Step by step
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Step by Step is based on in-depth interviews Augoyard conducted with the inhabitants of l’Arlequin, a new town on the outskirts of Grenoble. A resident of l’Arlequin himself, Augoyard sought to understand how his neighbors used its passages, streets, and parks. He begins with a detailed investigation of the inhabitants’ daily walks before going on to consider how the(...)
Step by step
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Step by Step is based on in-depth interviews Augoyard conducted with the inhabitants of l’Arlequin, a new town on the outskirts of Grenoble. A resident of l’Arlequin himself, Augoyard sought to understand how his neighbors used its passages, streets, and parks. He begins with a detailed investigation of the inhabitants’ daily walks before going on to consider how the built environment is personalized through place-names and shared memories, the ways in which sensory impressions define the atmosphere of a place and how, through individual and collective imagination, residents transformed l’Arlequin from a concept into a lived space.
Urban Theory
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Notre habitation, notre habitat, l'espace où nous évoluons est un médium que nous croyons façonner selon notre désir, selon l'image que nous voulons donner de nous-même selon notre ego. En fait, il restitue nos craintes et nos joies, qui ressurgissent du plus lointain de notre mémoire génétique. Notre habitation n'est que le reflet de nous-mêmes. Ce n'est pas seulement(...)
Les origines symboliques de notre habitat
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Notre habitation, notre habitat, l'espace où nous évoluons est un médium que nous croyons façonner selon notre désir, selon l'image que nous voulons donner de nous-même selon notre ego. En fait, il restitue nos craintes et nos joies, qui ressurgissent du plus lointain de notre mémoire génétique. Notre habitation n'est que le reflet de nous-mêmes. Ce n'est pas seulement l'architecture sacrée qui véhicule des symboles mais la plus simple demeure reflète aussi des archétypes qui proviennent de la tradition primordiale. Des premières croyances humaines pour les déesses mères, comme Gaia, la terre nourricière jusqu'à la Sophia, la sagesse grecque. vénérée encore par les hermétistes de la Renaissance, la lignée ininterrompue des bâtisseurs qui ont construit selon les principes de la géométrie sacrée, du mythe osirien au corpus hermeticum, issu de l'Hermès trismégiste, il y a eu un fil conducteur pour que l'union du ciel et de la terre puisse se réaliser. Il y a eu une transmission du savoir de constructeurs initiés, qui n'ont cessé, à travers des civilisations très éloignées, semble-t-il, les unes des autres, de rassembler ce qui était épars, qui nous vient encore de la nature et qui n'a pas été inventé par l'homme mais seulement réappris et réutilisé. Suivons l'auteur à la découverte de nos racines profondes et dont le développement s'est fait identiquement et analogiquement à celles de l'Asie, de l'Orient ou du Nouveau Monde.
Architectural Theory
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Le quartier de Firminy-Vert est un quartier singulier, ceint de quatre œuvres attribuées à Le Corbusier, dont un centre culturel (seule œuvre terminée du vivant de Le Corbusier), un stade, la dernière unité d'habitation et l'église Saint-Pierre, qui fut inaugurée en novembre 2006. L'œuvre de l'architecte, célébrée en vue de la faire accéder au rang du patrimoine mondial,(...)
Dans l'ombre du Corbusier: ethnologie d'un habitat collectif ordinaire
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Le quartier de Firminy-Vert est un quartier singulier, ceint de quatre œuvres attribuées à Le Corbusier, dont un centre culturel (seule œuvre terminée du vivant de Le Corbusier), un stade, la dernière unité d'habitation et l'église Saint-Pierre, qui fut inaugurée en novembre 2006. L'œuvre de l'architecte, célébrée en vue de la faire accéder au rang du patrimoine mondial, laisse planer une ombre qui masque la perception des vies ordinaires du quartier. L'immeuble collectif dont il est question ici ressemble à l'unité d'habitation Le Corbusier. Toutefois, il n'en a que l'apparence. L'enquête ethnologique qui débuta au Corbusier, dernière unité d'habitation, s'est déplacée afin d'observer et d'écouter les locataires d'un habitat collectif ordinaire dont la vie s'estompe derrière le feu sacré du patrimoine Le Corbusier. Un regard porté sur la vie ordinaire des habitants du « grand H » amorce un questionnement sur les enjeux liés à notre mémoire, à son statut et à la nécessité d'une collecte sans concession.
Urban Theory
Judging architectural value
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When it comes to determining the relative quality of architecture, who is best equipped to make the distinctions? Is it the public who lives in and among the buildings? The people who commission and pay for the buildings? Art historians? Or architects themselves? These provocative essays take up the questions of what people value in architecture and how changing(...)
Architectural Theory
April 2007, Mineapolis London
Judging architectural value
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When it comes to determining the relative quality of architecture, who is best equipped to make the distinctions? Is it the public who lives in and among the buildings? The people who commission and pay for the buildings? Art historians? Or architects themselves? These provocative essays take up the questions of what people value in architecture and how changing values influence opinions about it. In the intriguing opening essay, Michael Benedikt makes an argument for the role of architects in the delineation of value in architecture. He discusses the differences between icon and canon, a theme threaded through many of the essays. In addition to unexpected analyses of buildings such as Eero Saarinen’s Gateway Arch in St. Louis, Paul Rudolph’s Art and Architecture Building at Yale University, and the work of Antoni Gaudí and Frank Gehry, the collection includes a clear-eyed look at the role of architecture in addressing social problems. Ultimately, these essays assert that judging architecture requires more than a refined sensibility. Buildings also need to be evaluated by their impact on the people living within and around them. Contributors: John Beardsley, Harvard Design School; Michael Benedikt, U of Texas, Austin; Tim Culvahouse, California College of the Arts; Lisa Finley, California College of the Arts; Kurt W. Forster, Bauhaus-Universität, Weimar, Germany; Kenneth Frampton, Columbia U; Diane Ghirardo, U of Southern California; Charles Jencks; David Leatherbarrow, U of Pennsylvania; Nancy Levinson; Hélène Lipstadt; Juhani Pallasmaa, Helsinki U of Technology; Timothy M. Rohan, U of Massachusetts, Amherst; Roger Scruton; Daniel Willis, Pennsylvania State U. William S. Saunders is editor of Harvard Design Magazine and assistant dean for external relations at Harvard University’s Graduate School of Design. He is the author of Modern Architecture: Photographs by Ezra Stoller and editor of three other Harvard Design Magazine Readers. Michael Benedikt is Hal Box Chair in Urbanism and director of the Center for American Architecture and Design at the School of Architecture at the University of Texas at Austin.
Architectural Theory
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In The Perfect House, bestselling author Witold Rybczynski, whose previous books have transformed our understanding of domestic architecture, reveals how a handful of Palladio's houses in an obscure corner of the Venetian Republic should have made their presence felt hundreds of years later and halfway across the globe. More than just a study of one of history's seminal(...)
Architectural Theory
September 2003, New York London Toronto Sydney Singapore
The perfect house : A journey with the renaissance master
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In The Perfect House, bestselling author Witold Rybczynski, whose previous books have transformed our understanding of domestic architecture, reveals how a handful of Palladio's houses in an obscure corner of the Venetian Republic should have made their presence felt hundreds of years later and halfway across the globe. More than just a study of one of history's seminal architectural figures, The Perfect House reflects Rybczynski's enormous admiration for his subject and provides a new way of looking at the special landscapes we call "home" in the modern world.
Architectural Theory
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Nearly one in six Americans lives in "Megalopolis," an area of the northeastern United States along the I-95 corridor that includes the cities of Washington, Baltimore, Philadelphia, New York, and Boston. Liquid City is the first book to examine the major changes that have taken place in this "Main Street of the Nation" over the last half century. In 1957, geographer(...)
Liquid city : Megalopolos and the contemporary northeast
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Nearly one in six Americans lives in "Megalopolis," an area of the northeastern United States along the I-95 corridor that includes the cities of Washington, Baltimore, Philadelphia, New York, and Boston. Liquid City is the first book to examine the major changes that have taken place in this "Main Street of the Nation" over the last half century. In 1957, geographer Jean Gottman used the term "Megalopolis" to denote the Boston-to-Washington corridor. His seminal book, Megalopolis: The Urbanized Northeastern Seaboard of the United States, described the social, economic, and demographic characteristics of one of the largest city regions in the world. John Rennie Short juxtaposes Gottman's work with his own examination, providing a comprehensive assessment of the region's evolution. Particularly important is Short's use of the 2000 census data and his discussion of Megalopolis as a source of identity for the area's forty-nine million inhabitants. This clear and accessible book focuses on five main aspects of change in the region: population redistribution from cities to suburbs; economic restructuring as exemplified by the suburbanization of employment; the role of immigration; patterns of racial/ethnic segregation; and the processes of globalization that have made Megalopolis one of the world's most influential economies.
Urban Theory
L'Architecture du bonheur
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S'il est vrai que les bâtiments et les objets d'ameublement que nous qualifions de beaux évoquent des aspects du bonheur, on pourrait néanmoins demander pourquoi nous trouvons une telle évocation nécessaire. Pourquoi ce que notre environnement a à nous dire serait-il si important? Pourquoi les architectes devraient-ils se soucier de concevoir des bâtiments qui expriment(...)
L'Architecture du bonheur
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S'il est vrai que les bâtiments et les objets d'ameublement que nous qualifions de beaux évoquent des aspects du bonheur, on pourrait néanmoins demander pourquoi nous trouvons une telle évocation nécessaire. Pourquoi ce que notre environnement a à nous dire serait-il si important? Pourquoi les architectes devraient-ils se soucier de concevoir des bâtiments qui expriment des sentiments et des idées spécifiques? Pourquoi sommes-nous si vulnérables à ce que disent les espaces où nous vivons ? Depuis plusieurs livres déjà, Alain de Botton s'intéresse à notre bonheur et cherche les moyens de nous rendre plus heureux. Après la lecture de Proust, puis celle des grands philosophes, l'art de mieux voyager et l'importance de notre statut social, voici qu'il se penche sur notre cadre de vie et plus particulièrement sur l'architecture des lieux où nous vivons et travaillons. En quoi l'un et l'autre influencent notre mode de pensée, notre façon de nous comporter, en bref notre existence au quotidien, tel est le sujet de L'architecture du bonheur. Faisant preuve comme toujours d'une éblouissante érudition - et de beaucoup d'humour -, Alain de Botton nous entraîne de Paris à Tokyo, de Londres à Brasília, du Kent à l'Engadine, et bien d'autres lieux encore, à la recherche de la maison idéale.
Architectural Theory
The future of the image
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In "The future of the image", Jacques Rancière develops a fascinating new concept of the image in contemporary art, showing how art and politics have always been intrinsically intertwined. Covering a range of art movements, and thinkers such as Foucault, Deleuze, Adorno, Barthes, Lyotard and Greenberg, Rancière argues that contemporary theorists of the image are suffering(...)
The future of the image
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In "The future of the image", Jacques Rancière develops a fascinating new concept of the image in contemporary art, showing how art and politics have always been intrinsically intertwined. Covering a range of art movements, and thinkers such as Foucault, Deleuze, Adorno, Barthes, Lyotard and Greenberg, Rancière argues that contemporary theorists of the image are suffering from religious tendencies. He suggests that there is a stark political choice in art : it can either reinforce a radical democracy, or create a new reactionary mysticism. For Rancière there is never a pure art : the aesthetic revolution will always embrace egalitarian ideals.
Critical Theory
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Architecture and environmental design are among the last professional fields to develop a sustained and nuanced discussion concerning ethics. Hemmed in by politics and powerful clients on one side and the often unscrupulous practices of the construction industry on the other, environmental designers have been traditionally reluctant to address ethical issues head on. And(...)
Architectural Theory
September 2007, Hanover and London
Architecture, ethics, and the personhood of place
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Architecture and environmental design are among the last professional fields to develop a sustained and nuanced discussion concerning ethics. Hemmed in by politics and powerful clients on one side and the often unscrupulous practices of the construction industry on the other, environmental designers have been traditionally reluctant to address ethical issues head on. And yet the rapid urbanization of the world's population continues to swell into new megacities, each less healthy, welcoming, secure, or environmentally sustainable than the next. Green, carbon-reduced, and sustainable building practices are important ways architects have recently responded to the symptoms of the crisis, but are these efforts really addressing the core issues? Taking the Din� (Navajo) "Hogan Song"�a song used to protect and nourish the personhood of newly constructed dwellings�as their inspiration, the architects, philosophers, poets, and other contemporary scholars contributing to this volume demonstrate that a deeper, more radical change in our relationship to the built world needs to occur. While offering a careful critique of modernist, corporate, or techno-enthralled design practices, these essays investigate an alternative "relational ecology" whose wisdom draws from ancient and often-marginalized voices, if not the whisperings of the earth itself.
Architectural Theory
James Marston Fitch
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Founder of the nation's first graduate program in historic preservation, at Columbia University, architect James Marston Fitch was a prolific critic, historian, preservationist, environmentalist, and philosopher. In this, the first anthology of his writings—some never before published—Fitch's ideas and observations on a range of subjects are brought to light in a single,(...)
James Marston Fitch
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Founder of the nation's first graduate program in historic preservation, at Columbia University, architect James Marston Fitch was a prolific critic, historian, preservationist, environmentalist, and philosopher. In this, the first anthology of his writings—some never before published—Fitch's ideas and observations on a range of subjects are brought to light in a single, invaluable volume. 30 illustrations.
Architectural Theory