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What happens when an entire modern state's material culture becomes abruptly obsolete? How do ordinary people encounter what remains? In this ethnography, Jonathan Bach examines the afterlife of East Germany following the fall of the Berlin Wall, as things and places from that vanished socialist past continue to circulate and shape the politics of memory.
What remains: everyday encounters with the socialist past in Germany
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What happens when an entire modern state's material culture becomes abruptly obsolete? How do ordinary people encounter what remains? In this ethnography, Jonathan Bach examines the afterlife of East Germany following the fall of the Berlin Wall, as things and places from that vanished socialist past continue to circulate and shape the politics of memory.
Architectural Theory
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Rolf Mühlethaler is an award-winning Swiss architect whose approach is characterized by a comprehensive analysis of local and historical contexts in combination with a deep conceptual understanding of structural elements, symmetry, simplicity, and repetition. Drawing on more than thirty years of experience—twenty with his own Bern-based firm, Rolf Mühlethaler Architekt—he(...)
Fragile order: Rölf Mühlethaler
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Rolf Mühlethaler is an award-winning Swiss architect whose approach is characterized by a comprehensive analysis of local and historical contexts in combination with a deep conceptual understanding of structural elements, symmetry, simplicity, and repetition. Drawing on more than thirty years of experience—twenty with his own Bern-based firm, Rolf Mühlethaler Architekt—he carefully designs and crafts his buildings with an eye toward balancing these concerns, or creating a fragile order. Published to accompany a major exhibition at Architekturgalerie Luzern, Fragile Order—Rolf Mühlethaler presents the first comprehensive English-language look at Mühlethaler’s complete body of work. The architect has realized projects for both publics and private clients, including single- and multi-family residences, schools, studios, and office spaces, as well as conversions of historic industrial buildings. Richly illustrated throughout with photographs that capture all stages of the process, from design sketches to completed projects, Fragile Order—Rolf Mühlethaler will be of interest to architects, as well as structural and building engineers.
Architecture Monographs
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In 1978, Zofia Rydet (1911–97) began work on a monumental project that would come to be known as her ''Sociological Record'': photographing the people of Poland at their homes, she produced an extraordinary archive of around twenty thousand negatives. The undertaking consumed Rydet so completely that she was never able to give it final shape through a book or an art show.(...)
Object lessons: Zofia Rydet's 'Sociological record'
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In 1978, Zofia Rydet (1911–97) began work on a monumental project that would come to be known as her ''Sociological Record'': photographing the people of Poland at their homes, she produced an extraordinary archive of around twenty thousand negatives. The undertaking consumed Rydet so completely that she was never able to give it final shape through a book or an art show. ''Object Lessons'', a new volume of essays inspired by an exhibition at the Museum of Modern Art in Warsaw, helps to dispel the myths that have formed around the project in recent years and introduces the photographer to a new global audience. Rydet herself remained unresolved over the question of how to define her work, leaving the viewer to ponder whether her magnum opus is a piece of art or science. What does remain undisputed is that ''Sociological Record'' is a striking testimony of its time.
Theory of Photography
La boîte de nuit
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Poursuivant sa réflexion autour des lieux dédiés aux divertissements – après l’exposition Landskating, les lieux du skate à travers le monde, présentée l’année dernière –, la villa Noailles consacre, en 2017, son exposition annuelle d’architecture aux discothèques. Par une sélection de projets des années 1960 à nos jours, l’exposition propose de saisir les outils(...)
La boîte de nuit
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Poursuivant sa réflexion autour des lieux dédiés aux divertissements – après l’exposition Landskating, les lieux du skate à travers le monde, présentée l’année dernière –, la villa Noailles consacre, en 2017, son exposition annuelle d’architecture aux discothèques. Par une sélection de projets des années 1960 à nos jours, l’exposition propose de saisir les outils architecturaux mis en jeu dans la conception de ces lieux d’émancipation. La discothèque est un territoire d’expérimentation pour les architectes : par des dispositifs technologiques et formels, ils y élaborent un monde artificiel, à l’ambiance maîtrisée, isolé de l’extérieur. Aux côtés de l’analyse d’un ensemble de projets français et étrangers, une commande est passée à l’architecte Nicolas Dorval-Bory pour la création d’une discothèque au sein de la villa Noailles elle-même. Ouverte le temps de l’exposition, cette “boite de nuit” éphémère met à jour et propose d’éprouver in vivo le propos de l’exposition. L’exposition rassemble des documents rares et parfois inédits, (plans, maquettes, photographies, sculptures, oeuvres graphiques, films) ainsi que des séries photographiques et des recherches de contributeurs invités.
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Catalogue de l'expostition "La Batterie, Dancing, Pierre Barbe, 1933", Villa Noailles.
Pierre Barbe : architecte, Dancing La Batterie, 1933, Roquebrune-sur-Argens Les issambres
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Catalogue de l'expostition "La Batterie, Dancing, Pierre Barbe, 1933", Villa Noailles.
Architecture Monographs
Sara A. Tremblay : Själsö
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Enveloppé par les marées et les vents de la mer Baltique, le livre Själsö de l'artiste Sara A.Tremblay se présente comme un univers insulaire marqué par les mouvements des gens, des animaux et des éléments. Réalisées lors d'un séjour de 88 jours sur l'île de Gotland en Suède, les photographies qui composent ce livre font état d'un quotidien où le temps sert à observer les(...)
Sara A. Tremblay : Själsö
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Enveloppé par les marées et les vents de la mer Baltique, le livre Själsö de l'artiste Sara A.Tremblay se présente comme un univers insulaire marqué par les mouvements des gens, des animaux et des éléments. Réalisées lors d'un séjour de 88 jours sur l'île de Gotland en Suède, les photographies qui composent ce livre font état d'un quotidien où le temps sert à observer les forces tranquilles de la nature, au travers desquelles s'esquissent des présences éthérées. Själsö, village hôte qui a prêté son nom au livre, se décline par les mots själ (âme) et ö (île), comme quoi l'île amène à chercher dans le réel des traces de ce qui ne se voit pas.
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"Village" is Swedish artists Klara Källström and Thobias Fäldt's look at the ambiguous links between Quebec, Canadian, and First Nations cultures. The book presents a series of photographs taken along the artists' multiple peregrinations in Quebec and Ontario, from Gaspé to Toronto, by way of Chicoutimi and Quebec City, as Källström and Fäldt approach the different(...)
March 2015
Klara Källström et Thobias Fäldt : village
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"Village" is Swedish artists Klara Källström and Thobias Fäldt's look at the ambiguous links between Quebec, Canadian, and First Nations cultures. The book presents a series of photographs taken along the artists' multiple peregrinations in Quebec and Ontario, from Gaspé to Toronto, by way of Chicoutimi and Quebec City, as Källström and Fäldt approach the different cultural, linguistic and political realities of these places with humour and criticality. "Village" présente le regard des artistes suédois Klara Källström et Thobias Fäldt sur les liens ambigus entre les cultures québécoise, canadienne et autochtones. Le livre présente une série de photographies issues de leurs multiples pérégrinations au Québec et en Ontario, de Gaspé à Toronto en passant par Chicoutimi et Québec. Les artistes y abordent avec humour, mais non sans esprit critique, les strates des différentes réalités culturelles, linguistiques et politiques de ces lieux
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In 1965, leading Swiss furniture company USM patented its signature modular furniture system, USM Haller. This flexible storage solution for both home and office was inspired by Fritz Haller’s modular architecture and designed for infinite reuse and reconfiguration. Considered a design classic, USM Haller is included in the collections of major museums including MoMA and(...)
Rethinking the modular: adaptable systems in architecture and design
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In 1965, leading Swiss furniture company USM patented its signature modular furniture system, USM Haller. This flexible storage solution for both home and office was inspired by Fritz Haller’s modular architecture and designed for infinite reuse and reconfiguration. Considered a design classic, USM Haller is included in the collections of major museums including MoMA and the Cooper-Hewitt National Design Museum. Released as part of USM’s fiftieth-anniversary celebration of this iconic furniture design, Rethink the Modular examines the role of unit-based systems in the wider context of architecture and design. It combines previously published writings, specially commissioned essays from thinkers and innovators John Thackara and Rick Poyner, and interviews with leading figures in the design world that explain how the concept of the modular influences their work. Interspersed with visual material, the texts reveal the many possibilities created by balancing structure with flexibility, and seek to redefine the place of modularity in modern design history.
Industrial Design
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What began in 1986 as a small circle of fans of constructive-concrete art has today grown into the Museum Haus Konstruktiv in Zurich, boasting a collection of 900 works.
Thinking outside the box: the Museum Haus Konstruktiv collection
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What began in 1986 as a small circle of fans of constructive-concrete art has today grown into the Museum Haus Konstruktiv in Zurich, boasting a collection of 900 works.
Museums and Universal Exhibitions
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During the terrorist attacks on Paris in November 2015, photographer Paul Graham took refuge in an apartment in the city with his partner and young child. In response to the suffocating tension on the city's streets, he made this series. Looking at the images you would never know of the traumatic events unfolding outside, but suffusing the photographs is an inscrutable(...)
Paul Graham: Paris 11-15th, November 2015
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During the terrorist attacks on Paris in November 2015, photographer Paul Graham took refuge in an apartment in the city with his partner and young child. In response to the suffocating tension on the city's streets, he made this series. Looking at the images you would never know of the traumatic events unfolding outside, but suffusing the photographs is an inscrutable longing for the safe, the everyday, the known.
Photography monographs