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The influence on the interplay of technical progress, imagination and functional variety in footbridges are different from those affecting large-scale bridges. This fact has resulted in an exhaustible variety of distinctive design, as is beautifully illustrated by the selection of footbridges shown in this book. Essays clearly explain the technical aspects and the(...)
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The influence on the interplay of technical progress, imagination and functional variety in footbridges are different from those affecting large-scale bridges. This fact has resulted in an exhaustible variety of distinctive design, as is beautifully illustrated by the selection of footbridges shown in this book. Essays clearly explain the technical aspects and the(...)
Title:
Footbridges: structure, design, history
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The influence on the interplay of technical progress, imagination and functional variety in footbridges are different from those affecting large-scale bridges. This fact has resulted in an exhaustible variety of distinctive design, as is beautifully illustrated by the selection of footbridges shown in this book. Essays clearly explain the technical aspects and the aesthetic potential of different structure designs. Footbridges contains detailed presentations of 90 european bridges, with text, comprehensive and detail plans, and photographs taken especially for the volume. With projects by Arup, Jürg Conzett, Foster and Partners, Happold, Schlaich Bergermann and Partners, Wilkinson Eyre, Jiri Strasky and others. The examples are organized chronologically in thematically focused chapters: lightweight bridges, moving bridges, covered bridges, taut-ribbon suspension bridges, arch bridges, etc. For those whose curiosity is aroused by the insight given into this type of bridge building, a compilation of 120 more footbridges, listed by location, provide a starting point for further investigation.
Footbridges: structure, design, history
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The influence on the interplay of technical progress, imagination and functional variety in footbridges are different from those affecting large-scale bridges. This fact has resulted in an exhaustible variety of distinctive design, as is beautifully illustrated by the selection of footbridges shown in this book. Essays clearly explain the technical aspects and the aesthetic potential of different structure designs. Footbridges contains detailed presentations of 90 european bridges, with text, comprehensive and detail plans, and photographs taken especially for the volume. With projects by Arup, Jürg Conzett, Foster and Partners, Happold, Schlaich Bergermann and Partners, Wilkinson Eyre, Jiri Strasky and others. The examples are organized chronologically in thematically focused chapters: lightweight bridges, moving bridges, covered bridges, taut-ribbon suspension bridges, arch bridges, etc. For those whose curiosity is aroused by the insight given into this type of bridge building, a compilation of 120 more footbridges, listed by location, provide a starting point for further investigation.
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books
books
Publication:
October 2007
October 2007
Subject:
Engineering Structures
Engineering Structures
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books
books
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$56.00
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At some point before publication, a book assumes its final form, the form in which it is experienced by its audience. Naturally, this audience is often oblivious to the many, sometimes complex, decisions involved in constructing visual meaning through the montage of different ideas and elements. But, although these deliberate decisions are not normally communicated to the(...)
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At some point before publication, a book assumes its final form, the form in which it is experienced by its audience. Naturally, this audience is often oblivious to the many, sometimes complex, decisions involved in constructing visual meaning through the montage of different ideas and elements. But, although these deliberate decisions are not normally communicated to the(...)
Title:
Before publications: montage in art, architecture and book design. A reader.
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At some point before publication, a book assumes its final form, the form in which it is experienced by its audience. Naturally, this audience is often oblivious to the many, sometimes complex, decisions involved in constructing visual meaning through the montage of different ideas and elements. But, although these deliberate decisions are not normally communicated to the audience, the book is always to some extent a conception, or mediated presentation. The contributors to "Before Publication" consider the construction of visual meaning through montage, with each essay taking as its starting point a particular artifact—from Ed Ruscha’s photobook, Every Building on the Sunset Strip to works by Sergei Eisenstein, Muriel Cooper, and Marshall McLuhan to Tristan Tzara’s unpublished Dadaglobe anthology. A common theme threading throughout the chapters is the relationship between privacy and publicity. A concise introductory chapter by the book’s editors, Nanni Baltzer and Martino Stierli places the chapters in conversation and discusses the broader subject of montage in art, architecture, and book design.
Before publications: montage in art, architecture and book design. A reader.
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Summary:
At some point before publication, a book assumes its final form, the form in which it is experienced by its audience. Naturally, this audience is often oblivious to the many, sometimes complex, decisions involved in constructing visual meaning through the montage of different ideas and elements. But, although these deliberate decisions are not normally communicated to the audience, the book is always to some extent a conception, or mediated presentation. The contributors to "Before Publication" consider the construction of visual meaning through montage, with each essay taking as its starting point a particular artifact—from Ed Ruscha’s photobook, Every Building on the Sunset Strip to works by Sergei Eisenstein, Muriel Cooper, and Marshall McLuhan to Tristan Tzara’s unpublished Dadaglobe anthology. A common theme threading throughout the chapters is the relationship between privacy and publicity. A concise introductory chapter by the book’s editors, Nanni Baltzer and Martino Stierli places the chapters in conversation and discusses the broader subject of montage in art, architecture, and book design.
Form:
books
books
Publication:
January 2017
January 2017
Subject:
Book Design
Book Design
Form:
books
books
Price:
$48.95
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Summary:
How to respond to climatic changes reconciling nature with tekné? What is the social role of technology? How architects would reconsider their practices supporting community-oriented projects? The theoretical assumption for this investigation is based on the observation of cause-effect relations, between different urban and architectural configurations and their(...)
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How to respond to climatic changes reconciling nature with tekné? What is the social role of technology? How architects would reconsider their practices supporting community-oriented projects? The theoretical assumption for this investigation is based on the observation of cause-effect relations, between different urban and architectural configurations and their(...)
Title:
African Fabbers Atlas: Manual of synthetic vernacular architecture
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How to respond to climatic changes reconciling nature with tekné? What is the social role of technology? How architects would reconsider their practices supporting community-oriented projects? The theoretical assumption for this investigation is based on the observation of cause-effect relations, between different urban and architectural configurations and their performances: social, environmental, structural etc. in both pre-colonial and informal cultures around Africa. The diachronic approach intends to generate, after many years of post-colonial studies, an operative agenda of possible strategies, which is in accordance with different conditions starting from the anthropological and the climatic ones. Such an agenda responds to a global cultural need for an ecological shift in the contemporary design and manufacturing processes, which should bridge high and low-tech cultures. Therefore, the book is conceived also as a sort of manual that is articulated around emergent principles inspired by traditional and informal African practices and architectures: self-similarity and diversified typologies, material optimisation and circular economy, self-sufficiency and responsive dwellings.
African Fabbers Atlas: Manual of synthetic vernacular architecture
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$48.95
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Summary:
How to respond to climatic changes reconciling nature with tekné? What is the social role of technology? How architects would reconsider their practices supporting community-oriented projects? The theoretical assumption for this investigation is based on the observation of cause-effect relations, between different urban and architectural configurations and their performances: social, environmental, structural etc. in both pre-colonial and informal cultures around Africa. The diachronic approach intends to generate, after many years of post-colonial studies, an operative agenda of possible strategies, which is in accordance with different conditions starting from the anthropological and the climatic ones. Such an agenda responds to a global cultural need for an ecological shift in the contemporary design and manufacturing processes, which should bridge high and low-tech cultures. Therefore, the book is conceived also as a sort of manual that is articulated around emergent principles inspired by traditional and informal African practices and architectures: self-similarity and diversified typologies, material optimisation and circular economy, self-sufficiency and responsive dwellings.
Form:
books
books
Publication:
September 2022
September 2022
Subject:
Architecture since 1900, Africa
Architecture since 1900, Africa
Form:
books
books
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$66.00
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Summary:
Newtown Creek is a tributary of New York's East River that forms part of the border between the boroughs of Brooklyn and Queens. During the Industrial Revolution, when its volume of commercial shipping traffic exceeded that of the Mississippi River, the creek was widened, deepened, and bulkheaded to accommodate bigger barges, destroying all its freshwater sources. As one(...)
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Newtown Creek is a tributary of New York's East River that forms part of the border between the boroughs of Brooklyn and Queens. During the Industrial Revolution, when its volume of commercial shipping traffic exceeded that of the Mississippi River, the creek was widened, deepened, and bulkheaded to accommodate bigger barges, destroying all its freshwater sources. As one(...)
Title:
Newtown Creek: a photographic survey of New York's industrial waterway
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Newtown Creek is a tributary of New York's East River that forms part of the border between the boroughs of Brooklyn and Queens. During the Industrial Revolution, when its volume of commercial shipping traffic exceeded that of the Mississippi River, the creek was widened, deepened, and bulkheaded to accommodate bigger barges, destroying all its freshwater sources. As one of the oldest continuous industrial areas in the nation, it is now one of the most polluted. Newtown Creek is the first extensive documentation of this forgotten landscape. Anthony Hamboussi's five-year photographic survey captures the creek at a critical moment when gentrification and revitalization are just starting to change the area. From the ruins of Morgan Oil Company and the Newtown Metal Corporation to the footprints of the former Maspeth gasholders, Newtown Creek is a lost chapter in the visual history of industrial New York framed at the moment of its disappearance and transformation.
Newtown Creek: a photographic survey of New York's industrial waterway
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Summary:
Newtown Creek is a tributary of New York's East River that forms part of the border between the boroughs of Brooklyn and Queens. During the Industrial Revolution, when its volume of commercial shipping traffic exceeded that of the Mississippi River, the creek was widened, deepened, and bulkheaded to accommodate bigger barges, destroying all its freshwater sources. As one of the oldest continuous industrial areas in the nation, it is now one of the most polluted. Newtown Creek is the first extensive documentation of this forgotten landscape. Anthony Hamboussi's five-year photographic survey captures the creek at a critical moment when gentrification and revitalization are just starting to change the area. From the ruins of Morgan Oil Company and the Newtown Metal Corporation to the footprints of the former Maspeth gasholders, Newtown Creek is a lost chapter in the visual history of industrial New York framed at the moment of its disappearance and transformation.
Form:
books
books
Publication:
March 2010
March 2010
Subject:
Photography Collections
Photography Collections
Form:
books
books
Title:
Haptic green
Haptic green
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With a well-established international reputation, Japanese photographer Naruki Oshima’s latest work, Haptic Green, makes nature highly present. He applies a complex technical process to deconstruct an image into more than two hundred elements. The process is like a scan; with the camera fixed at a precise point, the artist methodically shoots a series of images starting(...)
$54.95
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Summary:
With a well-established international reputation, Japanese photographer Naruki Oshima’s latest work, Haptic Green, makes nature highly present. He applies a complex technical process to deconstruct an image into more than two hundred elements. The process is like a scan; with the camera fixed at a precise point, the artist methodically shoots a series of images starting(...)
Title:
Haptic green
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$54.95
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Summary:
With a well-established international reputation, Japanese photographer Naruki Oshima’s latest work, Haptic Green, makes nature highly present. He applies a complex technical process to deconstruct an image into more than two hundred elements. The process is like a scan; with the camera fixed at a precise point, the artist methodically shoots a series of images starting from the bottom left corner of the frame, up to the top right-hand side, applying various focuses. After reassembling the shots and erasing its overlaps and distortions, the finalized image offers a view on nature which a human eye could never have. The artist describes the purpose of this series as to experience when you walk into dense green woods, and when your eyes reach out to scarcely recognize its object. Two different perspectives of distances exist here, one a close-up focus to see partial details of the tree, the other a distant focus to see the whole perspective of the tree.
Haptic green
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$54.95
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Summary:
With a well-established international reputation, Japanese photographer Naruki Oshima’s latest work, Haptic Green, makes nature highly present. He applies a complex technical process to deconstruct an image into more than two hundred elements. The process is like a scan; with the camera fixed at a precise point, the artist methodically shoots a series of images starting from the bottom left corner of the frame, up to the top right-hand side, applying various focuses. After reassembling the shots and erasing its overlaps and distortions, the finalized image offers a view on nature which a human eye could never have. The artist describes the purpose of this series as to experience when you walk into dense green woods, and when your eyes reach out to scarcely recognize its object. Two different perspectives of distances exist here, one a close-up focus to see partial details of the tree, the other a distant focus to see the whole perspective of the tree.
Form:
books
books
Publication:
November 2014
November 2014
Subject:
Photography monographs
Photography monographs
Form:
books
books
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$111.00
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The Colour Journal is not simply another publication about the meaning of colour. Colours have not been approached in a literal way but as a starting point, a pretext to tell bigger stories, a means of revealing the story within the story: we all know Henri Matisse's Blue Nudes, but who can say the same about Biskra, the forgotten Algerian oasis that inspired him? We may(...)
$111.00
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Summary:
The Colour Journal is not simply another publication about the meaning of colour. Colours have not been approached in a literal way but as a starting point, a pretext to tell bigger stories, a means of revealing the story within the story: we all know Henri Matisse's Blue Nudes, but who can say the same about Biskra, the forgotten Algerian oasis that inspired him? We may(...)
Title:
The Colour Journal: The blue issue, Vol. 1
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$111.00
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The Colour Journal is not simply another publication about the meaning of colour. Colours have not been approached in a literal way but as a starting point, a pretext to tell bigger stories, a means of revealing the story within the story: we all know Henri Matisse's Blue Nudes, but who can say the same about Biskra, the forgotten Algerian oasis that inspired him? We may also know about the ultramarine pigment that Yves Klein patented, but who has heard of Edouard Adam, a merchant in Montparnasse who discovered its formula? The Colour Journal intends to fight against the dictatorship of immediacy, to give depth to the pretty images of fashion magazines and Instagram feeds, to delve into familiar moments of art history and discover what lies beneath, to dig into museum libraries and reveal unseen treasures. To bring this enterprise to life, The Colour Journal travelled from Idaho to Guangxi, from antiquity to the present day, to bring you a dialogue between forgotten archives and contemporary photography: follow a denim hunter in the American West, visit one of China's last cultural minorities, peek into Helmut Newton's private collection of Polaroids and dive into David Hockney's chlorinated swimming pools.
The Colour Journal: The blue issue, Vol. 1
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$111.00
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Summary:
The Colour Journal is not simply another publication about the meaning of colour. Colours have not been approached in a literal way but as a starting point, a pretext to tell bigger stories, a means of revealing the story within the story: we all know Henri Matisse's Blue Nudes, but who can say the same about Biskra, the forgotten Algerian oasis that inspired him? We may also know about the ultramarine pigment that Yves Klein patented, but who has heard of Edouard Adam, a merchant in Montparnasse who discovered its formula? The Colour Journal intends to fight against the dictatorship of immediacy, to give depth to the pretty images of fashion magazines and Instagram feeds, to delve into familiar moments of art history and discover what lies beneath, to dig into museum libraries and reveal unseen treasures. To bring this enterprise to life, The Colour Journal travelled from Idaho to Guangxi, from antiquity to the present day, to bring you a dialogue between forgotten archives and contemporary photography: follow a denim hunter in the American West, visit one of China's last cultural minorities, peek into Helmut Newton's private collection of Polaroids and dive into David Hockney's chlorinated swimming pools.
Form:
books
books
Publication:
March 2023
March 2023
Subject:
Colour Theory and Design
Colour Theory and Design
Form:
books
books
Price:
$41.95
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Summary:
In order to analyze the phenomenon of late Gothic “Cell Vaults“, it is essential to understand the building process, the characteristics of the specifications formulated in planning, and the design criteria for these structures. On one hand, the reasons for the invention of this particular type of vaulted ceiling in the late 15th century and its spread over a large area(...)
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Summary:
In order to analyze the phenomenon of late Gothic “Cell Vaults“, it is essential to understand the building process, the characteristics of the specifications formulated in planning, and the design criteria for these structures. On one hand, the reasons for the invention of this particular type of vaulted ceiling in the late 15th century and its spread over a large area(...)
Subject:
History until 1900, Middle Ages
History until 1900, Middle Ages
Publication:
November 2016
November 2016
Title:
Traces of making: shape, design and construction of late Gothic vaults
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Summary:
In order to analyze the phenomenon of late Gothic “Cell Vaults“, it is essential to understand the building process, the characteristics of the specifications formulated in planning, and the design criteria for these structures. On one hand, the reasons for the invention of this particular type of vaulted ceiling in the late 15th century and its spread over a large area are usually viewed from a technological standpoint. On the other hand, the appearance of these vaults, in particular the character of their curves and surfaces, can only be described against this background. As it happens, we have no recourse to contemporary information regarding the construction techniques or the design specifications of cell vaults. This constitutes a methodological problem: how is it possible, starting from the existing artifact, to formulate a clear idea of not only the production of the vaults but also the decision-making and communication processes associated with their making? Within the research project “Form, Construction and Design Principles of late Gothic Cell Vaults – ‘Reverse Engineering’ and Experimental Archaeology”, ways of thinking about the genesis of these particular vaults are formulated.
Traces of making: shape, design and construction of late Gothic vaults
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$41.95
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Summary:
In order to analyze the phenomenon of late Gothic “Cell Vaults“, it is essential to understand the building process, the characteristics of the specifications formulated in planning, and the design criteria for these structures. On one hand, the reasons for the invention of this particular type of vaulted ceiling in the late 15th century and its spread over a large area are usually viewed from a technological standpoint. On the other hand, the appearance of these vaults, in particular the character of their curves and surfaces, can only be described against this background. As it happens, we have no recourse to contemporary information regarding the construction techniques or the design specifications of cell vaults. This constitutes a methodological problem: how is it possible, starting from the existing artifact, to formulate a clear idea of not only the production of the vaults but also the decision-making and communication processes associated with their making? Within the research project “Form, Construction and Design Principles of late Gothic Cell Vaults – ‘Reverse Engineering’ and Experimental Archaeology”, ways of thinking about the genesis of these particular vaults are formulated.
Form:
books
books
Publication:
November 2016
November 2016
Subject:
History until 1900, Middle Ages
History until 1900, Middle Ages
Form:
books
books
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$52.00
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Summary:
Starting with the refurbishment of his own apartment in 1903, twenty of Loos’s most significant buildings are displayed : Villa Karma, the Kärntner Bar, the Goldman & Salatsch Michaelerplatz Building, the Zentralsparkasse Bank, and the Steiner, Scheu, Moller, and Müller houses. Schezen’s vivid color and luminous black-and-white photographs display each building in detail,(...)
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Summary:
Starting with the refurbishment of his own apartment in 1903, twenty of Loos’s most significant buildings are displayed : Villa Karma, the Kärntner Bar, the Goldman & Salatsch Michaelerplatz Building, the Zentralsparkasse Bank, and the Steiner, Scheu, Moller, and Müller houses. Schezen’s vivid color and luminous black-and-white photographs display each building in detail,(...)
Title:
Adolf Loos : architecture 1903-1932
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Starting with the refurbishment of his own apartment in 1903, twenty of Loos’s most significant buildings are displayed : Villa Karma, the Kärntner Bar, the Goldman & Salatsch Michaelerplatz Building, the Zentralsparkasse Bank, and the Steiner, Scheu, Moller, and Müller houses. Schezen’s vivid color and luminous black-and-white photographs display each building in detail, showing both the formal characteristics and the rich textures and materials Loos most frequently used. Complementing this visual material is Kenneth Frampton’s perceptive essay, which places Loos within the context of Viennese intellectuals of the time. His circle, which included Arnold Schönberg, Ludwig Wittgenstein, and at the center, Karl Kraus, explored the essential nature of architecture, and the other arts and sciences, through linguistic structures. Frampton identifies the hallmarks that Loos derived from these structures and with which he created his work : the blank, "degree-zero" exterior with its luxurious interior; his commentary on architecture’s position between art and function, plus subtle recollections of both the classic and the vernacular. All these ploys were to subvert typical architectural expectations. Joseph Rosa’s accompanying descriptions comprehensively discuss each building, from the circumstances surrounding the realization of the projects to the use of Loos’s architectural conventions.
Adolf Loos : architecture 1903-1932
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Summary:
Starting with the refurbishment of his own apartment in 1903, twenty of Loos’s most significant buildings are displayed : Villa Karma, the Kärntner Bar, the Goldman & Salatsch Michaelerplatz Building, the Zentralsparkasse Bank, and the Steiner, Scheu, Moller, and Müller houses. Schezen’s vivid color and luminous black-and-white photographs display each building in detail, showing both the formal characteristics and the rich textures and materials Loos most frequently used. Complementing this visual material is Kenneth Frampton’s perceptive essay, which places Loos within the context of Viennese intellectuals of the time. His circle, which included Arnold Schönberg, Ludwig Wittgenstein, and at the center, Karl Kraus, explored the essential nature of architecture, and the other arts and sciences, through linguistic structures. Frampton identifies the hallmarks that Loos derived from these structures and with which he created his work : the blank, "degree-zero" exterior with its luxurious interior; his commentary on architecture’s position between art and function, plus subtle recollections of both the classic and the vernacular. All these ploys were to subvert typical architectural expectations. Joseph Rosa’s accompanying descriptions comprehensively discuss each building, from the circumstances surrounding the realization of the projects to the use of Loos’s architectural conventions.
Form:
books
books
Publication:
August 2009
August 2009
Subject:
Architecture Monographs
Architecture Monographs
Form:
books
books
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$49.95
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Summary:
As one of the world’s foremost urban designers, architect Terry Farrell has an acute awareness of the significance of place. Starting from his earliest years, as a child growing up in 1940s Manchester, Farrell’s imagination has been shaped and inspired by the many cities in which he has lived, visited and worked. This is Farrell’s story, embracing four decades of(...)
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Summary:
As one of the world’s foremost urban designers, architect Terry Farrell has an acute awareness of the significance of place. Starting from his earliest years, as a child growing up in 1940s Manchester, Farrell’s imagination has been shaped and inspired by the many cities in which he has lived, visited and worked. This is Farrell’s story, embracing four decades of(...)
Title:
Terry Farrell - life and work - early years to 1981 : place : a story of modelmaking, menageries and paper rounds
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As one of the world’s foremost urban designers, architect Terry Farrell has an acute awareness of the significance of place. Starting from his earliest years, as a child growing up in 1940s Manchester, Farrell’s imagination has been shaped and inspired by the many cities in which he has lived, visited and worked. This is Farrell’s story, embracing four decades of observation of our built environment. Farrell’s anecdotes, recollections and musings take a nomadic journey through time and space. A walk down 1950s Broadway and along 1960s Charlotte Street; a visit to the Alhambra; tutorials with Louis Kahn in Pennsylvania; the significance of bungalows; continual round-the-world tours – all are vibrantly related through words and pictures, many from Farrell’s personal photo collection.The book’s second section explores Farrell’s early projects, beginning with his student thesis, moving on to the Farrell/Grimshaw work and ending with Terry Farrell Partnership’s first schemes. Projects include the now listed Blackwall Tunnel Ventilation Towers and Park Road flats, the Student Hostel and Clifton Nurseries and housing and factory designs. Concluding the book are recollections from architects and critics casting an eye back over fifty years of design.This book is Terry Farrell’s strong statement for the humanizing of spaces and the need to nurture and protect the best of what the urban environment can offer
Terry Farrell - life and work - early years to 1981 : place : a story of modelmaking, menageries and paper rounds
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$49.95
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Summary:
As one of the world’s foremost urban designers, architect Terry Farrell has an acute awareness of the significance of place. Starting from his earliest years, as a child growing up in 1940s Manchester, Farrell’s imagination has been shaped and inspired by the many cities in which he has lived, visited and worked. This is Farrell’s story, embracing four decades of observation of our built environment. Farrell’s anecdotes, recollections and musings take a nomadic journey through time and space. A walk down 1950s Broadway and along 1960s Charlotte Street; a visit to the Alhambra; tutorials with Louis Kahn in Pennsylvania; the significance of bungalows; continual round-the-world tours – all are vibrantly related through words and pictures, many from Farrell’s personal photo collection.The book’s second section explores Farrell’s early projects, beginning with his student thesis, moving on to the Farrell/Grimshaw work and ending with Terry Farrell Partnership’s first schemes. Projects include the now listed Blackwall Tunnel Ventilation Towers and Park Road flats, the Student Hostel and Clifton Nurseries and housing and factory designs. Concluding the book are recollections from architects and critics casting an eye back over fifty years of design.This book is Terry Farrell’s strong statement for the humanizing of spaces and the need to nurture and protect the best of what the urban environment can offer
Form:
books
books
Publication:
December 2004, London
December 2004, London
Subject:
Architecture Monographs
Architecture Monographs
Form:
journals and magazines
journals and magazines
Price:
$44.00
(available to order)
Summary:
The city has become an important new starting point in the quest for architecture. At a time of extreme urbanisation, unharnessed urban growth has led many architects to rethink the way that buildings are designed for the global metropolis. It is no longer practical or desirable to impose the standardised, idealized planning of the 20th century. Rather than viewing the(...)
$44.00
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Summary:
The city has become an important new starting point in the quest for architecture. At a time of extreme urbanisation, unharnessed urban growth has led many architects to rethink the way that buildings are designed for the global metropolis. It is no longer practical or desirable to impose the standardised, idealized planning of the 20th century. Rather than viewing the(...)
Title:
AD- City catalyst: design architecture in the age of extreme urbanisation
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$44.00
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The city has become an important new starting point in the quest for architecture. At a time of extreme urbanisation, unharnessed urban growth has led many architects to rethink the way that buildings are designed for the global metropolis. It is no longer practical or desirable to impose the standardised, idealized planning of the 20th century. Rather than viewing the city as a fixed entity, architects are now seeking direct inspiration from the existing urban environment and learning from its ever-changing state that resists predetermination. The city, in all its complexity, has become a realm of invention and a space for possibilities where new designs can be tested. This is as apparent in the work that architects are undertaking in the informal settlements, or favelas, of Latin America, as in the more regulated spaces of Chicago, London or Tokyo. Favouring an inclusive way of viewing the city, no aspect of the urban world is any longer rejected outright, and architects and urban designers instead find potential and learn from the underlying dynamics of the contemporary city. This attitude highlights the generative capacities of the city and finds new ways of engaging it. At the very least, it advances an architectural thinking that engages the city on its own ground, abets its potential and seeks opportunities in the existing condition.
AD- City catalyst: design architecture in the age of extreme urbanisation
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$44.00
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Summary:
The city has become an important new starting point in the quest for architecture. At a time of extreme urbanisation, unharnessed urban growth has led many architects to rethink the way that buildings are designed for the global metropolis. It is no longer practical or desirable to impose the standardised, idealized planning of the 20th century. Rather than viewing the city as a fixed entity, architects are now seeking direct inspiration from the existing urban environment and learning from its ever-changing state that resists predetermination. The city, in all its complexity, has become a realm of invention and a space for possibilities where new designs can be tested. This is as apparent in the work that architects are undertaking in the informal settlements, or favelas, of Latin America, as in the more regulated spaces of Chicago, London or Tokyo. Favouring an inclusive way of viewing the city, no aspect of the urban world is any longer rejected outright, and architects and urban designers instead find potential and learn from the underlying dynamics of the contemporary city. This attitude highlights the generative capacities of the city and finds new ways of engaging it. At the very least, it advances an architectural thinking that engages the city on its own ground, abets its potential and seeks opportunities in the existing condition.
Form:
journals and magazines
journals and magazines
Publication:
October 2012
October 2012
Subject:
Magazines
Magazines
