44 Low-resolution houses
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"44 Low-resolution Houses" presents a series of houses through a double technological and representational-aesthetic lens. All 44 houses collected here fall into one or more of the following categories of low-resolution: first, houses that vaguely resemble houses, using familiar low-res house elements like pitched roofs, chimneys, windows, doors, porches, etc.; second,(...)
44 Low-resolution houses
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"44 Low-resolution Houses" presents a series of houses through a double technological and representational-aesthetic lens. All 44 houses collected here fall into one or more of the following categories of low-resolution: first, houses that vaguely resemble houses, using familiar low-res house elements like pitched roofs, chimneys, windows, doors, porches, etc.; second, houses that appear to be constructed in a low-res manner, in that one can see the construction, joints, and materials, and have a sort of cheap unfinished quality; and third, houses that are composed of low-res organization with basic geometric primitives squares, circles, and triangles arranged in a non-compositional or abstract manner. By these using these terms, low-resolution is in contrast to high-resolution architectural sophistication, gestural complex curvature, bodily organic figuration, and architectural paradigms focused on seamlessness and integrated smoothness. "44 Low-resolution Houses" was exhibited at Princeton University School of Architecture from 09/11/2018 to 11/09/2018. The exhibition catalog was edited by Michael Meredith, with a foreword by Dean Mónica Ponce de León. It was designed by MOS and Studio Lin, with photographs by Michael Vahrenwald/Esto.
Residential Architecture
Viollet-le-Duc
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Le bicentenaire de la naissance de l'architecte a été pour Françoise Bercé l’occasion de faire le point sur cette figure admirée autant que décriée. Fut-il un passeur du modernisme ou un attardé de l'historicisme ? Au gré des successives réinterprétations du passé et des récentes découvertes, elle nous fait rencontrer l'homme dans sa complexité et nous révèle l'immense(...)
Viollet-le-Duc
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Le bicentenaire de la naissance de l'architecte a été pour Françoise Bercé l’occasion de faire le point sur cette figure admirée autant que décriée. Fut-il un passeur du modernisme ou un attardé de l'historicisme ? Au gré des successives réinterprétations du passé et des récentes découvertes, elle nous fait rencontrer l'homme dans sa complexité et nous révèle l'immense richesse de son œuvre qui – côtoyant toutes sortes de disciplines – est loin de se limiter à l'architecture : architecte, mais aussi peintre, dessinateur, décorateur, écrivain, théoricien…
Architecture Monographs
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Written in 1921, "We" is set in the One State, where all live for the collective good and individual freedom does not exist. The novel takes the form of the diary of mathematician D-503, who, to his shock, experiences the most disruptive emotion imaginable: love. At once satirical and sobering—and now available in a powerful new translation—"We" is both a rediscovered(...)
We
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Written in 1921, "We" is set in the One State, where all live for the collective good and individual freedom does not exist. The novel takes the form of the diary of mathematician D-503, who, to his shock, experiences the most disruptive emotion imaginable: love. At once satirical and sobering—and now available in a powerful new translation—"We" is both a rediscovered classic and a work of tremendous relevance to our own times.
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July 2006
Current Exhibitions
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'We' takes place in a distant future, where humans are forced to submit their wills to the requirements of the state, under the rule of the all-powerful Benefactor, and dreams are regarded as a sign of mental illness. In a city of straight lines, protected by green walls and a glass dome, a spaceship is being built in order to spearhead the conquest of new planets. Its(...)
We
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'We' takes place in a distant future, where humans are forced to submit their wills to the requirements of the state, under the rule of the all-powerful Benefactor, and dreams are regarded as a sign of mental illness. In a city of straight lines, protected by green walls and a glass dome, a spaceship is being built in order to spearhead the conquest of new planets. Its chief engineer, a man called D-503, keeps a journal of his life and activities: to his mathematical mind everything seems to make sense and proceed as it should, until a chance encounter with a woman threatens to shatter the very foundations of the world he lives in. Written in a highly charged, direct and concise style, Zamyatin's 1921 seminal novel is not only an indictment of the Soviet Russia of his time and a precursor of the works of Orwell and the dystopian genre, but also a prefiguration of much of twentieth-century history and a harbinger of the ominous future that may still lay ahead of us.
Current Exhibitions
Love of worker bees
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'' Love of worker bees,'' written by one of the most famous and gifted Russian authors of the twentieth century, was greeted on publication in 1923 as too sexually explicit. The book collects three works of fiction, ''Vasilisa Malygina,'' ''Three Generations,'' and ''Sisters,'' creating a powerful love story with a graphic and a rare portrayal of Russian life in the(...)
Love of worker bees
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'' Love of worker bees,'' written by one of the most famous and gifted Russian authors of the twentieth century, was greeted on publication in 1923 as too sexually explicit. The book collects three works of fiction, ''Vasilisa Malygina,'' ''Three Generations,'' and ''Sisters,'' creating a powerful love story with a graphic and a rare portrayal of Russian life in the 1920s. The first piece is set in Russia after the October Revolution and the Civil War, The heroine Vasya struggles to come to terms with her husband and the demands of the new world in which she lives. The second story depicts the way in which three generations of women differ in their attitudes and expectations; and ''Sisters'' is a story of a deserted wife and a prostitute who find a common bond. Each story unfolds against a backdrop populated by the ''ordinary'' Russian people of the time- Party workers, entrepreneurs, prostitutes, manipulators, and idealists.
Current Exhibitions
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Alexandra Kollontai was a prominent Russian revolutionary, a commissar of Social Welfare after the October revolution in 1917, and a long-term Soviet ambassador to Sweden. As a cofounder of the Zhenotdel, the "Women's Department" in the communist party, she introduced abortion rights, secularized marriage, and provided paid maternity leave. Kollontai considered "comradely(...)
Red love: a reader on Alexandra Kollontai
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Alexandra Kollontai was a prominent Russian revolutionary, a commissar of Social Welfare after the October revolution in 1917, and a long-term Soviet ambassador to Sweden. As a cofounder of the Zhenotdel, the "Women's Department" in the communist party, she introduced abortion rights, secularized marriage, and provided paid maternity leave. Kollontai considered "comradely love" to be an important political force, elemental in shaping social bonds beyond the limitations of property relations. 'Red Love' stems from a yearlong research by CuratorLab at Konstfack University together with Tensta konsthall, that led up to Dora García's exhibition Red Love and its related public programing. A number of artists and thinkers revisit Kollontai's ideas on the politics of love and their relation to current political, social, and feminist struggles. The publication also includes the biographical play Kollontai from 1977 by distinguished Swedish writer Agneta Pleijel.
Art Theory
CCRU: Writings 1997–2003
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Meshing together fiction, number theory, voodoo, philosophy, anthropology, palate tectonics, information science, semiotics, geotraumatics, occultism, and other nameless knowledges, in these pages the incomplete evidence gathered by explorers including Burroughs, Blavatsky, Lovecraft, Jung, Barker, J.G. Ballard, William Gibson, and Octavia Butler, but also the testimony(...)
CCRU: Writings 1997–2003
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Meshing together fiction, number theory, voodoo, philosophy, anthropology, palate tectonics, information science, semiotics, geotraumatics, occultism, and other nameless knowledges, in these pages the incomplete evidence gathered by explorers including Burroughs, Blavatsky, Lovecraft, Jung, Barker, J.G. Ballard, William Gibson, and Octavia Butler, but also the testimony of more obscure luminaries such as Echidna Stillwell, Oskar Sarkon, and Madame Centauri, are clarified and subjected to systematic investigation, comparison, and assessment so as to gauge the real stakes of the Time-War still raging behind the collapsing facade of reality. One of the most compelling and unnerving collective research enterprises to have surfaced in the twentieth century, the real pertinence of the CCRU's work is only now beginning to reveal itself to an unbelieving world. To plunge into the tangled mesh of these conspiracies, weird tales, numerical plagues, and suggestive coincidences is to test your sense of reality beyond the limits of reasonable tolerance-to enter the sphere of unbelief, where demonic currents prowl, where fictions make themselves real. Hyperstition.
Art Theory
The Master and Margarita
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Nothing in the whole of literature compares with ''The Master and Margarita.'' One spring afternoon, the Devil, trailing fire and chaos in his wake, weaves himself out of the shadows and into Moscow. Mikhail Bulgakov's fantastical, funny, and devastating satire of Soviet life combines two distinct yet interwoven parts, one set in contemporary Moscow, the other in ancient(...)
The Master and Margarita
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Nothing in the whole of literature compares with ''The Master and Margarita.'' One spring afternoon, the Devil, trailing fire and chaos in his wake, weaves himself out of the shadows and into Moscow. Mikhail Bulgakov's fantastical, funny, and devastating satire of Soviet life combines two distinct yet interwoven parts, one set in contemporary Moscow, the other in ancient Jerusalem, each brimming with historical, imaginary, frightful, and wonderful characters. Written during the darkest days of Stalin's reign, and finally published in 1966 and 1967, ''The Master and Margarita'' became a literary phenomenon, signaling artistic and spiritual freedom for Russians everywhere. This newly revised translation, by the award-winning team of Pevear and Volokhonsky, is made from the complete and unabridged Russian text.
Current Exhibitions
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One of the delights of Russian literature, a tour de force that has been compared to the best of Nabokov and Bulgakov, Yuri Olesha's novella ''Envy'' brings together cutting social satire, slapstick humor, and a wild visionary streak. Andrei is a model Soviet citizen, a swaggeringly self-satisfied mogul of the food industry who intends to revolutionize modern life with(...)
Envy
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One of the delights of Russian literature, a tour de force that has been compared to the best of Nabokov and Bulgakov, Yuri Olesha's novella ''Envy'' brings together cutting social satire, slapstick humor, and a wild visionary streak. Andrei is a model Soviet citizen, a swaggeringly self-satisfied mogul of the food industry who intends to revolutionize modern life with mass-produced sausage. Nikolai is a loser. Finding him drunk in the gutter, Andrei gives him a bed for the night and a job as a gofer. Nikolai takes what he can, but that doesn't mean he's grateful. Griping, sulking, grovelingly abject, he despises everything Andrei believes in, even if he envies him his every breath. Producer and sponger, insider and outcast, master and man fight back and forth in the pages of Olesha's anarchic comedy. It is a contest of wills in which nothing is sure except the incorrigible human heart.
Current Exhibitions
Showcasing the Great Experiment: Cultural Diplomacy and Western Visitors to the Soviet Union, 1921-1
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During the 1920s and 1930s, thousands of European and American writers, professionals, scientists, artists, and intellectuals made a pilgrimage to experience the "Soviet experiment" for themselves. ''Showcasing the Great Experiment'' explores the reception of these intellectuals and fellow-travelers and their cross-cultural and trans-ideological encounters in order to(...)
Showcasing the Great Experiment: Cultural Diplomacy and Western Visitors to the Soviet Union, 1921-1
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During the 1920s and 1930s, thousands of European and American writers, professionals, scientists, artists, and intellectuals made a pilgrimage to experience the "Soviet experiment" for themselves. ''Showcasing the Great Experiment'' explores the reception of these intellectuals and fellow-travelers and their cross-cultural and trans-ideological encounters in order to analyze Soviet attitudes towards the West. While many visitors were profoundly affected by their Soviet tours, so too was the Soviet system. The early experiences of building showcases and teaching outsiders to perceive the future-in-the-making constitute a neglected international part of the emergence of Stalinism at home. Michael David-Fox contends that each side critically examined the other, negotiating feelings of inferiority and superiority, admiration and enmity, emulation and rejection. By the time of the Great Purges, these tensions gave way to the dramatic triumph of xenophobia and isolationism; whereas in the twenties the new regime assumed it had much to learn from Western modernity, by the Stalinist thirties the Soviet order was declared superior in all respects.
Current Exhibitions