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183 pages : chiefly illustrations (chiefly color) ; 26 cm
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183 pages : chiefly illustrations (chiefly color) ; 26 cm
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Zurich : Scalo ; New York : in association with the Metropolitan Museum of Art, [2002], ©2002
Zurich : Scalo ; New York : in association with the Metropolitan Museum of Art, [2002], ©2002
Title:
Walker Evans : Polaroids / Jeff L. Rosenheim.
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183 pages : chiefly illustrations (chiefly color) ; 26 cm
Walker Evans : Polaroids / Jeff L. Rosenheim.
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183 pages : chiefly illustrations (chiefly color) ; 26 cm
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books
books
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Zurich : Scalo ; New York : in association with the Metropolitan Museum of Art, [2002], ©2002
Zurich : Scalo ; New York : in association with the Metropolitan Museum of Art, [2002], ©2002
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books
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ix, 150 p. : ill. (some col.), plan, ports. ; 23 x 29 cm. + 1 print (17 x 13 cm.)
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ix, 150 p. : ill. (some col.), plan, ports. ; 23 x 29 cm. + 1 print (17 x 13 cm.)
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San Francisco, Calif. : Pomegranate, 2001.
San Francisco, Calif. : Pomegranate, 2001.
Title:
Building a legacy : the restoration of Frank Lloyd Wright's Oak Park home and studio / edited by Zarine Weil, the Frank Lloyd Wright Home and Studio Foundation.
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ix, 150 p. : ill. (some col.), plan, ports. ; 23 x 29 cm. + 1 print (17 x 13 cm.)
Building a legacy : the restoration of Frank Lloyd Wright's Oak Park home and studio / edited by Zarine Weil, the Frank Lloyd Wright Home and Studio Foundation.
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ix, 150 p. : ill. (some col.), plan, ports. ; 23 x 29 cm. + 1 print (17 x 13 cm.)
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books
books
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San Francisco, Calif. : Pomegranate, 2001.
San Francisco, Calif. : Pomegranate, 2001.
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320 pages : illustrations ; 32 cm
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320 pages : illustrations ; 32 cm
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Munich : Schirmer/Mosel, [2012], New York, N.Y. : Prestel Publishing, ©2012
Munich : Schirmer/Mosel, [2012], New York, N.Y. : Prestel Publishing, ©2012
Title:
Andrey Tarkovsky : films, stills, polaroids & writings / edited by Andrey A. Tarkovsky Jr., Hans-Joachim Schlegel, Lothar Schirmer ; essay by Hans-Joachim Schlegel ; texts by Andrey Tarkovsky, and by Jean-Paul Sartre, Sven Nykvist, Erland Josephson, Ingmar Bergman, Tschingis Ajtmatov, and Alexander Sokurov.
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320 pages : illustrations ; 32 cm
Andrey Tarkovsky : films, stills, polaroids & writings / edited by Andrey A. Tarkovsky Jr., Hans-Joachim Schlegel, Lothar Schirmer ; essay by Hans-Joachim Schlegel ; texts by Andrey Tarkovsky, and by Jean-Paul Sartre, Sven Nykvist, Erland Josephson, Ingmar Bergman, Tschingis Ajtmatov, and Alexander Sokurov.
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320 pages : illustrations ; 32 cm
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books
books
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Munich : Schirmer/Mosel, [2012], New York, N.Y. : Prestel Publishing, ©2012
Munich : Schirmer/Mosel, [2012], New York, N.Y. : Prestel Publishing, ©2012
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1 volume : colour illustrations ; 20 cm
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1 volume : colour illustrations ; 20 cm
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[Montréal] : [Ewa Monika Zebrowski], [2015], ©2015
[Montréal] : [Ewa Monika Zebrowski], [2015], ©2015
Title:
Twombly, Italia / Ewa Monika Zebrowski.
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1 volume : colour illustrations ; 20 cm
Twombly, Italia / Ewa Monika Zebrowski.
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1 volume : colour illustrations ; 20 cm
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[Montréal] : [Ewa Monika Zebrowski], [2015], ©2015
[Montréal] : [Ewa Monika Zebrowski], [2015], ©2015
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books
books
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Pentagram book five.
Pentagram book five.
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494 pages : illustrations (some color) ; 28 cm
Description:
494 pages : illustrations (some color) ; 28 cm
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New York : Monacelli Press, 1999.
New York : Monacelli Press, 1999.
Title:
Pentagram book five.
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494 pages : illustrations (some color) ; 28 cm
Pentagram book five.
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494 pages : illustrations (some color) ; 28 cm
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books
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New York : Monacelli Press, 1999.
New York : Monacelli Press, 1999.
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xii, 280 pages : illustrations ; 24 cm.
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xii, 280 pages : illustrations ; 24 cm.
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Baltimore, MD : Johns Hopkins University Press, ©2000.
Baltimore, MD : Johns Hopkins University Press, ©2000.
Title:
Mary Lucier / edited by Melinda Barlow.
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xii, 280 pages : illustrations ; 24 cm.
Mary Lucier / edited by Melinda Barlow.
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xii, 280 pages : illustrations ; 24 cm.
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books
books
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Baltimore, MD : Johns Hopkins University Press, ©2000.
Baltimore, MD : Johns Hopkins University Press, ©2000.
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books
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Title:
The Polaroid book
The Polaroid book
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$51.95
(available to order)
Summary:
In existence for over 50 years, the Polaroid Corporation's photography collection is the greatest collection of Polaroid images in the world. Begun by Polaroid founder Edwin Land and photographer Ansel Adams, the collection now includes images by hundreds of photographers throughout the world and contains important pieces by artists such as David Hockney, Helmut Newton,(...)
$51.95
(available to order)
Summary:
In existence for over 50 years, the Polaroid Corporation's photography collection is the greatest collection of Polaroid images in the world. Begun by Polaroid founder Edwin Land and photographer Ansel Adams, the collection now includes images by hundreds of photographers throughout the world and contains important pieces by artists such as David Hockney, Helmut Newton,(...)
Subject:
Theory of Photography
Theory of Photography
Publication:
April 2005, Cologne
April 2005, Cologne
Title:
The Polaroid book
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$51.95
(available to order)
Summary:
In existence for over 50 years, the Polaroid Corporation's photography collection is the greatest collection of Polaroid images in the world. Begun by Polaroid founder Edwin Land and photographer Ansel Adams, the collection now includes images by hundreds of photographers throughout the world and contains important pieces by artists such as David Hockney, Helmut Newton, Jeanloup Sieff, and Robert Rauschenberg. "The Polaroid Book", a survey of this remarkable collection, pays tribute to a medium that defies the digital age and remains a favourite among artists for its quirky look and instantly gratifying, one-of-kind images. The book includes over 400 works from the Polaroid Collections, an essay by Barbara Hitchcock illuminating the beginnings and history of the collection, and a technical reference section featuring the various types of Polaroid cameras.
The Polaroid book
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$51.95
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Summary:
In existence for over 50 years, the Polaroid Corporation's photography collection is the greatest collection of Polaroid images in the world. Begun by Polaroid founder Edwin Land and photographer Ansel Adams, the collection now includes images by hundreds of photographers throughout the world and contains important pieces by artists such as David Hockney, Helmut Newton, Jeanloup Sieff, and Robert Rauschenberg. "The Polaroid Book", a survey of this remarkable collection, pays tribute to a medium that defies the digital age and remains a favourite among artists for its quirky look and instantly gratifying, one-of-kind images. The book includes over 400 works from the Polaroid Collections, an essay by Barbara Hitchcock illuminating the beginnings and history of the collection, and a technical reference section featuring the various types of Polaroid cameras.
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books
books
Publication:
April 2005, Cologne
April 2005, Cologne
Subject:
Theory of Photography
Theory of Photography
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books
books
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xxii, 410 pages : illustrations (some color) ; 29 cm
Description:
xxii, 410 pages : illustrations (some color) ; 29 cm
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Malibu, California : J. Paul Getty Museum, [1995], ©1995
Malibu, California : J. Paul Getty Museum, [1995], ©1995
Title:
Walker Evans : the Getty Museum collection / Judith Keller.
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xxii, 410 pages : illustrations (some color) ; 29 cm
Walker Evans : the Getty Museum collection / Judith Keller.
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xxii, 410 pages : illustrations (some color) ; 29 cm
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books
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Publication:
Malibu, California : J. Paul Getty Museum, [1995], ©1995
Malibu, California : J. Paul Getty Museum, [1995], ©1995
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$39.00
(available to order)
Summary:
Writing in the context of two Polaroid Corporation bankruptcies, not to mention the obsolescence of its film, Peter Buse argues that Polaroid was, and is, distinguished by its process—by the fact that, as the New York Times put it in 1947, “the camera does the rest.” Polaroid was often dismissed as a toy, but Buse takes it seriously, showing how it(...)
$39.00
(available to order)
Summary:
Writing in the context of two Polaroid Corporation bankruptcies, not to mention the obsolescence of its film, Peter Buse argues that Polaroid was, and is, distinguished by its process—by the fact that, as the New York Times put it in 1947, “the camera does the rest.” Polaroid was often dismissed as a toy, but Buse takes it seriously, showing how it(...)
Title:
The camera does the rest: how Polaroid changed photography
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$39.00
(available to order)
Summary:
Writing in the context of two Polaroid Corporation bankruptcies, not to mention the obsolescence of its film, Peter Buse argues that Polaroid was, and is, distinguished by its process—by the fact that, as the New York Times put it in 1947, “the camera does the rest.” Polaroid was often dismissed as a toy, but Buse takes it seriously, showing how it encouraged photographic play as well as new forms of artistic practice. Drawing on unprecedented access to the archives of the Polaroid Corporation, Buse reveals Polaroid as photography at its most intimate, where the photographer, photograph, and subject sit in close proximity in both time and space—making Polaroid not only the perfect party camera but also the tool for frankly salacious pictures taking. Along the way, Buse tells the story of the Polaroid Corporation and its ultimately doomed hard-copy wager against the rising tide of digital imaging technology. He explores the continuities and the differences between Polaroid and digital, reflecting on what Polaroid can tell us about how we snap photos today. Richly illustrated, The Camera Does the Rest will delight historians, art critics, analog fanatics, photographers, and all those who miss the thrill of waiting to see what develops.
The camera does the rest: how Polaroid changed photography
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Price:
$39.00
(available to order)
Summary:
Writing in the context of two Polaroid Corporation bankruptcies, not to mention the obsolescence of its film, Peter Buse argues that Polaroid was, and is, distinguished by its process—by the fact that, as the New York Times put it in 1947, “the camera does the rest.” Polaroid was often dismissed as a toy, but Buse takes it seriously, showing how it encouraged photographic play as well as new forms of artistic practice. Drawing on unprecedented access to the archives of the Polaroid Corporation, Buse reveals Polaroid as photography at its most intimate, where the photographer, photograph, and subject sit in close proximity in both time and space—making Polaroid not only the perfect party camera but also the tool for frankly salacious pictures taking. Along the way, Buse tells the story of the Polaroid Corporation and its ultimately doomed hard-copy wager against the rising tide of digital imaging technology. He explores the continuities and the differences between Polaroid and digital, reflecting on what Polaroid can tell us about how we snap photos today. Richly illustrated, The Camera Does the Rest will delight historians, art critics, analog fanatics, photographers, and all those who miss the thrill of waiting to see what develops.
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books
books
Publication:
April 2016
April 2016
Subject:
Theory of Photography
Theory of Photography
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books
books
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$115.00
(available to order)
Summary:
This book is a facsimile of an album of Eggleston's Polaroids assembled by the photographer himself, and containing the only photos he made in this medium. Consisting of 56 images taken with the Polaroid SX-70 (the now cult camera produced between 1972 and 1981) and hand-mounted in a black leather album also produced by the company, Polaroid SX-70 is the first publication(...)
$115.00
(available to order)
Summary:
This book is a facsimile of an album of Eggleston's Polaroids assembled by the photographer himself, and containing the only photos he made in this medium. Consisting of 56 images taken with the Polaroid SX-70 (the now cult camera produced between 1972 and 1981) and hand-mounted in a black leather album also produced by the company, Polaroid SX-70 is the first publication(...)
Title:
Willam Eggleston: Polaroid SX-70. Facsimile edition
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$115.00
(available to order)
Summary:
This book is a facsimile of an album of Eggleston's Polaroids assembled by the photographer himself, and containing the only photos he made in this medium. Consisting of 56 images taken with the Polaroid SX-70 (the now cult camera produced between 1972 and 1981) and hand-mounted in a black leather album also produced by the company, Polaroid SX-70 is the first publication of Eggleston's Polaroids. The gloriously mundane subjects of these photos—a Mississippi street sign, a telephone book, stacked crates of empty soda bottles—is familiar Eggleston territory, but, fascinatingly, all of these Polaroids were taken outdoors. They are rare records of Eggleston's strolls or drives in and around Mississippi, complementing the majority of his work made with color negative film or color slides, and showing his flair for photo-sequencing in book form.
Willam Eggleston: Polaroid SX-70. Facsimile edition
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Price:
$115.00
(available to order)
Summary:
This book is a facsimile of an album of Eggleston's Polaroids assembled by the photographer himself, and containing the only photos he made in this medium. Consisting of 56 images taken with the Polaroid SX-70 (the now cult camera produced between 1972 and 1981) and hand-mounted in a black leather album also produced by the company, Polaroid SX-70 is the first publication of Eggleston's Polaroids. The gloriously mundane subjects of these photos—a Mississippi street sign, a telephone book, stacked crates of empty soda bottles—is familiar Eggleston territory, but, fascinatingly, all of these Polaroids were taken outdoors. They are rare records of Eggleston's strolls or drives in and around Mississippi, complementing the majority of his work made with color negative film or color slides, and showing his flair for photo-sequencing in book form.
Form:
books
books
Publication:
March 2020
March 2020
Subject:
Photography monographs
Photography monographs
