Robert Capa
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Les clichés de Capa frappent par leur immédiateté et leur charge d'empathie et d'humanité : il nous raconte les conflits par le prisme des regards des populations civiles, ceux des enfants et de tous les rescapés qui, en dépit des pertes et des destructions, parviennent avec force et dignité à aller de l'avant : ces images ne sont pas prêtes de quitter l'imaginaire du XXe(...)
Robert Capa
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Les clichés de Capa frappent par leur immédiateté et leur charge d'empathie et d'humanité : il nous raconte les conflits par le prisme des regards des populations civiles, ceux des enfants et de tous les rescapés qui, en dépit des pertes et des destructions, parviennent avec force et dignité à aller de l'avant : ces images ne sont pas prêtes de quitter l'imaginaire du XXe siècle. Ce volume nous offre également quelques photos de personnages célèbres - citons Picasso, Hemingway, Matisse ou encore Ingrid Bergman - et témoignent de l'excellence de Capa dans l'art du portrait.Le catalogue offre en outre la réédition d'un texte historique de Richard Whelan, des textes introductifs pour chaque section ainsi que des indications biographiques.
Photography monographs
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Entre le fleuve et la montagne, le Vieux-Port, l’arrondissement historique, le parc du Mont-Royal, les églises, l’espace public, le campus de l’Université de Montréal, la salle de l’Orchestre symphonique de Montréal passent sous la loupe d’investigations sans complaisance et soigneusement documentées. On découvre ainsi, sur le fond de toile de 400 ans d’histoire(...)
Montréal et son aménagement: vivre la ville
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Entre le fleuve et la montagne, le Vieux-Port, l’arrondissement historique, le parc du Mont-Royal, les églises, l’espace public, le campus de l’Université de Montréal, la salle de l’Orchestre symphonique de Montréal passent sous la loupe d’investigations sans complaisance et soigneusement documentées. On découvre ainsi, sur le fond de toile de 400 ans d’histoire urbaine, les enjeux de l’aménagement d’une ville méticuleusement particularisée, dont ni l’esprit ni les formes ne peuvent s’accommoder de principes empruntés ou de solutions faciles. Les 24 chroniques que rassemble cette anthologie invitent à penser Montréal demain tout en n’ignorant jamais les parcours temporels et spatiaux, politiques et sociaux qui ont forgé la ville autour de nous : ils forment son identité.
Architecture de Montréal
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How do architects use colour? Do they adopt a different strategy or starting point for every project? Do they gradually cultivate individual colour palettes, which develop alongside their body of built work? Architectural colour in the professional palette investigates, documents and analyses the work of a number of contemporary architects in order to respond to these(...)
Architectural colour in the professional palette
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How do architects use colour? Do they adopt a different strategy or starting point for every project? Do they gradually cultivate individual colour palettes, which develop alongside their body of built work? Architectural colour in the professional palette investigates, documents and analyses the work of a number of contemporary architects in order to respond to these questions and provide a clear reference of contemporary colour use. The book suggests a holistic approach to the integration of colour in architecture; through a series of thematic essays, the text explores and reveals underlying principles in colour design and application.
Colour Theory and Design
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Author Christopher Beorkrem shows how material performance drives the digital fabrication process and determines technique. He has recreated and dissected thirty-six of the most progressive works of architecture of the last few years, with perspectives from the designers so that you can learn from the successes and failures of each project. Including step-by-step diagrams(...)
Material strategies in digital fabrication
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Author Christopher Beorkrem shows how material performance drives the digital fabrication process and determines technique. He has recreated and dissected thirty-six of the most progressive works of architecture of the last few years, with perspectives from the designers so that you can learn from the successes and failures of each project. Including step-by-step diagrams and using consistent language and the simplest construction techniques, he identifies the important characteristics of each material, including connection types, relative costs, deformation, color, texture, finish, dimensional properties, durability, and weathering and waterproofing to link the design outcomes to form. The book is divided into five parts by material – wood, metal, concrete, hybrids, and recycled – to help you reference construction techniques for the fabrication machines you have on-hand.
Digital Architecture
The Sound Studies Reader
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The Sound Studies Reader is a groundbreaking anthology blending recent work that self-consciously describes itself as 'sound studies' with earlier and lesser known scholarship on sound. The collection begins with an introduction to welcome novice readers to the field and acquaint them with key themes and concepts in sound studies. Individual section introductions give(...)
The Sound Studies Reader
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The Sound Studies Reader is a groundbreaking anthology blending recent work that self-consciously describes itself as 'sound studies' with earlier and lesser known scholarship on sound. The collection begins with an introduction to welcome novice readers to the field and acquaint them with key themes and concepts in sound studies. Individual section introductions give readers further background on the essays and an extensive up to date bibliography for further reading in 'sound studies' make this an original and accessible guide to the field.
Acoustics
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How do we think?” N. Katherine Hayles poses this question at the beginning of this bracing exploration of the idea that we think through, with, and alongside media. As the age of print passes and new technologies appear every day, this proposition has become far more complicated, particularly for the traditionally print-based disciplines in the humanities and qualitative(...)
How we think : digital media and contemporary technogenesis
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How do we think?” N. Katherine Hayles poses this question at the beginning of this bracing exploration of the idea that we think through, with, and alongside media. As the age of print passes and new technologies appear every day, this proposition has become far more complicated, particularly for the traditionally print-based disciplines in the humanities and qualitative social sciences. With a rift growing between digital scholarship and its print-based counterpart, Hayles argues for contemporary technogenesis — the belief that humans and technics are coevolving — and advocates for what she calls comparative media studies, a new approach to locating digital work within print traditions and vice versa.
Epistemology
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In the past fifteen years, file sharing of digital cultural works between individuals has been at the center of a number of debates on the future of culture itself. To some, sharing constitutes piracy, to be fought against and eradicated. Others see it as unavoidable, and table proposals to compensate for its harmful effects. Meanwhile, little progress has been made(...)
Sharing : culture and the economy in the internet age
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In the past fifteen years, file sharing of digital cultural works between individuals has been at the center of a number of debates on the future of culture itself. To some, sharing constitutes piracy, to be fought against and eradicated. Others see it as unavoidable, and table proposals to compensate for its harmful effects. Meanwhile, little progress has been made towards addressing the real challenges facing culture in a digital world. Sharing starts from a radically different viewpoint, namely that the non-market sharing of digital works is both legitimate and useful. Philippe Aigrain looks at the benefits of file sharing, which allows unknown writers and artists to be appreciated more easily. It supports this premise with empirical research, demonstrating that non-market sharing leads to more diversity in the attention given to various works.
Epistemology
Exhibition experiments
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Exhibition Experiments is a an anthology which considers experiments with museological form that challenge our understanding and experience of museums and exhibitions. Exploring examples from around the world, this publication investigates a range of topical issues which chart the frontier of museum studies. These include: the popularity and proliferation of museum(...)
Exhibition experiments
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Exhibition Experiments is a an anthology which considers experiments with museological form that challenge our understanding and experience of museums and exhibitions. Exploring examples from around the world, this publication investigates a range of topical issues which chart the frontier of museum studies. These include: the popularity and proliferation of museum experimentation, novel exhibitionary forms and their implications for knowledge and identity, transformations of architecture and design, narrative and navigation, juxtapositions of art with science and ethnography, the fate of conventional notions of "object" and "representation," and the disorientating yet stimulating consequences of all this for museum-going. This collection brings together a mix of art historians, anthropologists, curators, and sociologists to question traditional disciplinary boundaries. Contributors tackle a range of examples of experimentalism from many different countries and exhibition spaces, and combine them with cutting-edge museum theory.
Museology
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This publication presents articles refering to key portfolios of the 20th and 21st Century including works by Pierre Charreau, Peter Salter and Rural Studio. It also includes extended articles by critics, theorists, educators and designers, such as Mathias Kohler, Nevi Oxman, and Michael Stacey
AD Reader: manufacturing the bespoke
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This publication presents articles refering to key portfolios of the 20th and 21st Century including works by Pierre Charreau, Peter Salter and Rural Studio. It also includes extended articles by critics, theorists, educators and designers, such as Mathias Kohler, Nevi Oxman, and Michael Stacey
Architectural Theory
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The production of architecture, both intellectually and physically, is on the brink of a fundamental change. Computational design enables architects to integrate ever more multifaceted and complex design information, while the industrial logics of conventional building construction are eroding rapidly in a context of increasingly ubiquitous computer-controlled(...)
AD 82:02 : material computation
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The production of architecture, both intellectually and physically, is on the brink of a fundamental change. Computational design enables architects to integrate ever more multifaceted and complex design information, while the industrial logics of conventional building construction are eroding rapidly in a context of increasingly ubiquitous computer-controlled manufacturing and fabrication. A novel convergence of computation and materialisation is about to emerge, bringing the virtual process of design and the physical realisation of architecture much closer together, more so than ever before. Computation provides a powerful agency for both informing the design process through specific material behaviour and characteristics, and in turn informing the organisation of matter and material across multiple scales based on feedback from the environment. In order to effectively introduce and outline the enabling power of computational design along with its inherent relationship to a biological paradigm, this publication looks at formation and materialisation in nature, integrative computational design, and engineering and manufacturing integration.
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