Series
Writings and documentation
AP166.S2
Description:
Series 2, Writings and documentation (1976-2014, predominant 2000-2014) is composed of publications by and about Shoei Yoh and the firm Shoei Yoh + Architects. The documents in this series include descriptions of the firm’s projects as well as theoretical texts about the architecture of Shoei Yoh. The series also includes minimal correspondence. Some of the documents in this series served as research material during preparation of the CCA exhibition Archaeology of the Digital (May 7-October 27, 2013).
1976-2014, predominant 2000-2014
Writings and documentation
Actions:
AP166.S2
Description:
Series 2, Writings and documentation (1976-2014, predominant 2000-2014) is composed of publications by and about Shoei Yoh and the firm Shoei Yoh + Architects. The documents in this series include descriptions of the firm’s projects as well as theoretical texts about the architecture of Shoei Yoh. The series also includes minimal correspondence. Some of the documents in this series served as research material during preparation of the CCA exhibition Archaeology of the Digital (May 7-October 27, 2013).
series
1976-2014, predominant 2000-2014
Sub-series
General Textual Files
AP116.S3.SS23.D1
Description:
File documents some if the activities related to the planning and production of How the Critic Sees: Seven Critics on Seven Buildings, issue 21 of ANY magazine (December) and of the In ANY Event: 8 Critics in 8 Buildings, held 3 May 1997 at the Guggenheim Museum, New York City, New York. Material in file was produced between 1993 and 1998. File contains correspondence, clippings, texts, lay-out mock-ups, photograph, notes, clippings, posters, and postcards.
1993-1998, predominant 1996-1998
General Textual Files
Actions:
AP116.S3.SS23.D1
Description:
File documents some if the activities related to the planning and production of How the Critic Sees: Seven Critics on Seven Buildings, issue 21 of ANY magazine (December) and of the In ANY Event: 8 Critics in 8 Buildings, held 3 May 1997 at the Guggenheim Museum, New York City, New York. Material in file was produced between 1993 and 1998. File contains correspondence, clippings, texts, lay-out mock-ups, photograph, notes, clippings, posters, and postcards.
File 1
1993-1998, predominant 1996-1998
archives
Level of archival description:
Fonds
Umberto Riva fonds
AP180
Synopsis:
The Umberto Riva fonds documents Riva’s work as an architect and designer, predominantly in Italy, between the 1960s to the early 2010s. Included are drawings related to over 80 architectural projects, furniture designs, and exhibition designs.
1959-2012
Umberto Riva fonds
Actions:
AP180
Synopsis:
The Umberto Riva fonds documents Riva’s work as an architect and designer, predominantly in Italy, between the 1960s to the early 2010s. Included are drawings related to over 80 architectural projects, furniture designs, and exhibition designs.
archives
Level of archival description:
Fonds
1959-2012
textual records
DR2012:0015:025:004
Description:
File containing documents in English, including correspondence related to the granting of power of attorney to Melvin Charney's wife Ann Charney, and daughter Dr. Dara Charney. Original folder inscribed in graphite: SPIEGEL SOHMER - MAY 2012
2012
Correspondence related to power of attorney to Melvin Charney's family
Actions:
DR2012:0015:025:004
Description:
File containing documents in English, including correspondence related to the granting of power of attorney to Melvin Charney's wife Ann Charney, and daughter Dr. Dara Charney. Original folder inscribed in graphite: SPIEGEL SOHMER - MAY 2012
textual records
2012
photographs
ARCH256499
1967
photographs
1967
photographs
ARCH256503
Description:
"Over rough flooring and to increasingly uncomfortable sound and lighting the visitor to the Christian Pavilion enters the negative zone where he becomes vividly conscious of hatred, family quarrels, starvation, hunger and war, resulting from man's attempt to conduct his life without God. / Dans la seconde zone, l'espace architectural, les images et les sons ont été conçus de manière à créer un[e] impression de malaise et un sentiment d'inquiétude. Les murs convergent, le plafond s'abaisse, des images illustrant les querrelles [sic], l'oppression, la famine, la haine et la guerre, exposeront les conséquences tragiques du comportement négatif de l'homme lorsqu'il s'éloigne de l'Evangile de Jésus-Christ."--Description.
1967
Interior view of the Christian Pavilion?, Expo 67, Montréal, Québec
Actions:
ARCH256503
Description:
"Over rough flooring and to increasingly uncomfortable sound and lighting the visitor to the Christian Pavilion enters the negative zone where he becomes vividly conscious of hatred, family quarrels, starvation, hunger and war, resulting from man's attempt to conduct his life without God. / Dans la seconde zone, l'espace architectural, les images et les sons ont été conçus de manière à créer un[e] impression de malaise et un sentiment d'inquiétude. Les murs convergent, le plafond s'abaisse, des images illustrant les querrelles [sic], l'oppression, la famine, la haine et la guerre, exposeront les conséquences tragiques du comportement négatif de l'homme lorsqu'il s'éloigne de l'Evangile de Jésus-Christ."--Description.
photographs
1967
photographs
Project
AP173.S1.2001.D2
Description:
Series documents Lars Spuybroek's project for the invited competition Maison Folie in Lille, France, a multipurpose hall (studios and exhibition spaces, media library, day care, artists' communal space, office and a soup restaurant). The project was completed in 2004. Material in this series was produced around 2001. The series contains slides of drawings and a presentation drawing. This project may also include digital design material, which has yet to be processed and which will available for consultation in 2017.
ca. 2001
Maison Folie, Lille, France (2001)
Actions:
AP173.S1.2001.D2
Description:
Series documents Lars Spuybroek's project for the invited competition Maison Folie in Lille, France, a multipurpose hall (studios and exhibition spaces, media library, day care, artists' communal space, office and a soup restaurant). The project was completed in 2004. Material in this series was produced around 2001. The series contains slides of drawings and a presentation drawing. This project may also include digital design material, which has yet to be processed and which will available for consultation in 2017.
Project
ca. 2001
Sub-series
General Textual Files
AP116.S3.SS20.D1
Description:
File documents some of the planning and editorial activities for the production of Public Fear: What's So Scary About Architecture?, issue 18 of ANY magazine (May), and the preceding In ANY Event Symposium held 25 January 1997 at the Guggenheim Museum, New York City, New York. Material in file was produced between 1996 and 1997. File contains correspondence, clippings, photographic material, lay-out mock-ups, production schedules, symposium schedule, informational texts, budgets, and invitations.
1996-1997
General Textual Files
Actions:
AP116.S3.SS20.D1
Description:
File documents some of the planning and editorial activities for the production of Public Fear: What's So Scary About Architecture?, issue 18 of ANY magazine (May), and the preceding In ANY Event Symposium held 25 January 1997 at the Guggenheim Museum, New York City, New York. Material in file was produced between 1996 and 1997. File contains correspondence, clippings, photographic material, lay-out mock-ups, production schedules, symposium schedule, informational texts, budgets, and invitations.
File 1
1996-1997
archives
Level of archival description:
Collection
Ciudad del Sol collection
CD050
Synopsis:
This collection largely documents Pietro Roveda’s Ciudad del Sol project in Mexico from 1907 – 1913. The project was a planned community for workers – a community model that Roveda proposed to implement internationally. The project is documented through planning and presentation materials, reports, newspaper clippings, correspondence, limited drawings, and stationery items.
1907 - 1913
Ciudad del Sol collection
Actions:
CD050
Synopsis:
This collection largely documents Pietro Roveda’s Ciudad del Sol project in Mexico from 1907 – 1913. The project was a planned community for workers – a community model that Roveda proposed to implement internationally. The project is documented through planning and presentation materials, reports, newspaper clippings, correspondence, limited drawings, and stationery items.
archives
Level of archival description:
collection documentaire
1907 - 1913