textual records
AP206.S2.008
Description:
File was originally housed in a binder along with content arranged in AP206.S2.006, AP206.S2.007 and AP206.S2.009. This file contains the following papers: "Reflections on Urban Planning," in Science Today, September 1971 "The Big Boss" "Second Thoughts on Modern Architecture" "Civic Design: The City Beautiful" "Planning of Office Buildings," in India Construction News, January 1959 "Future Urbanism and Human Habitations" "Architectural Control, Shops, Flats, etc."
1959-1972
Published and unpublished papers (folder 3 of 4)
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AP206.S2.008
Description:
File was originally housed in a binder along with content arranged in AP206.S2.006, AP206.S2.007 and AP206.S2.009. This file contains the following papers: "Reflections on Urban Planning," in Science Today, September 1971 "The Big Boss" "Second Thoughts on Modern Architecture" "Civic Design: The City Beautiful" "Planning of Office Buildings," in India Construction News, January 1959 "Future Urbanism and Human Habitations" "Architectural Control, Shops, Flats, etc."
textual records
1959-1972
Philip Ursprung, guest curator of the 2002 CCA exhibition Herzog de Meuron: Archaeology of the Mind, discusses the Swiss architects’ collaborative relationship with artists. The lecture is part a series exploring the boundary between art and architecture, presented in conjunction with the exhibition. Philip Ursprung is Professor of the History of Modern and Contemporary(...)
17 October 2002
Philip Ursprung: Close Encounters: Herzog & de Meuron en collaboration avec des artistes
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Description:
Philip Ursprung, guest curator of the 2002 CCA exhibition Herzog de Meuron: Archaeology of the Mind, discusses the Swiss architects’ collaborative relationship with artists. The lecture is part a series exploring the boundary between art and architecture, presented in conjunction with the exhibition. Philip Ursprung is Professor of the History of Modern and Contemporary(...)
Speed Limits
Speed Limits addresses the pivotal role played by speed in modern life: from art to architecture and urbanism to graphics and design to economics to the material culture of the eras of industry and information. It marks the centenary of the foundation of the Italian Futurist movement, whose inaugural manifesto famously proclaimed “that the world’s magnificence has been(...)
Main galleries
20 May 2009 to 8 November 2009
Speed Limits
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Description:
Speed Limits addresses the pivotal role played by speed in modern life: from art to architecture and urbanism to graphics and design to economics to the material culture of the eras of industry and information. It marks the centenary of the foundation of the Italian Futurist movement, whose inaugural manifesto famously proclaimed “that the world’s magnificence has been(...)
Main galleries
Project
CI005.S1.1928.PR1
Description:
Oud lectured in 1924-1925 in Prague and Brno on 'The Development of Modern Architecture in the Netherlands' where he made contact with contemporary international architects involved in avant-garde artists circles. As a result of his lecture tours, Oud was commissioned in 1928 to design an apartment building for a private client in Brno, Czechoslovakia. Oud designed a building where each floor consisted of a single dwelling with a communal ground floor that featured shared and functional spaces. The servants' dwelling occupied a separate wing and met with the residential dwellings at the communal staircase and lobby (Taverne et al. 2001, 319). Project series includes drawings of floor plans and elevations.
1928
Three-Family House, Brno, Czechoslovakia (1928)
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CI005.S1.1928.PR1
Description:
Oud lectured in 1924-1925 in Prague and Brno on 'The Development of Modern Architecture in the Netherlands' where he made contact with contemporary international architects involved in avant-garde artists circles. As a result of his lecture tours, Oud was commissioned in 1928 to design an apartment building for a private client in Brno, Czechoslovakia. Oud designed a building where each floor consisted of a single dwelling with a communal ground floor that featured shared and functional spaces. The servants' dwelling occupied a separate wing and met with the residential dwellings at the communal staircase and lobby (Taverne et al. 2001, 319). Project series includes drawings of floor plans and elevations.
project
1928
archives
Level of archival description:
Fonds
Peter Caspari fonds
AP123
Synopsis:
The Peter Caspari fonds documents the education, personal and military activities of architect Peter Caspari from student work in Berlin to his immigration to England, and participation in WWII. The majority of the documents in the fonds consist of drawings relating to student building design projects, and textual records relating to architecture course notes, training for the Pioneer Corps, and professional registration as an architect.
1928-1941
Peter Caspari fonds
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AP123
Synopsis:
The Peter Caspari fonds documents the education, personal and military activities of architect Peter Caspari from student work in Berlin to his immigration to England, and participation in WWII. The majority of the documents in the fonds consist of drawings relating to student building design projects, and textual records relating to architecture course notes, training for the Pioneer Corps, and professional registration as an architect.
archives
Level of archival description:
Fonds
1928-1941
research
Visiting Scholars 2007
S.M. Can Bilsel, University of San Diego, San Diego, United States Topic: The Modern Cult of Authenticity: Reproduction of Antiquity and the Location of Architecture in the 20th Century Museum Constance Classen, Concordia University, Montreal, Canada Topic: Beckford and Fonthill: Creating a Palace of the Senses Seminar: Multisensory Marketing and the Design of Retail(...)
May 2007 to September 2007
Visiting Scholars 2007
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Description:
S.M. Can Bilsel, University of San Diego, San Diego, United States Topic: The Modern Cult of Authenticity: Reproduction of Antiquity and the Location of Architecture in the 20th Century Museum Constance Classen, Concordia University, Montreal, Canada Topic: Beckford and Fonthill: Creating a Palace of the Senses Seminar: Multisensory Marketing and the Design of Retail(...)
research
May 2007 to
September 2007
textual records
AP197.S3.012
Description:
The box is comprised of correspondence for the years 2015-2016. The box documents Frampton’s career as Ware professor at the Graduate School of Architecture, Planning and Preservation, Columbia University and his related professional activities. Correspondence in this box includes: offers of teaching positions; requests to write articles, reviews, books and recommendation letters; invitations to teach, present, or attend at lectures/symposiums/conferences; and requests to serve on juries. Correspondence relates to the following writings and lectures Frampton participated in: an essay for a monograph on O'Donnell + Tuomey, architects; a Nils Erik Wickberg lecture in Helinski; the Wood at Work conference; a review of George Baird's book; and Modern Architecture: a Critical History.
2015-2016
Personal and professional correspondence from 2015-2016
Actions:
AP197.S3.012
Description:
The box is comprised of correspondence for the years 2015-2016. The box documents Frampton’s career as Ware professor at the Graduate School of Architecture, Planning and Preservation, Columbia University and his related professional activities. Correspondence in this box includes: offers of teaching positions; requests to write articles, reviews, books and recommendation letters; invitations to teach, present, or attend at lectures/symposiums/conferences; and requests to serve on juries. Correspondence relates to the following writings and lectures Frampton participated in: an essay for a monograph on O'Donnell + Tuomey, architects; a Nils Erik Wickberg lecture in Helinski; the Wood at Work conference; a review of George Baird's book; and Modern Architecture: a Critical History.
textual records
2015-2016
archives
Level of archival description:
Fonds
Peter Eisenman fonds
AP143
Synopsis:
The Peter Eisenman fonds documents Eisenman's professional activities as an architect, teacher, and author from the 1950s to 2008. More than 200 projects are represented through conceptual and design development drawings, models, photographs, textual records, and computer-aided drawings. Also well represented in the fonds are materials related to Eisenman's exhibitions, publications, and writings.
1925-2008, predominant 1951-2008
Peter Eisenman fonds
Actions:
AP143
Synopsis:
The Peter Eisenman fonds documents Eisenman's professional activities as an architect, teacher, and author from the 1950s to 2008. More than 200 projects are represented through conceptual and design development drawings, models, photographs, textual records, and computer-aided drawings. Also well represented in the fonds are materials related to Eisenman's exhibitions, publications, and writings.
archives
Level of archival description:
Fonds
1925-2008, predominant 1951-2008
archives
Level of archival description:
Fonds
Victor Depocas fonds
AP028
Synopsis:
Victor Depocas fonds is composed of documents and graphic materials produced between 1921 and 1986, predominantly between 1956 and 1984. It records Depocas activities as a member of the Province of Québec Association of Architects (A.A.P.Q.), the Ordre d’Architects du Québec (O.A.P.), and the Commission des monuments historiques du Québec; his activities as a Professor of architectural composition at l’École de Beaux-arts de Montréal (1953-1957); and his work as a professional architect along with general office files of the short-life firms David & Depocas and Deshaies & Depocas (1946-1950). The fonds documents mainly the architectural projects from the Commission that include restorations, renovations and modifications of residential, educational, ecclesiastical, and commercial buildings across Québec. Represented in drawings, textual records and photographs.
1921-1986
Victor Depocas fonds
Actions:
AP028
Synopsis:
Victor Depocas fonds is composed of documents and graphic materials produced between 1921 and 1986, predominantly between 1956 and 1984. It records Depocas activities as a member of the Province of Québec Association of Architects (A.A.P.Q.), the Ordre d’Architects du Québec (O.A.P.), and the Commission des monuments historiques du Québec; his activities as a Professor of architectural composition at l’École de Beaux-arts de Montréal (1953-1957); and his work as a professional architect along with general office files of the short-life firms David & Depocas and Deshaies & Depocas (1946-1950). The fonds documents mainly the architectural projects from the Commission that include restorations, renovations and modifications of residential, educational, ecclesiastical, and commercial buildings across Québec. Represented in drawings, textual records and photographs.
archives
Level of archival description:
Fonds
1921-1986
textual records
AP197.S3.011
Description:
The box is comprised of correspondence for the years of 2002-2014, organized in chronological order. The box documents Frampton’s career as Ware professor at the Graduate School of Architecture, Planning and Preservation, Columbia University and his related professional activities. Correspondence in this box includes: offers of teaching positions; requests to write articles, reviews, books and recommendation letters; invitations to teach, present, or attend at lectures/symposiums/conferences; and requests to serve on juries. Throughout this period, Frampton corresponded with various universities, architects, professors, publishers, and editors of various publications such as: Alvaro Siza; Mario Botta; Glenn Murcutt; Angelo Bucci; Kengo Kuma; Charles Correa; Rafael Moneo; Raj Rewal; Harry Wolf; Tadao Ando; and David Chipperfield. Correspondence relates to Frampton participation/involvement in: writing Richard Meier and Steven Holl essays for Electa Architecture and the Labor, Work and Architecture publication; in the Chinese translation of Studies in Tectonic Culture; in the International Committee for Documentation and Conservation of Buildings, Sites and Neighbourhoods of the Modern Movement’s (do.co,mo.mo) "The Challenge of the Modern Movement;" lecturing at the Bard Graduate Center; providing the keynote address at the Architectural Association of Ireland Symposium; acting as a jury member for the Museum of the History of Polish Jews.
2002-2014
Personal and professional correspondence from 2002-2014
Actions:
AP197.S3.011
Description:
The box is comprised of correspondence for the years of 2002-2014, organized in chronological order. The box documents Frampton’s career as Ware professor at the Graduate School of Architecture, Planning and Preservation, Columbia University and his related professional activities. Correspondence in this box includes: offers of teaching positions; requests to write articles, reviews, books and recommendation letters; invitations to teach, present, or attend at lectures/symposiums/conferences; and requests to serve on juries. Throughout this period, Frampton corresponded with various universities, architects, professors, publishers, and editors of various publications such as: Alvaro Siza; Mario Botta; Glenn Murcutt; Angelo Bucci; Kengo Kuma; Charles Correa; Rafael Moneo; Raj Rewal; Harry Wolf; Tadao Ando; and David Chipperfield. Correspondence relates to Frampton participation/involvement in: writing Richard Meier and Steven Holl essays for Electa Architecture and the Labor, Work and Architecture publication; in the Chinese translation of Studies in Tectonic Culture; in the International Committee for Documentation and Conservation of Buildings, Sites and Neighbourhoods of the Modern Movement’s (do.co,mo.mo) "The Challenge of the Modern Movement;" lecturing at the Bard Graduate Center; providing the keynote address at the Architectural Association of Ireland Symposium; acting as a jury member for the Museum of the History of Polish Jews.
textual records
2002-2014