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The Design Museum Gent is internationally renowned for its collection of furniture and objects from the 1600s up until today. Its works span in taste and philosophy from an ornate eighteenth-century wooden chandelier by the Ghent sculptor J.F. Allaert to an assortment of radical industrial and decorative objects by the contemporary Italian designer Ettore Sottsass. The(...)
$58.00
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Summary:
The Design Museum Gent is internationally renowned for its collection of furniture and objects from the 1600s up until today. Its works span in taste and philosophy from an ornate eighteenth-century wooden chandelier by the Ghent sculptor J.F. Allaert to an assortment of radical industrial and decorative objects by the contemporary Italian designer Ettore Sottsass. The(...)
Title:
Design museum gent: history and collections
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The Design Museum Gent is internationally renowned for its collection of furniture and objects from the 1600s up until today. Its works span in taste and philosophy from an ornate eighteenth-century wooden chandelier by the Ghent sculptor J.F. Allaert to an assortment of radical industrial and decorative objects by the contemporary Italian designer Ettore Sottsass. The museum's special pride is its Art Nouveau collection, which features work by prominent Belgians like Henry van de Velde, Victor Horta and Paul Hanker alongside foreign designers like Josef Hoffman and Otto Wagner of the Wiener Secession. Works by Modernists like Le Corbusier and Gaston Eysselinck are seen in context with Postmodern pieces by Allessandro Mendini, Aldo Rossi, Hans Hollein and Andrea Branzi. And Minimalist works by Maarten Van Severen are juxtaposed with more sculptural pieces by Pieter De Bruyne and Emiel Veranneman and works by outsiders like Borek Sipek and Ron Arad.
Design museum gent: history and collections
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Summary:
The Design Museum Gent is internationally renowned for its collection of furniture and objects from the 1600s up until today. Its works span in taste and philosophy from an ornate eighteenth-century wooden chandelier by the Ghent sculptor J.F. Allaert to an assortment of radical industrial and decorative objects by the contemporary Italian designer Ettore Sottsass. The museum's special pride is its Art Nouveau collection, which features work by prominent Belgians like Henry van de Velde, Victor Horta and Paul Hanker alongside foreign designers like Josef Hoffman and Otto Wagner of the Wiener Secession. Works by Modernists like Le Corbusier and Gaston Eysselinck are seen in context with Postmodern pieces by Allessandro Mendini, Aldo Rossi, Hans Hollein and Andrea Branzi. And Minimalist works by Maarten Van Severen are juxtaposed with more sculptural pieces by Pieter De Bruyne and Emiel Veranneman and works by outsiders like Borek Sipek and Ron Arad.
Form:
books
books
Publication:
March 2008
March 2008
Subject:
Design, Periods and Styles
Design, Periods and Styles
Form:
books
books
Title:
Karsten Bott. One of each
Karsten Bott. One of each
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Since 1988, Frankfurt-based artist Karsten Bott has been collecting everyday objects--often discarded--and cataloguing them. Currently, his archive contains an unbelievable 500,000 objects. Bott is interested in making an archaeological inventory of things people need, noting how they use them and how these objects are related to one another. For One of Each, which is(...)
$58.00
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Summary:
Since 1988, Frankfurt-based artist Karsten Bott has been collecting everyday objects--often discarded--and cataloguing them. Currently, his archive contains an unbelievable 500,000 objects. Bott is interested in making an archaeological inventory of things people need, noting how they use them and how these objects are related to one another. For One of Each, which is(...)
Title:
Karsten Bott. One of each
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$58.00
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Summary:
Since 1988, Frankfurt-based artist Karsten Bott has been collecting everyday objects--often discarded--and cataloguing them. Currently, his archive contains an unbelievable 500,000 objects. Bott is interested in making an archaeological inventory of things people need, noting how they use them and how these objects are related to one another. For One of Each, which is designed like a small dictionary or encyclopedia, he photographed more than 2,000 objects in his collection, which were carefully measured and alphabetically organized according to subjects such as "Bedroom", "Jewelry", "Sex" and "War". Within the "Film" category, for example, one might find a photograph of an Oscar award reproduction, as well as an old popcorn bucket. The photographs of the objects are taken in an unbiased, straightforward manner on a grey background, with dimensions and labels listed below.
Karsten Bott. One of each
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$58.00
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Summary:
Since 1988, Frankfurt-based artist Karsten Bott has been collecting everyday objects--often discarded--and cataloguing them. Currently, his archive contains an unbelievable 500,000 objects. Bott is interested in making an archaeological inventory of things people need, noting how they use them and how these objects are related to one another. For One of Each, which is designed like a small dictionary or encyclopedia, he photographed more than 2,000 objects in his collection, which were carefully measured and alphabetically organized according to subjects such as "Bedroom", "Jewelry", "Sex" and "War". Within the "Film" category, for example, one might find a photograph of an Oscar award reproduction, as well as an old popcorn bucket. The photographs of the objects are taken in an unbiased, straightforward manner on a grey background, with dimensions and labels listed below.
Form:
books
books
Publication:
December 2008, Cologne
December 2008, Cologne
Subject:
Industrial Design
Industrial Design
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books
books
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$22.00
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'Why Not?' is the new 'No Way' contains a series of interviews about the relationship between creative youth culture and the commercial world. This relationship has been through some interesting changes the past few years. Looking at it from youth culture, you could summarize it as 'what used to be selling out, is now considered a status sumbol'. At the same time, big(...)
$22.00
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Summary:
'Why Not?' is the new 'No Way' contains a series of interviews about the relationship between creative youth culture and the commercial world. This relationship has been through some interesting changes the past few years. Looking at it from youth culture, you could summarize it as 'what used to be selling out, is now considered a status sumbol'. At the same time, big(...)
Subject:
Design Theory
Design Theory
Publication:
March 2008, New York, Amsterdam, London
March 2008, New York, Amsterdam, London
Title:
'Why not?' is the new 'No way!'
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$22.00
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Summary:
'Why Not?' is the new 'No Way' contains a series of interviews about the relationship between creative youth culture and the commercial world. This relationship has been through some interesting changes the past few years. Looking at it from youth culture, you could summarize it as 'what used to be selling out, is now considered a status sumbol'. At the same time, big corporations seem to have learned a few things as well and offer more freedom and space for young creatives. Still there seems plenty of reason to remain critical...
'Why not?' is the new 'No way!'
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$22.00
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Summary:
'Why Not?' is the new 'No Way' contains a series of interviews about the relationship between creative youth culture and the commercial world. This relationship has been through some interesting changes the past few years. Looking at it from youth culture, you could summarize it as 'what used to be selling out, is now considered a status sumbol'. At the same time, big corporations seem to have learned a few things as well and offer more freedom and space for young creatives. Still there seems plenty of reason to remain critical...
Form:
books
books
Publication:
March 2008, New York, Amsterdam, London
March 2008, New York, Amsterdam, London
Subject:
Design Theory
Design Theory
Form:
books
books
Title:
Our daily debates
Our daily debates
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$22.00
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Summary:
It is 7 weeks before the graduation. A student (Nina 26) has asked 4 other students (Sirkel 23, Claus 33, Noa 31 and Brita 30) to meet her and have a debate about graphic design, their future profession.
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Summary:
It is 7 weeks before the graduation. A student (Nina 26) has asked 4 other students (Sirkel 23, Claus 33, Noa 31 and Brita 30) to meet her and have a debate about graphic design, their future profession.
Subject:
Design Theory
Design Theory
Publication:
March 2008, New York, Amsterdam, London
March 2008, New York, Amsterdam, London
Title:
Our daily debates
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$22.00
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Summary:
It is 7 weeks before the graduation. A student (Nina 26) has asked 4 other students (Sirkel 23, Claus 33, Noa 31 and Brita 30) to meet her and have a debate about graphic design, their future profession.
Our daily debates
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$22.00
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Summary:
It is 7 weeks before the graduation. A student (Nina 26) has asked 4 other students (Sirkel 23, Claus 33, Noa 31 and Brita 30) to meet her and have a debate about graphic design, their future profession.
Form:
books
books
Publication:
March 2008, New York, Amsterdam, London
March 2008, New York, Amsterdam, London
Subject:
Design Theory
Design Theory
Form:
books
books
Title:
Can I make everybody happy?
Can I make everybody happy?
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Summary:
Nowadays, if we speak about graphic design we can never be sure if we are actually talking about the same thing. The books in this series investigate different fields of graphic design where this lack of definition currently exists, as a means to contribute to the discussion and awareness of an arbitrary profession. This book express the email-exhange between clients(...)
$22.00
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Summary:
Nowadays, if we speak about graphic design we can never be sure if we are actually talking about the same thing. The books in this series investigate different fields of graphic design where this lack of definition currently exists, as a means to contribute to the discussion and awareness of an arbitrary profession. This book express the email-exhange between clients(...)
Subject:
Design Theory
Design Theory
Publication:
March 2008, London, Amsterdam, New York
March 2008, London, Amsterdam, New York
Title:
Can I make everybody happy?
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Price:
$22.00
(available in store)
Summary:
Nowadays, if we speak about graphic design we can never be sure if we are actually talking about the same thing. The books in this series investigate different fields of graphic design where this lack of definition currently exists, as a means to contribute to the discussion and awareness of an arbitrary profession. This book express the email-exhange between clients and designers on ten different projects. All names mentioned are fictional.
Can I make everybody happy?
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Price:
$22.00
(available in store)
Summary:
Nowadays, if we speak about graphic design we can never be sure if we are actually talking about the same thing. The books in this series investigate different fields of graphic design where this lack of definition currently exists, as a means to contribute to the discussion and awareness of an arbitrary profession. This book express the email-exhange between clients and designers on ten different projects. All names mentioned are fictional.
Form:
books
books
Publication:
March 2008, London, Amsterdam, New York
March 2008, London, Amsterdam, New York
Subject:
Design Theory
Design Theory
Form:
books
books
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$22.00
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Summary:
This book is an attempt to tell a story from the closest point of a source. Before it is supposed to be a gossip. Before the juice is added and still is a bit boring and stiff. When looking up at reliable sources like Wikipedia and Google, the word gossip: ''Originates from God-sib, he Godparent of one's child, referring to a relationship of close friendship'' and it(...)
$22.00
(available to order)
Summary:
This book is an attempt to tell a story from the closest point of a source. Before it is supposed to be a gossip. Before the juice is added and still is a bit boring and stiff. When looking up at reliable sources like Wikipedia and Google, the word gossip: ''Originates from God-sib, he Godparent of one's child, referring to a relationship of close friendship'' and it(...)
Subject:
Design Theory
Design Theory
Publication:
March 2008, London, Amsterdam, New York
March 2008, London, Amsterdam, New York
Title:
'' I heard they ripped it off ''
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$22.00
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Summary:
This book is an attempt to tell a story from the closest point of a source. Before it is supposed to be a gossip. Before the juice is added and still is a bit boring and stiff. When looking up at reliable sources like Wikipedia and Google, the word gossip: ''Originates from God-sib, he Godparent of one's child, referring to a relationship of close friendship'' and it is also: '' An event between loose mouthed assholes, that happens as soon as you get into high-school, and follows you all the way to your death bed. It never ends.'' It is also: '' In it's form one of the oldest and most common means of spreading and sharing facts, with a reputation of errors and other variations'' This we of course found highly interesting so we did this book based on that, about the variations of a story when it comes from the same source. To try it out we asked people from the graphics design department in the Rietveld Academy, to re-tell us a story we are supposed to know better than others.
'' I heard they ripped it off ''
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Price:
$22.00
(available to order)
Summary:
This book is an attempt to tell a story from the closest point of a source. Before it is supposed to be a gossip. Before the juice is added and still is a bit boring and stiff. When looking up at reliable sources like Wikipedia and Google, the word gossip: ''Originates from God-sib, he Godparent of one's child, referring to a relationship of close friendship'' and it is also: '' An event between loose mouthed assholes, that happens as soon as you get into high-school, and follows you all the way to your death bed. It never ends.'' It is also: '' In it's form one of the oldest and most common means of spreading and sharing facts, with a reputation of errors and other variations'' This we of course found highly interesting so we did this book based on that, about the variations of a story when it comes from the same source. To try it out we asked people from the graphics design department in the Rietveld Academy, to re-tell us a story we are supposed to know better than others.
Form:
books
books
Publication:
March 2008, London, Amsterdam, New York
March 2008, London, Amsterdam, New York
Subject:
Design Theory
Design Theory
Form:
books
books
Title:
Talks about money
Talks about money
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$22.00
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Summary:
What does it mean to do something for free versus asking a lot? How much can we ask? Graphic design does not have any intrinsic value. Money is important, but also not an openly discussed topic. Even though guidelines for charging exist, we often have to negotiate our prices. The texts in this book are based on interviews made in 2006/2007 with freelance graphic(...)
$22.00
(available to order)
Summary:
What does it mean to do something for free versus asking a lot? How much can we ask? Graphic design does not have any intrinsic value. Money is important, but also not an openly discussed topic. Even though guidelines for charging exist, we often have to negotiate our prices. The texts in this book are based on interviews made in 2006/2007 with freelance graphic(...)
Title:
Talks about money
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Price:
$22.00
(available to order)
Summary:
What does it mean to do something for free versus asking a lot? How much can we ask? Graphic design does not have any intrinsic value. Money is important, but also not an openly discussed topic. Even though guidelines for charging exist, we often have to negotiate our prices. The texts in this book are based on interviews made in 2006/2007 with freelance graphic designers. They range from students and beginners to designers with many years of professional experience, from a one-man ste-up tp a bigger studio with employees. Inside you'll find a wild, wide range of prices, different ways of calculating a price, problems, strategies, principles, numbers and a lot of zeros.
Talks about money
Actions:
Price:
$22.00
(available to order)
Summary:
What does it mean to do something for free versus asking a lot? How much can we ask? Graphic design does not have any intrinsic value. Money is important, but also not an openly discussed topic. Even though guidelines for charging exist, we often have to negotiate our prices. The texts in this book are based on interviews made in 2006/2007 with freelance graphic designers. They range from students and beginners to designers with many years of professional experience, from a one-man ste-up tp a bigger studio with employees. Inside you'll find a wild, wide range of prices, different ways of calculating a price, problems, strategies, principles, numbers and a lot of zeros.
Form:
books
books
Publication:
March 2008, London, Amsterdam, New York
March 2008, London, Amsterdam, New York
Subject:
Design Theory
Design Theory
Form:
books
books
Actions:
Price:
$53.00
(available to order)
Summary:
If Euro-America, under the weight of its projected discourses, is able only to imagine the work of individual African artists as metaphor for nation, continent or race, the art of Wangechi Mutu seduces us brutally into the intricacies of the feminine as an embodiment of nation and species. It down-ends the male-centered 'big men' narratives of post-colonial Africa in(...)
$53.00
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Summary:
If Euro-America, under the weight of its projected discourses, is able only to imagine the work of individual African artists as metaphor for nation, continent or race, the art of Wangechi Mutu seduces us brutally into the intricacies of the feminine as an embodiment of nation and species. It down-ends the male-centered 'big men' narratives of post-colonial Africa in(...)
Title:
Wangechi Mutu: a shady promise
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$53.00
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If Euro-America, under the weight of its projected discourses, is able only to imagine the work of individual African artists as metaphor for nation, continent or race, the art of Wangechi Mutu seduces us brutally into the intricacies of the feminine as an embodiment of nation and species. It down-ends the male-centered 'big men' narratives of post-colonial Africa in favor of frightfully powerful animal-spirit women and their constituent body parts. Her work forces our collective engagement with the feminine form in its various conjugations of lover, giver and receptacle, but also as predator and merciless avenger. Michael E. Veal
Wangechi Mutu: a shady promise
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$53.00
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Summary:
If Euro-America, under the weight of its projected discourses, is able only to imagine the work of individual African artists as metaphor for nation, continent or race, the art of Wangechi Mutu seduces us brutally into the intricacies of the feminine as an embodiment of nation and species. It down-ends the male-centered 'big men' narratives of post-colonial Africa in favor of frightfully powerful animal-spirit women and their constituent body parts. Her work forces our collective engagement with the feminine form in its various conjugations of lover, giver and receptacle, but also as predator and merciless avenger. Michael E. Veal
Form:
books
books
Publication:
May 2008
May 2008
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Form:
books
books
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$52.00
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Summary:
Painter Christopher Wool has written, "Some of the best stand-up performance I ever saw was Martin [Kippenberger] telling jokes in the back of some bar or restaurant." Which is not to dismiss the legendary German artist, who was at the forefront of the much-storied Cologne art scene of the early 1990s--Kippenberger, who died in 1997, used humor like a laser, to illuminate(...)
$52.00
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Summary:
Painter Christopher Wool has written, "Some of the best stand-up performance I ever saw was Martin [Kippenberger] telling jokes in the back of some bar or restaurant." Which is not to dismiss the legendary German artist, who was at the forefront of the much-storied Cologne art scene of the early 1990s--Kippenberger, who died in 1997, used humor like a laser, to illuminate(...)
Title:
Model Martin Kippenberger: Utopia for Everyone
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$52.00
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Summary:
Painter Christopher Wool has written, "Some of the best stand-up performance I ever saw was Martin [Kippenberger] telling jokes in the back of some bar or restaurant." Which is not to dismiss the legendary German artist, who was at the forefront of the much-storied Cologne art scene of the early 1990s--Kippenberger, who died in 1997, used humor like a laser, to illuminate power structures and taboos. One of the most important artists of the twentieth century, he not only worked in a variety of media--painting, sculpture, books and multiples--but, taking a cue from Joseph Beuys, actively tried to conceive new possibilities on which to model an art practice. This volume, published for an exhibition at Austria's acclaimed Kunsthaus Graz, includes incisive essays by curator and critic Daniel Birnbaum and linguist and writer Martin Prinzhorn, which examine the softer, more utopian side of the artist.
Model Martin Kippenberger: Utopia for Everyone
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Price:
$52.00
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Summary:
Painter Christopher Wool has written, "Some of the best stand-up performance I ever saw was Martin [Kippenberger] telling jokes in the back of some bar or restaurant." Which is not to dismiss the legendary German artist, who was at the forefront of the much-storied Cologne art scene of the early 1990s--Kippenberger, who died in 1997, used humor like a laser, to illuminate power structures and taboos. One of the most important artists of the twentieth century, he not only worked in a variety of media--painting, sculpture, books and multiples--but, taking a cue from Joseph Beuys, actively tried to conceive new possibilities on which to model an art practice. This volume, published for an exhibition at Austria's acclaimed Kunsthaus Graz, includes incisive essays by curator and critic Daniel Birnbaum and linguist and writer Martin Prinzhorn, which examine the softer, more utopian side of the artist.
Form:
books
books
Publication:
March 2008, D
March 2008, D
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Form:
books
books
Title:
Phil Frost
Phil Frost
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$52.00
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Summary:
Part of a whole gang of street artists--from Barry McGee to Swoon--who have broken into the art world in the last decade or so, Phil Frost's signature style is a funky tribalism--Hawaii by way of New York City--infused with a quirky sense of art history and design. In the 1990s, Frost honed his skills by painting walls, found objects and street detritus with his(...)
$52.00
(available to order)
Summary:
Part of a whole gang of street artists--from Barry McGee to Swoon--who have broken into the art world in the last decade or so, Phil Frost's signature style is a funky tribalism--Hawaii by way of New York City--infused with a quirky sense of art history and design. In the 1990s, Frost honed his skills by painting walls, found objects and street detritus with his(...)
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Publication:
May 2008, Bologna
May 2008, Bologna
Title:
Phil Frost
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Price:
$52.00
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Summary:
Part of a whole gang of street artists--from Barry McGee to Swoon--who have broken into the art world in the last decade or so, Phil Frost's signature style is a funky tribalism--Hawaii by way of New York City--infused with a quirky sense of art history and design. In the 1990s, Frost honed his skills by painting walls, found objects and street detritus with his intricate, compulsive and highly evolved form of tagging. Frost's gallery exhibitions are crowded affairs, filled with wildly patterned totemic objects and baseball bats while the walls are stacked with colorful mixed media paintings. He crafts his painstaking paintings by collaging layers of found imagery on grounds of symmetrical black-and-white patterning, which he paints with correction fluid, and that often morph into language-like glyphs or symbols. Frost states, "I believe [my work] is indigenous to myself. I believe that within every person there is an indigenous expression of themselves." Including an essay by New York journalist Carlo McCormick and notorious lowbrow artist Pusshead, this is Frost's first monograph, and an invaluable introduction to the evolution of his style.
Phil Frost
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Price:
$52.00
(available to order)
Summary:
Part of a whole gang of street artists--from Barry McGee to Swoon--who have broken into the art world in the last decade or so, Phil Frost's signature style is a funky tribalism--Hawaii by way of New York City--infused with a quirky sense of art history and design. In the 1990s, Frost honed his skills by painting walls, found objects and street detritus with his intricate, compulsive and highly evolved form of tagging. Frost's gallery exhibitions are crowded affairs, filled with wildly patterned totemic objects and baseball bats while the walls are stacked with colorful mixed media paintings. He crafts his painstaking paintings by collaging layers of found imagery on grounds of symmetrical black-and-white patterning, which he paints with correction fluid, and that often morph into language-like glyphs or symbols. Frost states, "I believe [my work] is indigenous to myself. I believe that within every person there is an indigenous expression of themselves." Including an essay by New York journalist Carlo McCormick and notorious lowbrow artist Pusshead, this is Frost's first monograph, and an invaluable introduction to the evolution of his style.
Form:
books
books
Publication:
May 2008, Bologna
May 2008, Bologna
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
