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This publication features the work of over 200 artists, from Ai Weiwei and Shepard Fairey, to the anonymous influencers working through social media. Richly illustrated with over 400 images, this is a visual guide to the most influential and highly politicised imagery of the digital age. The book explores themes and issues such as popular uprisings (the Arab Spring, the(...)
Visual impact : creative dissent in the 21st century
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This publication features the work of over 200 artists, from Ai Weiwei and Shepard Fairey, to the anonymous influencers working through social media. Richly illustrated with over 400 images, this is a visual guide to the most influential and highly politicised imagery of the digital age. The book explores themes and issues such as popular uprisings (the Arab Spring, the London Riots) social activism (marriage equality), and environmental crises (Hurricane Katrina), as well as the recent Je Suis Charlie protests, it features exciting work from emerging economies such as Brazil, Russia, China and the Middle East, as well as the US and Europe.
Art Theory
The Remembered film
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Most books about cinema, whether popular or academic, concentrate on what we might call the ‘inside’ of the film: from star performances to narrative structures. The relatively few books about the ‘outside’ of films speak mainly of such aspects of production and reception as the organization of the film industry and the sociology of audiences: the Hollywood studio system,(...)
The Remembered film
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Most books about cinema, whether popular or academic, concentrate on what we might call the ‘inside’ of the film: from star performances to narrative structures. The relatively few books about the ‘outside’ of films speak mainly of such aspects of production and reception as the organization of the film industry and the sociology of audiences: the Hollywood studio system, for example, or fan clubs. The Remembered Film is unique in addressing a previously overlooked aspect of cinema: the isolated fragments of films, iconic images or scenes, that fleetingly cross our perceptions and thoughts in the course of everyday life. Victor Burgin examines a kaleidescope of film fragments drawn from a variety of media, the internet, memory and fantasy. Among these are sequences of such brevity they might almost be stills. Such ‘sequence-images’, as Burgin calls them, are neither strictly ‘image’ nor ‘image sequence’ and have not been considered before by either film or photography theory. He also considers some typical individual experiences ‘sampled’ from mainstream cinema. He reflects on such disparate occurrences as the association in memory of fragments from otherwise unrelated films, of the relation of a recollected film image to an architectural setting, or of a feeling ‘marked’ by an image remembered from a film. The Remembered Film provides a radical new way of thinking about film outside conventional cinema, and in relation to our everyday lives. It will appeal to a wide audience interested in film and media.
Photography monographs
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Feminist scholars from around the world on key debates and concerns ranging from motherhood, home, and family to media, technology, and medicine. This book is written by prominent feminist scholars from around the world. It is engaging and accessible, distilling the highest level of knowledge into fascinating but concise entries. ''This is not a feminism textbook''(...)
This is not a feminism textbook
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Feminist scholars from around the world on key debates and concerns ranging from motherhood, home, and family to media, technology, and medicine. This book is written by prominent feminist scholars from around the world. It is engaging and accessible, distilling the highest level of knowledge into fascinating but concise entries. ''This is not a feminism textbook'' offers a clear, straightforward overview of key feminist debates and concerns ranging from motherhood, home, work and family to media, technology, and medicine. This book is a must-read for everyone who is curious about the sex/gender distinction, and the relation between gender and other aspects of identity; and it tackles plenty more questions along the way. Are smart homes really smart? Will technology save the world? What does class have to do with feminism? And what does ''intersectionality'' actually mean? The work of feminism to help create a more just and equal society is not yet done. This book provides a roadmap to inspire each and every reader to continue exploring, thinking about, discussing, and ''doing'' feminism.
Gender Theory in Architecture
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The vast social apparatus of the computer network has aligned people with technology in unprecedented ways. The intimacy of the human-computer interface has made it impossible to distinguish technology from the social and cultural business of being human. Cyberculture is the broader name given to this process of becoming through technological means. This book shows that(...)
May 2014
Prefiguring cyberculture: an intellectual history
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The vast social apparatus of the computer network has aligned people with technology in unprecedented ways. The intimacy of the human-computer interface has made it impossible to distinguish technology from the social and cultural business of being human. Cyberculture is the broader name given to this process of becoming through technological means. This book shows that cyberculture has been a long time coming.In Prefiguring Cyberculture, media critics and theorists, philosophers, and historians of science explore the antecedents of such aspects of contemporary technological culture as the Internet, the World Wide Web, artificial intelligence, genetic engineering, virtual reality, and the cyborg. The contributors examine key texts that anticipate cybercultural practice and theory, including Plato's "Simile of the Cave"; the Renaissance Ars Memoria; Descartes's Meditations (on the mind-body split); Mary Shelley's Frankenstein; Alan Turing's Computing Machinery and Intelligence; Philip K. Dick's Man, Android, and Machine; William Gibson's Neuromancer; and Arthur C. Clarke's Profiles of the Future.
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May 2014
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These essays have been published in a broad range of magazines, including Aperture, ArtForum, and The Nation. In "Between the eyes: essays on photography and politics", Strauss tackles subjects ranging from “Photography and Propaganda” to the imagery of dreams; from Sebastião Salgado’s epic social documents to the deeply personal photographic revelations of Francesca(...)
Between the eyes : essays on photography and politics
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These essays have been published in a broad range of magazines, including Aperture, ArtForum, and The Nation. In "Between the eyes: essays on photography and politics", Strauss tackles subjects ranging from “Photography and Propaganda” to the imagery of dreams; from Sebastião Salgado’s epic social documents to the deeply personal photographic revelations of Francesca Woodman. The timely issue of photographic legitimacy is addressed in the essay “Photography and belief,” and in “The highest degree of illusion,” Strauss discusses the media frenzy surrounding the events of September 11.
Theory of Photography
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The cultural economy forms a leading trajectory of urban development, and has emerged as a key facet of globalizing cities. Cultural industries include new media, digital arts, music and film, and the design industries and professions, as well as allied consumption and spectacle in the city. The cultural economy now represents the third-largest sector in metropolitan(...)
Cities and the cultural economy
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The cultural economy forms a leading trajectory of urban development, and has emerged as a key facet of globalizing cities. Cultural industries include new media, digital arts, music and film, and the design industries and professions, as well as allied consumption and spectacle in the city. The cultural economy now represents the third-largest sector in metropolitan cities of the West (for example London, Berlin, New York, San Francisco, and Melbourne), but is also influential in the development of East Asian cities (Tokyo, Shanghai, Hong Kong and Singapore), as well as the mega-cities of the Global South (e.g. Mumbai, Capetown, and São Paulo).
Urban Theory
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Giulia Paoletti takes readers on a visual journey from the 1840s, when the oldest-surviving daguerreotype from West Africa was made, to the 1960s, when photography became the most popular medium as Senegal achieved its independence. She discusses some of Africa’s most celebrated modernists, such as Mama Casset, and also offers insights into lesser-known photographers like(...)
Portrait and place: Photography in Senegal 1860-1940
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Giulia Paoletti takes readers on a visual journey from the 1840s, when the oldest-surviving daguerreotype from West Africa was made, to the 1960s, when photography became the most popular medium as Senegal achieved its independence. She discusses some of Africa’s most celebrated modernists, such as Mama Casset, and also offers insights into lesser-known photographers like Oumar Ka and once-anonymous figures such as Macky Kane. Paoletti examines both professional and amateur artists in genres ranging from portraiture to landscape and across media such as glass painting and lithography.
Theory of Photography
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The contributors -- international curators and scholars from a range of disciplines -- examine the emergence of photography as mass culture: through studios and public spaces; by the press; through editorial strategies promoting popular and vernacular photography; and through the dissemination of photographic images in the art world. The contributing authors discuss such(...)
The public life of photographs
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The contributors -- international curators and scholars from a range of disciplines -- examine the emergence of photography as mass culture: through studios and public spaces; by the press; through editorial strategies promoting popular and vernacular photography; and through the dissemination of photographic images in the art world. The contributing authors discuss such topics as how photographic images became objects of appropriation and collection; the faith in photographic truthfulness; Life magazine's traveling exhibitions and their effect on the magazine's "media hegemony"; and the curatorial challenges of making vernacular photographs accessible in an artistic environment.
Theory of Photography
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In this new collection, Sorkin reviews the state of contemporary architecture and surveys the dramatic changes in the urban environment of the past decade. From New York to New Delhi, from Shanghai to Cairo, Sorkin offers a sweeping assessment of the impact of globalization, environmental degradation, electronic media, rapid growth, and the legacies of modernist planning.(...)
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In this new collection, Sorkin reviews the state of contemporary architecture and surveys the dramatic changes in the urban environment of the past decade. From New York to New Delhi, from Shanghai to Cairo, Sorkin offers a sweeping assessment of the impact of globalization, environmental degradation, electronic media, rapid growth, and the legacies of modernist planning. Whether laying out, manifesto-like, eleven necessary tasks for urban design, providing a fresh take on the Disneyfication of Times Square, grappling with sprawl, or blasting the nostalgic prescriptions of "new urbanist" communities, Sorkin makes a compelling argument for an architecture and urbanism firmly grounded in both artistic expression and social purpose.
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November 2001, Minneapolis
Architectural Theory
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Examining how monuments preserve memory, the essays demonstrate how phenomena as diverse as ancient drum towers in China and ritual whale-killings in the Pacific Northwest serve to represent and negotiate time. Connecting that history to the present, they explore not only how monuments have inspired travel and pilgrimage for millennia but also how new electronic media(...)
Architectural Theory
January 1900, Chicago / London
Monuments and memory, made and unmade
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Examining how monuments preserve memory, the essays demonstrate how phenomena as diverse as ancient drum towers in China and ritual whale-killings in the Pacific Northwest serve to represent and negotiate time. Connecting that history to the present, they explore not only how monuments have inspired travel and pilgrimage for millennia but also how new electronic media are changing the very nature of such pilgrimages. With an epilogue on the World Trade Center. Contributors : Stephen Bann, Jonathan Bordo, Julia Bryan-Wilson, Jas Elsner, Tapati Guha-Thakurta, Robert S. Nelson, Margaret Olin, Ruth B. Phillips, Mitchell Schwarzer, Lillian Lan-ying Tseng, Richard Wittman, Wu Hung.
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January 1900, Chicago / London
Architectural Theory