1357 Results
Level of archival description:
Sub-series
Sub-series
Reference number:
AP154.S1.1967.PR01.SS2
Description:
Subseries AP154.S1.1967.PR01.SS2, Twin Parks West. Sites R5-7, 10-12, 6, 8, Bronx, New York, N.Y. (1969) documents four executed buildings in the area sometimes referred to as Twin Parks Southwest. At Site 8, 167 small apartments for the elderly were built in buildings of 5 to 19 floors. The other three sites all include larger apartments for families. Site 6 contains 84 middle-income units, some of them split-level, in 11-storey buildings. Site 5-7 contains 99 appartments in10-storey buildings. Site 10-12 contains 136 apartments, a day care center and parking in 17-storey buildings.The project was developed by the New York State Urban Development Corporation. The series contains drawings that constitute a "design manual" submission and architectural and structural drawings.
AP154.S1.1967.PR01.SS2
Description:
Subseries AP154.S1.1967.PR01.SS2, Twin Parks West. Sites R5-7, 10-12, 6, 8, Bronx, New York, N.Y. (1969) documents four executed buildings in the area sometimes referred to as Twin Parks Southwest. At Site 8, 167 small apartments for the elderly were built in buildings of 5 to 19 floors. The other three sites all include larger apartments for families. Site 6 contains 84 middle-income units, some of them split-level, in 11-storey buildings. Site 5-7 contains 99 appartments in10-storey buildings. Site 10-12 contains 136 apartments, a day care center and parking in 17-storey buildings.The project was developed by the New York State Urban Development Corporation. The series contains drawings that constitute a "design manual" submission and architectural and structural drawings.
People:
Date:
1969-1971
1969-1971
Title:
Twin Parks West. Sites R5-7, 10-12, 6, 8, Bronx, New York, N.Y. (1969)
Actions:
AP154.S1.1967.PR01.SS2
Description:
Subseries AP154.S1.1967.PR01.SS2, Twin Parks West. Sites R5-7, 10-12, 6, 8, Bronx, New York, N.Y. (1969) documents four executed buildings in the area sometimes referred to as Twin Parks Southwest. At Site 8, 167 small apartments for the elderly were built in buildings of 5 to 19 floors. The other three sites all include larger apartments for families. Site 6 contains 84 middle-income units, some of them split-level, in 11-storey buildings. Site 5-7 contains 99 appartments in10-storey buildings. Site 10-12 contains 136 apartments, a day care center and parking in 17-storey buildings.The project was developed by the New York State Urban Development Corporation. The series contains drawings that constitute a "design manual" submission and architectural and structural drawings.
Twin Parks West. Sites R5-7, 10-12, 6, 8, Bronx, New York, N.Y. (1969)
Actions:
AP154.S1.1967.PR01.SS2
Description:
Subseries AP154.S1.1967.PR01.SS2, Twin Parks West. Sites R5-7, 10-12, 6, 8, Bronx, New York, N.Y. (1969) documents four executed buildings in the area sometimes referred to as Twin Parks Southwest. At Site 8, 167 small apartments for the elderly were built in buildings of 5 to 19 floors. The other three sites all include larger apartments for families. Site 6 contains 84 middle-income units, some of them split-level, in 11-storey buildings. Site 5-7 contains 99 appartments in10-storey buildings. Site 10-12 contains 136 apartments, a day care center and parking in 17-storey buildings.The project was developed by the New York State Urban Development Corporation. The series contains drawings that constitute a "design manual" submission and architectural and structural drawings.
Level of archival description:
Project
Project
Date:
1969-1971
1969-1971
People:
Form:
photographs
photographs
Actions:
Reference number:
PH1985:0413
Description:
The sculpture depicts what seems to be a man standing, dressed in Indigenous clothing with regalia and tomahawk, and a woman seated on his right side and an animal (dog?) standing on his left. This way of representing an Indigenous couple reflects 19th century settler notions of gender roles. In Indigenous families the woman is the head of the house and would be the one standing, with the man beside her as her equal. The Saint Paul Ice Carnival, founded in 1886, is now known as the Saint Paul Winter Carnival.
PH1985:0413
Description:
The sculpture depicts what seems to be a man standing, dressed in Indigenous clothing with regalia and tomahawk, and a woman seated on his right side and an animal (dog?) standing on his left. This way of representing an Indigenous couple reflects 19th century settler notions of gender roles. In Indigenous families the woman is the head of the house and would be the one standing, with the man beside her as her equal. The Saint Paul Ice Carnival, founded in 1886, is now known as the Saint Paul Winter Carnival.
People:
Date:
circa 1886-1888
circa 1886-1888
Title:
Stereoview of an illuminated ice sculpture at the Saint Paul Ice Carnival representing two Indigenous persons and animal on a base, Saint Paul, Minnesota, United States
Actions:
PH1985:0413
Description:
The sculpture depicts what seems to be a man standing, dressed in Indigenous clothing with regalia and tomahawk, and a woman seated on his right side and an animal (dog?) standing on his left. This way of representing an Indigenous couple reflects 19th century settler notions of gender roles. In Indigenous families the woman is the head of the house and would be the one standing, with the man beside her as her equal. The Saint Paul Ice Carnival, founded in 1886, is now known as the Saint Paul Winter Carnival.
Stereoview of an illuminated ice sculpture at the Saint Paul Ice Carnival representing two Indigenous persons and animal on a base, Saint Paul, Minnesota, United States
Actions:
PH1985:0413
Description:
The sculpture depicts what seems to be a man standing, dressed in Indigenous clothing with regalia and tomahawk, and a woman seated on his right side and an animal (dog?) standing on his left. This way of representing an Indigenous couple reflects 19th century settler notions of gender roles. In Indigenous families the woman is the head of the house and would be the one standing, with the man beside her as her equal. The Saint Paul Ice Carnival, founded in 1886, is now known as the Saint Paul Winter Carnival.
Form:
photographs
photographs
Date:
circa 1886-1888
circa 1886-1888
People:
Level of archival description:
Project
Project
Reference number:
CI005.S1.1925.PR3
Description:
Because of the shortage of social housing for low income families in Rotterdam, the city commissioned the Kiefhoek housing scheme and invited Oud to assist with designing the dwellings. The plans underwent several revisions: it was reduced from the planned construction of 300 buildings in 1925, to 291 dwellings in 1928. The revised complex consisted of two units of shops and dwellings and one dwelling with a hotwater boiler, as well as two warehouses. Oud revised the plans to accommodate 300 dwellings on the chosen site, incorporating existing features, such as the church and public garden, into the site. The site features two symmetric and curved shops facing the central estate street (Taverne et al. 2001, 274-277). Project series includes drawings of plans for site and units as well as photographs of exterior and interior views of Kiefhoek Workers' housing.
CI005.S1.1925.PR3
Description:
Because of the shortage of social housing for low income families in Rotterdam, the city commissioned the Kiefhoek housing scheme and invited Oud to assist with designing the dwellings. The plans underwent several revisions: it was reduced from the planned construction of 300 buildings in 1925, to 291 dwellings in 1928. The revised complex consisted of two units of shops and dwellings and one dwelling with a hotwater boiler, as well as two warehouses. Oud revised the plans to accommodate 300 dwellings on the chosen site, incorporating existing features, such as the church and public garden, into the site. The site features two symmetric and curved shops facing the central estate street (Taverne et al. 2001, 274-277). Project series includes drawings of plans for site and units as well as photographs of exterior and interior views of Kiefhoek Workers' housing.
People:
Date:
1925-1930
1925-1930
Title:
Kiefhoek Workers' Housing, Rotterdam, Netherlands (1925-1930)
Actions:
CI005.S1.1925.PR3
Description:
Because of the shortage of social housing for low income families in Rotterdam, the city commissioned the Kiefhoek housing scheme and invited Oud to assist with designing the dwellings. The plans underwent several revisions: it was reduced from the planned construction of 300 buildings in 1925, to 291 dwellings in 1928. The revised complex consisted of two units of shops and dwellings and one dwelling with a hotwater boiler, as well as two warehouses. Oud revised the plans to accommodate 300 dwellings on the chosen site, incorporating existing features, such as the church and public garden, into the site. The site features two symmetric and curved shops facing the central estate street (Taverne et al. 2001, 274-277). Project series includes drawings of plans for site and units as well as photographs of exterior and interior views of Kiefhoek Workers' housing.
Kiefhoek Workers' Housing, Rotterdam, Netherlands (1925-1930)
Actions:
CI005.S1.1925.PR3
Description:
Because of the shortage of social housing for low income families in Rotterdam, the city commissioned the Kiefhoek housing scheme and invited Oud to assist with designing the dwellings. The plans underwent several revisions: it was reduced from the planned construction of 300 buildings in 1925, to 291 dwellings in 1928. The revised complex consisted of two units of shops and dwellings and one dwelling with a hotwater boiler, as well as two warehouses. Oud revised the plans to accommodate 300 dwellings on the chosen site, incorporating existing features, such as the church and public garden, into the site. The site features two symmetric and curved shops facing the central estate street (Taverne et al. 2001, 274-277). Project series includes drawings of plans for site and units as well as photographs of exterior and interior views of Kiefhoek Workers' housing.
Level of archival description:
project
project
Date:
1925-1930
1925-1930
People:
Level of archival description:
Series
Series
Actions:
Reference number:
CD034.S2
Description:
This series contains reproductions of photographs that were taken by Alexandre Alves Costa from 1974 to 1976. The photographs document the Portuguese Revolution and the beginning of the SAAL process. The material gives a sample of events that occurred at the time, such as protests and assemblies, and shows political graffiti and the living and housing conditions of families of Portuguese workers. The SAAL Process exhibition at the CCA displayed these reproductions as a timeline in one of the galleries. The arrangement of this series reflects the arrangement of the timeline. For the exhibition, photographs taken in 1974 to 1976 were selected to illustrate the events, actions and decisions that lead to the SAAL process from the beginning of the Portuguese Revolution to SAAL. Note that the reproductions of photographs documenting SAAL projects used in the exhibition are arranged under their respective project series.
CD034.S2
Description:
This series contains reproductions of photographs that were taken by Alexandre Alves Costa from 1974 to 1976. The photographs document the Portuguese Revolution and the beginning of the SAAL process. The material gives a sample of events that occurred at the time, such as protests and assemblies, and shows political graffiti and the living and housing conditions of families of Portuguese workers. The SAAL Process exhibition at the CCA displayed these reproductions as a timeline in one of the galleries. The arrangement of this series reflects the arrangement of the timeline. For the exhibition, photographs taken in 1974 to 1976 were selected to illustrate the events, actions and decisions that lead to the SAAL process from the beginning of the Portuguese Revolution to SAAL. Note that the reproductions of photographs documenting SAAL projects used in the exhibition are arranged under their respective project series.
People:
Date:
1974-1976
1974-1976
Title:
Photographs featured in the timeline, The SAAL Process exhibition
Actions:
CD034.S2
Description:
This series contains reproductions of photographs that were taken by Alexandre Alves Costa from 1974 to 1976. The photographs document the Portuguese Revolution and the beginning of the SAAL process. The material gives a sample of events that occurred at the time, such as protests and assemblies, and shows political graffiti and the living and housing conditions of families of Portuguese workers. The SAAL Process exhibition at the CCA displayed these reproductions as a timeline in one of the galleries. The arrangement of this series reflects the arrangement of the timeline. For the exhibition, photographs taken in 1974 to 1976 were selected to illustrate the events, actions and decisions that lead to the SAAL process from the beginning of the Portuguese Revolution to SAAL. Note that the reproductions of photographs documenting SAAL projects used in the exhibition are arranged under their respective project series.
Photographs featured in the timeline, The SAAL Process exhibition
Actions:
CD034.S2
Description:
This series contains reproductions of photographs that were taken by Alexandre Alves Costa from 1974 to 1976. The photographs document the Portuguese Revolution and the beginning of the SAAL process. The material gives a sample of events that occurred at the time, such as protests and assemblies, and shows political graffiti and the living and housing conditions of families of Portuguese workers. The SAAL Process exhibition at the CCA displayed these reproductions as a timeline in one of the galleries. The arrangement of this series reflects the arrangement of the timeline. For the exhibition, photographs taken in 1974 to 1976 were selected to illustrate the events, actions and decisions that lead to the SAAL process from the beginning of the Portuguese Revolution to SAAL. Note that the reproductions of photographs documenting SAAL projects used in the exhibition are arranged under their respective project series.
Level of archival description:
Series
Series
Date:
1974-1976
1974-1976
People:
Level of archival description:
Project
Project
Reference number:
AP075.S1.2000.PR01
Description:
Project series documents Cornelia Hahn Oberlander's landscape project for the Jim Everett Memorial Park, a neighbourhood park situated between Dalhousie Road, Allison Road and University Boulevard, in the University Endowment Lands (UEL) community land, in Vancouver. Oberlander worked on this project from 2000-2001. The UEL is a unincorporated community located between the City of Vancouver and the University of British Columbia. The park was planned as a recreation space for young families and children living in the University Village, a new village complex of UEL. The plants were also selected to provide interest through out the seasons with varying vegetation and flowers, and ensures low maintenance. The project series includes design development drawings and working drawings, including landscape and planting plans, presentation panels, and a presentation model. The series includes also photographs of the park during construction and once completed. The project is also documented through correspondence with clients and consultants, a project proposal by Oberlander, specifications and a contractor tender, concept notes, documentation for research, meetings notes, inspection reports and financial documents. Source: Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages.
AP075.S1.2000.PR01
Description:
Project series documents Cornelia Hahn Oberlander's landscape project for the Jim Everett Memorial Park, a neighbourhood park situated between Dalhousie Road, Allison Road and University Boulevard, in the University Endowment Lands (UEL) community land, in Vancouver. Oberlander worked on this project from 2000-2001. The UEL is a unincorporated community located between the City of Vancouver and the University of British Columbia. The park was planned as a recreation space for young families and children living in the University Village, a new village complex of UEL. The plants were also selected to provide interest through out the seasons with varying vegetation and flowers, and ensures low maintenance. The project series includes design development drawings and working drawings, including landscape and planting plans, presentation panels, and a presentation model. The series includes also photographs of the park during construction and once completed. The project is also documented through correspondence with clients and consultants, a project proposal by Oberlander, specifications and a contractor tender, concept notes, documentation for research, meetings notes, inspection reports and financial documents. Source: Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages.
People:
Date:
2000-2013
2000-2013
Title:
Jim Everett Memorial Park, Vancouver, British Columbia (2000-2001)
Actions:
AP075.S1.2000.PR01
Description:
Project series documents Cornelia Hahn Oberlander's landscape project for the Jim Everett Memorial Park, a neighbourhood park situated between Dalhousie Road, Allison Road and University Boulevard, in the University Endowment Lands (UEL) community land, in Vancouver. Oberlander worked on this project from 2000-2001. The UEL is a unincorporated community located between the City of Vancouver and the University of British Columbia. The park was planned as a recreation space for young families and children living in the University Village, a new village complex of UEL. The plants were also selected to provide interest through out the seasons with varying vegetation and flowers, and ensures low maintenance. The project series includes design development drawings and working drawings, including landscape and planting plans, presentation panels, and a presentation model. The series includes also photographs of the park during construction and once completed. The project is also documented through correspondence with clients and consultants, a project proposal by Oberlander, specifications and a contractor tender, concept notes, documentation for research, meetings notes, inspection reports and financial documents. Source: Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages.
Jim Everett Memorial Park, Vancouver, British Columbia (2000-2001)
Actions:
AP075.S1.2000.PR01
Description:
Project series documents Cornelia Hahn Oberlander's landscape project for the Jim Everett Memorial Park, a neighbourhood park situated between Dalhousie Road, Allison Road and University Boulevard, in the University Endowment Lands (UEL) community land, in Vancouver. Oberlander worked on this project from 2000-2001. The UEL is a unincorporated community located between the City of Vancouver and the University of British Columbia. The park was planned as a recreation space for young families and children living in the University Village, a new village complex of UEL. The plants were also selected to provide interest through out the seasons with varying vegetation and flowers, and ensures low maintenance. The project series includes design development drawings and working drawings, including landscape and planting plans, presentation panels, and a presentation model. The series includes also photographs of the park during construction and once completed. The project is also documented through correspondence with clients and consultants, a project proposal by Oberlander, specifications and a contractor tender, concept notes, documentation for research, meetings notes, inspection reports and financial documents. Source: Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages.
Level of archival description:
Project
Project
Date:
2000-2013
2000-2013
People:
Level of archival description:
Project
Project
Title:
Quinta da Bela Flor, Lisboa
Quinta da Bela Flor, Lisboa
Actions:
Reference number:
CD034.S1.1976.PR01
Description:
This project series contains one reproduction of a photograph displayed in the exhibit to document the Quinta da Bela Flor neighbourhood, in Lisbon, Portugal. The exhibit text explained that: Artur Rosa's project in the neighbourhood grew out of a shanty town, built on a difficult site, dating back to the 19th century, with reports of families living in hillside caves that today flank the entrance to a nearby highway. The process was based on voluntary work, and its ending presented a huge disappointment to the local brigade. In 1976 and 1977, Artur Rosa, also a practicing artist, produced three works that reflected on SAAL, its failure and the subsequent sense of persecution felt by many brigade leaders. The decision not to present the project but rather the artistic interventions aims at revealing the performative nature of the process, its poetic intensity and the way it related to its protagonists. In 1977 the architect presented a performance at the Fine Arts Society in Lisbon in which he closed the documentation of the project in a darkened room. The following year, he presented a structure with the documentation closed inside, and finally he used the project drawings in a collage with photographs on the occasion of the first public tap in Quinta da Bela-Flor. Those poetic artistic interventions are his form of publicly mourning the end of the SAAL process. (The SAAL Process, Housing in Portugal 1974–76) Artur Rosa worked for SAAL/Lisbon and Central South with Etelvina José, Hélio Oliveira, José Luís Teles Rebolo, José Miguel Fonseca, Luís Pereira, Manuel Coutinho Raposo, Maria Fernanda Carvalho, Maria Isabel Rodrigues Lobo, Nuno Blanco Bártolo, Nuno Martins and the residents' association Cooperativa de Habitação Económica Bela Flor, that was founded on February 13th, 1976. The project included 288 dwellings. The operation began in September 1976, with a construction date in December 1976. This project series contains a reproduction of a photograph of a model. The original photograph was produced around 1976 and was reproduced in 2015 for the exhibit.
CD034.S1.1976.PR01
Description:
This project series contains one reproduction of a photograph displayed in the exhibit to document the Quinta da Bela Flor neighbourhood, in Lisbon, Portugal. The exhibit text explained that: Artur Rosa's project in the neighbourhood grew out of a shanty town, built on a difficult site, dating back to the 19th century, with reports of families living in hillside caves that today flank the entrance to a nearby highway. The process was based on voluntary work, and its ending presented a huge disappointment to the local brigade. In 1976 and 1977, Artur Rosa, also a practicing artist, produced three works that reflected on SAAL, its failure and the subsequent sense of persecution felt by many brigade leaders. The decision not to present the project but rather the artistic interventions aims at revealing the performative nature of the process, its poetic intensity and the way it related to its protagonists. In 1977 the architect presented a performance at the Fine Arts Society in Lisbon in which he closed the documentation of the project in a darkened room. The following year, he presented a structure with the documentation closed inside, and finally he used the project drawings in a collage with photographs on the occasion of the first public tap in Quinta da Bela-Flor. Those poetic artistic interventions are his form of publicly mourning the end of the SAAL process. (The SAAL Process, Housing in Portugal 1974–76) Artur Rosa worked for SAAL/Lisbon and Central South with Etelvina José, Hélio Oliveira, José Luís Teles Rebolo, José Miguel Fonseca, Luís Pereira, Manuel Coutinho Raposo, Maria Fernanda Carvalho, Maria Isabel Rodrigues Lobo, Nuno Blanco Bártolo, Nuno Martins and the residents' association Cooperativa de Habitação Económica Bela Flor, that was founded on February 13th, 1976. The project included 288 dwellings. The operation began in September 1976, with a construction date in December 1976. This project series contains a reproduction of a photograph of a model. The original photograph was produced around 1976 and was reproduced in 2015 for the exhibit.
People:
Date:
circa 1976
circa 1976
Title:
Quinta da Bela Flor, Lisboa
Actions:
CD034.S1.1976.PR01
Description:
This project series contains one reproduction of a photograph displayed in the exhibit to document the Quinta da Bela Flor neighbourhood, in Lisbon, Portugal. The exhibit text explained that: Artur Rosa's project in the neighbourhood grew out of a shanty town, built on a difficult site, dating back to the 19th century, with reports of families living in hillside caves that today flank the entrance to a nearby highway. The process was based on voluntary work, and its ending presented a huge disappointment to the local brigade. In 1976 and 1977, Artur Rosa, also a practicing artist, produced three works that reflected on SAAL, its failure and the subsequent sense of persecution felt by many brigade leaders. The decision not to present the project but rather the artistic interventions aims at revealing the performative nature of the process, its poetic intensity and the way it related to its protagonists. In 1977 the architect presented a performance at the Fine Arts Society in Lisbon in which he closed the documentation of the project in a darkened room. The following year, he presented a structure with the documentation closed inside, and finally he used the project drawings in a collage with photographs on the occasion of the first public tap in Quinta da Bela-Flor. Those poetic artistic interventions are his form of publicly mourning the end of the SAAL process. (The SAAL Process, Housing in Portugal 1974–76) Artur Rosa worked for SAAL/Lisbon and Central South with Etelvina José, Hélio Oliveira, José Luís Teles Rebolo, José Miguel Fonseca, Luís Pereira, Manuel Coutinho Raposo, Maria Fernanda Carvalho, Maria Isabel Rodrigues Lobo, Nuno Blanco Bártolo, Nuno Martins and the residents' association Cooperativa de Habitação Económica Bela Flor, that was founded on February 13th, 1976. The project included 288 dwellings. The operation began in September 1976, with a construction date in December 1976. This project series contains a reproduction of a photograph of a model. The original photograph was produced around 1976 and was reproduced in 2015 for the exhibit.
Quinta da Bela Flor, Lisboa
Actions:
CD034.S1.1976.PR01
Description:
This project series contains one reproduction of a photograph displayed in the exhibit to document the Quinta da Bela Flor neighbourhood, in Lisbon, Portugal. The exhibit text explained that: Artur Rosa's project in the neighbourhood grew out of a shanty town, built on a difficult site, dating back to the 19th century, with reports of families living in hillside caves that today flank the entrance to a nearby highway. The process was based on voluntary work, and its ending presented a huge disappointment to the local brigade. In 1976 and 1977, Artur Rosa, also a practicing artist, produced three works that reflected on SAAL, its failure and the subsequent sense of persecution felt by many brigade leaders. The decision not to present the project but rather the artistic interventions aims at revealing the performative nature of the process, its poetic intensity and the way it related to its protagonists. In 1977 the architect presented a performance at the Fine Arts Society in Lisbon in which he closed the documentation of the project in a darkened room. The following year, he presented a structure with the documentation closed inside, and finally he used the project drawings in a collage with photographs on the occasion of the first public tap in Quinta da Bela-Flor. Those poetic artistic interventions are his form of publicly mourning the end of the SAAL process. (The SAAL Process, Housing in Portugal 1974–76) Artur Rosa worked for SAAL/Lisbon and Central South with Etelvina José, Hélio Oliveira, José Luís Teles Rebolo, José Miguel Fonseca, Luís Pereira, Manuel Coutinho Raposo, Maria Fernanda Carvalho, Maria Isabel Rodrigues Lobo, Nuno Blanco Bártolo, Nuno Martins and the residents' association Cooperativa de Habitação Económica Bela Flor, that was founded on February 13th, 1976. The project included 288 dwellings. The operation began in September 1976, with a construction date in December 1976. This project series contains a reproduction of a photograph of a model. The original photograph was produced around 1976 and was reproduced in 2015 for the exhibit.
Level of archival description:
Project
Project
Date:
circa 1976
circa 1976
People:
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Actions:
Reference number:
AP176
Synopsis:
Karl Chu X PHYLUM project records, 1998-2014 (predominant 1998-2002), documents the development and design process of Chu’s project X PHYLUM. The archive consists exclusively of original born-digital material.
AP176
Synopsis:
Karl Chu X PHYLUM project records, 1998-2014 (predominant 1998-2002), documents the development and design process of Chu’s project X PHYLUM. The archive consists exclusively of original born-digital material.
People:
Date:
1998-2014
1998-2014
Title:
Karl Chu X Phylum project records
Actions:
AP176
Synopsis:
Karl Chu X PHYLUM project records, 1998-2014 (predominant 1998-2002), documents the development and design process of Chu’s project X PHYLUM. The archive consists exclusively of original born-digital material.
Karl Chu X Phylum project records
Actions:
AP176
Synopsis:
Karl Chu X PHYLUM project records, 1998-2014 (predominant 1998-2002), documents the development and design process of Chu’s project X PHYLUM. The archive consists exclusively of original born-digital material.
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Date:
1998-2014
1998-2014
People:
Level of archival description:
Project
Project
Reference number:
AP178.S1.1984.PR02
Description:
The project series documents the Punt en Komma social housing project in The Hague, The Netherlands, with some materials related to the Urban plan for Deelgebied Zone 5, Schilderswijk-West. While the records were held in the office’s archives the urban plan for Deelgebied Zone 5 was assigned the number 30/80 and Punt en Komma was assigned the number 30/80 A/B (Punt (A) and Komma (B)). The office assigned the date 1984 for this project. In the mid to late1970s The Hague underwent an urban renewal program and in 1980 Adri Duivesteijn became the alderman responsible for this program. Dissatisfied with the results, in the early to mid-1980s Duivesteijn began a campaign to look at urban renewal as a cultural approach, and was interested in the participatory process that Siza incorporated for the Serviço Ambulatório de Apoio Local (SAAL) in Portugal and the Berlin projects submitted to the International Architectural Exhibition Berlin competition (International Bauaustellung, IBA, circa 1979-1987). After taking a trip to Portugal, Duivesteijn invited Siza to speak with residents of Schilderswijk. The urban plan for Schilderswijk was the first part of a redevelopment plan for the 19th century district and included two four story blocks of 106 apartments, named Punt en Komma. Schilderswijk is in the centre of The Hague and is nearby the Haag Spoor train station. The residents are made up of multi-ethnic communities and included immigrants from Turkey, Morocco, Tunisia, and Portugal. Similarly to the Berlin projects, Siza was faced with cultural tensions between the residents of the area. The urban plan was to take into account the preservation of the neighborhood's identity while accounting for the changes brought on by multi-ethnic communities. As with the SAAL and Berlin projects there was an element of participation from the residents and included the collaboration of a residents association. In the “Plan of Zone 5 of Schilderswijk Centrum…”, found in this project series [AP178.S1.1984.PR02.024.1, AP178.S1.1984.PR02.024.2], it is outlined that meetings were periodically held with technicians appointed by the Department of Urban Planning and Housing of The Hague, the Housing Cooperative, and each of the designers. Siza’s design for Punt en Komma incorporated elements prevalent in Dutch architecture such as the Haagse Portiek. However, he also included components in his design which accounted for the needs of residents living there at the time. One feature which gained much attention was the incorporation of sliding doors in the apartments. Siza included these doors in his design in consideration of the cultural practices of Muslim families. Documenting this project series are drawings, photographic materials, and textual documentation. Among the drawings are plans, elevations, sections, and details, as well as axonometric drawings, such as the proposed design for Deelgebied zone 5 (including Punt en Komma) and drawings of the Haagse Porteik. Photographic materials document both Duivesteijn’s trip to Portugal and Siza’s first trip to The Hague and include photographs, negatives, and slides of the built project, as well as slides of drawings. Note that the photographic materials include photographs related to the housing and shopping complex in Schilderswijk. Textual documentation includes brochures regarding rent increases, a copy of “Stadsvernieuwing als Kulturele Aktiviteit” by Duivesteijn, and information booklets for the residents. Also included are minutes of meeting and correspondence from the Woningbouwvereniging’s-Gravenhage. Among the correspondence are letters regarding construction costs, including a letter from Siza to the local architectural firm Architectengemeenschap Van den Broek en Bakema explaining that he does not wish to modify the detail he specified for the lintels of the Punt building. There is also correspondence from project architect Carlos Castenheira and Duivesteijn and a summary of the meeting between Siza and the Committee of the Corporation for Social Housing (17 April, 1985)[AP178.S1.1984.PR02.025.1] It is important to note that Siza also participated in other projects for this urban renewal program: the housing and shopping complex in Schilderswijk [AP178.S1.1984.PR03], the Van der Vennepark [AP178.S1.1985.PR01], and the residential settlement in Schilderswijk (Plano de Doedijnstraat [AP178.S1.1989.PR03]). All three of these projects are arranged in separate project series.
AP178.S1.1984.PR02
Description:
The project series documents the Punt en Komma social housing project in The Hague, The Netherlands, with some materials related to the Urban plan for Deelgebied Zone 5, Schilderswijk-West. While the records were held in the office’s archives the urban plan for Deelgebied Zone 5 was assigned the number 30/80 and Punt en Komma was assigned the number 30/80 A/B (Punt (A) and Komma (B)). The office assigned the date 1984 for this project. In the mid to late1970s The Hague underwent an urban renewal program and in 1980 Adri Duivesteijn became the alderman responsible for this program. Dissatisfied with the results, in the early to mid-1980s Duivesteijn began a campaign to look at urban renewal as a cultural approach, and was interested in the participatory process that Siza incorporated for the Serviço Ambulatório de Apoio Local (SAAL) in Portugal and the Berlin projects submitted to the International Architectural Exhibition Berlin competition (International Bauaustellung, IBA, circa 1979-1987). After taking a trip to Portugal, Duivesteijn invited Siza to speak with residents of Schilderswijk. The urban plan for Schilderswijk was the first part of a redevelopment plan for the 19th century district and included two four story blocks of 106 apartments, named Punt en Komma. Schilderswijk is in the centre of The Hague and is nearby the Haag Spoor train station. The residents are made up of multi-ethnic communities and included immigrants from Turkey, Morocco, Tunisia, and Portugal. Similarly to the Berlin projects, Siza was faced with cultural tensions between the residents of the area. The urban plan was to take into account the preservation of the neighborhood's identity while accounting for the changes brought on by multi-ethnic communities. As with the SAAL and Berlin projects there was an element of participation from the residents and included the collaboration of a residents association. In the “Plan of Zone 5 of Schilderswijk Centrum…”, found in this project series [AP178.S1.1984.PR02.024.1, AP178.S1.1984.PR02.024.2], it is outlined that meetings were periodically held with technicians appointed by the Department of Urban Planning and Housing of The Hague, the Housing Cooperative, and each of the designers. Siza’s design for Punt en Komma incorporated elements prevalent in Dutch architecture such as the Haagse Portiek. However, he also included components in his design which accounted for the needs of residents living there at the time. One feature which gained much attention was the incorporation of sliding doors in the apartments. Siza included these doors in his design in consideration of the cultural practices of Muslim families. Documenting this project series are drawings, photographic materials, and textual documentation. Among the drawings are plans, elevations, sections, and details, as well as axonometric drawings, such as the proposed design for Deelgebied zone 5 (including Punt en Komma) and drawings of the Haagse Porteik. Photographic materials document both Duivesteijn’s trip to Portugal and Siza’s first trip to The Hague and include photographs, negatives, and slides of the built project, as well as slides of drawings. Note that the photographic materials include photographs related to the housing and shopping complex in Schilderswijk. Textual documentation includes brochures regarding rent increases, a copy of “Stadsvernieuwing als Kulturele Aktiviteit” by Duivesteijn, and information booklets for the residents. Also included are minutes of meeting and correspondence from the Woningbouwvereniging’s-Gravenhage. Among the correspondence are letters regarding construction costs, including a letter from Siza to the local architectural firm Architectengemeenschap Van den Broek en Bakema explaining that he does not wish to modify the detail he specified for the lintels of the Punt building. There is also correspondence from project architect Carlos Castenheira and Duivesteijn and a summary of the meeting between Siza and the Committee of the Corporation for Social Housing (17 April, 1985)[AP178.S1.1984.PR02.025.1] It is important to note that Siza also participated in other projects for this urban renewal program: the housing and shopping complex in Schilderswijk [AP178.S1.1984.PR03], the Van der Vennepark [AP178.S1.1985.PR01], and the residential settlement in Schilderswijk (Plano de Doedijnstraat [AP178.S1.1989.PR03]). All three of these projects are arranged in separate project series.
People:
Date:
circa 1981 - 1990
circa 1981 - 1990
Title:
106 habitações, Punt en Komma [Punt en Komma social housing], Schilderswijk-West, The Hague, The Netherlands, (1981-1990)
Actions:
AP178.S1.1984.PR02
Description:
The project series documents the Punt en Komma social housing project in The Hague, The Netherlands, with some materials related to the Urban plan for Deelgebied Zone 5, Schilderswijk-West. While the records were held in the office’s archives the urban plan for Deelgebied Zone 5 was assigned the number 30/80 and Punt en Komma was assigned the number 30/80 A/B (Punt (A) and Komma (B)). The office assigned the date 1984 for this project. In the mid to late1970s The Hague underwent an urban renewal program and in 1980 Adri Duivesteijn became the alderman responsible for this program. Dissatisfied with the results, in the early to mid-1980s Duivesteijn began a campaign to look at urban renewal as a cultural approach, and was interested in the participatory process that Siza incorporated for the Serviço Ambulatório de Apoio Local (SAAL) in Portugal and the Berlin projects submitted to the International Architectural Exhibition Berlin competition (International Bauaustellung, IBA, circa 1979-1987). After taking a trip to Portugal, Duivesteijn invited Siza to speak with residents of Schilderswijk. The urban plan for Schilderswijk was the first part of a redevelopment plan for the 19th century district and included two four story blocks of 106 apartments, named Punt en Komma. Schilderswijk is in the centre of The Hague and is nearby the Haag Spoor train station. The residents are made up of multi-ethnic communities and included immigrants from Turkey, Morocco, Tunisia, and Portugal. Similarly to the Berlin projects, Siza was faced with cultural tensions between the residents of the area. The urban plan was to take into account the preservation of the neighborhood's identity while accounting for the changes brought on by multi-ethnic communities. As with the SAAL and Berlin projects there was an element of participation from the residents and included the collaboration of a residents association. In the “Plan of Zone 5 of Schilderswijk Centrum…”, found in this project series [AP178.S1.1984.PR02.024.1, AP178.S1.1984.PR02.024.2], it is outlined that meetings were periodically held with technicians appointed by the Department of Urban Planning and Housing of The Hague, the Housing Cooperative, and each of the designers. Siza’s design for Punt en Komma incorporated elements prevalent in Dutch architecture such as the Haagse Portiek. However, he also included components in his design which accounted for the needs of residents living there at the time. One feature which gained much attention was the incorporation of sliding doors in the apartments. Siza included these doors in his design in consideration of the cultural practices of Muslim families. Documenting this project series are drawings, photographic materials, and textual documentation. Among the drawings are plans, elevations, sections, and details, as well as axonometric drawings, such as the proposed design for Deelgebied zone 5 (including Punt en Komma) and drawings of the Haagse Porteik. Photographic materials document both Duivesteijn’s trip to Portugal and Siza’s first trip to The Hague and include photographs, negatives, and slides of the built project, as well as slides of drawings. Note that the photographic materials include photographs related to the housing and shopping complex in Schilderswijk. Textual documentation includes brochures regarding rent increases, a copy of “Stadsvernieuwing als Kulturele Aktiviteit” by Duivesteijn, and information booklets for the residents. Also included are minutes of meeting and correspondence from the Woningbouwvereniging’s-Gravenhage. Among the correspondence are letters regarding construction costs, including a letter from Siza to the local architectural firm Architectengemeenschap Van den Broek en Bakema explaining that he does not wish to modify the detail he specified for the lintels of the Punt building. There is also correspondence from project architect Carlos Castenheira and Duivesteijn and a summary of the meeting between Siza and the Committee of the Corporation for Social Housing (17 April, 1985)[AP178.S1.1984.PR02.025.1] It is important to note that Siza also participated in other projects for this urban renewal program: the housing and shopping complex in Schilderswijk [AP178.S1.1984.PR03], the Van der Vennepark [AP178.S1.1985.PR01], and the residential settlement in Schilderswijk (Plano de Doedijnstraat [AP178.S1.1989.PR03]). All three of these projects are arranged in separate project series.
106 habitações, Punt en Komma [Punt en Komma social housing], Schilderswijk-West, The Hague, The Netherlands, (1981-1990)
Actions:
AP178.S1.1984.PR02
Description:
The project series documents the Punt en Komma social housing project in The Hague, The Netherlands, with some materials related to the Urban plan for Deelgebied Zone 5, Schilderswijk-West. While the records were held in the office’s archives the urban plan for Deelgebied Zone 5 was assigned the number 30/80 and Punt en Komma was assigned the number 30/80 A/B (Punt (A) and Komma (B)). The office assigned the date 1984 for this project. In the mid to late1970s The Hague underwent an urban renewal program and in 1980 Adri Duivesteijn became the alderman responsible for this program. Dissatisfied with the results, in the early to mid-1980s Duivesteijn began a campaign to look at urban renewal as a cultural approach, and was interested in the participatory process that Siza incorporated for the Serviço Ambulatório de Apoio Local (SAAL) in Portugal and the Berlin projects submitted to the International Architectural Exhibition Berlin competition (International Bauaustellung, IBA, circa 1979-1987). After taking a trip to Portugal, Duivesteijn invited Siza to speak with residents of Schilderswijk. The urban plan for Schilderswijk was the first part of a redevelopment plan for the 19th century district and included two four story blocks of 106 apartments, named Punt en Komma. Schilderswijk is in the centre of The Hague and is nearby the Haag Spoor train station. The residents are made up of multi-ethnic communities and included immigrants from Turkey, Morocco, Tunisia, and Portugal. Similarly to the Berlin projects, Siza was faced with cultural tensions between the residents of the area. The urban plan was to take into account the preservation of the neighborhood's identity while accounting for the changes brought on by multi-ethnic communities. As with the SAAL and Berlin projects there was an element of participation from the residents and included the collaboration of a residents association. In the “Plan of Zone 5 of Schilderswijk Centrum…”, found in this project series [AP178.S1.1984.PR02.024.1, AP178.S1.1984.PR02.024.2], it is outlined that meetings were periodically held with technicians appointed by the Department of Urban Planning and Housing of The Hague, the Housing Cooperative, and each of the designers. Siza’s design for Punt en Komma incorporated elements prevalent in Dutch architecture such as the Haagse Portiek. However, he also included components in his design which accounted for the needs of residents living there at the time. One feature which gained much attention was the incorporation of sliding doors in the apartments. Siza included these doors in his design in consideration of the cultural practices of Muslim families. Documenting this project series are drawings, photographic materials, and textual documentation. Among the drawings are plans, elevations, sections, and details, as well as axonometric drawings, such as the proposed design for Deelgebied zone 5 (including Punt en Komma) and drawings of the Haagse Porteik. Photographic materials document both Duivesteijn’s trip to Portugal and Siza’s first trip to The Hague and include photographs, negatives, and slides of the built project, as well as slides of drawings. Note that the photographic materials include photographs related to the housing and shopping complex in Schilderswijk. Textual documentation includes brochures regarding rent increases, a copy of “Stadsvernieuwing als Kulturele Aktiviteit” by Duivesteijn, and information booklets for the residents. Also included are minutes of meeting and correspondence from the Woningbouwvereniging’s-Gravenhage. Among the correspondence are letters regarding construction costs, including a letter from Siza to the local architectural firm Architectengemeenschap Van den Broek en Bakema explaining that he does not wish to modify the detail he specified for the lintels of the Punt building. There is also correspondence from project architect Carlos Castenheira and Duivesteijn and a summary of the meeting between Siza and the Committee of the Corporation for Social Housing (17 April, 1985)[AP178.S1.1984.PR02.025.1] It is important to note that Siza also participated in other projects for this urban renewal program: the housing and shopping complex in Schilderswijk [AP178.S1.1984.PR03], the Van der Vennepark [AP178.S1.1985.PR01], and the residential settlement in Schilderswijk (Plano de Doedijnstraat [AP178.S1.1989.PR03]). All three of these projects are arranged in separate project series.
Level of archival description:
Project
Project
Date:
circa 1981 - 1990
circa 1981 - 1990
People:
Form:
books
books
Actions:
Holdings:
Description:
80 unnumbered pages : illustrations (some color), map, plans ; 31 cm
Description:
80 unnumbered pages : illustrations (some color), map, plans ; 31 cm
Subject:
Publication:
Paris : [publisher not identified], 1960.
Paris : [publisher not identified], 1960.
Title:
Terre et famille, Coopération et famille.
Actions:
Holdings:
Description:
80 unnumbered pages : illustrations (some color), map, plans ; 31 cm
Terre et famille, Coopération et famille.
Actions:
Holdings:
Description:
80 unnumbered pages : illustrations (some color), map, plans ; 31 cm
Form:
books
books
Publication:
Paris : [publisher not identified], 1960.
Paris : [publisher not identified], 1960.
Subject:
Form:
books
books
Holdings:
Description:
688 pages, 2 unnumbered pages of plates : illustrations ; 25 cm
Description:
688 pages, 2 unnumbered pages of plates : illustrations ; 25 cm
Author:
Subject:
Publication:
[Sainte-Famille, Ile d'Orléans?] : [publisher not identified], [1984] (Beauceville [Canada] : Impr. l'Eclaireur)
[Sainte-Famille, Ile d'Orléans?] : [publisher not identified], [1984] (Beauceville [Canada] : Impr. l'Eclaireur)
Title:
Sainte-Famille : l'aînée de l'Ile-d'Orléans / Raymond Létourneau.
Actions:
Holdings:
Description:
688 pages, 2 unnumbered pages of plates : illustrations ; 25 cm
Sainte-Famille : l'aînée de l'Ile-d'Orléans / Raymond Létourneau.
Actions:
Holdings:
Description:
688 pages, 2 unnumbered pages of plates : illustrations ; 25 cm
Form:
books
books
Publication:
[Sainte-Famille, Ile d'Orléans?] : [publisher not identified], [1984] (Beauceville [Canada] : Impr. l'Eclaireur)
[Sainte-Famille, Ile d'Orléans?] : [publisher not identified], [1984] (Beauceville [Canada] : Impr. l'Eclaireur)
Author:
Subject:
