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In 1973, Derek Jarman set off from London to film the stones of Avebury. He was following in the footsteps of Paul Nash, who had photographed the ancient megaliths a generation before. Standing in that muddy field, by those stones, both artists had felt a direct connection to their hero – a man who had died a long, long time ago, yet who remained electrically alive to(...)
William Blake and the sea-monsters of love
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In 1973, Derek Jarman set off from London to film the stones of Avebury. He was following in the footsteps of Paul Nash, who had photographed the ancient megaliths a generation before. Standing in that muddy field, by those stones, both artists had felt a direct connection to their hero – a man who had died a long, long time ago, yet who remained electrically alive to them. In this alluring and poetic odyssey, Philip Hoare traces the enduring legacy of William Blake and how he came to inspire so many creative lives. Reaching out of his past and into our future, Blake draws together the natural world and metaphysical realms, merging the human and the animal and the spiritual, firing up twentieth-century artists, filmmakers, poets, writers and musicians with his radical promise of absolute freedom. This stirring, deeply felt book brings us back to Blake and shows that art still has the power to create positive change.
Art Theory
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« Sur la piste minérale » nous plonge dans une enquête captivante sur la production de l'espace urbain en Asie du Sud-Est, en retraçant la filière du sable au Cambodge. À l'aide d'une ethnographie dessinée, Dolorès Bertrais nous livre une réflexion originale sur la matérialité des villes au travers de la vie d'un grain de sable. Cette enquête révèle les mécanismes cachés(...)
Sur la piste minérale : Enquête sur la filière du sable en asie du sud-est
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« Sur la piste minérale » nous plonge dans une enquête captivante sur la production de l'espace urbain en Asie du Sud-Est, en retraçant la filière du sable au Cambodge. À l'aide d'une ethnographie dessinée, Dolorès Bertrais nous livre une réflexion originale sur la matérialité des villes au travers de la vie d'un grain de sable. Cette enquête révèle les mécanismes cachés de l'extraction du sable et les jeux de pouvoir qui sous-tendent les transformations urbaines. Au-delà de sa mobilisation dans le secteur de la construction, le sable dévoile, de manière symbolique, un entrelacs de relations reliant humains et non-humains dans une toile complexe. Cet ouvrage s'appuie sur des théories croisées, du néomarxisme au néomatérialisme en passant par l'écologie politique, pour éclairer comment l'extractivisme capitaliste façonne les villes et exacerbe les inégalités socioenvironnementales.
Urban Theory
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How a form of multifamily housing with idealistic roots became a ubiquitous model promoted by both public entities and private developers. Eminent historian Joshua Freeman rescues garden apartments—typically low-rise multifamily residences that enclose or are surrounded by landscaped gardens—from their invisibility in the American landscape. He details their outsized(...)
Garden apartments: The history of a low-rent utopia
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How a form of multifamily housing with idealistic roots became a ubiquitous model promoted by both public entities and private developers. Eminent historian Joshua Freeman rescues garden apartments—typically low-rise multifamily residences that enclose or are surrounded by landscaped gardens—from their invisibility in the American landscape. He details their outsized influence on housing policy and social policy as they helped upgrade living standards for working people. Inspired by the architectural innovations and socialist politics of British garden cities, Red Vienna, and German modernist housing in the 1920s, these large, centrally managed projects were mostly not public housing, but their capitalist developers worked with governments to keep down rents. The results were often relatively small apartments and large communal spaces, aimed at fostering actual American community.
Urban Theory
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Catastrophes, bombed-out cities, large-scale political transformations: “Image complexes” of humanitarian and ecological upheaval document the world as a sequence of catastrophes. But who decides how events are presented, determines the resolution of our visual worlds, and controls the circulation or censorship of images? Eyal and Ines Weizman trace the history of the(...)
Before & After: The architecture of disaster
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Catastrophes, bombed-out cities, large-scale political transformations: “Image complexes” of humanitarian and ecological upheaval document the world as a sequence of catastrophes. But who decides how events are presented, determines the resolution of our visual worlds, and controls the circulation or censorship of images? Eyal and Ines Weizman trace the history of the before-and-after image from nineteenth-century photography to contemporary satellite images and discover a gap that not only conceals the devastating event: it is the human subject itself that is in danger of disappearing from the images. Does humanitarian work, the documentation and reconstruction of war crimes, in which people’s fates and rights should be at the center of attention, paradoxically enter a post-human phase? How can the gap between images become a site of critical counter-reading rather than a symbol of erasure? In the context of their current research, Eyal and Ines Weizman discuss the history, present, and future of the paradigm of the before-and-after image in an exclusive conversation with Marie Glassl.
Architectural Theory
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Featuring a redesigned cover, ''Home Made Russia'' compiles over 220 artefacts of Soviet culture, each accompanied by a photograph of the creator, their story of how the object came about, its function and the materials used to create it.The Vladimir Arkhipov collection includes hundreds of objects created with often idiosyncratic functional qualities, made for use both(...)
Home Made Russia: Post-Soviet Folk Artefacts
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Featuring a redesigned cover, ''Home Made Russia'' compiles over 220 artefacts of Soviet culture, each accompanied by a photograph of the creator, their story of how the object came about, its function and the materials used to create it.The Vladimir Arkhipov collection includes hundreds of objects created with often idiosyncratic functional qualities, made for use both inside and outside the home, such as a tiny bathtub plug carefully fashioned from a boot heel; a back massager made from an old wooden abacus; a road sign used as a street cleaner’s shovel; and a doormat made from beer bottle tops. ''Home Made Russia'' presents a unique picture of a critical period of transition, as the Soviet regime crumbled but was yet to be replaced with a new system. Each of these objects is a window, not only into the life of its creator, but also the situation of the country at this time. Shortages in stores were commonplace, while wages might be paid in goods, or simply not paid at all. These exceptional circumstances lent themselves to a singular type of ingenuity, respectfully documented in intimate detail by Vladimir Arkhipov.
Art Theory
Baldness and modernism
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The original bald and unconvincing narrative that triggered this book is that put about by Alison and Peter Smithson in their 1981 Heroic Period of Modern Architecture, limiting modernism to 1915–1929. This fiction is re-contextualized with studies of iconic Bauhaus bald heads – Schlemmer, Itten, etc., such Literal Baldness is the subject of Part 1. Part 2 of Phenomenal(...)
Baldness and modernism
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The original bald and unconvincing narrative that triggered this book is that put about by Alison and Peter Smithson in their 1981 Heroic Period of Modern Architecture, limiting modernism to 1915–1929. This fiction is re-contextualized with studies of iconic Bauhaus bald heads – Schlemmer, Itten, etc., such Literal Baldness is the subject of Part 1. Part 2 of Phenomenal Baldness unwinds the Bauhaus narrative put about by Walter Gropius, one that has held water for 100 years. Spin doctor Gropius manipulated his Bauhaus successes into a cornerstone of post WW2 modernism. Cracks in this story are now emerging along with the fact that Gropius was in hindsight, not a very good architect. Attacks on the Bauhaus like those by Rudolph Schwartz or Tom Wolf as well as a comprehensive list of Gropius hand-holders, and those edited out of his narrative are here explored. To conclude Gropius is compared to his contemporary Bruno Taut, a far more interesting and talented architect. This book like Peter Wilson’s previous "Bedtime Stories for Architects" or "Some Reasons for Traveling to Italy" is written in his unique anecdotal style, savoring Shandyisms and the quirks of history.
Architectural Theory
Archigram: The magazine
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Inspired by comic-book culture, Pop art, psychedelia, the space race, sci-fi, Constructivism and Buckminster Fuller, the hugely influential British collective Archigram was the epitome of 1960s avant-garde architecture. Their self-published, lo-fi but materially ingenious magazine Archigram, begun in 1961, announced their ideas for such visionary concepts as "Walking(...)
Archigram: The magazine
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Inspired by comic-book culture, Pop art, psychedelia, the space race, sci-fi, Constructivism and Buckminster Fuller, the hugely influential British collective Archigram was the epitome of 1960s avant-garde architecture. Their self-published, lo-fi but materially ingenious magazine Archigram, begun in 1961, announced their ideas for such visionary concepts as "Walking City," "Plug-In City" and "Instant City." It also served to connect the international avant-garde of the 1960s. Archigram forged links with the Metabolists in Japan, Frei Otto, Utopie and Haus-Rucker-Co in Europe, and Buckminster Fuller in the US. They were also championed by critics such as Charles Jencks and Reyner Banham, who brought Archigram's famous fourth pop-up issue to the US in 1966. Today "Archigram" is one of the rarest major small-press publications of the 1960s, with individual issues selling for a minimum of $600.
Architectural Theory
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"Three economies of transcendence" offers a sharp critique of how transcendence underpins the symbolic, economic, and environmental crises of the modern world. Andrea Righi identifies three distinct “economies of transcendence” that sustain neoliberal systems of power. Termed the economy of rank, the economy of infinite valorization, and the phallic economy of time, these(...)
Three economies of transcendence
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"Three economies of transcendence" offers a sharp critique of how transcendence underpins the symbolic, economic, and environmental crises of the modern world. Andrea Righi identifies three distinct “economies of transcendence” that sustain neoliberal systems of power. Termed the economy of rank, the economy of infinite valorization, and the phallic economy of time, these economies perpetuate hierarchies, sacrifices, and ecological destruction. Through this framework, Righi not only diagnoses the crisis but also proposes an immanent model of economy that fosters solidarity and is expressly pro-social and ecologically responsible.
Critical Theory
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For centuries, monuments have telegraphed the values and origin myths of dominant culture in public space and on massive scale. They have signaled both who is part of a culture and who is not, often overlooking histories that complicate the stories they tell. Yet in the last 50 years in the United States, the role of monuments has changed significantly. Numerous(...)
Monumental: How a new generation of artists is shaping the memorial landscape
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For centuries, monuments have telegraphed the values and origin myths of dominant culture in public space and on massive scale. They have signaled both who is part of a culture and who is not, often overlooking histories that complicate the stories they tell. Yet in the last 50 years in the United States, the role of monuments has changed significantly. Numerous historical monuments have been removed or toppled, bringing to the fore a long-repressed conversation about the relationship between the monumental landscape and national identity. In Monumental, Cat Dawson takes up the social, political, and art historical causes and ramifications of this important shift. Examining the conditions that have led to and define this new era, Dawson reveals that these interventions are as indebted to the monumental tradition as they are to representational strategies that grew out of twentieth-century social justice efforts, from the Civil Rights movement to queer organizing during the AIDS crisis.
Art Theory
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This is the fifth book in the annual series A Series of Open Questions published by CCA Wattis Institute for Contemporary Arts and Sternberg Press. Each book includes newly commissioned writing as well a selection of perspectives, images, and references related to the Wattis’s year-long research seasons dedicated to single artists. This volume is informed by themes found(...)
Does the sun have a translucent shell? AnickaYi
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This is the fifth book in the annual series A Series of Open Questions published by CCA Wattis Institute for Contemporary Arts and Sternberg Press. Each book includes newly commissioned writing as well a selection of perspectives, images, and references related to the Wattis’s year-long research seasons dedicated to single artists. This volume is informed by themes found in the work of Anicka Yi, such as AI, umwelt, scent and taste, the anthropocene, decay and rot, the animal world, feminism, and Asian American experiences. Contributions include a cocktail recipe by Pierre Huyghe, an academic essay on psychedelic mushrooms in Native American culture, and a short story by Argentinian author Julio Cortázar, along with photographs and drawings relating to the themes. Through an eclectic range of international voices, the book encompasses many mediums in an attempt to address some of the most pressing issues of our time. Includes a fold out insert with drawings by Anicka Yi.
Art Theory