articles
Are You Afraid of the Dark?
Are You Afraid of the Dark?
Zainab Marvi on how superstitions regulate women's urban experience in Karachi
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Main galleries
3 October 2019, 6:30pm
Main galleries
Main galleries
12 December 2019, 6:30pm
Main galleries
events
Publisher and graphic designer Lars Müller discusses his work and the implications of producing books in the digital age. The lecture also addresses collaborations between Lars Müller Publishers and the CCA, and is held on occasion of the publication of the exhibition catalogue Some Ideas on Living in London and Tokyo by Stephen Taylor and Ryue Nishizawa (2008). The book(...)
Paul Desmarais Theatre
18 September 2008 , 6pm
Lars Müller: If this was not the End, what is the Future of Print?
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Publisher and graphic designer Lars Müller discusses his work and the implications of producing books in the digital age. The lecture also addresses collaborations between Lars Müller Publishers and the CCA, and is held on occasion of the publication of the exhibition catalogue Some Ideas on Living in London and Tokyo by Stephen Taylor and Ryue Nishizawa (2008). The book(...)
events
18 September 2008
6pm
Paul Desmarais Theatre
archives
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Fonds
Roger D’Astous fonds
AP060
Synopsis:
Le fonds témoigne des activités personnelles et professionnelles de Roger D'Astous, de sa carrière d'architecte et de sa contribution à l'architecture québécoise. Il nous renseigne sur sa formation académique à l'École des Beaux-Arts de Montréal, sur son séjour en tant qu'apprenti à l'atelier de Frank Lloyd Wright à Taliesin (Arizona et Wisconsin), ainsi que sur sa pratique professionnelle en tant qu'architecte. Ces projets professionnels sont principalement concentrés au Québec, à Montréal, en Montérégie, dans les Laurentides, à Laval, ainsi qu'en Ontario (dont à Brockville et à Kingston). Le fonds contient, entre autres, 4 100 dessins d’architecture, 2 581 documents photographiques, 7 maquettes et 1,23 m.l. de documents textuels.
1893-1998, surtout 1951-1998
Roger D’Astous fonds
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AP060
Synopsis:
Le fonds témoigne des activités personnelles et professionnelles de Roger D'Astous, de sa carrière d'architecte et de sa contribution à l'architecture québécoise. Il nous renseigne sur sa formation académique à l'École des Beaux-Arts de Montréal, sur son séjour en tant qu'apprenti à l'atelier de Frank Lloyd Wright à Taliesin (Arizona et Wisconsin), ainsi que sur sa pratique professionnelle en tant qu'architecte. Ces projets professionnels sont principalement concentrés au Québec, à Montréal, en Montérégie, dans les Laurentides, à Laval, ainsi qu'en Ontario (dont à Brockville et à Kingston). Le fonds contient, entre autres, 4 100 dessins d’architecture, 2 581 documents photographiques, 7 maquettes et 1,23 m.l. de documents textuels.
archives
Level of archival description:
Fonds
1893-1998, surtout 1951-1998
After a period of decline, the architectural model gained new prominence when it became a popular tool for design education and practice in the early twentieth century. This revival is usually associated with the turn towards objectivity and the search for expressive means to communicate ideas in three dimensions—but how was the model transformed in the age of its(...)
Octagonal gallery
22 September 2011 to 8 January 2012
Modernism in Miniature: Points of View
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Description:
After a period of decline, the architectural model gained new prominence when it became a popular tool for design education and practice in the early twentieth century. This revival is usually associated with the turn towards objectivity and the search for expressive means to communicate ideas in three dimensions—but how was the model transformed in the age of its(...)
Octagonal gallery
articles
1 November 2020
Natural Disasters: The birth of Homo Dolarensis
Dino Buzzi’s coming of age tale about architecture, cash caves, and modern land development
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archives
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Fonds
Aditya Prakash fonds
AP206
Synopsis:
The Aditya Prakash fonds documents the professional practice of modernist Indian architect Aditya Prakash from his studies in London in 1947 to his death in 2008. His seminal work as a junior architect on the Chandigarh Capitol Project in the 1950s is recorded along with documentation from his solo career after 1960, including approximately 82 architectural projects. His professional work as an artist, photographer, writer, academic and theatre enthusiast are also well documented through drawings, photographic materials and textual records.
1947-2008
Aditya Prakash fonds
Actions:
AP206
Synopsis:
The Aditya Prakash fonds documents the professional practice of modernist Indian architect Aditya Prakash from his studies in London in 1947 to his death in 2008. His seminal work as a junior architect on the Chandigarh Capitol Project in the 1950s is recorded along with documentation from his solo career after 1960, including approximately 82 architectural projects. His professional work as an artist, photographer, writer, academic and theatre enthusiast are also well documented through drawings, photographic materials and textual records.
archives
Level of archival description:
Fonds
1947-2008
webpages
Youth Programs
We create programs and workshops for youth ages 5 to 17. These activities introduce youth to architectural ideas while encouraging them to question traditional definitions of architecture.
Youth Programs
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Summary:
We create programs and workshops for youth ages 5 to 17. These activities introduce youth to architectural ideas while encouraging them to question traditional definitions of architecture.
webpages
Individuals act as their own historians, suppressing some stories and emphasizing others. But at the scale of nations and cultures, and especially in this age of ubiquitous digital memory, it has become more difficult to forget. Building on questions about history and its uses, raised by exhibitions like Educating Architects: Four Courses by Kenneth Frampton and Besides,(...)
7 December 2017
Come and Forget the Internet, with Evgeny Morozov
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Description:
Individuals act as their own historians, suppressing some stories and emphasizing others. But at the scale of nations and cultures, and especially in this age of ubiquitous digital memory, it has become more difficult to forget. Building on questions about history and its uses, raised by exhibitions like Educating Architects: Four Courses by Kenneth Frampton and Besides,(...)