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This international exploration of Jewish and Holocaust museums, modern synagogues, Jewish community centers and schools demonstrates how these important structures lend architectural shape to the Jewish identity. Architects commissioned to build religious-based structures are uniquely responsible to the history and values of the community they represent. Nowhere is this(...)
Architecture since 1900, Europe
April 2004, Munich
Jewish identity in contemporary architecture
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This international exploration of Jewish and Holocaust museums, modern synagogues, Jewish community centers and schools demonstrates how these important structures lend architectural shape to the Jewish identity. Architects commissioned to build religious-based structures are uniquely responsible to the history and values of the community they represent. Nowhere is this more evident than within the Jewish structures of the late twentieth and early twenty-first centuries, a time of disruption, destruction, immigration, and reconstruction of Jewish society. Accompanying a touring exhibition, this important work demonstrates the fundamental differences among fifteen museums, synagogues, community centers and schools throughout the world. It covers sites in America, where the architecture of Jewish institutions looks back on a legacy of uninterrupted development; in Israel, where the great wave of immigration adopted modernist as well as Mediterranean traditions; and in Europe, where rebuilding and reconciliation attempt to balance a history of pain and tragedy.
Architecture since 1900, Europe
(re) constructions
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Ces photographies sont le produit d’un arpentage intime, fragmentaire, nourri par l'idée qu'une position spécifiquement artistique est susceptible de produire un type d'information que ne fournissent ni la recherche historique ni l'analyse sociologique. À l'horizon se marquerait la discrète étrangeté d’un milieu, des modes d’habitation d’un environnement singulier.Quel(...)
(re) constructions
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Ces photographies sont le produit d’un arpentage intime, fragmentaire, nourri par l'idée qu'une position spécifiquement artistique est susceptible de produire un type d'information que ne fournissent ni la recherche historique ni l'analyse sociologique. À l'horizon se marquerait la discrète étrangeté d’un milieu, des modes d’habitation d’un environnement singulier.Quel milieu ? Celui de ces villages non loin de Reims, au Nord, le long de la vallée de l’Aisne ou à proximité, presque totalement détruits pendant la Première Guerre mondiale. Le front les a traversés. Les obus ont bouleversé les champs, les bois, tout le paysage ; ils ont renversé les murs des maisons désertées par leurs habitants. L’histoire, dans sa longue durée, a été effacée : disparue, ou presque, l’épaisseur tangible du passé, avec son riche appareil d’époques successives, dont les signes plus ou moins visibles façonnent habituellement les campagnes. À leur place, la destruction générale impose la marque d’un unique événement traumatique.”
Photography monographs
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The Earth has entered a new epoch: the Anthropocene. What we are facing is not only an environmental crisis, but a geological revolution of human origin. In two centuries, our planet has tipped into a state unknown for millions of years. How did we get to this point? Refuting the convenient view of a “human species” that upset the Earth system, unaware of what it was(...)
Environment and environmental theory
April 2017
The shock of the anthropocene: the earth, history and us
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The Earth has entered a new epoch: the Anthropocene. What we are facing is not only an environmental crisis, but a geological revolution of human origin. In two centuries, our planet has tipped into a state unknown for millions of years. How did we get to this point? Refuting the convenient view of a “human species” that upset the Earth system, unaware of what it was doing, this book proposes the first critical history of the Anthropocene, shaking up many accepted ideas: about our supposedly recent “environmental awareness,” about previous challenges to industrialism, about the manufacture of ignorance and consumerism, about so-called energy transitions, as well as about the role of the military in environmental destruction. In a dialogue between science and history, The Shock of the Anthropocene dissects a new theoretical buzzword and explores paths for living and acting politically in this rapidly developing geological epoch.
Environment and environmental theory
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The Earth has entered a new epoch: the Anthropocene. What we are facing is not only an environmental crisis, but a geological revolution of human origin. In two centuries, our planet has tipped into a state unknown for millions of years. How did we get to this point? Refuting the convenient view of a “human species” that upset the Earth system, unaware of what it was(...)
Green Architecture
March 2016
The Shock of the Anthropocene: The Earth, History and Us
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The Earth has entered a new epoch: the Anthropocene. What we are facing is not only an environmental crisis, but a geological revolution of human origin. In two centuries, our planet has tipped into a state unknown for millions of years. How did we get to this point? Refuting the convenient view of a “human species” that upset the Earth system, unaware of what it was doing, this book proposes the first critical history of the Anthropocene, shaking up many accepted ideas: about our supposedly recent “environmental awareness,” about previous challenges to industrialism, about the manufacture of ignorance and consumerism, about so-called energy transitions, as well as about the role of the military in environmental destruction. In a dialogue between science and history, The Shock of the Anthropocene dissects a new theoretical buzzword and explores paths for living and acting politically in this rapidly developing geological epoch.
Green Architecture
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War has entered the cities. Since September 11, 2001 at the latest, it has become apparent that this is the case not only in Jerusalem and the Middle East, but also in Western metropolises. This book presents a thorough investigation of the current situation in Jerusalem from a trilateral perspective: Israeli, Palestinian, and international experts air their views. The(...)
Arch Southwest Asia & North Africa
June 2006, Basel, Boston, Berlin
City of collision : Jerusalem and the principles of conflict urbanism
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War has entered the cities. Since September 11, 2001 at the latest, it has become apparent that this is the case not only in Jerusalem and the Middle East, but also in Western metropolises. This book presents a thorough investigation of the current situation in Jerusalem from a trilateral perspective: Israeli, Palestinian, and international experts air their views. The discussion centers on the production and use of urban space under the conditions created by the conflict, including, for example, the so-called security fence, urban enclaves, exclaves, the approach to monuments and no-man’s-land, and the instrumentalization of infrastructures, which leads to the crass juxtaposition of highly developed and impoverished urban spaces. The conflict, however, does not bring with it destruction and violence alone, but also exhibits ambivalent effects and, along with them, new cultural and urban realities. Jerusalem has become a prototype in the age of new urban violence.
Arch Southwest Asia & North Africa
Nadav Kander: The Meeting
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Regardless of his sitter whether family member or influential celebrity the portraiture of London-based photographer Nadav Kander (born 1961) shows what makes that particular individual human. His aim is to move beyond capturing an accurate likeness?to access the emotions within, the uncertainty, the shadow as much as the light, the complex sense of self that otherwise(...)
Nadav Kander: The Meeting
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Regardless of his sitter whether family member or influential celebrity the portraiture of London-based photographer Nadav Kander (born 1961) shows what makes that particular individual human. His aim is to move beyond capturing an accurate likeness?to access the emotions within, the uncertainty, the shadow as much as the light, the complex sense of self that otherwise lays hidden. “Revealed and concealed, beauty and destruction, ease and disease, shame and shameless,” explains Kander, “These paradoxes are essential to all my work and represent what is common to all my varied subject matter.” This collection, the first book dedicated to his portraiture, shows the range and nuance of Kander’s work. His enigmatic depictions of actors, artists, musicians, authors, sports icons and political leaders?from Barack Obama, John le Carré and Alexander McQueen to Tracey Emin, Robert Plant and Prince Charles are layered and penetrating, revealing unexpected moments of reverie and vulnerability.
Photography monographs
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Sur quoi repose la société de l'Internet? Quels enjeux environnementaux et sociaux soulève le bonheur de la connexion permanente? À quels renoncements, à quels sacrifices mène la numérisation de nos vies? Les technologies se sont multipliées sans véritable délibération sur leurs implications sociétales. Dans ce conditionnement généralisé, nous nous sommes résignés à ce(...)
Internet ou le retour à la bougie
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Sur quoi repose la société de l'Internet? Quels enjeux environnementaux et sociaux soulève le bonheur de la connexion permanente? À quels renoncements, à quels sacrifices mène la numérisation de nos vies? Les technologies se sont multipliées sans véritable délibération sur leurs implications sociétales. Dans ce conditionnement généralisé, nous nous sommes résignés à ce que le numérique façonne notre existence. L'ambition de cet essai est d'ouvrir le débat sur ce sujet, mais aussi de faire découvrir des auteurs passionnants (Jacques Ellul, Hartmut Rosa, Philippe Bihouix, Bernard Charbonneau, Jaime Semprun...) afin de prendre la mesure de cette démesure qui semble achever l'expropriation des humains d'eux-mêmes et la destruction du monde vivant. Ce pamphlet, véritable critique radicale de l'Internet et de la société technicienne, se mêle à un récit de vie élaboré à partir d'une observation attentive des transformations de nos vies quotidiennes au travail, dans l'espace social et dans le domaine privé.
Critical Theory
Brian Rose: Last stop
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Over the course of a year, Brian Rose set out to photograph all the neighborhoods at the ends of the subway lines in New York City. He had multiple reasons for engaging in such a project, but the strongest was the desire to portray New York as a highly diverse, multi-centered metropolis. Having spent a major part of his career photographing the city through often(...)
Brian Rose: Last stop
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Over the course of a year, Brian Rose set out to photograph all the neighborhoods at the ends of the subway lines in New York City. He had multiple reasons for engaging in such a project, but the strongest was the desire to portray New York as a highly diverse, multi-centered metropolis. Having spent a major part of his career photographing the city through often challenging times – the dichotomy of destruction and creativity of the 1980s, the mortal wounding of 9/11, and the suspended animation of the Covid-19 pandemic – Rose was perhaps uniquely equipped to document the city at this moment of political uncertainty under the increased strain of new arrivals, many of whom are refugees from around the world. For a new generation of New Yorkers, the trains roll on ceaselessly, and despite the title, ''Last Stop'' is not so much about endings as it is about reinvention.
Photography monographs
And if I devoted my life to one of its feathers? Aesthetic responses to extraction, accumulation
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“And if I devoted my life to one of its feathers?” wrote the Chilean poet, artist, and feminist activist Cecilia Vicuña in the early 1970s. Vicuña countered anthropocentric and hetero-patriarchal urges with healing and appreciation, reviving the aesthetic and spiritual bonds between human and more-than-human entities and worlds. Revolving around this vision of(...)
And if I devoted my life to one of its feathers? Aesthetic responses to extraction, accumulation
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“And if I devoted my life to one of its feathers?” wrote the Chilean poet, artist, and feminist activist Cecilia Vicuña in the early 1970s. Vicuña countered anthropocentric and hetero-patriarchal urges with healing and appreciation, reviving the aesthetic and spiritual bonds between human and more-than-human entities and worlds. Revolving around this vision of interconnectivity, this book, which accompanies a joint exhibition of the same name of Kunsthalle Wien and Wiener Festwochen, seeks to create a collective dialogue around unequal distribution of power, sovereignty, and social and ecological justice. The exhibited works and written contributions reflect on the rationale of exploitation, the fast-paced mining of raw materials, and environmental destruction as a colonial legacy. They deconstruct Western anthropocentric models and enduring colonial and racist discourses, trace the stories of indigenous struggles for collective survival, and celebrate encounters defined by solidarity in their resistance to capitalist extraction, misogyny, imperialist violence, and dispossession.
Art Theory
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In Humanism and the Urban World, Caspar Pearson offers a profoundly revisionist account of Leon Battista Alberti’s approach to the urban environment as exemplified in the extensive theoretical treatise De re aedificatoria (On the Art of Building in Ten Books), brought mostly to completion in the 1450s, as well as in his larger body of written work. This book explores the(...)
Humanism and the urban world: Leon Battista Alberti and the Renaissance City
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In Humanism and the Urban World, Caspar Pearson offers a profoundly revisionist account of Leon Battista Alberti’s approach to the urban environment as exemplified in the extensive theoretical treatise De re aedificatoria (On the Art of Building in Ten Books), brought mostly to completion in the 1450s, as well as in his larger body of written work. This book explores the ways in which Alberti sought to remedy urban problems, tracing key themes that manifest in De re aedificatoria. Chapters address Alberti’s consideration of the city's possible destruction and the city’s capacity to provide order despite its intrinsic instability; his assessment of a variety of political solutions to that instability; his affinity for the countryside and discussions of the virtues of the active versus the contemplative life; and his theories of aesthetics and beauty, in particular the belief that beauty may affect the soul of an enemy and thus preserve buildings from attack.
History until 1900