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This book is the first overall presentation of Silberkuppe. Since it’s founding in May 2008, Silberkuppe has become one of Berlin’s most outstanding independent spaces for contemporary art. This catalogue comes as a result of the exhibition “Under One Umbrella” (2010) in Bergen Kunsthall, a project that was the culmination of a series of institutional group exhibitions in(...)
Silberkuppe: Under one umbrella
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This book is the first overall presentation of Silberkuppe. Since it’s founding in May 2008, Silberkuppe has become one of Berlin’s most outstanding independent spaces for contemporary art. This catalogue comes as a result of the exhibition “Under One Umbrella” (2010) in Bergen Kunsthall, a project that was the culmination of a series of institutional group exhibitions in which Silberkuppe extended their practice out from their own micro-space. It takes the form of a “photographic report” documenting all of Silberkuppe’s main exhibitions and events, as well as presenting several essays related to the projects.
Museums and Universal Exhibitions
Musée d'Orsay
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Sur trois vastes étages y est présenté l'art français du XIXe siècle et du début du XXe siècle, notamment des chefs-d'oeuvre mondialement connus de l'impressionnisme. Cet ouvrage emmène à la découverte de diverses collections de peintures, sculptures, meubles, dessins et photographies. Des informations détaillées, de nombreuses illustrations, des analyses des oeuvres et(...)
Musée d'Orsay
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Sur trois vastes étages y est présenté l'art français du XIXe siècle et du début du XXe siècle, notamment des chefs-d'oeuvre mondialement connus de l'impressionnisme. Cet ouvrage emmène à la découverte de diverses collections de peintures, sculptures, meubles, dessins et photographies. Des informations détaillées, de nombreuses illustrations, des analyses des oeuvres et des plans clairs du lieu font de ce guide un compagnon précieux lors de la visite du musée d'Orsay qui a acquis une célébrité mondiale.
Museums and Universal Exhibitions
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With the Luxembourg Pavilion for EXPO 2010 in Shanghai, the internationally renowned practice of Hermann & Valentiny und Partner demonstrates the utmost potential of the alliance of architecture and art.
Museums and Universal Exhibitions
May 2010
Hermann & Valentiny : Luxembourg expo pavilion 2010, Shanghai
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With the Luxembourg Pavilion for EXPO 2010 in Shanghai, the internationally renowned practice of Hermann & Valentiny und Partner demonstrates the utmost potential of the alliance of architecture and art.
Museums and Universal Exhibitions
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In Curating Consciousness, Marcia Brennan focuses on one of the transformational figures of twentieth-century curatorial culture, and the main protagonist of this unacknowledged curatorial practice. James Johnson Sweeney (1900–1986) was hired as the Director of Painting and Sculpture at the Museum of Modern Art in 1935. He went on to become the director of the Guggenheim(...)
Curating consciousness: Mysticism and the Modern museum
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In Curating Consciousness, Marcia Brennan focuses on one of the transformational figures of twentieth-century curatorial culture, and the main protagonist of this unacknowledged curatorial practice. James Johnson Sweeney (1900–1986) was hired as the Director of Painting and Sculpture at the Museum of Modern Art in 1935. He went on to become the director of the Guggenheim Museum and the Museum of Fine Arts, Houston. Throughout his career, Sweeney provocatively engaged motifs of mysticism in order to cast the modern museum as a secular temple of art. Sweeney believed that artworks could engender visionary perspectives and induce alternative modes of consciousness in their viewers; his career can be seen as an exercise in curating modernist consciousness itself. Brennan describes how these motifs informed Sweeney's curatorial and textual engagements with specific artists and projects, including Marcel Duchamp's intricately androgynous constructions, Alberto Burri's images of hermetic alchemy and blood miracles, Pierre Soulages's creative transmutations of sacred stones into gestural abstract paintings, Jean Tinguely's apocalyptic yet playful kinetic experiments, and Eduardo Chillida's translations of theology and philosophy into sculpted fields of sparkling light.
Museums and Universal Exhibitions
A museum of one's own
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When French revolutionaries sacked royal holdings at the end of the 18th century, they began the largest transfer of artistic goods in world history. By 1850 many "repossessed" treasures had come to rest in a new institution, the public museum, where they were assigned educational tasks. Anne Higonnet's book begins at this turning point in the history of art, but it looks(...)
A museum of one's own
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When French revolutionaries sacked royal holdings at the end of the 18th century, they began the largest transfer of artistic goods in world history. By 1850 many "repossessed" treasures had come to rest in a new institution, the public museum, where they were assigned educational tasks. Anne Higonnet's book begins at this turning point in the history of art, but it looks instead at another new institution, the collection museum. Emerging in London with the Wallace Collection, the collection museum spread rapidly in Gilded Age America. To the discontent of many Europeans, cash-flush Americans like J.P. Morgan and Henry Clay Frick went on collecting campaigns that netted masterpiece after masterpiece, along with the furniture and fittings of dozens of aristocratic residences. Higonnet weaves letters, auction records and photographs into an engrossing account of the founding of both renowned and obscure collection museums. She also explores how these collectors stoked the tremendous values accorded paintings by Raphael, Titian, Rembrandt, Vermeer, Velazquez, Gainsborough and Reynolds.
Museums and Universal Exhibitions
Exhibition design
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This book offers a thorough grounding in the principles of designing for exhibitions. It describes the skills needed to become an exhibition designer, including: developing a brief and working with clients, design principles for graphics, circulation, lighting and accessibility, presenting ideas to clients, and the practicalities of production. The visual material(...)
Exhibition design
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This book offers a thorough grounding in the principles of designing for exhibitions. It describes the skills needed to become an exhibition designer, including: developing a brief and working with clients, design principles for graphics, circulation, lighting and accessibility, presenting ideas to clients, and the practicalities of production. The visual material includes photographs of completed exhibitions by world renowned designers, concept drawings, computer renderings, charts and tables of information all for a wide range of exhibitions around the world, permanent and temporary, including museums and galleries, visitor centres, brand experiences, festivals and trade fairs.
Museums and Universal Exhibitions
Contemporary museums
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A critical survey of contemporary museums, as well as a reference in the field of architecture. The book analyzes the design and production of museum complexes all over the world in the last decade, and gives a critical interpretation of one of the most challenging subjects in the recent architectural panorama. The work of the most important contemporary masters such as(...)
Contemporary museums
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A critical survey of contemporary museums, as well as a reference in the field of architecture. The book analyzes the design and production of museum complexes all over the world in the last decade, and gives a critical interpretation of one of the most challenging subjects in the recent architectural panorama. The work of the most important contemporary masters such as Alvaro Siza, Zaha Hadid, Tadao Ando, Massimiliano Fuksas, Renzo Piano, Steven Holl, Jean Nouvel, Frank Gehry, Daniel Libeskind crosses the most recent research and experiences in the world of museums. The works of emerging architects such as Tezuka Architects, Mansilla & Tunon, Asymptote, Diller + Scofidio, Delugan Meissle, UN studio, Michael Maltzan, and many others shows clearly how museum design became a fundamental field of research on the changing nature of the public spaces as well as on the relevant relationship between landscape and architecture.
Museums and Universal Exhibitions
Contemporary museums
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The volume presents the most varied forms of exhibition buildings of the last decade and reveals their spatial and architectural concepts: from the white cube idea that exists chiefly to display the exhibit itself, to a flamboyant freestanding structure, which enriches the image of the city and involves the works in its dynamic spatial configuration. A broad diversity of(...)
Contemporary museums
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The volume presents the most varied forms of exhibition buildings of the last decade and reveals their spatial and architectural concepts: from the white cube idea that exists chiefly to display the exhibit itself, to a flamboyant freestanding structure, which enriches the image of the city and involves the works in its dynamic spatial configuration. A broad diversity of museums is considered: museums of businesses and institutes, of technology and toys, of literature and architecture.
Museums and Universal Exhibitions
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In the midst of the Great Depression, America’s World’s Fairs of the 1930s gave hope to millions, sustaining the assembled with visions of future progress. Designing Tomorrow celebrates the influence and impact of these international expositions. Offering an overview of the fairs and detailed discussions of individual works, distinguished authors examine how designers(...)
Designing tomorrow: America's world's fairs of the 1930s
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In the midst of the Great Depression, America’s World’s Fairs of the 1930s gave hope to millions, sustaining the assembled with visions of future progress. Designing Tomorrow celebrates the influence and impact of these international expositions. Offering an overview of the fairs and detailed discussions of individual works, distinguished authors examine how designers reconciled radical “European” Modern style with American tradition.
Museums and Universal Exhibitions
$25.95
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The 2010 Shanghai Expo is unparalleled, a gathering like no other. One of the top experiences at the Shanghai Expo is the USA Pavilion, perhaps the leading international attraction of the entire Fair. At least 70 million guests are expected to tour the fairgrounds, making the Expo not just the largest World's Fair in history, but also the largest attended event of any(...)
The USA pavilion: Expo 2010 Shanghai
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The 2010 Shanghai Expo is unparalleled, a gathering like no other. One of the top experiences at the Shanghai Expo is the USA Pavilion, perhaps the leading international attraction of the entire Fair. At least 70 million guests are expected to tour the fairgrounds, making the Expo not just the largest World's Fair in history, but also the largest attended event of any sort in human history. A lucky five million or so of these fair-goers will enter the USA Pavilion, where an engaging, impactful four-act show awaits, and American hospitality abounds. The USA Pavilion Expo 2010 Shanghai: Rising to the Challenge captures the thrilling experiences inside America's great hall. Packed with eye-catching images, facts, and first-person accounts, The USA Pavilion Expo 2010 Shanghai is a perfect keepsake for Pavilion-goers, World Expo enthusiasts, American history buffs, and anyone interested in major international events such as the World Cup or the Olympic Games. From early Pavilion drawings to images of Opening Day excitement to a tour of the Pavilion itself, this official commemorative book highlights the spirit of America and the splendor of an epic showcase.
Museums and Universal Exhibitions