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As the world around us increases in technological complexity, our understanding of it diminishes. Underlying this trend is a single idea: the belief that our existence is understandable through computation, and more data is enough to help us build a better world. In reality, we are lost in a sea of information, increasingly divided by fundamentalism, simplistic(...)
New dark age : Technology and the end of the future
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As the world around us increases in technological complexity, our understanding of it diminishes. Underlying this trend is a single idea: the belief that our existence is understandable through computation, and more data is enough to help us build a better world. In reality, we are lost in a sea of information, increasingly divided by fundamentalism, simplistic narratives, conspiracy theories, and post-factual politics. Meanwhile, those in power use our lack of understanding to further their own interests. Despite the apparent accessibility of information, we’re living in a new Dark Age. In his new work, artist and writer James Bridle surveys the history of art, technology, and information systems, and reveals the dark clouds that gather over our dreams of the digital sublime.
Critical Theory
Marion Belanger: rift/fault
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"Rift" refers to the eastern edge of the North American Plate where it meets the Eurasian Plate along the Mid-Atlantic Rift in Iceland. New crust is formed as magma pushes up from the mantle; the land along the rift is unstable and raw. Marion Belanger (born 1957) documents this land and its structures: geothermal electricity, hot pools, volcanic excavation sites, houses,(...)
Marion Belanger: rift/fault
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"Rift" refers to the eastern edge of the North American Plate where it meets the Eurasian Plate along the Mid-Atlantic Rift in Iceland. New crust is formed as magma pushes up from the mantle; the land along the rift is unstable and raw. Marion Belanger (born 1957) documents this land and its structures: geothermal electricity, hot pools, volcanic excavation sites, houses, new earth and cultural relics within the landscape. In "Fault", meanwhile, she photographs the shifting western edge of the North American Continental Plate along the San Andreas Fault in California, focusing on traces of the tectonic plate edge and the artifacts of our built environment upon them. Though characterized by earthquake activity, the landscape is often striking in its visual normalcy.
Photography monographs
The temporary city
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Most of the professional training, thinking and strategies of architects, urban designers and planners, are strictly three-dimensional. In reality of course the city is four dimensional, and one needs to acknowledge the influence of time in planning and design strategies. Similarly, there has been relatively little analysis of the importance of interim, short-term or(...)
The temporary city
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Most of the professional training, thinking and strategies of architects, urban designers and planners, are strictly three-dimensional. In reality of course the city is four dimensional, and one needs to acknowledge the influence of time in planning and design strategies. Similarly, there has been relatively little analysis of the importance of interim, short-term or meanwhile activities in urban areas. In an era of increasing pressure on scarce resources, we cannot wait for long-term solutions to vacancy or dereliction. Instead, we need to view temporary uses as increasingly legitimate and important in their own right. They can be a powerful tool through which we can drip-feed initiatives for incremental change as and when we have the resources while being guided by a loose-fit vision.
Urban Theory
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The anthology comprises two distinct narrative sections, temporal structures, and points of view: the River and the Forest. The river is a kind of timeline, a sentence, a thread (of water) winding its way through the book, exploring indigenous thought and histories, issues of memory, erasure, rights and cultural practice, as well as the notion of ancestors and activism.(...)
Environment and environmental theory
February 2022
Amazonia: Anthology as cosmology
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The anthology comprises two distinct narrative sections, temporal structures, and points of view: the River and the Forest. The river is a kind of timeline, a sentence, a thread (of water) winding its way through the book, exploring indigenous thought and histories, issues of memory, erasure, rights and cultural practice, as well as the notion of ancestors and activism. The space of the forest, meanwhile, is represented as one of oral testimony and conversation, of voices speaking inside the present, in a kind of circular time in which past and future both impress upon and constitute the current uncertain moment. These voices include recorded conversations with elders, shamans, artists, and thinkers, as well as poetry, oral testimony, and artistic works from Amazonia that use the forest as both ground and cover.
Environment and environmental theory
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The book, ''Architecture as fabulated reality,'' marks the culmination of AAPK’s four experimental architectural projects, which employed virtual reality technology (VR) as the primary medium. The four projects explore a new emerging sense of spatiality, fabulating and questioning the notion of reality based upon shared backgrounds and attitudes to contemporary(...)
January 2020
Architecture as fabulated reality
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The book, ''Architecture as fabulated reality,'' marks the culmination of AAPK’s four experimental architectural projects, which employed virtual reality technology (VR) as the primary medium. The four projects explore a new emerging sense of spatiality, fabulating and questioning the notion of reality based upon shared backgrounds and attitudes to contemporary architectural discourse. To enhance ideas advanced by AAPK, the book invites four guest contributors from the architectural academic field in forms of critical essays or an interview. They reveal their collective interest in the power of the image and in forms of reality, in medium specificity and digital technology, and in presentation and representation along disciplinary lines. The subject of the book becomes clearer by curating and connecting each text, and meanwhile, makes it possible to reflect upon the situation that architecture is facing in the reality crisis caused by today’s digital technology or image culture.
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As the first independent environments children encounter beyond the home, nurseries, daycare centres, and kindergartens should not appear merely as colourful fantasy worlds. Well-conceived early-learning centres and schools create a microcosm modelled on everyday life – child-friendly yes, but by no means childish. Such places offer security while inviting discovery,(...)
Detail 9 2025: building for children
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As the first independent environments children encounter beyond the home, nurseries, daycare centres, and kindergartens should not appear merely as colourful fantasy worlds. Well-conceived early-learning centres and schools create a microcosm modelled on everyday life – child-friendly yes, but by no means childish. Such places offer security while inviting discovery, appropriation, and adaptation. In this issue we profile child-focused environments realised both as new builds and through adaptive reuse. A kindergarten on a disused industrial site near Copenhagen follows circular construction principles, using mostly materials salvaged from the dilapidated primary school that once stood there. Newly built daycare centres in the German state of Hessen and in Slovenia draw on local building traditions and the surrounding natural landscape. Meanwhile, a former East German telephone exchange was transformed into a playscape that anchors a childcare facility on a university campus in Merseburg.
Magazines
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World cities face persistent tension between the pull of globalization and the needs of citizens. Conventional political parties present milquetoast solutions that accommodate the interests of business. Meanwhile, citizens in cafes, meeting halls, on the streets, and now in virtual forums are rising to the challenge of imagining new and radical municipal policy from the(...)
September 2021
A citizen's guide to city politics: Montreal
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World cities face persistent tension between the pull of globalization and the needs of citizens. Conventional political parties present milquetoast solutions that accommodate the interests of business. Meanwhile, citizens in cafes, meeting halls, on the streets, and now in virtual forums are rising to the challenge of imagining new and radical municipal policy from the ground up. This book explores the future of Montreal’s citizens’ movements at a moment defined by the threats of pandemic, austerity, housing speculation and insecurity, and racism. It pairs contemporary analysis with an exploration of Montreal’s rich municipal history. The editors of 'A Citizen’s Guide to City Politics' gathered more than twenty activists, urban planners, and thinkers to address the major problems facing Montrealers and propose alternatives from a citizen's perspective. Municipal movements everywhere will see their own struggles reflected in this guide and will find inspiration for debate and action.
Museum of the future
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Museums of contemporary art are expanding and in crisis. They attract ever-larger audiences; architects constantly redesign them; and the ever-swellling ranks of artists are producing a greater quantity of art than ever before. Meanwhile, museum funds are dwindling amid economic crisis and an overheated art market. The question of which art is to be collected has also(...)
Museum of the future
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Museums of contemporary art are expanding and in crisis. They attract ever-larger audiences; architects constantly redesign them; and the ever-swellling ranks of artists are producing a greater quantity of art than ever before. Meanwhile, museum funds are dwindling amid economic crisis and an overheated art market. The question of which art is to be collected has also become a more openly discussed topic. How do curators meet these challenges? How do artists view their relationships to museum? How do practitioners navigate between ideas, ideals and realities? This publication gathers interviews with artists, architects and curators of the contemporary art world, such as John Baldessari, Ute Meta Bauer, Suzanne Cotter, Bice Curiger, Chris Dercon, Charles Esche, Liam Gillick, Michael Govan, Jacques Herzog, Thomas Hirschhorn, Philipp Kaiser, Rem Koolhaas, Lars Nittve, Hans Ulrich Obrist, Thierry Raspail, Tobias Rehberger and Beatrix Ruf, among others.
Museology
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In November 2022, the water level of the Great Salt Lake fell to its lowest on record. Diverted water supply from its feeding rivers, pollution from nearby extraction plants and ravaging droughts have brought this landmark to a crisis point. As the lake reached its lowest ebb, photographer Fazal Sheikh (born 1965), together with writer Terry Tempest Williams (born 1955),(...)
Fazal Sheikh: Thirst, Great Salt Lake
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In November 2022, the water level of the Great Salt Lake fell to its lowest on record. Diverted water supply from its feeding rivers, pollution from nearby extraction plants and ravaging droughts have brought this landmark to a crisis point. As the lake reached its lowest ebb, photographer Fazal Sheikh (born 1965), together with writer Terry Tempest Williams (born 1955), walked the shoreline, awed by its epic beauty while recording the destruction of its natural habitats. As Utah native Williams writes in her essay, "Retreat," she is witnessing the death of a lake that has been a constant presence in her life. Meanwhile, Sheikh documents the shrinking salt basin from above, revealing how the lake has been exploited: plundered for its natural salts, dissected by concrete highways, discolored by toxic waste, depleted by evaporation. His images hold a mirror to the lake’s surface, charting its destruction while demanding the viewer’s visceral response.
Photography monographs
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Cities around the world are in the midst of a profound transformation as the wealthy price out the remnants of the urban working class, especially people of color. Displacement is neither accidental or inevitable. It happens because a whole range of people and institutions profit handsomely. ''Defying displacement'', focused on the US but informed by global examples,(...)
Defying displacement: Urban recomposition and social war
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Cities around the world are in the midst of a profound transformation as the wealthy price out the remnants of the urban working class, especially people of color. Displacement is neither accidental or inevitable. It happens because a whole range of people and institutions profit handsomely. ''Defying displacement'', focused on the US but informed by global examples, investigates gentrification from the perspective of the people fighting it, members of communities whose survival is threatened by some of the most powerful institutions on the planet. Andrew Lee names the names and identifies the actual state and corporate forces that work together to enrich a very specific group of people: property developers and real estate investors who make a killing, politicians who watch their tax bases grow, banks that write profitable loans for new businesses and mortgages for new homeowners. Meanwhile, business districts are planned, tax abatements unveiled, redevelopment schemes dreamed up, corporate and university campuses expanded, and ordinary people are driven from their homes.
Humans and cities