journals and magazines
[Dordrecht] : Kluwer Academic Publishers
journals and magazines
[Dordrecht] : Kluwer Academic Publishers
journals and magazines
[Champaign, IL] : [University of Illinois Press], [2015]-[2022]
journals and magazines
[Champaign, IL] : [University of Illinois Press], [2015]-[2022]
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Summary:
Hormisdas Laporte est un homme d'exception qui s'est élevé au-dessus de la mêlée pour devenir un des grands commerçants et entrepreneurs montréalais de la fin du XIXe siècle, un prince du commerce international, un président de banque, un échevin, le 27e maire de Montréal et, enfin, le chevalier sir Hormisdas Laporte. Toujours, il s'est prouvé utile à sa société. Il s'est(...)
Sir Hormisdas Laporte: Homme d'affaires et maire de Montréal, 1850-1934
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Hormisdas Laporte est un homme d'exception qui s'est élevé au-dessus de la mêlée pour devenir un des grands commerçants et entrepreneurs montréalais de la fin du XIXe siècle, un prince du commerce international, un président de banque, un échevin, le 27e maire de Montréal et, enfin, le chevalier sir Hormisdas Laporte. Toujours, il s'est prouvé utile à sa société. Il s'est préoccupé du bien-être, de l'éducation et de l'avenir de ses concitoyens canadiens-français immobilisés par la pauvreté, l'isolement, le statut de conquis et la présence dominante et coercitive des Anglais. Marjolaine Saint-Pierre rend hommage à ce grand Montréalais qui a trouvé sa voie dans l'action et qui a su se tenir debout face à l'adversité.
Architecture de Montréal
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Description:
341 pages : illustrations (chiefly colour) ; 29 cm
Montréal, Québec : Les Éditions de l'Homme, Une société de Québecor Média, [2016], ©2016
Belles demeures historiques de l'île de Montréal / textes de François Rémillard ; photographies de Brian Merrett ; préface de Michel Lessard.
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341 pages : illustrations (chiefly colour) ; 29 cm
books
Montréal, Québec : Les Éditions de l'Homme, Une société de Québecor Média, [2016], ©2016
books
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273 pages : illustrations, portraits ; 29 x 38 cm
Montréal : Sabiston Lithographic & Pub. Co., 1893.
The Toronto Board of Trade : "a souvenir" ; a history of the growth of the Queen city and its Board of Trade, with biographical sketches of the principal members thereof.
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273 pages : illustrations, portraits ; 29 x 38 cm
books
Montréal : Sabiston Lithographic & Pub. Co., 1893.
journals and magazines
Description:
v. : ill. ; 26-28 cm.
Villeneuve d'Ascq : École d'architecture de Lille et des régions Nord, c2001-, Villeneuve d'Ascq : Éd. de la Maison des sciences de l'homme
Cahiers thématiques : architecture, histoire, conception.
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v. : ill. ; 26-28 cm.
journals and magazines
Villeneuve d'Ascq : École d'architecture de Lille et des régions Nord, c2001-, Villeneuve d'Ascq : Éd. de la Maison des sciences de l'homme
Hotel an american history
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Summary:
In this lucid and creative work, Sandoval-Strausz, an assistant professor of history at the University of New Mexico, situates the rise of hotels within the history of the triumph of capitalism and of an increasingly mobile society. Hotels, he says, facilitated mobility and the integration of frontier lands into larger networks of capital and commerce. Hotels were also(...)
Commercial interiors, Building types
November 2007, New York
Hotel an american history
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In this lucid and creative work, Sandoval-Strausz, an assistant professor of history at the University of New Mexico, situates the rise of hotels within the history of the triumph of capitalism and of an increasingly mobile society. Hotels, he says, facilitated mobility and the integration of frontier lands into larger networks of capital and commerce. Hotels were also part of the gradual process that dissociated people from particular places. If hotels solved some social problems, Sandoval-Strausz shows, they created others: guardians of domesticity, for example, worried about urban dwellers who chose to live full-time in hotels. In exploring the social and political meaning of hotels, the author pursues countless avenues, from menus to morals (Hotels were magnets for prostitution and other forms of illicit sex). There's a bit of labor history thrown in, too, since, in order to make good on the promise to be patrons' home away from home, hotels employed a huge number of workers, from cooks and launderers to janitors, Sandoval-Strausz also traces hotels' exclusion of Jews and blacks—the book ends with the 1964 Supreme Court case that desegregated public accommodations.
Commercial interiors, Building types
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Commissioned in 1750, the Palazzo Venier was planned as a testimony to the power and wealth of a great Venetian family, but the fortunes of the Veniers waned midconstruction and the project was abandoned. Empty, unfinished, and decaying, the building was considered an eyesore until the early twentieth century when it attracted and inspired three women at key moments in(...)
The unfinished palazzo: stories of Luisa Casati, Doris Castlerosse and Peggy Guggenheim
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Commissioned in 1750, the Palazzo Venier was planned as a testimony to the power and wealth of a great Venetian family, but the fortunes of the Veniers waned midconstruction and the project was abandoned. Empty, unfinished, and decaying, the building was considered an eyesore until the early twentieth century when it attracted and inspired three women at key moments in their lives: Luisa Casati, Doris Castlerosse, and Peggy Guggenheim. Luisa Casati turned her home into an aesthete’s fantasy where she hosted parties as extravagant and decadent as Renaissance court operas, spending small fortunes on her own costumes in her quest to become a “living work of art” and muse. Doris Castlerosse strove to make her mark in London and Venice during the glamorous, hedonistic interwar years, hosting film stars and royalty at glittering parties. In the postwar years, Peggy Gugenheim turned the Palazzo into a model of modernist simplicity that served as a home for her exquisite collection of modern art that today draws tourists and art lovers from around the world. Each vivid life story is accompanied by previously unseen materials from family archives, weaving an intricate history of these legendary art world eccentrics.
History until 1900
The modern interior
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Today’s home is filled with pieces from Pottery Barn, IKEA, and Crate & Barrel, and we pore over glossy catalogs in hopes of achieving the “modern interior.” This idealized aesthetic is the subject of Penny Sparke’s study, as she explores the style in both its absolute form and the diverse decorating approaches seen in the contemporary home. The shift from(...)
The modern interior
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Today’s home is filled with pieces from Pottery Barn, IKEA, and Crate & Barrel, and we pore over glossy catalogs in hopes of achieving the “modern interior.” This idealized aesthetic is the subject of Penny Sparke’s study, as she explores the style in both its absolute form and the diverse decorating approaches seen in the contemporary home. The shift from Victorian to modern style, The Modern Interior reveals, was not as simple and smooth as it is often perceived and the book probes the complicated history behind that transition. Sparke examines the work of such designers as Marcel Breuer, Frank Lloyd Wright, Charles and Ray Eames, and Mies van der Rohe, and draws upon design examples from the United States and Europe to reveal that, unlike the designed exteriors of buildings and institutions, the idea of the “interior” has been a largely abstract conception promoted through exhibitions, retail stores, and mass media. A comprehensive and in-depth investigation of the design environments we live and play in, The Modern Interior will be essential reading for all scholars and interested observers of architecture and modern design culture.
Interior Design
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Does it ever feel like you have no free time? You come home after work and instead of finding a space of rest and relaxation, you’re confronted by a pile of new tasks to complete – cooking, cleaning, looking after the kids, and so on. In this book, Helen Hester and Nick Srnicek lay out how unpaid work in our homes has come to take up an ever-increasing portion of our(...)
After work: The fight for free time
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Does it ever feel like you have no free time? You come home after work and instead of finding a space of rest and relaxation, you’re confronted by a pile of new tasks to complete – cooking, cleaning, looking after the kids, and so on. In this book, Helen Hester and Nick Srnicek lay out how unpaid work in our homes has come to take up an ever-increasing portion of our lives – how the vacuum of free time has been taken up by vacuuming. Examining the history of the home over the past century – from running water to white goods to smart homes – they show how repeated efforts to reduce the burden of this work have faced a variety of barriers, challenges, and reversals. Charting the trajectory of our domestic spaces over the past century, Hester and Srnicek consider new possibilities for the future, uncovering the abandoned ideas of anti-housework visionaries and sketching out a path towards real free time for all, where everyone is at liberty to pursue their passions, or do nothing at all. It will require rethinking our living arrangements, our expectations and our cities.
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