Oscillating Spaces
Oscillating Spaces, curated by Anneke Abhelakh, explores the Rhône Glacier—undergoing fast melting and transformation processes—as a case study to reflect on environmental challenges in a constantly oscillating site. Juxtaposing glacier cartography, photography, film, ecclesiastical documents, tourist souvenirs, and architectural archives, the exhibition questions the(...)
Octagonal gallery
25 April 2025 to 26 October 2025
Oscillating Spaces
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Oscillating Spaces, curated by Anneke Abhelakh, explores the Rhône Glacier—undergoing fast melting and transformation processes—as a case study to reflect on environmental challenges in a constantly oscillating site. Juxtaposing glacier cartography, photography, film, ecclesiastical documents, tourist souvenirs, and architectural archives, the exhibition questions the(...)
Octagonal gallery
Starting from... People
One of the markers of modernity from the eighteenth century onwards is the emergence of “the people” as a respected political entity. In response, architects have advocated for the transformation of cities, explored new technologies, pioneered design discourses, and engaged in heated cultural conflicts—all in the name of the people. During this time, fictional, abstracted(...)
Hall cases
5 October 2011 to 22 January 2012
Starting from... People
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One of the markers of modernity from the eighteenth century onwards is the emergence of “the people” as a respected political entity. In response, architects have advocated for the transformation of cities, explored new technologies, pioneered design discourses, and engaged in heated cultural conflicts—all in the name of the people. During this time, fictional, abstracted(...)
Hall cases
articles
An Ever-Changing Landscape
The exhibition examines the important role the Pantheon played in French artistic and political life from its foundation in 1744 well into the twentieth century. Coinciding with the international celebrations of the bicentennial of the French Revolution, the exhibition focuses on one of the central architectural episodes of the Revolution—the transformation of Saint(...)
Main galleries
19 September 1989 to 19 November 1989
Le Panthéon: Symbol of Revolution
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The exhibition examines the important role the Pantheon played in French artistic and political life from its foundation in 1744 well into the twentieth century. Coinciding with the international celebrations of the bicentennial of the French Revolution, the exhibition focuses on one of the central architectural episodes of the Revolution—the transformation of Saint(...)
Main galleries
research
Lian Chang, McGill University Topic: Festival and Fortification: the Ritual Transformations of Henry IIs Royal Entries, 1548-50 Stephanie Davidson, Dalhousie University Topic: Scrapbook City: Representing Contemporary Montréal
June 2004 to September 2004
Master’s Students Program 2004
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Lian Chang, McGill University Topic: Festival and Fortification: the Ritual Transformations of Henry IIs Royal Entries, 1548-50 Stephanie Davidson, Dalhousie University Topic: Scrapbook City: Representing Contemporary Montréal
research
June 2004 to
September 2004
DR1982:0240
Description:
- To manifest the consolidation of his power over the Low Countries, the Emperor Charles VI of Austria staged triumphal entries for his representative into Brussels and Ghent in 1717. During six days of ceremonies and festivities, the main market place was transformed several times. This print (DR1982:0240) depicts the third transformation that was wrought on the Place au Vendredi: the statue of Charles V, ornamented with an illuminated monogramme of Charles VI, became the centerpiece of a temporary fenced compound for fireworks - a firework display layout standard for at least a century, and still in use today.
printed between 1717 and 1719
A Fireworks Display in the Place au Vendredi on October 19th
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DR1982:0240
Description:
- To manifest the consolidation of his power over the Low Countries, the Emperor Charles VI of Austria staged triumphal entries for his representative into Brussels and Ghent in 1717. During six days of ceremonies and festivities, the main market place was transformed several times. This print (DR1982:0240) depicts the third transformation that was wrought on the Place au Vendredi: the statue of Charles V, ornamented with an illuminated monogramme of Charles VI, became the centerpiece of a temporary fenced compound for fireworks - a firework display layout standard for at least a century, and still in use today.
Other Soundings: Selected Works by John Hejduk, 1954–1997, the first major retrospective of Hejduk’s work, explores the themes that have always preoccupied him: architecture as a social act, the wall, the house, the church, passage and transformation, the experience of the city. The importance of John Hejduk rests on his teaching and on the originality of his vision of(...)
Main galleries
22 October 1997 to 15 February 1998
Other Soundings: Selected Works by John Hejduk, 1954-1997
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Other Soundings: Selected Works by John Hejduk, 1954–1997, the first major retrospective of Hejduk’s work, explores the themes that have always preoccupied him: architecture as a social act, the wall, the house, the church, passage and transformation, the experience of the city. The importance of John Hejduk rests on his teaching and on the originality of his vision of(...)
Main galleries
Project
AP143.S4.D12
Description:
This project series documents House IV, an unexecuted project designed for unknown clients in Falls Village, Connecticut. Materials in this file were produced in 1970 and 1971. Documents include fifty-eight conceptual drawings (files: DR1994:0132:001-058) and presentation plans that show the internal organization of the house. Although never realized, House IV was extensively published, particularly as a series of axonometrics showing the transformations of the original cube. Some of the files documenting this are a set of axonometric drawings (DR1994:0132:120-184) and copies mounted on board (DR1994:0132:185-198). Other files, including files of photographic materials, document the layout of these drawings for publication. Also included are studies for exterior and interior elevations and silhouettes painted on mylar (DR1994:0132:214-230). Conceptual drawings and design development drawings include plans, elevations, and axonometrics. Presentation/publication drawings also include plans, elevations, sections, and axonometrics. Also included in this project series is a completed model.
1970-1971
House IV, Falls Village, Connecticut (1970-1971)
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AP143.S4.D12
Description:
This project series documents House IV, an unexecuted project designed for unknown clients in Falls Village, Connecticut. Materials in this file were produced in 1970 and 1971. Documents include fifty-eight conceptual drawings (files: DR1994:0132:001-058) and presentation plans that show the internal organization of the house. Although never realized, House IV was extensively published, particularly as a series of axonometrics showing the transformations of the original cube. Some of the files documenting this are a set of axonometric drawings (DR1994:0132:120-184) and copies mounted on board (DR1994:0132:185-198). Other files, including files of photographic materials, document the layout of these drawings for publication. Also included are studies for exterior and interior elevations and silhouettes painted on mylar (DR1994:0132:214-230). Conceptual drawings and design development drawings include plans, elevations, and axonometrics. Presentation/publication drawings also include plans, elevations, sections, and axonometrics. Also included in this project series is a completed model.
File 12
1970-1971
Territories are the complex set of relations to things that keep us alive. They are bound spaces, where intersecting borders establish semi-stable relations between polities and their material base of operations. A new intensification is reshaping the surface and the cycles of the Earth: the Anthropocene marks an exit from modern forms of territorial organization of(...)
Paul-Desmarais Theatre
5 November 2015
John Palmesino: Territorial Agency
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Territories are the complex set of relations to things that keep us alive. They are bound spaces, where intersecting borders establish semi-stable relations between polities and their material base of operations. A new intensification is reshaping the surface and the cycles of the Earth: the Anthropocene marks an exit from modern forms of territorial organization of(...)
Paul-Desmarais Theatre
The Dark Edge of a Clear-cut
In a conversation moderated by Louise Désy, CCA Curator, Photographs, Lorraine Gilbert presents her work: The documentation of landscapes I have lived and worked in has resulted in a body of work that questions our place within nature and within our built environments. The seemingly objective nature of the way I have pictured these natural and urban spaces, has given way(...)
Main galleries Keyword(s):
The Dark Edge of a Clear-cut, Canada, It's all happening so fast, conversation
4 February 2017, 3pm
The Dark Edge of a Clear-cut
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Description:
In a conversation moderated by Louise Désy, CCA Curator, Photographs, Lorraine Gilbert presents her work: The documentation of landscapes I have lived and worked in has resulted in a body of work that questions our place within nature and within our built environments. The seemingly objective nature of the way I have pictured these natural and urban spaces, has given way(...)
Main galleries Keyword(s):
The Dark Edge of a Clear-cut, Canada, It's all happening so fast, conversation