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Politics and media are constantly dealing with the shifting definitions of facts, truth, reality, and fiction. Yet this is something the field of documentary art has been addressing for much longer. The contributions in this volume are from and about artists who explore the boundaries between fact and fiction by playing with the notion of the “documentary”. The book draws(...)
When fact is fiction: documentary art in the post-truth era
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Politics and media are constantly dealing with the shifting definitions of facts, truth, reality, and fiction. Yet this is something the field of documentary art has been addressing for much longer. The contributions in this volume are from and about artists who explore the boundaries between fact and fiction by playing with the notion of the “documentary”. The book draws from a wide range of documentary art practices, such as working with archival materials or scrutinising one’s own subjective stance as an artist. It observes how artists deploy the fine line between fact and fiction as a means to imagine versions of the future, and how it can still have an impact in the world of today.
Art Theory
Infinite suburbia
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Infinite Suburbia is the culmination of the MIT Norman B. Leventhal Center for Advanced Urbanism's yearlong study of the future of suburban development. Extensive research, an exhibition, and a conference at MIT's Media Lab, this groundbreaking collection presents fifty-two essays by seventy-four authors from twenty different fields, including, but not limited to, design,(...)
Infinite suburbia
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Infinite Suburbia is the culmination of the MIT Norman B. Leventhal Center for Advanced Urbanism's yearlong study of the future of suburban development. Extensive research, an exhibition, and a conference at MIT's Media Lab, this groundbreaking collection presents fifty-two essays by seventy-four authors from twenty different fields, including, but not limited to, design, architecture, landscape, planning, history, demographics, social justice, familial trends, policy, energy, mobility, health, environment,economics, and applied and future technologies. This exhaustive compilation is richly illustrated with a wealth of photography, aerial drone shots, drawings, plans, diagrams, charts, maps, and archival materials, making it the definitive statement on suburbia at the beginning of the twenty-first century.
Urban Theory
Révolution électronique
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Mine de propositions subversives, ce manifeste dans le plus beau style des avant-gardes fait de son titre l’étendard d’un projet d’envergure : la destruction en règle des mass media au moyen de leurs possibilités mêmes. Entre répandre de fausses nouvelles à l’aide d’enregistrements diffusés aux heures de pointe, procéder par contagion sonore – les bruits d’une émeute(...)
Révolution électronique
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Mine de propositions subversives, ce manifeste dans le plus beau style des avant-gardes fait de son titre l’étendard d’un projet d’envergure : la destruction en règle des mass media au moyen de leurs possibilités mêmes. Entre répandre de fausses nouvelles à l’aide d’enregistrements diffusés aux heures de pointe, procéder par contagion sonore – les bruits d’une émeute peuvent la stimuler dans la réalité – ou encore introduire dans le discours d’un politicien bredouillements et autres incongruités, Burroughs applique la technique du cut-up au monde sonore, arme à même de contrer cette autre arme de destruction massive, la médiatisation à outrance, moyen féroce de manipulation des consciences. Brouillons les pistes, aux sens propre et figuré.
Critical Theory
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“Craft” is a contested concept in art history and a vital category through which to understand contemporary art. Through craft, materials, techniques, and tools are investigated and their histories explored in order to reflect on the politics of labor and on the extraordinary complexity of the made world around us. This anthology offers an ethnography of craft, surveying(...)
Craft
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“Craft” is a contested concept in art history and a vital category through which to understand contemporary art. Through craft, materials, techniques, and tools are investigated and their histories explored in order to reflect on the politics of labor and on the extraordinary complexity of the made world around us. This anthology offers an ethnography of craft, surveying its shape-shifting identities in the context of progressive art and design through writings by artists and makers as well as poetry, fiction, anthropology, and sociology. It maps a secret history of craft through lost and overlooked texts that consider pedagogy, design, folk art, the factory, and new media in ways that illuminate our understanding of current art practice.
Art Theory
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Where do we come from? What are we? Where are we going? Few expressions in the culture of human thought have the iconic stature, and emotive power, that the word "evolution" entails. Though commonly relegated to modern-day science, the concept of evolution is ingrained in representations of life and nature in the visual arts, and artists and scientists have much to share(...)
Visual culture and evolution : an online symposium
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Where do we come from? What are we? Where are we going? Few expressions in the culture of human thought have the iconic stature, and emotive power, that the word "evolution" entails. Though commonly relegated to modern-day science, the concept of evolution is ingrained in representations of life and nature in the visual arts, and artists and scientists have much to share on the meaning of human origin, human existence and human fate. The present volume documents an online symposium, Visual Culture and Evolution, in which a distinguished panel of artists, curators, scientists, historians, educators, media theorists and critics participated in a lively, informative conversation on the interface of art and science.
Art Theory
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Since the 2010s, the line between public and private, online and offline have increasingly become blurred by digitalization and social media. In contemporary art, digitality has assumed a new type of presence—no longer only as a virtual sphere of sociality, but increasingly as a technological interface that structures our embodied experiences. What is presented in an(...)
Passing images: Art in the post-digital age
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Since the 2010s, the line between public and private, online and offline have increasingly become blurred by digitalization and social media. In contemporary art, digitality has assumed a new type of presence—no longer only as a virtual sphere of sociality, but increasingly as a technological interface that structures our embodied experiences. What is presented in an ''exhibitio''? And how should we write about the new types of post-digital images we are seeing (in them)? In ''Passing images: Art in the post-digital age,'' Marie France Rafael provides an attempt to write with art, rather than just about it. Rafael aims to retrace the living spirit of art and the procedural-performative experience of art in her writing.
Art Theory
The culture of diagram
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This book is about visual thinking. Exploring a terrain where words meet pictures and formulas meet figures, the book foregrounds diagrams as tools for blurring those boundaries to focus on the production of knowledge as process. It outlines a history of convergence among diverse streams of data in real-time: from eighteenth-century print media and the diagrammatic(...)
The culture of diagram
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This book is about visual thinking. Exploring a terrain where words meet pictures and formulas meet figures, the book foregrounds diagrams as tools for blurring those boundaries to focus on the production of knowledge as process. It outlines a history of convergence among diverse streams of data in real-time: from eighteenth-century print media and the diagrammatic procedures in the pages of Diderot's Encyclopedia to the paintings of Jacques-Louis David and mathematical devices that reveal the unseen worlds of quantum physics. The culture of diagram broke with the certainties of eighteenth-century science to expand the range of human experience. Speaking across disciplines and discourses, Bender and Marrinan situate our modernity in a new and revealing light.
Art Theory
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''In visible presence'' explores the photographic images' singular power to capture a fleeting moment by approaching them as points of contestation and possibility. Drawing on over a decade of fieldwork and interviews, as well as internet ethnography, media analysis, and case studies,''In visible presence'' offers a rich account of the role of family photography in(...)
In visible presence: Soviet afterlives in family photos
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''In visible presence'' explores the photographic images' singular power to capture a fleeting moment by approaching them as points of contestation and possibility. Drawing on over a decade of fieldwork and interviews, as well as internet ethnography, media analysis, and case studies,''In visible presence'' offers a rich account of the role of family photography in creating communities of affect, enabling nostalgic longings, and processing memories of suffering, violence, and hardship. Together these photos evoke youthful aspirations, dashed hopes, and moral compromises, as well as the long legacy of silence that was passed down from grandparents to parents to children.
Theory of Photography
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Beginning around 1910, vanguard artists demanded that true art go beyond the intellectual and transform daily life. This volume highlights the work of six influential European artists who took this idea into the wider world, where it merged enthusiastically with demands in the industrial marketplace, the nascent mass media, and urban popular culture.
July 2011
Avant-garde art in everyday life: early twentieth-century european modernism
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Beginning around 1910, vanguard artists demanded that true art go beyond the intellectual and transform daily life. This volume highlights the work of six influential European artists who took this idea into the wider world, where it merged enthusiastically with demands in the industrial marketplace, the nascent mass media, and urban popular culture.
For an ecology of images
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When Susan Sontag first proposed the idea of an "ecology of images," she meant it as an exhortation to be vigilant against the vast surplus of pictures threatening our ability to truly see. Today, beyond the deep anxieties over a diminishing attention economy, concern focuses on the environmental cost of storing and circulating the digital images that confront us with(...)
For an ecology of images
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When Susan Sontag first proposed the idea of an "ecology of images," she meant it as an exhortation to be vigilant against the vast surplus of pictures threatening our ability to truly see. Today, beyond the deep anxieties over a diminishing attention economy, concern focuses on the environmental cost of storing and circulating the digital images that confront us with unprecedented speed. Against the disposable rapidity demanded by digital media, Peter Szendy emphasizes the labor and time required for images to develop and come into view. This inquisitive essay takes us from mimicry in the animal kingdom to the history of the shadow, Pliny’s story about the birth of painting to Nabokov’s butterflies, the first use of slo-mo in film to the first aerial photograph.
Art Theory