for a Complex World”. These are tough questions for the pushers of technology to answer. Our economic system is centred on technology, so it would be no small matter if "tech" ceased to be an end-in-itself in our daily lives. Technology is not going to go away, but the time to discuss the end it will serve is before we deploy it, not after. We need to ask what purpose will be served by the broadband communications, smart materials, wearable computing, and connected appliances that we're unleashing upon the world. We need to ask what impact all this stuff will have on our daily lives. Who will look after it, and how? ”In the Bubble” is about a world based less on stuff and more on people. Thackara describes a transformation that is taking place now -- not in a remote science fiction future; it's not about, as he puts it, "the schlock of the new" but about radical innovation already emerging in daily life. We are regaining respect for what people can do that technology can't. In the Bubble describes services designed to help people carry out daily activities in new ways. Many of these services involve technology -- ranging from body implants to wide-bodied jets. But objects and systems play a supporting role in a people-centred world. The design focus is on services, not things. And new principles -- above all, lightness -- inform the way these services are designed and used. At the heart of In the Bubble is a belief, informed by a wealth of real-world examples, that ethics and responsibility can inform design decisions without impeding social and technical innovation.
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April 2005, London
Design Theory
Dream bridges / traumbrucken
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Alle Brucken sind Traume, Visionen, Metaphern - dieser Band zeigt 25 Bruckenprojekte und Bruckenrealisierungen Wolfdietrich Ziesels, eines der fuhrenden Bauingenieure Europas, unter anderen die mit dem Adolf-Loos-Preis ausgezeichnete Brucke Hackinger Steg in Wien.Ziesel setzt asthetische Anforderungen meisterlich konstruktiv um. Er entwickelt vor den Augen des Lesers(...)
Dream bridges / traumbrucken
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Alle Brucken sind Traume, Visionen, Metaphern - dieser Band zeigt 25 Bruckenprojekte und Bruckenrealisierungen Wolfdietrich Ziesels, eines der fuhrenden Bauingenieure Europas, unter anderen die mit dem Adolf-Loos-Preis ausgezeichnete Brucke Hackinger Steg in Wien.Ziesel setzt asthetische Anforderungen meisterlich konstruktiv um. Er entwickelt vor den Augen des Lesers jeweils optimale Konstruktionen unter realen Bedingungen in kreativen Entwurfsprozessen, und ermutigt dazu, Ingenieurbaukunst zu wagen.Sechs Essays, darunter von Jorg Schlaich, Gunther Feuerstein und Otto Kapfinger, runden das Spannungsfeld zwischen kreativer und technischer, okonomischer und poetischer Herausforderung an Entwerfer und konstruktiv Interessierte ab.
Engineering Structures
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With over 1,200 illustrations, plans and detail drawings, "Constructing architecture" is a veritable encyclopedia for anyone interested in the essential technical information needed for building and construction, regardless of design style. This systematically organized book is divided into sections on materials, building components, building types, case studies and a(...)
Materials and Lighting
July 2005, Basel, Boston, Berlin
Constructing architecture : materials, processes, structures : a handbook
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With over 1,200 illustrations, plans and detail drawings, "Constructing architecture" is a veritable encyclopedia for anyone interested in the essential technical information needed for building and construction, regardless of design style. This systematically organized book is divided into sections on materials, building components, building types, case studies and a catalog of components, all drawn to a common scale, providing everything the professional or the student might need to transform their designs into built projects. Underlying this practical book is a respect for the primacy of design, the belief that building is not simply a fact of engineering or technology, but the translation and culmination of a creative act that can only be successfully completed if the technical principles of construction are well understood.
Materials and Lighting
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The early twentieth century witnessed a transition from wood to timber construction, from log houses to dimensioned post and beams dressed for frame building. The subsequent development of laminated timber and new joinery techniques made wood a viable alternative to steel and concrete, and led to a number of awe-inspiring structures that captured, and continue to capture,(...)
Developments in timber design engineering : the Swiss contribution
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The early twentieth century witnessed a transition from wood to timber construction, from log houses to dimensioned post and beams dressed for frame building. The subsequent development of laminated timber and new joinery techniques made wood a viable alternative to steel and concrete, and led to a number of awe-inspiring structures that captured, and continue to capture, the public imagination. One center of imaginative timber construction has been Switzerland, whose engineers, architects, and carpenters have provided fundamental knowledge and inspiration for builders in wood around the world. Developments in Timber Construction focuses not only on the best timber structures in Switzerland, but also on numerous international projects built by Swiss architects and engineers.
Timber Construction
Kazunari Sakamoto : houses
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This monograph on Kazunari Sakamoto's houses, the first published, contains plans and detailed drawings specially prepared by the editors of the renowned German technical magazine "Detail", as well as large-format high-quality photographs.
Architecture Monographs
March 2005, Munich
Kazunari Sakamoto : houses
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This monograph on Kazunari Sakamoto's houses, the first published, contains plans and detailed drawings specially prepared by the editors of the renowned German technical magazine "Detail", as well as large-format high-quality photographs.
Architecture Monographs
Frank Gehry - MARTa Herford
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Located at the center of the German furniture manufacturing industry, Marta, the latest European Museum by Frank O. Gehry, opened in December 2004 to universal acclaim. Conceived as a laboratory for redefining the relationship between art, design, and industry, this Gehry masterwork houses art galleries, a library, educational facilities, and conference and cultural(...)
Frank Gehry - MARTa Herford
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Located at the center of the German furniture manufacturing industry, Marta, the latest European Museum by Frank O. Gehry, opened in December 2004 to universal acclaim. Conceived as a laboratory for redefining the relationship between art, design, and industry, this Gehry masterwork houses art galleries, a library, educational facilities, and conference and cultural meeting rooms. While the gallery is, for Gehry, an uncharacteristic neutral white cube, it is wrapped in a series of bulging curvatures creating a dome that announces his distinctive architectural signature. This book, which contains previously unpublished material on the design and construction of the museum, offers insight into the working process of arguably the world's most famous architect, and his ideas about the shifting boundaries between industry, design, art, and architecture.
Architecture Monographs