36173 Results
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The urban photographs of Swiss artist Beat Streuli (born 1957) record what he calls “the glamour of the usual”--people walking the streets in familiar states of pedestrian reverie, photographed with professional care (“glamour”) but without drama (“the usual”). Public Work 1996–2011 surveys his large-scale installations in public spaces.
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The urban photographs of Swiss artist Beat Streuli (born 1957) record what he calls “the glamour of the usual”--people walking the streets in familiar states of pedestrian reverie, photographed with professional care (“glamour”) but without drama (“the usual”). Public Work 1996–2011 surveys his large-scale installations in public spaces.
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Beat Streuli: public work 1996-2011
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The urban photographs of Swiss artist Beat Streuli (born 1957) record what he calls “the glamour of the usual”--people walking the streets in familiar states of pedestrian reverie, photographed with professional care (“glamour”) but without drama (“the usual”). Public Work 1996–2011 surveys his large-scale installations in public spaces.
Beat Streuli: public work 1996-2011
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The urban photographs of Swiss artist Beat Streuli (born 1957) record what he calls “the glamour of the usual”--people walking the streets in familiar states of pedestrian reverie, photographed with professional care (“glamour”) but without drama (“the usual”). Public Work 1996–2011 surveys his large-scale installations in public spaces.
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books
books
Publication:
June 2012
June 2012
Subject:
Photography monographs
Photography monographs
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books
books
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Frontiers of Another Nature offers a survey of the photographic arts in Iceland over the past 150 years, including Spessi, Bara Kristinsdottir, Haraldur Jonsson, Hrafnkell Sigursson, Katrin Elvarsdottir, Einar Falur Ingolfsson, Icelandic Love Corporation, Petur Thomsen, Ingvar Hogni Ragnarsson, Petur Thomsen and many others.
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Frontiers of Another Nature offers a survey of the photographic arts in Iceland over the past 150 years, including Spessi, Bara Kristinsdottir, Haraldur Jonsson, Hrafnkell Sigursson, Katrin Elvarsdottir, Einar Falur Ingolfsson, Icelandic Love Corporation, Petur Thomsen, Ingvar Hogni Ragnarsson, Petur Thomsen and many others.
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Frontiers of another nature: pictures from Iceland
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Frontiers of Another Nature offers a survey of the photographic arts in Iceland over the past 150 years, including Spessi, Bara Kristinsdottir, Haraldur Jonsson, Hrafnkell Sigursson, Katrin Elvarsdottir, Einar Falur Ingolfsson, Icelandic Love Corporation, Petur Thomsen, Ingvar Hogni Ragnarsson, Petur Thomsen and many others.
Frontiers of another nature: pictures from Iceland
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Frontiers of Another Nature offers a survey of the photographic arts in Iceland over the past 150 years, including Spessi, Bara Kristinsdottir, Haraldur Jonsson, Hrafnkell Sigursson, Katrin Elvarsdottir, Einar Falur Ingolfsson, Icelandic Love Corporation, Petur Thomsen, Ingvar Hogni Ragnarsson, Petur Thomsen and many others.
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books
books
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February 2012
February 2012
Subject:
Photography Collections
Photography Collections
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books
books
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As an exponent of holism and experiment, Buckminster Fuller was an exemplary figure to many artists in his lifetime, and his relevance has only gained. This volume looks at his influence upon such artists as Jose Davila, Olafur Eliasson, Simon Dybbroe Moller, David Maljkovic, Hermann Maier Neustadt, N55, Pedro Reyes, Tomas Saraceno, Albrecht Schafer, Ai Weiwei and Beat Zoderer.
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As an exponent of holism and experiment, Buckminster Fuller was an exemplary figure to many artists in his lifetime, and his relevance has only gained. This volume looks at his influence upon such artists as Jose Davila, Olafur Eliasson, Simon Dybbroe Moller, David Maljkovic, Hermann Maier Neustadt, N55, Pedro Reyes, Tomas Saraceno, Albrecht Schafer, Ai Weiwei and Beat Zoderer.
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February 2012
February 2012
Title:
We are all astronauts : universe Richard Buckinster Fuller reflected in contemporary art
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As an exponent of holism and experiment, Buckminster Fuller was an exemplary figure to many artists in his lifetime, and his relevance has only gained. This volume looks at his influence upon such artists as Jose Davila, Olafur Eliasson, Simon Dybbroe Moller, David Maljkovic, Hermann Maier Neustadt, N55, Pedro Reyes, Tomas Saraceno, Albrecht Schafer, Ai Weiwei and Beat Zoderer.
We are all astronauts : universe Richard Buckinster Fuller reflected in contemporary art
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As an exponent of holism and experiment, Buckminster Fuller was an exemplary figure to many artists in his lifetime, and his relevance has only gained. This volume looks at his influence upon such artists as Jose Davila, Olafur Eliasson, Simon Dybbroe Moller, David Maljkovic, Hermann Maier Neustadt, N55, Pedro Reyes, Tomas Saraceno, Albrecht Schafer, Ai Weiwei and Beat Zoderer.
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books
books
Publication:
February 2012
February 2012
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books
books
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$35.00
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In the same way that the Helvetica font graphically defined the New York City subway system, the Design Research Unit visually branded the London we know today in everything from its street signs to such corporate identities as British Rail. "Design Research Unit: 1942-72" details the history of the Unit and includes contemporary perspectives by artists, designers and critics.
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In the same way that the Helvetica font graphically defined the New York City subway system, the Design Research Unit visually branded the London we know today in everything from its street signs to such corporate identities as British Rail. "Design Research Unit: 1942-72" details the history of the Unit and includes contemporary perspectives by artists, designers and critics.
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Design research unit 1942-1972
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In the same way that the Helvetica font graphically defined the New York City subway system, the Design Research Unit visually branded the London we know today in everything from its street signs to such corporate identities as British Rail. "Design Research Unit: 1942-72" details the history of the Unit and includes contemporary perspectives by artists, designers and critics.
Design research unit 1942-1972
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In the same way that the Helvetica font graphically defined the New York City subway system, the Design Research Unit visually branded the London we know today in everything from its street signs to such corporate identities as British Rail. "Design Research Unit: 1942-72" details the history of the Unit and includes contemporary perspectives by artists, designers and critics.
Form:
books
books
Publication:
April 2012
April 2012
Subject:
Graphic Designers, Monographs
Graphic Designers, Monographs
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books
books
Title:
Art of another city
Art of another city
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As contemporary art increasingly implicates itself in urban space, Art of Another City attempts to imagine the scope of art's potential to transform cities. Yvonne P. Doderer, Uli Hellweg, Andrea Knobloch, Michaela Ott, Ute Vorkoeper, Tanja Wetzel and Gesa Ziemer offer speculations on such topics as urban planning, public art, gentrification and cultural education.
$49.95
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As contemporary art increasingly implicates itself in urban space, Art of Another City attempts to imagine the scope of art's potential to transform cities. Yvonne P. Doderer, Uli Hellweg, Andrea Knobloch, Michaela Ott, Ute Vorkoeper, Tanja Wetzel and Gesa Ziemer offer speculations on such topics as urban planning, public art, gentrification and cultural education.
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Art of another city
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As contemporary art increasingly implicates itself in urban space, Art of Another City attempts to imagine the scope of art's potential to transform cities. Yvonne P. Doderer, Uli Hellweg, Andrea Knobloch, Michaela Ott, Ute Vorkoeper, Tanja Wetzel and Gesa Ziemer offer speculations on such topics as urban planning, public art, gentrification and cultural education.
Art of another city
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As contemporary art increasingly implicates itself in urban space, Art of Another City attempts to imagine the scope of art's potential to transform cities. Yvonne P. Doderer, Uli Hellweg, Andrea Knobloch, Michaela Ott, Ute Vorkoeper, Tanja Wetzel and Gesa Ziemer offer speculations on such topics as urban planning, public art, gentrification and cultural education.
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books
books
Publication:
May 2012
May 2012
Subject:
Urban Theory
Urban Theory
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books
books
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$69.95
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Summary:
During the summer months of 2011, the Migros Museum für Gegenwartskunst inaugurated a sculpture project on the grounds of the Froh Ussicht estate in Samstagern, Zurich. The project was inspired by Bomarzo, the famous Italian Renaissance garden populated with fantastical and monstrous sculptures and follies (i.e. buildings constructed primarily for the embellishment of a(...)
$69.95
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Summary:
During the summer months of 2011, the Migros Museum für Gegenwartskunst inaugurated a sculpture project on the grounds of the Froh Ussicht estate in Samstagern, Zurich. The project was inspired by Bomarzo, the famous Italian Renaissance garden populated with fantastical and monstrous sculptures and follies (i.e. buildings constructed primarily for the embellishment of a(...)
Title:
The garden of forking paths: an anthology about contemporary follies
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During the summer months of 2011, the Migros Museum für Gegenwartskunst inaugurated a sculpture project on the grounds of the Froh Ussicht estate in Samstagern, Zurich. The project was inspired by Bomarzo, the famous Italian Renaissance garden populated with fantastical and monstrous sculptures and follies (i.e. buildings constructed primarily for the embellishment of a landscape). Artists Pablo Bronstein, Liz Craft, Ida Ekblad, Geoffrey Farmer, Kerstin Kartscher, Ragnar Kjartansson, Fabian Marti, Peter Regli and Thiago Rocha Pitta all devised their own fantastical narratives in response to Bomarzo. The Garden of Forking Paths enlarges upon this innovative exhibition with reproductions of installed works, and essays by architecture and garden theorists and writers on the history of follies and the interaction between art and garden: Lars Bang Larsen, Michael Bracewell, Horst Bredekamp, Brian Dillon, Patrick Eyres, Heike Munder, Anthony Vidler and Catherine Wood.
The garden of forking paths: an anthology about contemporary follies
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$69.95
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Summary:
During the summer months of 2011, the Migros Museum für Gegenwartskunst inaugurated a sculpture project on the grounds of the Froh Ussicht estate in Samstagern, Zurich. The project was inspired by Bomarzo, the famous Italian Renaissance garden populated with fantastical and monstrous sculptures and follies (i.e. buildings constructed primarily for the embellishment of a landscape). Artists Pablo Bronstein, Liz Craft, Ida Ekblad, Geoffrey Farmer, Kerstin Kartscher, Ragnar Kjartansson, Fabian Marti, Peter Regli and Thiago Rocha Pitta all devised their own fantastical narratives in response to Bomarzo. The Garden of Forking Paths enlarges upon this innovative exhibition with reproductions of installed works, and essays by architecture and garden theorists and writers on the history of follies and the interaction between art and garden: Lars Bang Larsen, Michael Bracewell, Horst Bredekamp, Brian Dillon, Patrick Eyres, Heike Munder, Anthony Vidler and Catherine Wood.
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books
books
Publication:
April 2012
April 2012
Subject:
Gardens
Gardens
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books
books
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This issue includes: Jeffrey Kipnis on Reiser + Umemoto's 0-14 tower; Anthony Vidler on Colin Rowe's review of La Tourette; Todd Gannon on Jason Payne's "Rawhide: The New Shingle Style" at SCI-Arc; Charles Jencks on contextual counterpoint in recent work of Herzog & de Meuron and Edouard François; Craig Buckley on Lacaton & Vassal's transformation of Bois-le-Pretre tower(...)
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This issue includes: Jeffrey Kipnis on Reiser + Umemoto's 0-14 tower; Anthony Vidler on Colin Rowe's review of La Tourette; Todd Gannon on Jason Payne's "Rawhide: The New Shingle Style" at SCI-Arc; Charles Jencks on contextual counterpoint in recent work of Herzog & de Meuron and Edouard François; Craig Buckley on Lacaton & Vassal's transformation of Bois-le-Pretre tower(...)
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Log 24, winter/spring 2012: architecture criticism
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This issue includes: Jeffrey Kipnis on Reiser + Umemoto's 0-14 tower; Anthony Vidler on Colin Rowe's review of La Tourette; Todd Gannon on Jason Payne's "Rawhide: The New Shingle Style" at SCI-Arc; Charles Jencks on contextual counterpoint in recent work of Herzog & de Meuron and Edouard François; Craig Buckley on Lacaton & Vassal's transformation of Bois-le-Pretre tower in Paris; Sylvia Lavin on Piplotti Rist's installation at the Wexner Center; Daniel Sherer on Preston Scott Cohen's Tel Aviv Museum; and many other contributions from Rome, Athens, Ningbo, London, New York, and Los Angeles.
Log 24, winter/spring 2012: architecture criticism
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This issue includes: Jeffrey Kipnis on Reiser + Umemoto's 0-14 tower; Anthony Vidler on Colin Rowe's review of La Tourette; Todd Gannon on Jason Payne's "Rawhide: The New Shingle Style" at SCI-Arc; Charles Jencks on contextual counterpoint in recent work of Herzog & de Meuron and Edouard François; Craig Buckley on Lacaton & Vassal's transformation of Bois-le-Pretre tower in Paris; Sylvia Lavin on Piplotti Rist's installation at the Wexner Center; Daniel Sherer on Preston Scott Cohen's Tel Aviv Museum; and many other contributions from Rome, Athens, Ningbo, London, New York, and Los Angeles.
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books
books
Publication:
April 2012
April 2012
Subject:
Magazines
Magazines
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books
books
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Issu d'une famille fortunée, rentier à 42 ans, « bourgeois »et original, Louis Mantin lègue en 1905 son exceptionnelle maison et la collection qu'elle renferme « de façon à montrer aux visiteurs dans cent ans un spécimen d'habitation d'un bourgeois du XIXe siècle ». Construit entre 1893 et 1897, sur une partie des ruines du palais ducal des Bourbon, l'édifice pittoresque(...)
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Issu d'une famille fortunée, rentier à 42 ans, « bourgeois »et original, Louis Mantin lègue en 1905 son exceptionnelle maison et la collection qu'elle renferme « de façon à montrer aux visiteurs dans cent ans un spécimen d'habitation d'un bourgeois du XIXe siècle ». Construit entre 1893 et 1897, sur une partie des ruines du palais ducal des Bourbon, l'édifice pittoresque(...)
Title:
La maison Mantin : une demeure d'atmosphère
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Issu d'une famille fortunée, rentier à 42 ans, « bourgeois »et original, Louis Mantin lègue en 1905 son exceptionnelle maison et la collection qu'elle renferme « de façon à montrer aux visiteurs dans cent ans un spécimen d'habitation d'un bourgeois du XIXe siècle ». Construit entre 1893 et 1897, sur une partie des ruines du palais ducal des Bourbon, l'édifice pittoresque est conçu pour préserver et conserver la collection du maître des lieux, érudit, curieux et amateur d'art.
La maison Mantin : une demeure d'atmosphère
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Issu d'une famille fortunée, rentier à 42 ans, « bourgeois »et original, Louis Mantin lègue en 1905 son exceptionnelle maison et la collection qu'elle renferme « de façon à montrer aux visiteurs dans cent ans un spécimen d'habitation d'un bourgeois du XIXe siècle ». Construit entre 1893 et 1897, sur une partie des ruines du palais ducal des Bourbon, l'édifice pittoresque est conçu pour préserver et conserver la collection du maître des lieux, érudit, curieux et amateur d'art.
Form:
books
books
Publication:
April 2012
April 2012
Subject:
History until 1900, France
History until 1900, France
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books
books
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$62.95
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Summary:
Les cathédrales constituent un des symboles majeurs du monde médiéval occidental, et autant de repères essentiels pour l'histoire de la civilisation chrétienne. Mais que sait-on vraiment de leur signification, des oeuvriers qui les ont levées et du contexte religieux, politique et économique qui les a vues naître? Cet ouvrage permet de mieux comprendre les responsabilités(...)
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Les cathédrales constituent un des symboles majeurs du monde médiéval occidental, et autant de repères essentiels pour l'histoire de la civilisation chrétienne. Mais que sait-on vraiment de leur signification, des oeuvriers qui les ont levées et du contexte religieux, politique et économique qui les a vues naître? Cet ouvrage permet de mieux comprendre les responsabilités(...)
Title:
Les oeuvriers des cathédrales
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Les cathédrales constituent un des symboles majeurs du monde médiéval occidental, et autant de repères essentiels pour l'histoire de la civilisation chrétienne. Mais que sait-on vraiment de leur signification, des oeuvriers qui les ont levées et du contexte religieux, politique et économique qui les a vues naître? Cet ouvrage permet de mieux comprendre les responsabilités de chacun : maîtres d'ouvrage, tailleurs de pierre, charpentiers, sculpteurs, peintres, etc.
Les oeuvriers des cathédrales
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Les cathédrales constituent un des symboles majeurs du monde médiéval occidental, et autant de repères essentiels pour l'histoire de la civilisation chrétienne. Mais que sait-on vraiment de leur signification, des oeuvriers qui les ont levées et du contexte religieux, politique et économique qui les a vues naître? Cet ouvrage permet de mieux comprendre les responsabilités de chacun : maîtres d'ouvrage, tailleurs de pierre, charpentiers, sculpteurs, peintres, etc.
Form:
books
books
Publication:
April 2012
April 2012
Subject:
History until 1900
History until 1900
Form:
books
books
Title:
Manuel Alvarez Bravo
Manuel Alvarez Bravo
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Manuel Alvarez Bravo (1902-2002) est une figure tutélaire de la photographie mexicaine. A bien des égards, une grande part de son œuvre se lit comme l’exact miroir d’un pays et plus encore d’une civilisation. Du Mexique, il a tout exploré, tout montré, tout interprété sans jamais céder au pittoresque : des sites mythiques de la civilisation maya aux fresques muralistes(...)
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Manuel Alvarez Bravo (1902-2002) est une figure tutélaire de la photographie mexicaine. A bien des égards, une grande part de son œuvre se lit comme l’exact miroir d’un pays et plus encore d’une civilisation. Du Mexique, il a tout exploré, tout montré, tout interprété sans jamais céder au pittoresque : des sites mythiques de la civilisation maya aux fresques muralistes(...)
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Manuel Alvarez Bravo
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Manuel Alvarez Bravo (1902-2002) est une figure tutélaire de la photographie mexicaine. A bien des égards, une grande part de son œuvre se lit comme l’exact miroir d’un pays et plus encore d’une civilisation. Du Mexique, il a tout exploré, tout montré, tout interprété sans jamais céder au pittoresque : des sites mythiques de la civilisation maya aux fresques muralistes en passant par les drames de la révolution zapatiste (cf. L’ouvrier assassiné), il a passionnément interrogé l’essence, la texture, la subtile alchimie d’un pays et d’une nation dont il dresse le portrait philosophique définitif.
Manuel Alvarez Bravo
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Manuel Alvarez Bravo (1902-2002) est une figure tutélaire de la photographie mexicaine. A bien des égards, une grande part de son œuvre se lit comme l’exact miroir d’un pays et plus encore d’une civilisation. Du Mexique, il a tout exploré, tout montré, tout interprété sans jamais céder au pittoresque : des sites mythiques de la civilisation maya aux fresques muralistes en passant par les drames de la révolution zapatiste (cf. L’ouvrier assassiné), il a passionnément interrogé l’essence, la texture, la subtile alchimie d’un pays et d’une nation dont il dresse le portrait philosophique définitif.
Form:
books
books
Publication:
April 2012
April 2012
Subject:
Photography monographs
Photography monographs
