photographs
Quantity:
3 photograph(s)
ARCH280866
Description:
Group consists of photographs of unidentified buildings in Europe. There is also a photograph of two unidentified men and a photograph of an unidentified sculpture.
between 1907 and 1911
Photographs of unidentified buildings
Actions:
ARCH280866
Description:
Group consists of photographs of unidentified buildings in Europe. There is also a photograph of two unidentified men and a photograph of an unidentified sculpture.
photographs
Quantity:
3 photograph(s)
between 1907 and 1911
Combining enthusiasm for the radically new world view of cubist art with a desire to establish an autonomous aesthetic as well as political presence, the Czech cubists produced not only powerful visionary work, but also went beyond theory to practice. Czech Cubism: Architecture and Design, 1910–1925 brings together the work of a group of Czech artists, architects, and(...)
Main galleries
10 June 1992 to 2 August 1992
Czech Cubism: Architecture and Design, 1910–1925
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Description:
Combining enthusiasm for the radically new world view of cubist art with a desire to establish an autonomous aesthetic as well as political presence, the Czech cubists produced not only powerful visionary work, but also went beyond theory to practice. Czech Cubism: Architecture and Design, 1910–1925 brings together the work of a group of Czech artists, architects, and(...)
Main galleries
PH1979:0162.04:033
Description:
- Plate 36 from 'Le Nouvel Opéra de Paris, Sculpture Ornementale (Paris: Ducher et Compagnie, 1875)', see 'The First Five Years...', p. 65, pl. 38.
architecture, ornament, sculpture
1875 or before
Masques de vestibule circulaire
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PH1979:0162.04:033
Description:
- Plate 36 from 'Le Nouvel Opéra de Paris, Sculpture Ornementale (Paris: Ducher et Compagnie, 1875)', see 'The First Five Years...', p. 65, pl. 38.
architecture, ornament, sculpture
Project
AP206.S1.1963.PR01
Description:
This project series documents the Punjab Agricultural University in Ludhiana, India from 1963-1968. With Prakash as the senior architect, this project consisted of the design of the entire campus, including the boys' hostel and mess, and the Agricultural Engineering College (AEC). Under this project, Prakash also designed campuses for the University in Hisar and Palampur. The boys' hostel, constructed first, consisted of a long, rectangular volume of exposed brick and concrete columns. Balconies lined its exterior, alternating on each floor so that every balcony had a view of the sky above. A covered walkway connected the hostel to the square mess, which was turned 45 degrees on its axis. The AEC, the campus's main building, was a long, single-storey building with a series of enclosed courtyards. Round exhaust openings were the only element that marked the building's façade. Prakash, developing his love of sculpture at this time, also crafted a large outdoor sculpture for the campus's main courtyard.[1] This project is recorded through a reprographic copy of a plan of the boys' hostel dating from around 1963. [1]Vikramaditya Prakash, One Continuous Line: Art, Architecture and Urbanism of Aditya Prakash (Ahmedabad, India: Mapin Publishing Pvt. Ltd., 2019), 107-132.
circa 1963
Punjab Agricultural University, Ludhiana, India (1963-1968)
Actions:
AP206.S1.1963.PR01
Description:
This project series documents the Punjab Agricultural University in Ludhiana, India from 1963-1968. With Prakash as the senior architect, this project consisted of the design of the entire campus, including the boys' hostel and mess, and the Agricultural Engineering College (AEC). Under this project, Prakash also designed campuses for the University in Hisar and Palampur. The boys' hostel, constructed first, consisted of a long, rectangular volume of exposed brick and concrete columns. Balconies lined its exterior, alternating on each floor so that every balcony had a view of the sky above. A covered walkway connected the hostel to the square mess, which was turned 45 degrees on its axis. The AEC, the campus's main building, was a long, single-storey building with a series of enclosed courtyards. Round exhaust openings were the only element that marked the building's façade. Prakash, developing his love of sculpture at this time, also crafted a large outdoor sculpture for the campus's main courtyard.[1] This project is recorded through a reprographic copy of a plan of the boys' hostel dating from around 1963. [1]Vikramaditya Prakash, One Continuous Line: Art, Architecture and Urbanism of Aditya Prakash (Ahmedabad, India: Mapin Publishing Pvt. Ltd., 2019), 107-132.
Project
circa 1963
drawings
DR2012:0012:042
Description:
Consists of sketches and studies of the columns in the CCA garden. Material was originally housed in a tube labelled "CCA Garden: Sculpture Columns - Studies 1988".
1988
Sketches and studies of the columns in the CCA garden
Actions:
DR2012:0012:042
Description:
Consists of sketches and studies of the columns in the CCA garden. Material was originally housed in a tube labelled "CCA Garden: Sculpture Columns - Studies 1988".
drawings
1988
Sketch elevations for the E and D columns for the E,D,E,N, Pavilion, Rheinfelden, Switzerland
DR1997:0028
Description:
- This drawing shows the letters E, D and E backwards and elongated. The inscription "la piazza ?" refers to the sculpture "Piazza" by Alberto Giacometti with elongated human figures.
architecture
1986-1987
Sketch elevations for the E and D columns for the E,D,E,N, Pavilion, Rheinfelden, Switzerland
Actions:
DR1997:0028
Description:
- This drawing shows the letters E, D and E backwards and elongated. The inscription "la piazza ?" refers to the sculpture "Piazza" by Alberto Giacometti with elongated human figures.
architecture
Sub-series
AP041.S3.SS04
Description:
This subseries documents Melvin Charney's solo exhibition "Melvin Charney : Oeuvres, 1970-1979", originally held at the Musée d'art contemporain de Montréal in 1979. The exhibition presentes Charney's work through his works of art, including photographs, drawings, installations and sculptures. The sub-series includes textual records.
1979
Melvin Charney: oeuvres 1970-1979
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AP041.S3.SS04
Description:
This subseries documents Melvin Charney's solo exhibition "Melvin Charney : Oeuvres, 1970-1979", originally held at the Musée d'art contemporain de Montréal in 1979. The exhibition presentes Charney's work through his works of art, including photographs, drawings, installations and sculptures. The sub-series includes textual records.
Subseries
1979
DR1988:0043
Description:
- Design for a monumental structure consisting of three levels. The decoration includes a representation of a large human head on the top level with figurative sculpture to either side.
architecture
circa 1920-1921
Visionary design for a monumental structure
Actions:
DR1988:0043
Description:
- Design for a monumental structure consisting of three levels. The decoration includes a representation of a large human head on the top level with figurative sculpture to either side.
architecture
DR1966:0001:028
Description:
- This elevation for the tomb of Benedict XIV includes a sculpture of the pope standing in front of a throne as if he has just risen to give a blessing.
architecture, interior design
1763
Elevation for the tomb of Benedict XIV, Rome
Actions:
DR1966:0001:028
Description:
- This elevation for the tomb of Benedict XIV includes a sculpture of the pope standing in front of a throne as if he has just risen to give a blessing.
architecture, interior design
DR1966:0001:027
Description:
- This design for the tomb of Benedict XIV is set in a niche enclosed by an aedicula. A sculpture of the Pope is seated on a throne over the sepulchral chamber.
architecture, interior design
between 1759 and 1763
Elevation and plan, possibly for the tomb of Pope Benedict XIV, Rome
Actions:
DR1966:0001:027
Description:
- This design for the tomb of Benedict XIV is set in a niche enclosed by an aedicula. A sculpture of the Pope is seated on a throne over the sepulchral chamber.
architecture, interior design