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Design for a democratic society was a matter of urgency in bombed-out postwar Europe. Swiss sociologist, journalist, professor and founding father of strollology, Lucius Burckhardt (1925-2003) pioneered the interdisciplinary analysis of man-made environments, and thereby highlighted both the visible and invisible aspects of our cities and social relations. Acutely aware(...)
Architectural Theory
October 2012
Lucius Burckhardt writings: rethinking man-made environments
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Design for a democratic society was a matter of urgency in bombed-out postwar Europe. Swiss sociologist, journalist, professor and founding father of strollology, Lucius Burckhardt (1925-2003) pioneered the interdisciplinary analysis of man-made environments, and thereby highlighted both the visible and invisible aspects of our cities and social relations. Acutely aware of how our interventions and decisions shape the world, and how the changing world in turn, shapes us, his life-long focus was not only the prerequisites of architecture, urban planning and design but also their long-term impact. Teaching and practice still owe much to his work. Thus, the first selection of Lucius Burckhardt's texts to appear in English, introduces his groundbreaking theory of environmental design, in retrospective tribute to a prescient thinker.
Architectural Theory
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Julius Shulman, one of the foremost architectural photographers of our day, achieved international acclaim with his pictures of the architecture of the postwar and Kennedy eras. Shulman not only set standards in modern architectural photography, working with the preeminent architects of his time, he also defined a completely new style of architectural photography.(...)
Julius Shulman : The last decade
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Julius Shulman, one of the foremost architectural photographers of our day, achieved international acclaim with his pictures of the architecture of the postwar and Kennedy eras. Shulman not only set standards in modern architectural photography, working with the preeminent architects of his time, he also defined a completely new style of architectural photography. German born photographer Jürgen Nogai and Julius Shulman began a rewarding collaboration in 2000 which lasted almost a decade until Shulman's death in 2009. Together they continued to develop their unique style, worked on projects, and published in books and magazines. This publication presents works from the joint archive of Shulman and Nogai resulting from their ten year partnership, many of them published for the first time.
Photography monographs
Steven Leiber: Catalogs
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Steven Leiber was a pioneering San Francisco art dealer, collector and gallerist who specialized in the dematerialized art practices of the 1960s and 1970s and the ephemera and documentation spawned by conceptual art and other postwar movements. To sell this material, Leiber produced a series of 52 iconic catalogs between 1992 and 2010. Far from your ordinary dealer(...)
Steven Leiber: Catalogs
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Steven Leiber was a pioneering San Francisco art dealer, collector and gallerist who specialized in the dematerialized art practices of the 1960s and 1970s and the ephemera and documentation spawned by conceptual art and other postwar movements. To sell this material, Leiber produced a series of 52 iconic catalogs between 1992 and 2010. Far from your ordinary dealer catalog, Leiber’s catalogs paid homage to the kind of historic printed matter that he bought and sold, mimicking iconic publications like Wallace Berman’s Semina journal and the exhibition catalog for ''Documenta V'' (1972). Leiber’s reputation spread via these unique volumes, which included works by John Baldessari, Lynda Benglis, Ray Johnson, Lucy Lippard, Allan Kaprow, Yayoi Kusama, Claes Oldenburg, Ed Ruscha, Lawrence Weiner and many more.
Contemporary Art Monographs
Robert Royston
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Over nearly six decades of practice, Robert Royston (1918–2008) shaped the postwar Bay Area landscape with visionary designs for public spaces. Early in his career, Royston conceived of the "landscape matrix," a system of interconnected parks, plazas, and parkways that he hoped could bring order and amenity to rapidly developing suburbs. The idea would inform his work on(...)
Landscape Architecture, Monographs
March 2020
Robert Royston
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Over nearly six decades of practice, Robert Royston (1918–2008) shaped the postwar Bay Area landscape with visionary designs for public spaces. Early in his career, Royston conceived of the "landscape matrix," a system of interconnected parks, plazas, and parkways that he hoped could bring order and amenity to rapidly developing suburbs. The idea would inform his work on more than two thousand projects as diverse as school grounds, new towns, transit corridors, and housing tracts. As an apprentice of Thomas Church, Royston gained experience with residential gardens that influenced his early designs for public parks. At a time when neighborhood parks were typically limited to playing fields and stock playground equipment, Royston created imaginative facilities for the American family, offering activities for people of all ages.
Landscape Architecture, Monographs
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Kazuo Shinohara (1925–2006) is one of the greatest and most influential architects of Japan's postwar generation.Shinohare himself divided his creative work into four styles. In placing his later, institutional scale works of his fourth style, which have been overlooked until now, alongside the iconic houses of his earlier career, this book establishes the architect’s(...)
Kazuo Shinohara: traversing the house and the city
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Kazuo Shinohara (1925–2006) is one of the greatest and most influential architects of Japan's postwar generation.Shinohare himself divided his creative work into four styles. In placing his later, institutional scale works of his fourth style, which have been overlooked until now, alongside the iconic houses of his earlier career, this book establishes the architect’s insistence on the equivalation between the house and the city. New scholarly essays, interviews with clients and collaborators, and translations of Shinohara’s key texts are complemented by previously unpublished archival drawings and personal travel photographs by Shinohara. The volume reframes his architectural achievements in terms of his oeuvre as a whole and situates them in the broader cultural and social context in Japan and globally.
Architecture Monographs
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From the outset, American artist Betty Woodman (born 1930) has used ceramics as her medium of expression and artistic research, and it has made her one of the most influential and original voices on the international art scene. Bridging the gap between art and craft, Woodman moves nimbly between the traditions of an age-old medium, taking inspiration from Minoan and(...)
Betty Woodman: theatre of the domestic
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From the outset, American artist Betty Woodman (born 1930) has used ceramics as her medium of expression and artistic research, and it has made her one of the most influential and original voices on the international art scene. Bridging the gap between art and craft, Woodman moves nimbly between the traditions of an age-old medium, taking inspiration from Minoan and Egyptian art, Greek and Etruscan sculpture, Tang Dynasty works, majolica and Sèvres porcelain, Italian Baroque architecture and the paintings of Bonnard, Picasso and Matisse, while also introducing innovations in both style and technique. This publication focuses on work made over the past ten years, while taking stock of Woodman's continued relevance to contemporary art and her importance among postwar artists.
Contemporary Art Monographs
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"Unhoused: Adorno and the Problem of Dwelling" is the first book-length study of Theodor Adorno as a philosopher of housing. Treating his own experience of exile as emblematic of late modern life, Adorno observed that twentieth-century dwelling had been rendered “impossible” by nativism, by the decimations of war, and, in the postwar period, by housing’s increasingly(...)
Unhoused: Adorno and the problem of dwelling
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"Unhoused: Adorno and the Problem of Dwelling" is the first book-length study of Theodor Adorno as a philosopher of housing. Treating his own experience of exile as emblematic of late modern life, Adorno observed that twentieth-century dwelling had been rendered “impossible” by nativism, by the decimations of war, and, in the postwar period, by housing’s increasingly thorough assimilation into private property. Adorno’s position on the meaning and prospects for adequate dwelling—a concept he never wrote about systematically but nevertheless returned to frequently—was not that some invulnerable state of home or dwelling should be revived. Rather, Adorno believed that the only responsible approach to housing was to cultivate an ethic of displacement, to learn “how not to be at home in one’s home.”
Architectural Theory
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In her first artist's book, Cambridge, MA-based artist Katarina Burin (born 1975) creates a fictitious Czechoslovakian architect named Andrejova-Molnar, described as a pioneering architect of modern postwar Europe, as part of her investigation of architectural history. The book presents a biographical narrative about the education and design work of Andrejova-Molnar, and(...)
Katarina Burin: contribution and collaboration, the work of Petra Andrejova-Molnar (...)
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In her first artist's book, Cambridge, MA-based artist Katarina Burin (born 1975) creates a fictitious Czechoslovakian architect named Andrejova-Molnar, described as a pioneering architect of modern postwar Europe, as part of her investigation of architectural history. The book presents a biographical narrative about the education and design work of Andrejova-Molnar, and positions her work in relation to mid-20th-century female architects Charlotte Perriand and Eileen Grey. Burin’s Andrejova-Molnar project, which won the prestigious James and Audrey Foster Prize at the Institute of Contemporary Art in Boston in 2013, gives voice to female designers while questioning notions of authorship and authenticity, the relationship between gender and the archive, and the historical tension between national identity and internationalist aspirations.
Contemporary Art Monographs
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"Moscow: a guide to Soviet modernist architecture 1955-1991" provides descriptions of almost 100 buildings from the most underrated period of Soviet architecture. This is the first guide to bring together the architecture made during the three decades between Khrushchev and Gorbachev, from the naive modernism of the "thaw" of the late 1950s through postmodernism.(...)
September 2019
Moscow: a guide to Soviet modernist architecture 1955-1991
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"Moscow: a guide to Soviet modernist architecture 1955-1991" provides descriptions of almost 100 buildings from the most underrated period of Soviet architecture. This is the first guide to bring together the architecture made during the three decades between Khrushchev and Gorbachev, from the naive modernism of the "thaw" of the late 1950s through postmodernism. Buildings include the Palace of Youth, the Rossiya cinema, the Pioneer Palace, the Ostankino TV Tower, the TASS headquarters, the "golden brains" of the Academy of Sciences and less well-known structures such as the House of New Life and the Lenin Komsomol Automobile Plant Museum. The authors situate Moscow's postwar architecture within the historical and political context of the Soviet Union, while also referencing developments in international architecture of the period.
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This book offers a snapshot of recent influential work in contemporary art and political theory in France, Italy, and Germany, in the form of original writings by major representatives of each of the three overlapping national traditions. In France, debates center on the status and possibilities of the image. Éric Alliez, Georges Didi-Huberman, Elisabeth Lebovici, and(...)
Spheres of action : art and politics
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This book offers a snapshot of recent influential work in contemporary art and political theory in France, Italy, and Germany, in the form of original writings by major representatives of each of the three overlapping national traditions. In France, debates center on the status and possibilities of the image. Éric Alliez, Georges Didi-Huberman, Elisabeth Lebovici, and Jacques Rancière each adopt a distinctive approach to the making, undoing, and remaking of aesthetic images in contemporary art and their political significance. From Italy, Antonio Negri, Maurizio Lazzarato, Judith Revel, and Franco Berardi each address the "immaterial" situation of contemporary art. From Germany, Peter Sloterdijk, Peter Weibel, and Boris Groys reassess the contemporary legacy of postwar art, demonstrating appropriations of vitalism, structuralism, and deconstruction, respectively.
Art Theory