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The celebrated architect and Pritzker Prize-winner speaks with series editor Hans Ulrich Obrist about the projects that established her distinctive, deconstructivist style, and shares her thoughts about contemporary architecture. Conceptual and structural questions are discussed with great precision, providing insight into one of the world's most influential architectural firms.
Zara Hadid / Hans Ulrich Obrist : The conversation series
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The celebrated architect and Pritzker Prize-winner speaks with series editor Hans Ulrich Obrist about the projects that established her distinctive, deconstructivist style, and shares her thoughts about contemporary architecture. Conceptual and structural questions are discussed with great precision, providing insight into one of the world's most influential architectural firms.
Contemporary Art Monographs
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Olafur Eliasson, one of today's most acclaimed contemporary artists, and David Adjaye, a rising architecture star, have engaged in a unique collaboration. Eliasson's light installation "Your Black Horizon," which debuted at the 2005 Venice Biennale, was conceived from the start as a hybridization of both of their practices. The piece consists of a light, representing a(...)
Architecture Monographs
October 2007, Cologne
Your black horizon art pavilion : Olafur Eliasson and David Adjaye: Thyssen-Bornemisza art contemporary
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Olafur Eliasson, one of today's most acclaimed contemporary artists, and David Adjaye, a rising architecture star, have engaged in a unique collaboration. Eliasson's light installation "Your Black Horizon," which debuted at the 2005 Venice Biennale, was conceived from the start as a hybridization of both of their practices. The piece consists of a light, representing a horizon line that emanates through a narrow gap in an architectural structure. This is the only light source, and it runs around the entire dark gallery space, without any visual obstruction. The optical illusion that is achieved is that of a reversed horizon line. This publication is presented in conjunction with the installation of this project in Croatia. Critic and curator Daniel Birnbaum, writer Eva Ebersberger and curator Daniela Zyman contribute in-depth essays, which are accompanied by large-scale spreads of the project.
Architecture Monographs
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Hans Ulrich Obrist and Icelandic artist Olafur Eliasson have known each other for many years, and have worked together intimately -on exhibitions, book projects, performances and more. Their legendary conversations, gathered here, are revealing, challenging, philosophical -and essential to both oeuvres.
Olafur Eliasson / Hans Ulrich Obrist : The conversation series 13
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Hans Ulrich Obrist and Icelandic artist Olafur Eliasson have known each other for many years, and have worked together intimately -on exhibitions, book projects, performances and more. Their legendary conversations, gathered here, are revealing, challenging, philosophical -and essential to both oeuvres.
Contemporary Art Monographs
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Although postmodern architecture reaches giddy heights in the cinema multiplexes and shopping malls on the outskirts of town, its services have been in greatest demand in the centre of London. The fun, brash style dominated architecture from its radical inception at the end of the 1970's to its soggy death by cul-de-sac developments in the 90's. Why did the postmodern(...)
Postmodern architecture in London
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Although postmodern architecture reaches giddy heights in the cinema multiplexes and shopping malls on the outskirts of town, its services have been in greatest demand in the centre of London. The fun, brash style dominated architecture from its radical inception at the end of the 1970's to its soggy death by cul-de-sac developments in the 90's. Why did the postmodern expire? A change of fashion, maybe? It can certainly be too much at times, all those Plaudoh pediments, Lego walls and cheap multicoloured facings. A victim of its own popularity? We live and work in countless postmodern low-rise houses and offices all over the city; so ubiquitous is it that not a street has been spared.
City Guides
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Ken Okiishi and Nick Mauss are two of the brighter figures on the international circuit these days: their names pop up solo and collaboratively everywhere from New York's Daniel Reich Gallery to the Frieze Art Fair. This volume presents Mauss' fragmentary, airy drawings and collages and Okiishi's pop-inflected video work.
Contemporary Art Monographs
February 2008, Stuttgart
Nick Mauss & Ken Okiishi: a fair to meddling story
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Ken Okiishi and Nick Mauss are two of the brighter figures on the international circuit these days: their names pop up solo and collaboratively everywhere from New York's Daniel Reich Gallery to the Frieze Art Fair. This volume presents Mauss' fragmentary, airy drawings and collages and Okiishi's pop-inflected video work.
Contemporary Art Monographs
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800 full page color illustrations. Designed by NORM in close collaboration with the artists, the book, stemming from Fischli/Weiss’ contribution to the Ringier AG Annual Report 2007, is a very generous if slightly nauseating collection of photos, slogans, and messages that constitute our contemporary media landscape. Organized in loose categories, they plunge the reader(...)
Contemporary Art Monographs
April 2008, Zurich
Peter Fischli, David Weiss: Sonne, Mond und Sterne
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800 full page color illustrations. Designed by NORM in close collaboration with the artists, the book, stemming from Fischli/Weiss’ contribution to the Ringier AG Annual Report 2007, is a very generous if slightly nauseating collection of photos, slogans, and messages that constitute our contemporary media landscape. Organized in loose categories, they plunge the reader in a flow of images whose commercial dimension recedes to let their (often unplanned) narrative qualities freely develop into an unlikely account of life’s journey.
Contemporary Art Monographs
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This publication presents the first comprehensive overview of the German collaborative Fischer/El Sani. Nine of their most important films, installations and photographic works are featured, all of which emphasize the duo's ongoing commitment to dismantling and re-appropriating Modernist architecture. Included are texts by, among others, critics Boris Groys and Jennifer Allen.
Contemporary Art Monographs
February 2008, Berlin
Nina Fischer & Maroan el sani: blind spots
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This publication presents the first comprehensive overview of the German collaborative Fischer/El Sani. Nine of their most important films, installations and photographic works are featured, all of which emphasize the duo's ongoing commitment to dismantling and re-appropriating Modernist architecture. Included are texts by, among others, critics Boris Groys and Jennifer Allen.
Contemporary Art Monographs
Wouldn't It be nice
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« Wouldnt it be nice... » explore les processus intellectuels et les méthodes de travail qui aboutissent à diverses attitudes et pratiques créatives, oscillant entre divers champs de tension. D`une part, la dichotomie entre activisme et résignation, ainsi que entre préoccupations sociales et contôle social. Dautre part, l`écart entre les grands projets et les dures(...)
Wouldn't It be nice
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« Wouldnt it be nice... » explore les processus intellectuels et les méthodes de travail qui aboutissent à diverses attitudes et pratiques créatives, oscillant entre divers champs de tension. D`une part, la dichotomie entre activisme et résignation, ainsi que entre préoccupations sociales et contôle social. Dautre part, l`écart entre les grands projets et les dures réalités, lopposition entre esprit de conciliation et esprit de confrontation.
Design Theory
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We owe our idea of the contemporary exhibition to Harald Szeemann--the first of the jet-setting international curators. From 1961 to 1969, he was Curator of the Kunsthalle Bern, where in 1968 he had the foresight to give Christo and Jeanne-Claude the opportunity to wrap the entire museum building. Szeemann's groundbreaking 1969 exhibition When Attitudes Become Form, also(...)
Museology
March 2008, Berlin, Dijon, New York, Manchester
Harald Szeemann Individual Methodology
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We owe our idea of the contemporary exhibition to Harald Szeemann--the first of the jet-setting international curators. From 1961 to 1969, he was Curator of the Kunsthalle Bern, where in 1968 he had the foresight to give Christo and Jeanne-Claude the opportunity to wrap the entire museum building. Szeemann's groundbreaking 1969 exhibition When Attitudes Become Form, also at the Kunsthalle, introduced European audiences to artists like Joseph Beuys, Eva Hesse, Richard Serra and Lawrence Weiner. It also introduced the now-commonplace practice of curating an exhibition around a theme. Since Szeemann's death in 2005, there has been research underway at his archive in Tessin, Switzerland. An invaluable resource, this volume provides access to previously unpublished plans, documents and photographs from the archive, along with important essays by Hal Foster and Jean-Marc Poinsot. There is also an informative interview with Tobia Bezzola--curator at the Kunsthauz Zurich and Szeemann's collaborator for many years. Two of Szeemann's most ambitious exhibitions are presented as case studies: Documenta V (1972) and L'Autre, the 4th Lyon Biennial (1997). A biography, an illustrated chronology of Szeemann's exhibitions and a selection of his writings complete this exhaustive survey.
Museology
Pre-Specifics
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The demand for design competence crosses almost all disciplinary boundaries, making the designers of today particularly ubiquitous in their influence. Pre-Specifics argues that the most promising strategies for the design disciplines of tomorrow can be forecast in the common codes of "virtual relations" shared by material, biological, technological, cognitive and media(...)
Pre-Specifics
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The demand for design competence crosses almost all disciplinary boundaries, making the designers of today particularly ubiquitous in their influence. Pre-Specifics argues that the most promising strategies for the design disciplines of tomorrow can be forecast in the common codes of "virtual relations" shared by material, biological, technological, cognitive and media perspectives. The book features contributions, statements, and conversations with internationally renowned authors such as Greg Lynn, Christopher Peterka, Wolfgang Weingart, Marcel Alexander Niggli, Christian Labonte, Fiona Raby and Anthony Dunne, Christian Doelker, Philipp Sarasin, Raymond Guidot, Eric Zimmerman and Manfred Fassler among others. It is designed by Ludovic Balland, and published with the Institute for Research in Art and Design HGK FHNW in Basel.
Design Theory