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This book offers a snapshot of recent influential work in contemporary art and political theory in France, Italy, and Germany, in the form of original writings by major representatives of each of the three overlapping national traditions. In France, debates center on the status and possibilities of the image. Éric Alliez, Georges Didi-Huberman, Elisabeth Lebovici, and(...)
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This book offers a snapshot of recent influential work in contemporary art and political theory in France, Italy, and Germany, in the form of original writings by major representatives of each of the three overlapping national traditions. In France, debates center on the status and possibilities of the image. Éric Alliez, Georges Didi-Huberman, Elisabeth Lebovici, and(...)
Title:
Spheres of action : art and politics
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This book offers a snapshot of recent influential work in contemporary art and political theory in France, Italy, and Germany, in the form of original writings by major representatives of each of the three overlapping national traditions. In France, debates center on the status and possibilities of the image. Éric Alliez, Georges Didi-Huberman, Elisabeth Lebovici, and Jacques Rancière each adopt a distinctive approach to the making, undoing, and remaking of aesthetic images in contemporary art and their political significance. From Italy, Antonio Negri, Maurizio Lazzarato, Judith Revel, and Franco Berardi each address the "immaterial" situation of contemporary art. From Germany, Peter Sloterdijk, Peter Weibel, and Boris Groys reassess the contemporary legacy of postwar art, demonstrating appropriations of vitalism, structuralism, and deconstruction, respectively.
Spheres of action : art and politics
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This book offers a snapshot of recent influential work in contemporary art and political theory in France, Italy, and Germany, in the form of original writings by major representatives of each of the three overlapping national traditions. In France, debates center on the status and possibilities of the image. Éric Alliez, Georges Didi-Huberman, Elisabeth Lebovici, and Jacques Rancière each adopt a distinctive approach to the making, undoing, and remaking of aesthetic images in contemporary art and their political significance. From Italy, Antonio Negri, Maurizio Lazzarato, Judith Revel, and Franco Berardi each address the "immaterial" situation of contemporary art. From Germany, Peter Sloterdijk, Peter Weibel, and Boris Groys reassess the contemporary legacy of postwar art, demonstrating appropriations of vitalism, structuralism, and deconstruction, respectively.
Form:
books
books
Publication:
March 2013
March 2013
Subject:
Art Theory
Art Theory
Form:
books
books
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$65.00
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The Getty presents "Where We Live: Photographs from the Berman Collection", at the J. Paul Getty Museum, the Getty Center, October 24, 2006-February 25, 2007. The exhibition showcases the richness of American color photography in nearly 170 works by 24 important contemporary artists, and includes works that will be shown for the first time. "Where We Live" draws from(...)
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The Getty presents "Where We Live: Photographs from the Berman Collection", at the J. Paul Getty Museum, the Getty Center, October 24, 2006-February 25, 2007. The exhibition showcases the richness of American color photography in nearly 170 works by 24 important contemporary artists, and includes works that will be shown for the first time. "Where We Live" draws from(...)
Subject:
Theory of Photography
Theory of Photography
Publication:
October 2006, Los Angeles
October 2006, Los Angeles
Title:
Where we live : photographs of America from the Berman collection
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The Getty presents "Where We Live: Photographs from the Berman Collection", at the J. Paul Getty Museum, the Getty Center, October 24, 2006-February 25, 2007. The exhibition showcases the richness of American color photography in nearly 170 works by 24 important contemporary artists, and includes works that will be shown for the first time. "Where We Live" draws from nearly 500 examples of postwar American photography donated by the Bermans to the Museum over the past eight years. The photographs that the Bermans have donated to the Getty form an archive of late 20th-century American life. The presentation marks the opening of the Getty Museum's new and expanded suite of galleries devoted to photographs, reflecting the importance of the art form in the Getty's collection.
Where we live : photographs of America from the Berman collection
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The Getty presents "Where We Live: Photographs from the Berman Collection", at the J. Paul Getty Museum, the Getty Center, October 24, 2006-February 25, 2007. The exhibition showcases the richness of American color photography in nearly 170 works by 24 important contemporary artists, and includes works that will be shown for the first time. "Where We Live" draws from nearly 500 examples of postwar American photography donated by the Bermans to the Museum over the past eight years. The photographs that the Bermans have donated to the Getty form an archive of late 20th-century American life. The presentation marks the opening of the Getty Museum's new and expanded suite of galleries devoted to photographs, reflecting the importance of the art form in the Getty's collection.
Form:
books
books
Publication:
October 2006, Los Angeles
October 2006, Los Angeles
Subject:
Theory of Photography
Theory of Photography
Form:
books
books
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$75.00
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Summary:
From the Studebaker and the Slinky(r) to the TWA terminal and paintings by Willem de Kooning and Mark Rothko, 1940 to 1960 was a compelling era for the arts in America. Artists and designers responded to the atomic-age anxieties of the postwar period with "vital" forms-organic imagery and biomorphic shapes based on nature. These forms proliferated during the optimism of(...)
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From the Studebaker and the Slinky(r) to the TWA terminal and paintings by Willem de Kooning and Mark Rothko, 1940 to 1960 was a compelling era for the arts in America. Artists and designers responded to the atomic-age anxieties of the postwar period with "vital" forms-organic imagery and biomorphic shapes based on nature. These forms proliferated during the optimism of(...)
Subject:
Interior Design
Interior Design
Publication:
October 2001, New York
October 2001, New York
Title:
Vital forms : American art and design in the atomic age, 1940 - 1960
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$75.00
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From the Studebaker and the Slinky(r) to the TWA terminal and paintings by Willem de Kooning and Mark Rothko, 1940 to 1960 was a compelling era for the arts in America. Artists and designers responded to the atomic-age anxieties of the postwar period with "vital" forms-organic imagery and biomorphic shapes based on nature. These forms proliferated during the optimism of the late '40s and '50s prosperity, in Tupperware(r) and the Hula Hoop as well as Eames chairs and Calder mobiles. Examining visual arts from an interdisciplinary perspective, "Vital Forms" focuses on the development and ascendancy of organic imagery. Essays placing the works in historical context are by Paul Boyer, Martin Filler, Mildred Friedman, and Karal Ann Marling.
Vital forms : American art and design in the atomic age, 1940 - 1960
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Summary:
From the Studebaker and the Slinky(r) to the TWA terminal and paintings by Willem de Kooning and Mark Rothko, 1940 to 1960 was a compelling era for the arts in America. Artists and designers responded to the atomic-age anxieties of the postwar period with "vital" forms-organic imagery and biomorphic shapes based on nature. These forms proliferated during the optimism of the late '40s and '50s prosperity, in Tupperware(r) and the Hula Hoop as well as Eames chairs and Calder mobiles. Examining visual arts from an interdisciplinary perspective, "Vital Forms" focuses on the development and ascendancy of organic imagery. Essays placing the works in historical context are by Paul Boyer, Martin Filler, Mildred Friedman, and Karal Ann Marling.
Form:
books
books
Publication:
October 2001, New York
October 2001, New York
Subject:
Interior Design
Interior Design
Form:
books
books
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$102.00
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Summary:
Spurred on by the modernizing impulses of the Second Vatican Council in the early 1960s, the Catholic Church searched for an appropriate architectural language that showed its relevance to the modern world. ''Sacred Modernity'' documents this dramatic shift in ecclesiastical architecture across postwar Europe. Among these structures, some exude a joyful antagonism, while(...)
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Spurred on by the modernizing impulses of the Second Vatican Council in the early 1960s, the Catholic Church searched for an appropriate architectural language that showed its relevance to the modern world. ''Sacred Modernity'' documents this dramatic shift in ecclesiastical architecture across postwar Europe. Among these structures, some exude a joyful antagonism, while(...)
Title:
Sacred modernity: The holy embrace of modernist architecture
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$102.00
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Spurred on by the modernizing impulses of the Second Vatican Council in the early 1960s, the Catholic Church searched for an appropriate architectural language that showed its relevance to the modern world. ''Sacred Modernity'' documents this dramatic shift in ecclesiastical architecture across postwar Europe. Among these structures, some exude a joyful antagonism, while others emanate a cold minimalism. Boldly designed, outrageous and provocative for their time, the aesthetic of this period still ignites great debate between modernists and traditionalists. Half a century on, this study traces how their materials and ideals have matured and patinated. The book represents the first attempt to collate the religious architecture of the mid-century high modern years that took many forms, from Brutalism to Structural Expressionism.
Sacred modernity: The holy embrace of modernist architecture
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Spurred on by the modernizing impulses of the Second Vatican Council in the early 1960s, the Catholic Church searched for an appropriate architectural language that showed its relevance to the modern world. ''Sacred Modernity'' documents this dramatic shift in ecclesiastical architecture across postwar Europe. Among these structures, some exude a joyful antagonism, while others emanate a cold minimalism. Boldly designed, outrageous and provocative for their time, the aesthetic of this period still ignites great debate between modernists and traditionalists. Half a century on, this study traces how their materials and ideals have matured and patinated. The book represents the first attempt to collate the religious architecture of the mid-century high modern years that took many forms, from Brutalism to Structural Expressionism.
Form:
books
books
Publication:
May 2024
May 2024
Subject:
Modernism
Modernism
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books
books
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This book tells the tale of the prolific Italian architect, inventor, farmer, writer, and engineer Gaetano Ciocca, whose career took him from the battlefronts of World War I to Stalin’s Russia, Mussolini’s Italy, FDR’s America, and finally to postwar liberal-democratic Italy. Like celebrated counterparts such as Walter Gropius and Le Corbusier, Ciocca was a visionary so(...)
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This book tells the tale of the prolific Italian architect, inventor, farmer, writer, and engineer Gaetano Ciocca, whose career took him from the battlefronts of World War I to Stalin’s Russia, Mussolini’s Italy, FDR’s America, and finally to postwar liberal-democratic Italy. Like celebrated counterparts such as Walter Gropius and Le Corbusier, Ciocca was a visionary so(...)
Subject:
Architecture since 1900, Europe
Architecture since 1900, Europe
Publication:
January 2004, Stanford
January 2004, Stanford
Title:
Building fascism, communism, liberal democracy : Gaetano Ciocca, architect, inventor, farmer, writer, engineer
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This book tells the tale of the prolific Italian architect, inventor, farmer, writer, and engineer Gaetano Ciocca, whose career took him from the battlefronts of World War I to Stalin’s Russia, Mussolini’s Italy, FDR’s America, and finally to postwar liberal-democratic Italy. Like celebrated counterparts such as Walter Gropius and Le Corbusier, Ciocca was a visionary so confident in his vision of a future in which all aspects of life would be rationalized and modernized that no set of practical or political obstacles could ever stand in his way. Ciocca’s endeavors included the development of "fast houses," a "theater for 20,000 spectators," the "guided roadway," and the rationalist pig farms referred to by Carlo Belli as "Ciocca’s Grand Hotel for Pigs."
Building fascism, communism, liberal democracy : Gaetano Ciocca, architect, inventor, farmer, writer, engineer
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This book tells the tale of the prolific Italian architect, inventor, farmer, writer, and engineer Gaetano Ciocca, whose career took him from the battlefronts of World War I to Stalin’s Russia, Mussolini’s Italy, FDR’s America, and finally to postwar liberal-democratic Italy. Like celebrated counterparts such as Walter Gropius and Le Corbusier, Ciocca was a visionary so confident in his vision of a future in which all aspects of life would be rationalized and modernized that no set of practical or political obstacles could ever stand in his way. Ciocca’s endeavors included the development of "fast houses," a "theater for 20,000 spectators," the "guided roadway," and the rationalist pig farms referred to by Carlo Belli as "Ciocca’s Grand Hotel for Pigs."
Form:
books
books
Publication:
January 2004, Stanford
January 2004, Stanford
Subject:
Architecture since 1900, Europe
Architecture since 1900, Europe
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books
books
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$67.50
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Kazuo Shinohara (1925–2006) is one of the greatest and most influential architects of Japan's postwar generation.Shinohare himself divided his creative work into four styles. In placing his later, institutional scale works of his fourth style, which have been overlooked until now, alongside the iconic houses of his earlier career, this book establishes the architect’s(...)
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Kazuo Shinohara (1925–2006) is one of the greatest and most influential architects of Japan's postwar generation.Shinohare himself divided his creative work into four styles. In placing his later, institutional scale works of his fourth style, which have been overlooked until now, alongside the iconic houses of his earlier career, this book establishes the architect’s(...)
Title:
Kazuo Shinohara: traversing the house and the city
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Kazuo Shinohara (1925–2006) is one of the greatest and most influential architects of Japan's postwar generation.Shinohare himself divided his creative work into four styles. In placing his later, institutional scale works of his fourth style, which have been overlooked until now, alongside the iconic houses of his earlier career, this book establishes the architect’s insistence on the equivalation between the house and the city. New scholarly essays, interviews with clients and collaborators, and translations of Shinohara’s key texts are complemented by previously unpublished archival drawings and personal travel photographs by Shinohara. The volume reframes his architectural achievements in terms of his oeuvre as a whole and situates them in the broader cultural and social context in Japan and globally.
Kazuo Shinohara: traversing the house and the city
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Kazuo Shinohara (1925–2006) is one of the greatest and most influential architects of Japan's postwar generation.Shinohare himself divided his creative work into four styles. In placing his later, institutional scale works of his fourth style, which have been overlooked until now, alongside the iconic houses of his earlier career, this book establishes the architect’s insistence on the equivalation between the house and the city. New scholarly essays, interviews with clients and collaborators, and translations of Shinohara’s key texts are complemented by previously unpublished archival drawings and personal travel photographs by Shinohara. The volume reframes his architectural achievements in terms of his oeuvre as a whole and situates them in the broader cultural and social context in Japan and globally.
Form:
books
books
Publication:
May 2021
May 2021
Subject:
Architecture Monographs
Architecture Monographs
Form:
books
books
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$52.50
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From the outset, American artist Betty Woodman (born 1930) has used ceramics as her medium of expression and artistic research, and it has made her one of the most influential and original voices on the international art scene. Bridging the gap between art and craft, Woodman moves nimbly between the traditions of an age-old medium, taking inspiration from Minoan and(...)
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From the outset, American artist Betty Woodman (born 1930) has used ceramics as her medium of expression and artistic research, and it has made her one of the most influential and original voices on the international art scene. Bridging the gap between art and craft, Woodman moves nimbly between the traditions of an age-old medium, taking inspiration from Minoan and(...)
Title:
Betty Woodman: theatre of the domestic
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From the outset, American artist Betty Woodman (born 1930) has used ceramics as her medium of expression and artistic research, and it has made her one of the most influential and original voices on the international art scene. Bridging the gap between art and craft, Woodman moves nimbly between the traditions of an age-old medium, taking inspiration from Minoan and Egyptian art, Greek and Etruscan sculpture, Tang Dynasty works, majolica and Sèvres porcelain, Italian Baroque architecture and the paintings of Bonnard, Picasso and Matisse, while also introducing innovations in both style and technique. This publication focuses on work made over the past ten years, while taking stock of Woodman's continued relevance to contemporary art and her importance among postwar artists.
Betty Woodman: theatre of the domestic
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From the outset, American artist Betty Woodman (born 1930) has used ceramics as her medium of expression and artistic research, and it has made her one of the most influential and original voices on the international art scene. Bridging the gap between art and craft, Woodman moves nimbly between the traditions of an age-old medium, taking inspiration from Minoan and Egyptian art, Greek and Etruscan sculpture, Tang Dynasty works, majolica and Sèvres porcelain, Italian Baroque architecture and the paintings of Bonnard, Picasso and Matisse, while also introducing innovations in both style and technique. This publication focuses on work made over the past ten years, while taking stock of Woodman's continued relevance to contemporary art and her importance among postwar artists.
Form:
books
books
Publication:
January 2017
January 2017
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Form:
books
books
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$50.00
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In her first artist's book, Cambridge, MA-based artist Katarina Burin (born 1975) creates a fictitious Czechoslovakian architect named Andrejova-Molnar, described as a pioneering architect of modern postwar Europe, as part of her investigation of architectural history. The book presents a biographical narrative about the education and design work of Andrejova-Molnar, and(...)
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In her first artist's book, Cambridge, MA-based artist Katarina Burin (born 1975) creates a fictitious Czechoslovakian architect named Andrejova-Molnar, described as a pioneering architect of modern postwar Europe, as part of her investigation of architectural history. The book presents a biographical narrative about the education and design work of Andrejova-Molnar, and(...)
Title:
Katarina Burin: contribution and collaboration, the work of Petra Andrejova-Molnar (...)
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In her first artist's book, Cambridge, MA-based artist Katarina Burin (born 1975) creates a fictitious Czechoslovakian architect named Andrejova-Molnar, described as a pioneering architect of modern postwar Europe, as part of her investigation of architectural history. The book presents a biographical narrative about the education and design work of Andrejova-Molnar, and positions her work in relation to mid-20th-century female architects Charlotte Perriand and Eileen Grey. Burin’s Andrejova-Molnar project, which won the prestigious James and Audrey Foster Prize at the Institute of Contemporary Art in Boston in 2013, gives voice to female designers while questioning notions of authorship and authenticity, the relationship between gender and the archive, and the historical tension between national identity and internationalist aspirations.
Katarina Burin: contribution and collaboration, the work of Petra Andrejova-Molnar (...)
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Summary:
In her first artist's book, Cambridge, MA-based artist Katarina Burin (born 1975) creates a fictitious Czechoslovakian architect named Andrejova-Molnar, described as a pioneering architect of modern postwar Europe, as part of her investigation of architectural history. The book presents a biographical narrative about the education and design work of Andrejova-Molnar, and positions her work in relation to mid-20th-century female architects Charlotte Perriand and Eileen Grey. Burin’s Andrejova-Molnar project, which won the prestigious James and Audrey Foster Prize at the Institute of Contemporary Art in Boston in 2013, gives voice to female designers while questioning notions of authorship and authenticity, the relationship between gender and the archive, and the historical tension between national identity and internationalist aspirations.
Form:
books
books
Publication:
August 2016
August 2016
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Form:
books
books
Title:
Robert Royston
Robert Royston
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Over nearly six decades of practice, Robert Royston (1918–2008) shaped the postwar Bay Area landscape with visionary designs for public spaces. Early in his career, Royston conceived of the "landscape matrix," a system of interconnected parks, plazas, and parkways that he hoped could bring order and amenity to rapidly developing suburbs. The idea would inform his work on(...)
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Over nearly six decades of practice, Robert Royston (1918–2008) shaped the postwar Bay Area landscape with visionary designs for public spaces. Early in his career, Royston conceived of the "landscape matrix," a system of interconnected parks, plazas, and parkways that he hoped could bring order and amenity to rapidly developing suburbs. The idea would inform his work on(...)
Subject:
Landscape Architecture, Monographs
Landscape Architecture, Monographs
Publication:
March 2020
March 2020
Title:
Robert Royston
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Over nearly six decades of practice, Robert Royston (1918–2008) shaped the postwar Bay Area landscape with visionary designs for public spaces. Early in his career, Royston conceived of the "landscape matrix," a system of interconnected parks, plazas, and parkways that he hoped could bring order and amenity to rapidly developing suburbs. The idea would inform his work on more than two thousand projects as diverse as school grounds, new towns, transit corridors, and housing tracts. As an apprentice of Thomas Church, Royston gained experience with residential gardens that influenced his early designs for public parks. At a time when neighborhood parks were typically limited to playing fields and stock playground equipment, Royston created imaginative facilities for the American family, offering activities for people of all ages.
Robert Royston
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Over nearly six decades of practice, Robert Royston (1918–2008) shaped the postwar Bay Area landscape with visionary designs for public spaces. Early in his career, Royston conceived of the "landscape matrix," a system of interconnected parks, plazas, and parkways that he hoped could bring order and amenity to rapidly developing suburbs. The idea would inform his work on more than two thousand projects as diverse as school grounds, new towns, transit corridors, and housing tracts. As an apprentice of Thomas Church, Royston gained experience with residential gardens that influenced his early designs for public parks. At a time when neighborhood parks were typically limited to playing fields and stock playground equipment, Royston created imaginative facilities for the American family, offering activities for people of all ages.
Form:
books
books
Publication:
March 2020
March 2020
Subject:
Landscape Architecture, Monographs
Landscape Architecture, Monographs
Form:
books
books
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$115.00
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Summary:
One of the most significant American artists of the postwar period, Judd rigorously experimented with color, form, material, and space. The works in this catalogue range from the artist’s expansive installations to self-contained single units, yielding valuable new insights into his process and approach. The survey includes one of his largest and most intricate(...)
$115.00
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One of the most significant American artists of the postwar period, Judd rigorously experimented with color, form, material, and space. The works in this catalogue range from the artist’s expansive installations to self-contained single units, yielding valuable new insights into his process and approach. The survey includes one of his largest and most intricate(...)
Title:
Donald Judd: Artworks, 1970–1994
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$115.00
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One of the most significant American artists of the postwar period, Judd rigorously experimented with color, form, material, and space. The works in this catalogue range from the artist’s expansive installations to self-contained single units, yielding valuable new insights into his process and approach. The survey includes one of his largest and most intricate installations of sixty-three wall-mounted plywood boxes, conceived in 1986. Other works include variations on some of Judd’s most recognizable forms, executed in materials such as Cor-ten steel, plexiglass, copper, plywood, brushed aluminum, and enameled aluminum. Brilliant and exacting reproductions capture these works in vivid detail. Following the major Judd retrospective at The Museum of Modern Art, New York, in 2020, this book serves as a companion volume.
Donald Judd: Artworks, 1970–1994
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One of the most significant American artists of the postwar period, Judd rigorously experimented with color, form, material, and space. The works in this catalogue range from the artist’s expansive installations to self-contained single units, yielding valuable new insights into his process and approach. The survey includes one of his largest and most intricate installations of sixty-three wall-mounted plywood boxes, conceived in 1986. Other works include variations on some of Judd’s most recognizable forms, executed in materials such as Cor-ten steel, plexiglass, copper, plywood, brushed aluminum, and enameled aluminum. Brilliant and exacting reproductions capture these works in vivid detail. Following the major Judd retrospective at The Museum of Modern Art, New York, in 2020, this book serves as a companion volume.
Form:
books
books
Publication:
November 2021
November 2021
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
