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"Nature Over Again" reveals the story behind the majority of Finlay's renowned garden installations, and is the first study to examine his garden designs and 'interventions' in a consequential way. An accomplished Scottish poet, writer, artist and gardener, Finlay infused his garden designs with a distinct aesthetic philosophy and poetic sensibility.John Dixon Hunt(...)
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"Nature Over Again" reveals the story behind the majority of Finlay's renowned garden installations, and is the first study to examine his garden designs and 'interventions' in a consequential way. An accomplished Scottish poet, writer, artist and gardener, Finlay infused his garden designs with a distinct aesthetic philosophy and poetic sensibility.John Dixon Hunt(...)
Title:
Nature over again: the garden art of Ian Hamilton Finlay
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"Nature Over Again" reveals the story behind the majority of Finlay's renowned garden installations, and is the first study to examine his garden designs and 'interventions' in a consequential way. An accomplished Scottish poet, writer, artist and gardener, Finlay infused his garden designs with a distinct aesthetic philosophy and poetic sensibility.John Dixon Hunt situates his analysis of Finlay's gardens in the context of that broader philosophy and poetic work, drawing on Finlay's books, prints and other written reflections about the art and practice of garden design. From the Max Planck Institute in Stuttgart to the Serpentine Gallery in London to the University of California at San Diego campus, the book documents how Finlay built an oeuvre of international renown, and ultimately argues that Finlay's innovations are best understood in the context of the long tradition of European gardens.
Nature over again: the garden art of Ian Hamilton Finlay
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"Nature Over Again" reveals the story behind the majority of Finlay's renowned garden installations, and is the first study to examine his garden designs and 'interventions' in a consequential way. An accomplished Scottish poet, writer, artist and gardener, Finlay infused his garden designs with a distinct aesthetic philosophy and poetic sensibility.John Dixon Hunt situates his analysis of Finlay's gardens in the context of that broader philosophy and poetic work, drawing on Finlay's books, prints and other written reflections about the art and practice of garden design. From the Max Planck Institute in Stuttgart to the Serpentine Gallery in London to the University of California at San Diego campus, the book documents how Finlay built an oeuvre of international renown, and ultimately argues that Finlay's innovations are best understood in the context of the long tradition of European gardens.
Form:
books
books
Publication:
November 2008, London
November 2008, London
Subject:
Gardens
Gardens
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books
books
Title:
I colori / colors
I colori / colors
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$32.95
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Published for the first time in 1945, in the middle of Veronesi’s researches about abstract cinema and photography, the quality of its graphics and teaching aspects remains undimmed. In the first part of the book the three primary colours and their complementary are associated to everyday objects, while the second part, more suitable to Veronesi’s “abstract(...)
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Published for the first time in 1945, in the middle of Veronesi’s researches about abstract cinema and photography, the quality of its graphics and teaching aspects remains undimmed. In the first part of the book the three primary colours and their complementary are associated to everyday objects, while the second part, more suitable to Veronesi’s “abstract(...)
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I colori / colors
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Published for the first time in 1945, in the middle of Veronesi’s researches about abstract cinema and photography, the quality of its graphics and teaching aspects remains undimmed. In the first part of the book the three primary colours and their complementary are associated to everyday objects, while the second part, more suitable to Veronesi’s “abstract rationalism”, is dedicated to overlapping colours, and creates pages that have become real painting masterpieces. Luigi Veronesi (Milan, 1908-1998) always thought art as an instrument that involves all the aspects of the aesthetic experience, and investigated its relationship with the age of mechanization. Famous for his colour transpositions of music scores, he was a member of the MAC (Movement for Concrete Art) and one of the most "european" among Italian abstract painters. He also was one of the first authors to use photography in childrens’ books.
I colori / colors
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Published for the first time in 1945, in the middle of Veronesi’s researches about abstract cinema and photography, the quality of its graphics and teaching aspects remains undimmed. In the first part of the book the three primary colours and their complementary are associated to everyday objects, while the second part, more suitable to Veronesi’s “abstract rationalism”, is dedicated to overlapping colours, and creates pages that have become real painting masterpieces. Luigi Veronesi (Milan, 1908-1998) always thought art as an instrument that involves all the aspects of the aesthetic experience, and investigated its relationship with the age of mechanization. Famous for his colour transpositions of music scores, he was a member of the MAC (Movement for Concrete Art) and one of the most "european" among Italian abstract painters. He also was one of the first authors to use photography in childrens’ books.
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books
books
Publication:
January 1997, Mantova
January 1997, Mantova
Subject:
Children's Books
Children's Books
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books
books
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$47.50
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The Greek island sequence montaged by László Moholy-Nagy into his legendary documentary Architects' Congress can be interpreted, like his provocative Photoplastiks, as a "message in a bottle" thrown into the sea that "might take decades for someone to find and read." Capturing the incomparable Greek light, it presents a compelling glimpse of the four days and nights in(...)
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The Greek island sequence montaged by László Moholy-Nagy into his legendary documentary Architects' Congress can be interpreted, like his provocative Photoplastiks, as a "message in a bottle" thrown into the sea that "might take decades for someone to find and read." Capturing the incomparable Greek light, it presents a compelling glimpse of the four days and nights in(...)
Title:
Moholy's edit: CIAM 1933, the avant-garde at sea
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The Greek island sequence montaged by László Moholy-Nagy into his legendary documentary Architects' Congress can be interpreted, like his provocative Photoplastiks, as a "message in a bottle" thrown into the sea that "might take decades for someone to find and read." Capturing the incomparable Greek light, it presents a compelling glimpse of the four days and nights in August 1933 when the elite of the European architectural and artistic avant-garde—in Greece for the 4th International Congress of Modern Architecture (CIAM)—took to the Aegean in a barely seaworthy "nut shell" that would bring them close to the brink of disaster. The "motley crew" included Le Corbusier, Fernand Léger, Amédée Ozenfant, Sigfried Giedion, Cor van Eesteren and Otto Neurath. Crucial to the success of the surreal odyssey were various members of the Greek avant-garde.
Moholy's edit: CIAM 1933, the avant-garde at sea
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The Greek island sequence montaged by László Moholy-Nagy into his legendary documentary Architects' Congress can be interpreted, like his provocative Photoplastiks, as a "message in a bottle" thrown into the sea that "might take decades for someone to find and read." Capturing the incomparable Greek light, it presents a compelling glimpse of the four days and nights in August 1933 when the elite of the European architectural and artistic avant-garde—in Greece for the 4th International Congress of Modern Architecture (CIAM)—took to the Aegean in a barely seaworthy "nut shell" that would bring them close to the brink of disaster. The "motley crew" included Le Corbusier, Fernand Léger, Amédée Ozenfant, Sigfried Giedion, Cor van Eesteren and Otto Neurath. Crucial to the success of the surreal odyssey were various members of the Greek avant-garde.
Form:
books
books
Publication:
November 2018
November 2018
Subject:
Architectural Theory
Architectural Theory
Form:
books
books
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$45.50
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Summary:
When Philip Johnson died in 2005 at the age of 98, he was still one of the most recognizable--and influential--figures on the American cultural landscape. The first recipient of the Pritzker Prize and MoMA's founding architectural curator, Johnson made his mark as one of America's leading architects with his famous Glass House in New Caanan, CT, and his controversial AT(...)
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When Philip Johnson died in 2005 at the age of 98, he was still one of the most recognizable--and influential--figures on the American cultural landscape. The first recipient of the Pritzker Prize and MoMA's founding architectural curator, Johnson made his mark as one of America's leading architects with his famous Glass House in New Caanan, CT, and his controversial AT(...)
Title:
The man in the glass house: Philip Johnson, architecture of the modern century
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When Philip Johnson died in 2005 at the age of 98, he was still one of the most recognizable--and influential--figures on the American cultural landscape. The first recipient of the Pritzker Prize and MoMA's founding architectural curator, Johnson made his mark as one of America's leading architects with his famous Glass House in New Caanan, CT, and his controversial AT Building in NYC, among many others in nearly every city in the country--but his most natural role was as a consummate power broker and shaper of public opinion. Johnson introduced European modernism--the sleek, glass-and-steel architecture that now dominates our cities--to America, and mentored generations of architects, designers, and artists to follow. He defined the era of "starchitecture" with its flamboyant buildings and celebrity designers who esteemed aesthetics and style above all other concerns.
The man in the glass house: Philip Johnson, architecture of the modern century
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When Philip Johnson died in 2005 at the age of 98, he was still one of the most recognizable--and influential--figures on the American cultural landscape. The first recipient of the Pritzker Prize and MoMA's founding architectural curator, Johnson made his mark as one of America's leading architects with his famous Glass House in New Caanan, CT, and his controversial AT Building in NYC, among many others in nearly every city in the country--but his most natural role was as a consummate power broker and shaper of public opinion. Johnson introduced European modernism--the sleek, glass-and-steel architecture that now dominates our cities--to America, and mentored generations of architects, designers, and artists to follow. He defined the era of "starchitecture" with its flamboyant buildings and celebrity designers who esteemed aesthetics and style above all other concerns.
Form:
books
books
Publication:
November 2018
November 2018
Subject:
Architecture Monographs
Architecture Monographs
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books
books
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$71.95
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This title was first published in 2003: Modernist architecture claimed to be the 'international style' but the relationship between modernism and the new dispositions of nations and nationalities which have succeeded the old European empires remains obscure. In this, the first book to examine the interactions between modern architecture, imperialism and post-imperialism,(...)
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This title was first published in 2003: Modernist architecture claimed to be the 'international style' but the relationship between modernism and the new dispositions of nations and nationalities which have succeeded the old European empires remains obscure. In this, the first book to examine the interactions between modern architecture, imperialism and post-imperialism,(...)
Title:
Modern architecture and the end of empire. 2nd edition
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This title was first published in 2003: Modernist architecture claimed to be the 'international style' but the relationship between modernism and the new dispositions of nations and nationalities which have succeeded the old European empires remains obscure. In this, the first book to examine the interactions between modern architecture, imperialism and post-imperialism, Mark Crinson looks at the architecture of the last years of the British Empire, and during its prolonged dissolution and aftermath. Taking a number of case studies from Britain, Ghana, Hong Kong, Iran, India and Malaysia, he investigates the ambitions of the people who commissioned the buildings, the training and role of architects, and the interaction of the architecture and its changing social and cultural contexts. This book raises questions about the nature of modernism and its roles that look far beyond empire and towards the post-imperial.
Modern architecture and the end of empire. 2nd edition
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$71.95
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This title was first published in 2003: Modernist architecture claimed to be the 'international style' but the relationship between modernism and the new dispositions of nations and nationalities which have succeeded the old European empires remains obscure. In this, the first book to examine the interactions between modern architecture, imperialism and post-imperialism, Mark Crinson looks at the architecture of the last years of the British Empire, and during its prolonged dissolution and aftermath. Taking a number of case studies from Britain, Ghana, Hong Kong, Iran, India and Malaysia, he investigates the ambitions of the people who commissioned the buildings, the training and role of architects, and the interaction of the architecture and its changing social and cultural contexts. This book raises questions about the nature of modernism and its roles that look far beyond empire and towards the post-imperial.
Form:
books
books
Publication:
January 2019
January 2019
Subject:
Modernism
Modernism
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books
books
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$52.00
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Oxford is one of the jewels of European architecture, much loved and much visited. The city offers an unparallelled collection of the best of English building through the centuries. Matthew Rice's ''Oxford'' is a feast of delightful watercolour illustrations and an informed and witty text, explaining how the city came into being and what to look out for today. While the(...)
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Oxford is one of the jewels of European architecture, much loved and much visited. The city offers an unparallelled collection of the best of English building through the centuries. Matthew Rice's ''Oxford'' is a feast of delightful watercolour illustrations and an informed and witty text, explaining how the city came into being and what to look out for today. While the(...)
Title:
Oxford: a living history of English architecture
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Oxford is one of the jewels of European architecture, much loved and much visited. The city offers an unparallelled collection of the best of English building through the centuries. Matthew Rice's ''Oxford'' is a feast of delightful watercolour illustrations and an informed and witty text, explaining how the city came into being and what to look out for today. While the focus is on architectural detail, Rice also describes how the city has been shaped by its history, most of all by generations of patrons who had the education and the resources to commission work from the greatest architects and builders of their day, an astonishing range of which still stands. More than anywhere else in England, it is possible in Oxford to take in the history of English architecture simply by walking today's streets, lanes, parks and meadows.
Oxford: a living history of English architecture
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Oxford is one of the jewels of European architecture, much loved and much visited. The city offers an unparallelled collection of the best of English building through the centuries. Matthew Rice's ''Oxford'' is a feast of delightful watercolour illustrations and an informed and witty text, explaining how the city came into being and what to look out for today. While the focus is on architectural detail, Rice also describes how the city has been shaped by its history, most of all by generations of patrons who had the education and the resources to commission work from the greatest architects and builders of their day, an astonishing range of which still stands. More than anywhere else in England, it is possible in Oxford to take in the history of English architecture simply by walking today's streets, lanes, parks and meadows.
Form:
books
books
Publication:
October 2019
October 2019
Subject:
History until 1900
History until 1900
Form:
journals and magazines
journals and magazines
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$18.50
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22 GAMMA Grid, 1953. The End of CIAM and the Bidonvilles of Casablanca For a short time in the 1950s the planning practices of European architects in North Africa and their studies of everyday life in the bidonvilles were of central importance in the CIAM debates about a redefinition of the modern movement. In spite of their great interest in the reality of life in(...)
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22 GAMMA Grid, 1953. The End of CIAM and the Bidonvilles of Casablanca For a short time in the 1950s the planning practices of European architects in North Africa and their studies of everyday life in the bidonvilles were of central importance in the CIAM debates about a redefinition of the modern movement. In spite of their great interest in the reality of life in(...)
Title:
Anarchitektur: produktion und gebrauch gebauter umwelt
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22 GAMMA Grid, 1953. The End of CIAM and the Bidonvilles of Casablanca For a short time in the 1950s the planning practices of European architects in North Africa and their studies of everyday life in the bidonvilles were of central importance in the CIAM debates about a redefinition of the modern movement. In spite of their great interest in the reality of life in Casablanca´s bidonvilles as analyzed in the GAMMA grid, the architects ignored the colonial conditions of their research: the repressive nature of the regime as well as the anti-colonial struggles. While opening up a discussion about an architecture that includes the local and thinks about processes and users, this study is also exemplary for the dilemma of post-war modernism, that of giving mainly aesthetic answers to social and political questions.
Anarchitektur: produktion und gebrauch gebauter umwelt
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22 GAMMA Grid, 1953. The End of CIAM and the Bidonvilles of Casablanca For a short time in the 1950s the planning practices of European architects in North Africa and their studies of everyday life in the bidonvilles were of central importance in the CIAM debates about a redefinition of the modern movement. In spite of their great interest in the reality of life in Casablanca´s bidonvilles as analyzed in the GAMMA grid, the architects ignored the colonial conditions of their research: the repressive nature of the regime as well as the anti-colonial struggles. While opening up a discussion about an architecture that includes the local and thinks about processes and users, this study is also exemplary for the dilemma of post-war modernism, that of giving mainly aesthetic answers to social and political questions.
Form:
journals and magazines
journals and magazines
Publication:
November 2008, Berlin
November 2008, Berlin
Subject:
Magazines
Magazines
Form:
books
books
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$63.95
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Summary:
One of the fundamental considerations in landscape architecture is whether to create something which appears to be natural, or to design something deliberately artificial. Always moving between nature and artifice the art of landscape architecture expresses itself in a sensitive awareness of time and place. If the design is not to become a mere ornament, then it must be(...)
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One of the fundamental considerations in landscape architecture is whether to create something which appears to be natural, or to design something deliberately artificial. Always moving between nature and artifice the art of landscape architecture expresses itself in a sensitive awareness of time and place. If the design is not to become a mere ornament, then it must be(...)
Title:
Texte zur Landschaft / About landscape : essays on design, style, time and space
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One of the fundamental considerations in landscape architecture is whether to create something which appears to be natural, or to design something deliberately artificial. Always moving between nature and artifice the art of landscape architecture expresses itself in a sensitive awareness of time and place. If the design is not to become a mere ornament, then it must be supported by concepts and visions, daring to create something new from the existing surroundings. This collection of essays which have been published over the last decade in Topos – European Landscape Magazine, is a valuable contribution to the literature in the specialised field of landscape architecture. The authors include Paolo Bürgi who writes on dimensions of memory, Joachim W. Jacobs who investigates the Bauhaus and the theory of space, and Kathinka Schreiber who takes a critical look at landscape in film.
Texte zur Landschaft / About landscape : essays on design, style, time and space
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$63.95
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Summary:
One of the fundamental considerations in landscape architecture is whether to create something which appears to be natural, or to design something deliberately artificial. Always moving between nature and artifice the art of landscape architecture expresses itself in a sensitive awareness of time and place. If the design is not to become a mere ornament, then it must be supported by concepts and visions, daring to create something new from the existing surroundings. This collection of essays which have been published over the last decade in Topos – European Landscape Magazine, is a valuable contribution to the literature in the specialised field of landscape architecture. The authors include Paolo Bürgi who writes on dimensions of memory, Joachim W. Jacobs who investigates the Bauhaus and the theory of space, and Kathinka Schreiber who takes a critical look at landscape in film.
Form:
books
books
Publication:
June 2003, Basel
June 2003, Basel
Subject:
Magazines
Magazines
Form:
books
books
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$105.00
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Summary:
Surrealism was not only an international artistic movement, but also a political one. Its members denounced European colonial policy, opposed fascist regimes, fought for the Spanish Republic, were persecuted, went into exile, and died in war. They wrote poetry, deconstructed the language of a supposedly rational world, worked on paintings, collective drawings, took(...)
$105.00
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Surrealism was not only an international artistic movement, but also a political one. Its members denounced European colonial policy, opposed fascist regimes, fought for the Spanish Republic, were persecuted, went into exile, and died in war. They wrote poetry, deconstructed the language of a supposedly rational world, worked on paintings, collective drawings, took(...)
Title:
Surrealism and anti-fascism: An anthology
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$105.00
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Surrealism was not only an international artistic movement, but also a political one. Its members denounced European colonial policy, opposed fascist regimes, fought for the Spanish Republic, were persecuted, went into exile, and died in war. They wrote poetry, deconstructed the language of a supposedly rational world, worked on paintings, collective drawings, took photographs, and made collages. Surrealism was associated with later emancipatory concerns not as a style, but as a method, and was taken up by the student protests of the 1960s and the Black Liberation Movement. This catalogue is published on the occasion of an exhibition at the Lenbachhaus Munich. In the form of an anthology, it presents pivotal texts and manifestoes of political Surrealism from its beginnings to current references in art and politics. It thus offers a valuable contribution to revising the still narrowly defined Surrealist canon.
Surrealism and anti-fascism: An anthology
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$105.00
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Surrealism was not only an international artistic movement, but also a political one. Its members denounced European colonial policy, opposed fascist regimes, fought for the Spanish Republic, were persecuted, went into exile, and died in war. They wrote poetry, deconstructed the language of a supposedly rational world, worked on paintings, collective drawings, took photographs, and made collages. Surrealism was associated with later emancipatory concerns not as a style, but as a method, and was taken up by the student protests of the 1960s and the Black Liberation Movement. This catalogue is published on the occasion of an exhibition at the Lenbachhaus Munich. In the form of an anthology, it presents pivotal texts and manifestoes of political Surrealism from its beginnings to current references in art and politics. It thus offers a valuable contribution to revising the still narrowly defined Surrealist canon.
Form:
books
books
Publication:
June 2025
June 2025
Subject:
Art Theory
Art Theory
Form:
books
books
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$55.00
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Summary:
Streets in the sky, prefab panel housing estates, raw concrete flying saucers, corn cob-shaped tower blocks; these are some of the constructions that recast Eastern and Central European urban landscapes after WWII. This playful and engaging book allows readers to explore and learn about the brutalist and modernist architecture erected in the former Eastern Bloc and(...)
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Summary:
Streets in the sky, prefab panel housing estates, raw concrete flying saucers, corn cob-shaped tower blocks; these are some of the constructions that recast Eastern and Central European urban landscapes after WWII. This playful and engaging book allows readers to explore and learn about the brutalist and modernist architecture erected in the former Eastern Bloc and(...)
Title:
Brutal East II : Build your own concrete Eastern Bloc
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$55.00
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Streets in the sky, prefab panel housing estates, raw concrete flying saucers, corn cob-shaped tower blocks; these are some of the constructions that recast Eastern and Central European urban landscapes after WWII. This playful and engaging book allows readers to explore and learn about the brutalist and modernist architecture erected in the former Eastern Bloc and ex-Yugoslavia, and build some of their most intriguing edifices, from the massive housing estates in Moscow to the brutal skyline of Tbilisi. Brutal East vol. II includes chapters with photographs and texts providing a valuable insight into the featured buildings and their history, as well as a foreword by Alexander Ostrogorsky. The book contains nine pre-cut and pre-folded models to press out and assemble with easy-to-follow instructions. This hardcover volume is the long-awaited follow-up to Zupagrafika's 2017 Brutal East.
Brutal East II : Build your own concrete Eastern Bloc
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$55.00
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Summary:
Streets in the sky, prefab panel housing estates, raw concrete flying saucers, corn cob-shaped tower blocks; these are some of the constructions that recast Eastern and Central European urban landscapes after WWII. This playful and engaging book allows readers to explore and learn about the brutalist and modernist architecture erected in the former Eastern Bloc and ex-Yugoslavia, and build some of their most intriguing edifices, from the massive housing estates in Moscow to the brutal skyline of Tbilisi. Brutal East vol. II includes chapters with photographs and texts providing a valuable insight into the featured buildings and their history, as well as a foreword by Alexander Ostrogorsky. The book contains nine pre-cut and pre-folded models to press out and assemble with easy-to-follow instructions. This hardcover volume is the long-awaited follow-up to Zupagrafika's 2017 Brutal East.
Form:
books
books
Publication:
September 2021
September 2021
Subject:
Brutalism
Brutalism
