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Le 4 juin 2022 a été une date importante dans l’histoire de Marseille. Un nouveau musée a ouvert, installant, entre La Major et le Mucem, des œuvres nées de la nuit des temps et arrachées à la mer par Henri Cosquer. Ce musée extraordinaire est venu donner un projet, et un sens, à la Villa Méditerranée construite sur l’esplanade du Mucem comme signe d’une liaison des deux(...)
Quand la grotte Cosquer sort de l'eau : La Villa Méditerranée en porte-à-faux
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Le 4 juin 2022 a été une date importante dans l’histoire de Marseille. Un nouveau musée a ouvert, installant, entre La Major et le Mucem, des œuvres nées de la nuit des temps et arrachées à la mer par Henri Cosquer. Ce musée extraordinaire est venu donner un projet, et un sens, à la Villa Méditerranée construite sur l’esplanade du Mucem comme signe d’une liaison des deux rives qui n’a jamais abouti. Pierre Fiastre, qui fut un acteur de cette histoire, fait raconter ici cette aventure par le bâtiment lui-même, qui s’exprime à la première personne. Un ensemble de croquis et de très belles photographies permet en outre de suivre son évolution visuelle. Un livre passionnant pour tous les amoureux de Marseille.
Museums and Universal Exhibitions
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This book explores how the National Museum of African American History & Culture, an unparalleled museum, found its place in the nation’s collective memory and on its public commons. Mabel O. Wilson explores how the "four pillars" of the museum's mission shaped its powerful structure, and she teases out the rich cultural symbols and homages layered into the design of the(...)
Begin with the past: Building the National Museum of African American History and Culture
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This book explores how the National Museum of African American History & Culture, an unparalleled museum, found its place in the nation’s collective memory and on its public commons. Mabel O. Wilson explores how the "four pillars" of the museum's mission shaped its powerful structure, and she teases out the rich cultural symbols and homages layered into the design of the building and its surrounding landscape. This is an important inside look at the making of a monument.
Museums and Universal Exhibitions
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With its technical innovations in lighting and ecologically sound climate control, Matthias Sauerbruch and Louisa Hutton's new building for the Udo and Anette Brandhorst Collection of Modern and Contemporary Art in Munich's state museum complex sets new standards for museum architecture.
Museums and Universal Exhibitions
July 2009
Museum Brandhorst: Sauerbruch Hutton architects
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With its technical innovations in lighting and ecologically sound climate control, Matthias Sauerbruch and Louisa Hutton's new building for the Udo and Anette Brandhorst Collection of Modern and Contemporary Art in Munich's state museum complex sets new standards for museum architecture.
Museums and Universal Exhibitions
As-if: Negotiating spaces
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Completed in 2005, the new building GfZK-2 for the Gallery of Contemporary Art in Leipzig, Germany, designed by the architects As-If Berlinwien, invites a dialogue between curatorial/artistic activities and architecture. This volume presents the building and its underlying concepts.
Museums and Universal Exhibitions
April 2011
As-if: Negotiating spaces
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Completed in 2005, the new building GfZK-2 for the Gallery of Contemporary Art in Leipzig, Germany, designed by the architects As-If Berlinwien, invites a dialogue between curatorial/artistic activities and architecture. This volume presents the building and its underlying concepts.
Museums and Universal Exhibitions
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The Museum of Modern Art's recent redesign embraces the changing nature of the institution and establishes it as an evolving idea, a flexible entity rather than a fixed treasure house. As the current generation of curators puts its mark on the Museum through acquisitions, exhibitions and installations, the building becomes a place where the history of art is constantly(...)
The Museum of Modern Art in this century
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The Museum of Modern Art's recent redesign embraces the changing nature of the institution and establishes it as an evolving idea, a flexible entity rather than a fixed treasure house. As the current generation of curators puts its mark on the Museum through acquisitions, exhibitions and installations, the building becomes a place where the history of art is constantly revisited, inquired into and reshaped, by its visitors as well as by its staff. The Museum of Modern Art in the 21st Century is an illustrated overview of an institution that is dedicated to accommodating the diversity of contemporary art and an increasingly complex and nuanced understanding of modern art. An essay by Museum director Glenn Lowry examines MoMA's current role in contemporary art as part of its long history of disrupting established paradigms, focusing on the building as a site where viewers actively experience art rather than passively receive it.
Museums and Universal Exhibitions
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Exploring the origins and early days of the Guggenheim Museum--when it was first known as the Museum of Non-Objective Painting--this volume reveals for the first time the Guggenheim's complex architectural history, drawing on extensive correspondence between Founding Director Hilla Rebay and artist Rudolf Bauer (whose work the Guggenheim collected exhaustively) to reveal(...)
The museum of non-objective painting
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Exploring the origins and early days of the Guggenheim Museum--when it was first known as the Museum of Non-Objective Painting--this volume reveals for the first time the Guggenheim's complex architectural history, drawing on extensive correspondence between Founding Director Hilla Rebay and artist Rudolf Bauer (whose work the Guggenheim collected exhaustively) to reveal the leading role Bauer played in envisioning the collection and the museum. It also explores Rebay's unusual curatorial conceptions and framing practices at the museum's early locations. Karol Vail provides biographies of many lesser-known artists in the museum's collection, while others discuss the museum's early history and ambitions. Architectural drawings, installation views, photographs and color plates of selected artworks help track the rise of this great museum.
Museums and Universal Exhibitions
The New Acropolis Museum
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A comprehensive look at the eagerly anticipated New Acropolis Museum in Athens, and the celebrated collection it houses. Marking the opening of the New Acropolis Museum, this book examines both its architecture and the archaeological treasures it was built to house.
The New Acropolis Museum
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A comprehensive look at the eagerly anticipated New Acropolis Museum in Athens, and the celebrated collection it houses. Marking the opening of the New Acropolis Museum, this book examines both its architecture and the archaeological treasures it was built to house.
Museums and Universal Exhibitions
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Les musées sont des univers à part entière. Les uns mériteraient le titre de chapelle tant on semble y célébrer un culte, d'autres abritent des collections foisonnantes, ou bien se consacrent à un thème unique, une passion, un homme illustre. Les musées de Paris, comme rarement d'autres villes au monde, font briller d'innombrables disciplines : les beaux-arts, la(...)
Nouveaux regards sur les musées de Paris
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Les musées sont des univers à part entière. Les uns mériteraient le titre de chapelle tant on semble y célébrer un culte, d'autres abritent des collections foisonnantes, ou bien se consacrent à un thème unique, une passion, un homme illustre. Les musées de Paris, comme rarement d'autres villes au monde, font briller d'innombrables disciplines : les beaux-arts, la littérature, les sciences... Le photographe Sylvain Sonnet s'est investi sur plusieurs années de prises de vues dans les musées parisiens.
Museums and Universal Exhibitions
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With sketches and photographs, this book illustrates the project and the different phases in the construction of Triennale Design Museum in Giovanni Muzio's Palazzo dell'Arte, Milan. Since the beginning it presented a stimulating challenge, that of providing an independent and autonomous identity to a museum housed inside the Triennale, an institution of great importance(...)
The Design Museum and the new Triennale
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With sketches and photographs, this book illustrates the project and the different phases in the construction of Triennale Design Museum in Giovanni Muzio's Palazzo dell'Arte, Milan. Since the beginning it presented a stimulating challenge, that of providing an independent and autonomous identity to a museum housed inside the Triennale, an institution of great importance in the history of Italian design during the last fifty years. The most innovatory architectural element of Triennale Design Museum is represented by its entrance through a bridge, a feature that enables the museum to stand as an autonomous entity, being at the same time part of the Triennale.
Museums and Universal Exhibitions
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American Art Museum Architecture: Documents and Design explores all aspects of, and approaches to, museum architecture—the aesthetic, the practical, the innovative, and the functional. Architectural historian Eric M. Wolf delves into the archives of some of the country’s premier institutions not only to explore the design decisions made at their founding, but also to(...)
American art museum architecture
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American Art Museum Architecture: Documents and Design explores all aspects of, and approaches to, museum architecture—the aesthetic, the practical, the innovative, and the functional. Architectural historian Eric M. Wolf delves into the archives of some of the country’s premier institutions not only to explore the design decisions made at their founding, but also to understand how those institutions have continued to evolve along with their collections, up to the present day. Wolf examines the gradual development of six major museums: the Frick Collection, the Museum of Modern Art, and the Whitney Museum of American Art in New York; the Menil Collection in Houston, the Georgia O’Keefe Museum in Santa Fe, and the Art Institute of Chicago. He explains how each museum was originally conceived, how the architecture reflected or modified that original conception, and how the buildings have been reconsidered or revised in later years, as the nature of art, art display, and museum-going has evolved.
Museums and Universal Exhibitions