2349 Results
Form:
photographs
Quantity:
44 photograph(s)
photographs
Quantity:
44 photograph(s)
Actions:
Reference number:
ARCH269814
Description:
Group consists of photographs of Chandigarh, India, including photographs of the Capitol Complex's buildings, the Museum and Art Gallery in sector 10, commercial buildings and the College of Architecture in sector 10.
ARCH269814
Description:
Group consists of photographs of Chandigarh, India, including photographs of the Capitol Complex's buildings, the Museum and Art Gallery in sector 10, commercial buildings and the College of Architecture in sector 10.
People:
Date:
n.d.
n.d.
Title:
Photographs of Chandigarh, India, including photographs of the Capitol Complex's buildings
Actions:
ARCH269814
Description:
Group consists of photographs of Chandigarh, India, including photographs of the Capitol Complex's buildings, the Museum and Art Gallery in sector 10, commercial buildings and the College of Architecture in sector 10.
Photographs of Chandigarh, India, including photographs of the Capitol Complex's buildings
Actions:
ARCH269814
Description:
Group consists of photographs of Chandigarh, India, including photographs of the Capitol Complex's buildings, the Museum and Art Gallery in sector 10, commercial buildings and the College of Architecture in sector 10.
Form:
photographs
Quantity:
44 photograph(s)
photographs
Quantity:
44 photograph(s)
Date:
n.d.
n.d.
People:
Form:
photographs
photographs
Actions:
Reference number:
ARCH402459
ARCH402459
People:
Date:
between 1962 and 1965?
between 1962 and 1965?
Form:
photographs
photographs
Date:
between 1962 and 1965?
between 1962 and 1965?
People:
Form:
textual records
textual records
Actions:
Reference number:
ARCH263802
Description:
La lettre a pour sujet la visite de Charlotte Perriand à Chandigarh.
ARCH263802
Description:
La lettre a pour sujet la visite de Charlotte Perriand à Chandigarh.
People:
Date:
s.d.
s.d.
Title:
Brouillon d'une lettre de Pierre Jeanneret à un correspondant inconnu relative à Chandigarh, ainsi qu'à la visite de Charlotte Perriand à Chandigarh, Inde
Actions:
ARCH263802
Description:
La lettre a pour sujet la visite de Charlotte Perriand à Chandigarh.
Brouillon d'une lettre de Pierre Jeanneret à un correspondant inconnu relative à Chandigarh, ainsi qu'à la visite de Charlotte Perriand à Chandigarh, Inde
Actions:
ARCH263802
Description:
La lettre a pour sujet la visite de Charlotte Perriand à Chandigarh.
Form:
textual records
textual records
Date:
s.d.
s.d.
People:
Form:
drawings
Quantity:
10 drawing(s)
drawings
Quantity:
10 drawing(s)
Actions:
Reference number:
ARCH268740
ARCH268740
People:
Form:
drawings
Quantity:
10 drawing(s)
drawings
Quantity:
10 drawing(s)
People:
Form:
photographs
photographs
Actions:
Reference number:
ARCH269078
ARCH269078
People:
Date:
1960s
1960s
Form:
photographs
photographs
Date:
1960s
1960s
People:
Form:
drawings
Quantity:
12 File
drawings
Quantity:
12 File
Reference number:
ARCH268671
ARCH268671
People:
Date:
1961
1961
Form:
drawings
Quantity:
12 File
drawings
Quantity:
12 File
Date:
1961
1961
People:
Form:
photographs
photographs
Actions:
Reference number:
ARCH269719
ARCH269719
People:
Date:
n.d.
n.d.
Form:
photographs
photographs
Date:
n.d.
n.d.
People:
Form:
drawings
Quantity:
2 reprographic copy(ies)
drawings
Quantity:
2 reprographic copy(ies)
Actions:
Reference number:
ARCH270141
Description:
Group consists of a master plan for Chandigarh and a perspective drawing of an unidentified group housing in Chandigarh, India by Albert Mayer.
ARCH270141
Description:
Group consists of a master plan for Chandigarh and a perspective drawing of an unidentified group housing in Chandigarh, India by Albert Mayer.
People:
Date:
n.d.
n.d.
Title:
Master plan for Chandigarh and a perspective drawing of an unidentified group housing
Actions:
ARCH270141
Description:
Group consists of a master plan for Chandigarh and a perspective drawing of an unidentified group housing in Chandigarh, India by Albert Mayer.
Master plan for Chandigarh and a perspective drawing of an unidentified group housing
Actions:
ARCH270141
Description:
Group consists of a master plan for Chandigarh and a perspective drawing of an unidentified group housing in Chandigarh, India by Albert Mayer.
Form:
drawings
Quantity:
2 reprographic copy(ies)
drawings
Quantity:
2 reprographic copy(ies)
Date:
n.d.
n.d.
People:
Actions:
Reference number:
ARCH265116:002
Description:
Le tapuscrit traite notamment de la construction autour du lac de Chandigarh.
ARCH265116:002
Description:
Le tapuscrit traite notamment de la construction autour du lac de Chandigarh.
People:
Date:
11 août 1958
11 août 1958
Title:
Transcription d'un manuscrit traitant du lac de Chandigarh en Inde
Actions:
ARCH265116:002
Description:
Le tapuscrit traite notamment de la construction autour du lac de Chandigarh.
Transcription d'un manuscrit traitant du lac de Chandigarh en Inde
Actions:
ARCH265116:002
Description:
Le tapuscrit traite notamment de la construction autour du lac de Chandigarh.
Date:
11 août 1958
11 août 1958
People:
Level of archival description:
Project
Project
Reference number:
AP206.S1.1981.PR01
Description:
This project series documents a residence for Aditya Prakash in Chandigarh, India in 1981, and later, the addition of a studio to the house around 1992. Located on plot no. 18 on Street B in Sector 8C, the residence was two-storeys in height with a barsati and terrace making up the second floor. The studio addition was also two-storeys, with his architectural offices on the ground level and his painting studio above.[1] The studio's façade was marked with distinctive geometric windows of varying shapes and sizes that were red, blue and yellow in colour. The project is recorded through original drawings of plans, elevations, sections and perspectives of both the home and studio addition, dating from around 1981-1992. [1] Vikramaditya Prakash, One Continuous Line: Art, Architecture and Urbanism of Aditya Prakash (Ahmedabad, India: Mapin Publishing Pvt. Ltd., 2019), 232.
AP206.S1.1981.PR01
Description:
This project series documents a residence for Aditya Prakash in Chandigarh, India in 1981, and later, the addition of a studio to the house around 1992. Located on plot no. 18 on Street B in Sector 8C, the residence was two-storeys in height with a barsati and terrace making up the second floor. The studio addition was also two-storeys, with his architectural offices on the ground level and his painting studio above.[1] The studio's façade was marked with distinctive geometric windows of varying shapes and sizes that were red, blue and yellow in colour. The project is recorded through original drawings of plans, elevations, sections and perspectives of both the home and studio addition, dating from around 1981-1992. [1] Vikramaditya Prakash, One Continuous Line: Art, Architecture and Urbanism of Aditya Prakash (Ahmedabad, India: Mapin Publishing Pvt. Ltd., 2019), 232.
People:
Date:
circa 1981-1992
circa 1981-1992
Title:
Residence for Shri Aditya Prakash, Chandigarh, India (circa 1981-1992)
Actions:
AP206.S1.1981.PR01
Description:
This project series documents a residence for Aditya Prakash in Chandigarh, India in 1981, and later, the addition of a studio to the house around 1992. Located on plot no. 18 on Street B in Sector 8C, the residence was two-storeys in height with a barsati and terrace making up the second floor. The studio addition was also two-storeys, with his architectural offices on the ground level and his painting studio above.[1] The studio's façade was marked with distinctive geometric windows of varying shapes and sizes that were red, blue and yellow in colour. The project is recorded through original drawings of plans, elevations, sections and perspectives of both the home and studio addition, dating from around 1981-1992. [1] Vikramaditya Prakash, One Continuous Line: Art, Architecture and Urbanism of Aditya Prakash (Ahmedabad, India: Mapin Publishing Pvt. Ltd., 2019), 232.
Residence for Shri Aditya Prakash, Chandigarh, India (circa 1981-1992)
Actions:
AP206.S1.1981.PR01
Description:
This project series documents a residence for Aditya Prakash in Chandigarh, India in 1981, and later, the addition of a studio to the house around 1992. Located on plot no. 18 on Street B in Sector 8C, the residence was two-storeys in height with a barsati and terrace making up the second floor. The studio addition was also two-storeys, with his architectural offices on the ground level and his painting studio above.[1] The studio's façade was marked with distinctive geometric windows of varying shapes and sizes that were red, blue and yellow in colour. The project is recorded through original drawings of plans, elevations, sections and perspectives of both the home and studio addition, dating from around 1981-1992. [1] Vikramaditya Prakash, One Continuous Line: Art, Architecture and Urbanism of Aditya Prakash (Ahmedabad, India: Mapin Publishing Pvt. Ltd., 2019), 232.
Level of archival description:
Project
Project
Date:
circa 1981-1992
circa 1981-1992
People:
