Machine art, 1934
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In 1934, New York’s Museum of Modern Art staged a major exhibition of ball bearings, airplane propellers, pots and pans, cocktail tumblers, petri dishes, protractors, and other machine parts and products. The exhibition, titled Machine Art, explored these ordinary objects as works of modern art, teaching museumgoers about the nature of beauty and value in the era of mass(...)
Machine art, 1934
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In 1934, New York’s Museum of Modern Art staged a major exhibition of ball bearings, airplane propellers, pots and pans, cocktail tumblers, petri dishes, protractors, and other machine parts and products. The exhibition, titled Machine Art, explored these ordinary objects as works of modern art, teaching museumgoers about the nature of beauty and value in the era of mass production. Telling the story of this popular but controversial show, Jennifer Jane Marshall examines its history and the relationship between the museum’s director, Alfred H. Barr Jr., and its curator, Philip Johnson, who oversaw it. She situates the show within the tumultuous climate of the interwar period and the Great Depression, considering how these unadorned objects served as a response to timely debates over photography, abstract art, the end of the American gold standard, and John Dewey’s insight that how a person experiences things depends on the context in which they are encountered. An engaging investigation of interwar American modernism, Machine Art, 1934 reveals how even simple things can serve as a defense against uncertainty.
Museums and Universal Exhibitions
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Narrative Spaces is about exhibition design. It places the profession in a broad theoretical and cultural-historical context and defines a conceptual framework that brings out the dynamics of the field. Exhibitions are narrative environments in which the designer has to translate often complex and scientific objectives into an engaging spatial narrative that can comprise(...)
Narrative spaces: on the art of exhibiton
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Narrative Spaces is about exhibition design. It places the profession in a broad theoretical and cultural-historical context and defines a conceptual framework that brings out the dynamics of the field. Exhibitions are narrative environments in which the designer has to translate often complex and scientific objectives into an engaging spatial narrative that can comprise a mix of wide-ranging media and communicational strategies. This publication defines the theatrical and scenographic principles of exhibitions as narrative space and holds out conceptual tools that can inspire a new approach to exhibition design.
Museums and Universal Exhibitions
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Museums are often among the most iconic buildings to grace a citys skyline. In fact, through the very prestige of the architects involved and the innovation of material form, a new museum can easily herald a citys arrival on the world stage as a center for art and culture.
Culture and art - museum design : art museum, humanistic museum
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Museums are often among the most iconic buildings to grace a citys skyline. In fact, through the very prestige of the architects involved and the innovation of material form, a new museum can easily herald a citys arrival on the world stage as a center for art and culture.
Museums and Universal Exhibitions
Thematic museums
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This book takes the architecture and display features of museums as its content, displaying various thematic museum features in modeling and space design. From the use of materials to their cultural and regional embodiment, the book analyses the cultural and historical connotations of museum design systematically.
Thematic museums
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This book takes the architecture and display features of museums as its content, displaying various thematic museum features in modeling and space design. From the use of materials to their cultural and regional embodiment, the book analyses the cultural and historical connotations of museum design systematically.
Museums and Universal Exhibitions
books
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The international touring exhibition "Die gute Form" was conceived by MAx Bill on behalf of the Swiss Werkbund SWB and was shown for the first time in 1949 at the Basel Mustermesse trade fair. The exhibition consisted of 80 dispay panels, designed by Bill, presenting a selection of consumer goods from all over the world and chosen by him as examples of good design. The(...)
Max Bill's view of things: Die gute form, an exhibition 1949
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The international touring exhibition "Die gute Form" was conceived by MAx Bill on behalf of the Swiss Werkbund SWB and was shown for the first time in 1949 at the Basel Mustermesse trade fair. The exhibition consisted of 80 dispay panels, designed by Bill, presenting a selection of consumer goods from all over the world and chosen by him as examples of good design. The show caused some upset in Switzerland and fueled heated debates abroad. But it also exerted a wide-reaching influence-for example, on the way in which consumer goods were perceived.
books
June 2013
Museums and Universal Exhibitions
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The story of the most influential art exhibitions from 1960, Biennials and Beyond assembles a wealth of rare and never before published documentation, from installation photographs and reviews to floor plans, catalogue excerpts and other primary ephemera, looking at the history of contemporary art through the lens of 25 significant exhibitions. With an introductory essay(...)
Biennials and beyond: exhibitions that made art history, 1962-2002
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The story of the most influential art exhibitions from 1960, Biennials and Beyond assembles a wealth of rare and never before published documentation, from installation photographs and reviews to floor plans, catalogue excerpts and other primary ephemera, looking at the history of contemporary art through the lens of 25 significant exhibitions. With an introductory essay and concise overviews of each exhibition by art historian Bruce Altshuler, Biennials and Beyond is a unique sourcebook that offers direct access to the most influential exhibitions of the last 50 years.
Museums and Universal Exhibitions
New exhibition design 02
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The book offers an up-to-date and comprehensive insight into state-of-the-art design and planning of exhibitions by presenting more than 80 project examples of renowned international designers from Germany to Korea, from Japan to the USA and Canada, from Norway to Italy.
New exhibition design 02
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$89.00
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The book offers an up-to-date and comprehensive insight into state-of-the-art design and planning of exhibitions by presenting more than 80 project examples of renowned international designers from Germany to Korea, from Japan to the USA and Canada, from Norway to Italy.
Museums and Universal Exhibitions
$72.00
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Structured around the key phases of the exhibition design process, this guide offers a coverage of the tools and processes required to develop an exhibitions. It offers this critical information in the context of a collaborative process intended to drive innovation for exhibition design.
Creating exhibitions: collaboration in the planning, development, and design of innovative experiences
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Structured around the key phases of the exhibition design process, this guide offers a coverage of the tools and processes required to develop an exhibitions. It offers this critical information in the context of a collaborative process intended to drive innovation for exhibition design.
Museums and Universal Exhibitions
$56.95
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This book sheds light on the Belgian pavilions for the World's Fairs in Paris 1937 and New York 1939-40. Both buildings were designed by teams that were headed by Henry van de Velde, one of the founding fathers of modern architecture in Belgium. After the 1939 New York World's Fair, the Belgian pavilion was re-erected on the campus of the Afro American Virginia Union(...)
Belgium at the fair : Exile on Main street, Paris, New York, Richmond
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This book sheds light on the Belgian pavilions for the World's Fairs in Paris 1937 and New York 1939-40. Both buildings were designed by teams that were headed by Henry van de Velde, one of the founding fathers of modern architecture in Belgium. After the 1939 New York World's Fair, the Belgian pavilion was re-erected on the campus of the Afro American Virginia Union University in Richmond, VA.
Museums and Universal Exhibitions
$57.95
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This is a comprehensive chronology from 1971 that illustrates the exponential rise in exhibitions of Western dress on an international scale.
Museums and Universal Exhibitions
October 2013
Exhibiting fashion: before and after 1971
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This is a comprehensive chronology from 1971 that illustrates the exponential rise in exhibitions of Western dress on an international scale.
Museums and Universal Exhibitions