1816 Results
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The longest line on the London Underground network, the Central line opened in 1900 and has nearly quadrupled in size, now serving 49 stations and spanning 74 km (46 miles). The Central line’s sheer size presents significant challenges for personal interaction amongst its 1,408 operational staff. Artworks in the Central Line Series take the theme of ‘communication’ as a(...)
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The longest line on the London Underground network, the Central line opened in 1900 and has nearly quadrupled in size, now serving 49 stations and spanning 74 km (46 miles). The Central line’s sheer size presents significant challenges for personal interaction amongst its 1,408 operational staff. Artworks in the Central Line Series take the theme of ‘communication’ as a(...)
Publication:
August 2012
August 2012
Title:
Central lines series: art on the underground
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The longest line on the London Underground network, the Central line opened in 1900 and has nearly quadrupled in size, now serving 49 stations and spanning 74 km (46 miles). The Central line’s sheer size presents significant challenges for personal interaction amongst its 1,408 operational staff. Artworks in the Central Line Series take the theme of ‘communication’ as a starting point to explore ideas around interaction, engagement and exchange, in the context of the Central line, and specific locations along the line.
Central lines series: art on the underground
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$19.95
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The longest line on the London Underground network, the Central line opened in 1900 and has nearly quadrupled in size, now serving 49 stations and spanning 74 km (46 miles). The Central line’s sheer size presents significant challenges for personal interaction amongst its 1,408 operational staff. Artworks in the Central Line Series take the theme of ‘communication’ as a starting point to explore ideas around interaction, engagement and exchange, in the context of the Central line, and specific locations along the line.
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vii, 248 pages illustrations, facsimiles, portrait 26 cm
Description:
vii, 248 pages illustrations, facsimiles, portrait 26 cm
Subject:
- Brown, Lancelot, 1716-1783.,
- Repton, Humphry, 1752-1818.,
- Landscape architects England Biography.,
- Landscape architecture England History.,
- Architectes paysagistes Angleterre Biographies.,
- Architecture du paysage Angleterre Histoire.,
- Landscape architects,
- Landscape architecture,
- England,
- Biography.,
- collective biographies.,
- Biographies,
- History
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Publication:
New York, Scribner [1971]
New York, Scribner [1971]
Title:
Capability Brown and Humphry Repton, by Edward Hyams.
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Description:
vii, 248 pages illustrations, facsimiles, portrait 26 cm
Capability Brown and Humphry Repton, by Edward Hyams.
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Description:
vii, 248 pages illustrations, facsimiles, portrait 26 cm
Form:
books
books
Publication:
New York, Scribner [1971]
New York, Scribner [1971]
Subject:
- Brown, Lancelot, 1716-1783.,
- Repton, Humphry, 1752-1818.,
- Landscape architects England Biography.,
- Landscape architecture England History.,
- Architectes paysagistes Angleterre Biographies.,
- Architecture du paysage Angleterre Histoire.,
- Landscape architects,
- Landscape architecture,
- England,
- Biography.,
- collective biographies.,
- Biographies,
- History
(See more)
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$69.95
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Focusing on the years 1958-1968, A Minimal Future? presents key works within the framework of a scholarly re-examination of minimal art's emergence and historical context. It reflects the early transitional period that begins in the late 1950s, through the so-called "canonization" of Minimalism by 1968, with an emphasis on work produced in the mid-to-late 1960s. The(...)
$69.95
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Focusing on the years 1958-1968, A Minimal Future? presents key works within the framework of a scholarly re-examination of minimal art's emergence and historical context. It reflects the early transitional period that begins in the late 1950s, through the so-called "canonization" of Minimalism by 1968, with an emphasis on work produced in the mid-to-late 1960s. The(...)
Publication:
May 2004, Cambridge
May 2004, Cambridge
Title:
A minimal future? : art as object 1958-1968
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Focusing on the years 1958-1968, A Minimal Future? presents key works within the framework of a scholarly re-examination of minimal art's emergence and historical context. It reflects the early transitional period that begins in the late 1950s, through the so-called "canonization" of Minimalism by 1968, with an emphasis on work produced in the mid-to-late 1960s. The book includes works from the late 1950s through the late 1960s by 40 artists, including Carl Andre, Richard Artschwager, Jo Baer, Larry Bell, Mel Bochner, Judy Chicago, Dan Flavin, Robert Grosvenor, Eva Hesse, Donald Judd, Sol LeWitt, Agnes Martin, John McCracken, Robert Ryman, Frank Stella, Anne Truitt, and Lawrence Weiner that reflect the shifting object status of painting and sculpture.
A minimal future? : art as object 1958-1968
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Summary:
Focusing on the years 1958-1968, A Minimal Future? presents key works within the framework of a scholarly re-examination of minimal art's emergence and historical context. It reflects the early transitional period that begins in the late 1950s, through the so-called "canonization" of Minimalism by 1968, with an emphasis on work produced in the mid-to-late 1960s. The book includes works from the late 1950s through the late 1960s by 40 artists, including Carl Andre, Richard Artschwager, Jo Baer, Larry Bell, Mel Bochner, Judy Chicago, Dan Flavin, Robert Grosvenor, Eva Hesse, Donald Judd, Sol LeWitt, Agnes Martin, John McCracken, Robert Ryman, Frank Stella, Anne Truitt, and Lawrence Weiner that reflect the shifting object status of painting and sculpture.
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$55.00
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Drawing People is an illustrated survey of inventive drawings of the human form being produced today by 70 contemporary artists from around the world. An introduction places the medium of drawing in its historical context, discussing its intersection with photography, painting, collage and illustration, as well as its ability to intimately express thought, personality and(...)
$55.00
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Drawing People is an illustrated survey of inventive drawings of the human form being produced today by 70 contemporary artists from around the world. An introduction places the medium of drawing in its historical context, discussing its intersection with photography, painting, collage and illustration, as well as its ability to intimately express thought, personality and(...)
Publication:
February 2015
February 2015
Title:
Drawing People: the human figure in contemporary art
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$55.00
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Drawing People is an illustrated survey of inventive drawings of the human form being produced today by 70 contemporary artists from around the world. An introduction places the medium of drawing in its historical context, discussing its intersection with photography, painting, collage and illustration, as well as its ability to intimately express thought, personality and emotion. Five chapters—Body, Self, Personal Lives, Social Reality and Fictions—include short introductions outlining each theme, followed by generously illustrated profiles on individual artists exploring their style, approach to the medium and the ideas, narratives and inspirations that lie behind their mark-making. Five chapters—Body, Self, Personal Lives, Social Reality and Fictions—include short introductions outlining each theme, followed by generously illustrated profiles on individual artists exploring their style, approach to the medium and the ideas, narratives and inspirations that lie behind their mark-making.
Drawing People: the human figure in contemporary art
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$55.00
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Summary:
Drawing People is an illustrated survey of inventive drawings of the human form being produced today by 70 contemporary artists from around the world. An introduction places the medium of drawing in its historical context, discussing its intersection with photography, painting, collage and illustration, as well as its ability to intimately express thought, personality and emotion. Five chapters—Body, Self, Personal Lives, Social Reality and Fictions—include short introductions outlining each theme, followed by generously illustrated profiles on individual artists exploring their style, approach to the medium and the ideas, narratives and inspirations that lie behind their mark-making. Five chapters—Body, Self, Personal Lives, Social Reality and Fictions—include short introductions outlining each theme, followed by generously illustrated profiles on individual artists exploring their style, approach to the medium and the ideas, narratives and inspirations that lie behind their mark-making.
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books
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[2], IV, 85, [1] pages, [4] leaves of plates (1 folded) : illustrations, portrait ; 24 cm (8vo)
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[2], IV, 85, [1] pages, [4] leaves of plates (1 folded) : illustrations, portrait ; 24 cm (8vo)
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Publication:
Mantova : Dalla Tipografia Virgiliana de L. Caranenti, MDCCCXXV [1825]
Mantova : Dalla Tipografia Virgiliana de L. Caranenti, MDCCCXXV [1825]
Title:
Notizie storiche spettanti la vita e le opere di Lorenzo Leonbruno insigne pittore Mantovano del secolo XVI / scritte da Girolamo Prandi professore emerito dell'Università di Bologna.
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[2], IV, 85, [1] pages, [4] leaves of plates (1 folded) : illustrations, portrait ; 24 cm (8vo)
Notizie storiche spettanti la vita e le opere di Lorenzo Leonbruno insigne pittore Mantovano del secolo XVI / scritte da Girolamo Prandi professore emerito dell'Università di Bologna.
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[2], IV, 85, [1] pages, [4] leaves of plates (1 folded) : illustrations, portrait ; 24 cm (8vo)
Form:
books
books
Publication:
Mantova : Dalla Tipografia Virgiliana de L. Caranenti, MDCCCXXV [1825]
Mantova : Dalla Tipografia Virgiliana de L. Caranenti, MDCCCXXV [1825]
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$89.00
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Published on the centenary of the Russian Revolution, this book gathers information from the forefront of current research in early Soviet art, providing a new understanding of where art was presented, who saw it, and how the images incorporated and conveyed Soviet values. More than 350 works are grouped into areas of critical importance for the production, reception, and(...)
$89.00
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Summary:
Published on the centenary of the Russian Revolution, this book gathers information from the forefront of current research in early Soviet art, providing a new understanding of where art was presented, who saw it, and how the images incorporated and conveyed Soviet values. More than 350 works are grouped into areas of critical importance for the production, reception, and(...)
Publication:
July 2017
July 2017
Title:
Revolutsiia! Demonstratsiia! Soviet art put to the test
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Published on the centenary of the Russian Revolution, this book gathers information from the forefront of current research in early Soviet art, providing a new understanding of where art was presented, who saw it, and how the images incorporated and conveyed Soviet values. More than 350 works are grouped into areas of critical importance for the production, reception, and circulation of early Soviet art: battlegrounds, schools, the press, theaters, homes and storefronts, factories, festivals, and exhibitions.
Revolutsiia! Demonstratsiia! Soviet art put to the test
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$89.00
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Summary:
Published on the centenary of the Russian Revolution, this book gathers information from the forefront of current research in early Soviet art, providing a new understanding of where art was presented, who saw it, and how the images incorporated and conveyed Soviet values. More than 350 works are grouped into areas of critical importance for the production, reception, and circulation of early Soviet art: battlegrounds, schools, the press, theaters, homes and storefronts, factories, festivals, and exhibitions.
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books
books
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Description:
xv, 198 pages ; 30 cm
- Library study room periodical index 116411 | Z5132.C38 (ID:95-B1137) | Available
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Description:
xv, 198 pages ; 30 cm
Author:
- Grosso, Rosalba.,
- Aquilina, Antonella.,
- École française de Rome.,
- Biblioteca di archeologia e storia dell'arte (Rome, Italy),
- Bibliotheca Hertziana, Max-Planck-Institut.,
- Istituto di studi sulla ricerca e documentazione scientifica (Italy),
- Deutsches Archäologisches Institut. Römische Abteilung.
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Subject:
- Archaeology Periodicals Bibliography Union lists.,
- Art History Periodicals Bibliography Union lists.,
- Archéologie Périodiques Bibliographie Catalogues collectifs.,
- Art Histoire Périodiques Bibliographie Catalogues collectifs.,
- Archaeology Periodicals,
- Art Periodicals,
- Library resources,
- Rome (Italy) Library resources.,
- Italy Rome,
- History,
- Union catalogs
(See more)
Publication:
Roma : Biblioteca dell'Istituto Nazionale di Archeologia e Storia dell'Arte, 1992.
Roma : Biblioteca dell'Istituto Nazionale di Archeologia e Storia dell'Arte, 1992.
Title:
Catalogo collettivo dei periodici di archeologia e storia dell'arte : Biblioteca dell'Istituto Nazionale di Archeologia e Storia dell'Arte, Bibliotheca Hertziana, Deutsches Archaeologisches Institut, École Française / [edizione a cura di Rosalba Grosso, Antonella Aquilina].
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xv, 198 pages ; 30 cm
Catalogo collettivo dei periodici di archeologia e storia dell'arte : Biblioteca dell'Istituto Nazionale di Archeologia e Storia dell'Arte, Bibliotheca Hertziana, Deutsches Archaeologisches Institut, École Française / [edizione a cura di Rosalba Grosso, Antonella Aquilina].
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- Library study room periodical index 116411 | Z5132.C38 (ID:95-B1137) | Available
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Description:
xv, 198 pages ; 30 cm
Form:
books
books
Publication:
Roma : Biblioteca dell'Istituto Nazionale di Archeologia e Storia dell'Arte, 1992.
Roma : Biblioteca dell'Istituto Nazionale di Archeologia e Storia dell'Arte, 1992.
Author:
- Grosso, Rosalba.,
- Aquilina, Antonella.,
- École française de Rome.,
- Biblioteca di archeologia e storia dell'arte (Rome, Italy),
- Bibliotheca Hertziana, Max-Planck-Institut.,
- Istituto di studi sulla ricerca e documentazione scientifica (Italy),
- Deutsches Archäologisches Institut. Römische Abteilung.
(See more)
Subject:
- Archaeology Periodicals Bibliography Union lists.,
- Art History Periodicals Bibliography Union lists.,
- Archéologie Périodiques Bibliographie Catalogues collectifs.,
- Art Histoire Périodiques Bibliographie Catalogues collectifs.,
- Archaeology Periodicals,
- Art Periodicals,
- Library resources,
- Rome (Italy) Library resources.,
- Italy Rome,
- History,
- Union catalogs
(See more)
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books
books
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Description:
xii, 177 pages : illustrations ; 24 cm.
Description:
xii, 177 pages : illustrations ; 24 cm.
Subject:
- Memory (Philosophy),
- History Philosophy.,
- Memory Social aspects.,
- Cities and towns Psychological aspects.,
- Memory in literature.,
- Mémoire (Philosophie),
- Histoire Philosophie.,
- Mémoire Aspect social.,
- Villes Aspect psychologique.,
- Mémoire dans la littérature.,
- 15.50 general world history; history of great parts of the world, peoples, civilizations: general.,
- 02.01 history of science and culture.,
- Gedächtnis,
- Geschichtsphilosophie,
- Stadt,
- Gedenkplaatsen.,
- Gedenktekens.,
- Collectief geheugen.,
- Mémoire collective Dans l'art.,
- Mémoire collective Dans la littérature.,
- Conscience historique.,
- Villes Histoire Aspect psychologique.
(See more)
Publication:
Stanford, Calif. : Stanford University Press, [2003], ©2003
Stanford, Calif. : Stanford University Press, [2003], ©2003
Title:
Present pasts : urban palimpsests and the politics of memory / Andreas Huyssen.
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Description:
xii, 177 pages : illustrations ; 24 cm.
Present pasts : urban palimpsests and the politics of memory / Andreas Huyssen.
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Description:
xii, 177 pages : illustrations ; 24 cm.
Form:
books
books
Publication:
Stanford, Calif. : Stanford University Press, [2003], ©2003
Stanford, Calif. : Stanford University Press, [2003], ©2003
Subject:
- Memory (Philosophy),
- History Philosophy.,
- Memory Social aspects.,
- Cities and towns Psychological aspects.,
- Memory in literature.,
- Mémoire (Philosophie),
- Histoire Philosophie.,
- Mémoire Aspect social.,
- Villes Aspect psychologique.,
- Mémoire dans la littérature.,
- 15.50 general world history; history of great parts of the world, peoples, civilizations: general.,
- 02.01 history of science and culture.,
- Gedächtnis,
- Geschichtsphilosophie,
- Stadt,
- Gedenkplaatsen.,
- Gedenktekens.,
- Collectief geheugen.,
- Mémoire collective Dans l'art.,
- Mémoire collective Dans la littérature.,
- Conscience historique.,
- Villes Histoire Aspect psychologique.
(See more)
Form:
books
books
Title:
CAPS LOCK.
CAPS LOCK.
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Description:
1 online resource
Author:
- Pater, Ruben,,
- Altenfelder, Felipe,,
- Balaguer, Clara,,
- Brinkman, Els,,
- Copeland, Gemma,,
- Elzenbaumer, Bianca,,
- Haiven, Max,,
- Hassler-Forest, Dan,,
- Heij, Gijs de,,
- Helvert, Marjanne van,,
- Jong, Nic de,,
- Lindgren, Jacob,,
- Lorusso, Silvio,,
- Pezzati, Emilia,,
- Reijnen, Leo,,
- Rojas, Itayosara,,
- Sampath, Sheila,,
- Schep, Tijmen,,
- Sowersby, Kris,,
- Stevens, Elke,,
- Toorn, Jan van,,
- Urrea, Laura Colom,,
- Vilela, Rafael,,
- Vis, Dirk,,
- Vorstermans, Astrid,,
- Library Stack,,
- Library Stack.
(See more)
Subject:
- Capital movements.,
- Capitalism.,
- Graphic artists.,
- Graphic arts.,
- Historiography.,
- Memes.,
- Postcolonialism.,
- Propaganda.,
- Publishers and publishing.,
- Mouvements de capitaux.,
- Arts graphiques.,
- Historiographie.,
- Mèmes.,
- Propagande.,
- historiography.,
- memes (Internet),
- Artists' books.,
- Discursive works.,
- artists' books (books),
- Collections,
- Anthologies.,
- book.,
- Livres d'artistes.
(See more)
Publication:
[Place of publication not identified] : Valiz, 2022.
[Place of publication not identified] : Valiz, 2022.
Form:
books
books
Publication:
[Place of publication not identified] : Valiz, 2022.
[Place of publication not identified] : Valiz, 2022.
Author:
- Pater, Ruben,,
- Altenfelder, Felipe,,
- Balaguer, Clara,,
- Brinkman, Els,,
- Copeland, Gemma,,
- Elzenbaumer, Bianca,,
- Haiven, Max,,
- Hassler-Forest, Dan,,
- Heij, Gijs de,,
- Helvert, Marjanne van,,
- Jong, Nic de,,
- Lindgren, Jacob,,
- Lorusso, Silvio,,
- Pezzati, Emilia,,
- Reijnen, Leo,,
- Rojas, Itayosara,,
- Sampath, Sheila,,
- Schep, Tijmen,,
- Sowersby, Kris,,
- Stevens, Elke,,
- Toorn, Jan van,,
- Urrea, Laura Colom,,
- Vilela, Rafael,,
- Vis, Dirk,,
- Vorstermans, Astrid,,
- Library Stack,,
- Library Stack.
(See more)
Subject:
- Capital movements.,
- Capitalism.,
- Graphic artists.,
- Graphic arts.,
- Historiography.,
- Memes.,
- Postcolonialism.,
- Propaganda.,
- Publishers and publishing.,
- Mouvements de capitaux.,
- Arts graphiques.,
- Historiographie.,
- Mèmes.,
- Propagande.,
- historiography.,
- memes (Internet),
- Artists' books.,
- Discursive works.,
- artists' books (books),
- Collections,
- Anthologies.,
- book.,
- Livres d'artistes.
(See more)
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$72.00
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Summary:
The San Francisco Bay Area's legendary late-1960s counterculture - which included Allen Ginsberg, Bruce Nauman, Stan Brakhage, Yvonne Rainer and The Grateful Dead, as well as plentiful psychedelic drugs, free love, bell-bottoms, dashikis, daisies and radical leftist politics - ushered in wave after wave of experiments in dance, art, literature, music and film. As Jack(...)
$72.00
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Summary:
The San Francisco Bay Area's legendary late-1960s counterculture - which included Allen Ginsberg, Bruce Nauman, Stan Brakhage, Yvonne Rainer and The Grateful Dead, as well as plentiful psychedelic drugs, free love, bell-bottoms, dashikis, daisies and radical leftist politics - ushered in wave after wave of experiments in dance, art, literature, music and film. As Jack(...)
Title:
Looking for mushrooms: Beat poets, hippies, funk, minimal art San Francisco 1955-68
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$72.00
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Summary:
The San Francisco Bay Area's legendary late-1960s counterculture - which included Allen Ginsberg, Bruce Nauman, Stan Brakhage, Yvonne Rainer and The Grateful Dead, as well as plentiful psychedelic drugs, free love, bell-bottoms, dashikis, daisies and radical leftist politics - ushered in wave after wave of experiments in dance, art, literature, music and film. As Jack Kerouac wrote in his 1957 masterpiece, On the Road, "The only people for me are the mad ones, the ones who are mad to live, mad to talk, mad to be saved, desirous of everything at the same time, the ones who never yawn or say a commonplace thing, but burn, burn, burn like fabulous yellow roman candles exploding like spiders across the stars..." This engaging documentary volume, which accompanies a late 2008 exhibition at Germany's Museum Ludwig, Cologne, examines the cultural repercussions of the creative output during the pivotal years spanning from 1955 to 1968, examining the ways in which they are still reverberating today.
Looking for mushrooms: Beat poets, hippies, funk, minimal art San Francisco 1955-68
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$72.00
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Summary:
The San Francisco Bay Area's legendary late-1960s counterculture - which included Allen Ginsberg, Bruce Nauman, Stan Brakhage, Yvonne Rainer and The Grateful Dead, as well as plentiful psychedelic drugs, free love, bell-bottoms, dashikis, daisies and radical leftist politics - ushered in wave after wave of experiments in dance, art, literature, music and film. As Jack Kerouac wrote in his 1957 masterpiece, On the Road, "The only people for me are the mad ones, the ones who are mad to live, mad to talk, mad to be saved, desirous of everything at the same time, the ones who never yawn or say a commonplace thing, but burn, burn, burn like fabulous yellow roman candles exploding like spiders across the stars..." This engaging documentary volume, which accompanies a late 2008 exhibition at Germany's Museum Ludwig, Cologne, examines the cultural repercussions of the creative output during the pivotal years spanning from 1955 to 1968, examining the ways in which they are still reverberating today.