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$67.98
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Founded by architect Walter Gropius (1883–1969) in 1919, the Bauhaus was the 20th century’s most influential school of art, architecture, and design. After the school was shuttered under pressure from the Nazis in 1933, many Bauhaus artists brought their innovative practices and teaching methods to the United States. Gropius himself accepted a position at Harvard, where(...)
$67.98
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Founded by architect Walter Gropius (1883–1969) in 1919, the Bauhaus was the 20th century’s most influential school of art, architecture, and design. After the school was shuttered under pressure from the Nazis in 1933, many Bauhaus artists brought their innovative practices and teaching methods to the United States. Gropius himself accepted a position at Harvard, where(...)
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Object lessons: the Bauhaus and Harvard
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Founded by architect Walter Gropius (1883–1969) in 1919, the Bauhaus was the 20th century’s most influential school of art, architecture, and design. After the school was shuttered under pressure from the Nazis in 1933, many Bauhaus artists brought their innovative practices and teaching methods to the United States. Gropius himself accepted a position at Harvard, where he would help establish a collection of Bauhaus material that has since grown to more than 30,000 objects—the largest such collection outside Germany. Harvard in turn became an unofficial center for the Bauhaus in America. Written by established and emerging voices in the field, the scholarship presented here expands on the special link between the two institutions, while highlighting understudied aspects of the Bauhaus, such as weaving, photography, and art made by women. Accompanied by illustrations—some of never-before-published objects—this book yields fascinating insights for Bauhaus devotees and design aficionados.
Object lessons: the Bauhaus and Harvard
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Founded by architect Walter Gropius (1883–1969) in 1919, the Bauhaus was the 20th century’s most influential school of art, architecture, and design. After the school was shuttered under pressure from the Nazis in 1933, many Bauhaus artists brought their innovative practices and teaching methods to the United States. Gropius himself accepted a position at Harvard, where he would help establish a collection of Bauhaus material that has since grown to more than 30,000 objects—the largest such collection outside Germany. Harvard in turn became an unofficial center for the Bauhaus in America. Written by established and emerging voices in the field, the scholarship presented here expands on the special link between the two institutions, while highlighting understudied aspects of the Bauhaus, such as weaving, photography, and art made by women. Accompanied by illustrations—some of never-before-published objects—this book yields fascinating insights for Bauhaus devotees and design aficionados.
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books
books
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September 2020
September 2020
Subject:
Architectural Theory
Architectural Theory
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39 pages, 26 unnumbered pages of plates : illustrations (some color), portrait ; 24 cm + 1 supplement (4 unnumbered pages ; 23 x 18 cm)
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39 pages, 26 unnumbered pages of plates : illustrations (some color), portrait ; 24 cm + 1 supplement (4 unnumbered pages ; 23 x 18 cm)
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Zurich : Lars Müller Publishers, [2020], ©2020
Zurich : Lars Müller Publishers, [2020], ©2020
Title:
Principles of neo-plastic art / Theo van Doesburg ; translation by Sarah Trenker.
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39 pages, 26 unnumbered pages of plates : illustrations (some color), portrait ; 24 cm + 1 supplement (4 unnumbered pages ; 23 x 18 cm)
Principles of neo-plastic art / Theo van Doesburg ; translation by Sarah Trenker.
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39 pages, 26 unnumbered pages of plates : illustrations (some color), portrait ; 24 cm + 1 supplement (4 unnumbered pages ; 23 x 18 cm)
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books
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Zurich : Lars Müller Publishers, [2020], ©2020
Zurich : Lars Müller Publishers, [2020], ©2020
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Naef design.
Naef design.
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101 pages : illustrations (chiefly color), portrait ; 25 cm
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101 pages : illustrations (chiefly color), portrait ; 25 cm
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Osaki-shi, Japan : Amus Arts Press, 2000.
Osaki-shi, Japan : Amus Arts Press, 2000.
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Naef design.
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101 pages : illustrations (chiefly color), portrait ; 25 cm
Naef design.
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101 pages : illustrations (chiefly color), portrait ; 25 cm
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Osaki-shi, Japan : Amus Arts Press, 2000.
Osaki-shi, Japan : Amus Arts Press, 2000.
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$89.95
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Scarcely any other movement in architecture and design had such a lasting impact as the Bauhaus; indeed, for many it is synonymous with classic modernism. On the occasion of the institution’s 90th birthday this book traces the themes and the aesthetics of Bauhaus for our time. It shows twelve of the most important works of Bauhaus architecture from 1923-1930 and(...)
$89.95
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Scarcely any other movement in architecture and design had such a lasting impact as the Bauhaus; indeed, for many it is synonymous with classic modernism. On the occasion of the institution’s 90th birthday this book traces the themes and the aesthetics of Bauhaus for our time. It shows twelve of the most important works of Bauhaus architecture from 1923-1930 and(...)
Title:
Bauhaus, twenty-21, an ongoing legacy
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Scarcely any other movement in architecture and design had such a lasting impact as the Bauhaus; indeed, for many it is synonymous with classic modernism. On the occasion of the institution’s 90th birthday this book traces the themes and the aesthetics of Bauhaus for our time. It shows twelve of the most important works of Bauhaus architecture from 1923-1930 and juxtaposes them with contemporary projects. The sensitive and careful photography by Gordon Watkinson conceptual connections between the classic and the new buildings and thus demonstrate the strong influence that the Bauhaus still exerts today.
Bauhaus, twenty-21, an ongoing legacy
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$89.95
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Summary:
Scarcely any other movement in architecture and design had such a lasting impact as the Bauhaus; indeed, for many it is synonymous with classic modernism. On the occasion of the institution’s 90th birthday this book traces the themes and the aesthetics of Bauhaus for our time. It shows twelve of the most important works of Bauhaus architecture from 1923-1930 and juxtaposes them with contemporary projects. The sensitive and careful photography by Gordon Watkinson conceptual connections between the classic and the new buildings and thus demonstrate the strong influence that the Bauhaus still exerts today.
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books
books
Publication:
July 2009
July 2009
Subject:
Modernism
Modernism
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books
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$45.95
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This lively and authoritative book explores the influence of the Bauhaus and modernism on typography and book design. Alan Bartram examines work by such key figures as Max Bill, F. T. Marinetti, El Lissitzky, László Moholy-Nagy, Jan Tschichold, and Paul Rand. All of the carefully chosen examples, some of which have not been previously reproduced, clearly demonstrate the(...)
$45.95
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Summary:
This lively and authoritative book explores the influence of the Bauhaus and modernism on typography and book design. Alan Bartram examines work by such key figures as Max Bill, F. T. Marinetti, El Lissitzky, László Moholy-Nagy, Jan Tschichold, and Paul Rand. All of the carefully chosen examples, some of which have not been previously reproduced, clearly demonstrate the(...)
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Bauhaus, modernism & the illustrated book
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This lively and authoritative book explores the influence of the Bauhaus and modernism on typography and book design. Alan Bartram examines work by such key figures as Max Bill, F. T. Marinetti, El Lissitzky, László Moholy-Nagy, Jan Tschichold, and Paul Rand. All of the carefully chosen examples, some of which have not been previously reproduced, clearly demonstrate the modernist revolution that took place in graphic design. In an informative introductory essay, Bartram surveys the German art and design school known as the Bauhaus. Under Walter Gropius, the Bauhaus intended to create an academic, theoretical, and practical synthesis of all forms of visual expression, a marrying of art, architecture, industry, and design that had never been attempted before. Although the Bauhaus existed for only fourteen years, from 1920 to 1934, Bartram asserts that its philosophy influenced the appearance of almost every kind of modernist artifact throughout the twentieth century and continues to do so today.
Bauhaus, modernism & the illustrated book
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$45.95
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This lively and authoritative book explores the influence of the Bauhaus and modernism on typography and book design. Alan Bartram examines work by such key figures as Max Bill, F. T. Marinetti, El Lissitzky, László Moholy-Nagy, Jan Tschichold, and Paul Rand. All of the carefully chosen examples, some of which have not been previously reproduced, clearly demonstrate the modernist revolution that took place in graphic design. In an informative introductory essay, Bartram surveys the German art and design school known as the Bauhaus. Under Walter Gropius, the Bauhaus intended to create an academic, theoretical, and practical synthesis of all forms of visual expression, a marrying of art, architecture, industry, and design that had never been attempted before. Although the Bauhaus existed for only fourteen years, from 1920 to 1934, Bartram asserts that its philosophy influenced the appearance of almost every kind of modernist artifact throughout the twentieth century and continues to do so today.
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books
books
Publication:
April 2004, London
April 2004, London
Subject:
Book Design
Book Design
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books
books
Title:
Walter Gropius et le Bauhaus
Walter Gropius et le Bauhaus
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$34.95
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Fondateur et premier directeur de l’école du Bauhaus de 1919 à 1928, Walter Gropius fut un théoricien en même temps qu’un des meilleurs architectes modernes. Argan analyse l’oeuvre et, plus largement, la pensée de Gropius. Pour lui, la spécificité du Bauhaus tient à ce qu’il reflète la crise de la société allemande de l’entre-deux-guerres (et de toute la culture moderne)(...)
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Fondateur et premier directeur de l’école du Bauhaus de 1919 à 1928, Walter Gropius fut un théoricien en même temps qu’un des meilleurs architectes modernes. Argan analyse l’oeuvre et, plus largement, la pensée de Gropius. Pour lui, la spécificité du Bauhaus tient à ce qu’il reflète la crise de la société allemande de l’entre-deux-guerres (et de toute la culture moderne)(...)
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Walter Gropius et le Bauhaus
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Fondateur et premier directeur de l’école du Bauhaus de 1919 à 1928, Walter Gropius fut un théoricien en même temps qu’un des meilleurs architectes modernes. Argan analyse l’oeuvre et, plus largement, la pensée de Gropius. Pour lui, la spécificité du Bauhaus tient à ce qu’il reflète la crise de la société allemande de l’entre-deux-guerres (et de toute la culture moderne) tout en se proposant comme un instrument de réforme artistique visant à créer un modèle social différent. Le caractère emblématique que la personnalité et l’oeuvre de Gropius prennent à travers les mots enthousiasmants de Argan naît de ce que design industriel, architecture et urbanisme sont unis et traversés par une même valeur civique. Plus d’un siècle après sa parution, cette puissante idée raisonne encore.
Walter Gropius et le Bauhaus
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Fondateur et premier directeur de l’école du Bauhaus de 1919 à 1928, Walter Gropius fut un théoricien en même temps qu’un des meilleurs architectes modernes. Argan analyse l’oeuvre et, plus largement, la pensée de Gropius. Pour lui, la spécificité du Bauhaus tient à ce qu’il reflète la crise de la société allemande de l’entre-deux-guerres (et de toute la culture moderne) tout en se proposant comme un instrument de réforme artistique visant à créer un modèle social différent. Le caractère emblématique que la personnalité et l’oeuvre de Gropius prennent à travers les mots enthousiasmants de Argan naît de ce que design industriel, architecture et urbanisme sont unis et traversés par une même valeur civique. Plus d’un siècle après sa parution, cette puissante idée raisonne encore.
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books
books
Publication:
December 2015
December 2015
Subject:
Modernism
Modernism
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243 pages : illustrations (some color) ; 24 cm
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243 pages : illustrations (some color) ; 24 cm
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Berlin : Baushaus-Archiv : Kupfergraben Verlagsgesellschaft, 1993.
Berlin : Baushaus-Archiv : Kupfergraben Verlagsgesellschaft, 1993.
Title:
Wils Ebert : ein Bauhausschüler, 1909-1979 : die Arbeit eines Architekten und Städtebauers / Sonja Günther ; mit Beiträgen von Annemarie Lancelle, Günther Kühne und Christian Wolsdorff.
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243 pages : illustrations (some color) ; 24 cm
Wils Ebert : ein Bauhausschüler, 1909-1979 : die Arbeit eines Architekten und Städtebauers / Sonja Günther ; mit Beiträgen von Annemarie Lancelle, Günther Kühne und Christian Wolsdorff.
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243 pages : illustrations (some color) ; 24 cm
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books
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Berlin : Baushaus-Archiv : Kupfergraben Verlagsgesellschaft, 1993.
Berlin : Baushaus-Archiv : Kupfergraben Verlagsgesellschaft, 1993.
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Title:
Gunta Stölzl, bauhaus master
Gunta Stölzl, bauhaus master
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$48.00
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Gunta Stolzl (1897-1983) was the only woman to teach at the Bauhaus, the twentieth century's most important school of design, architecture and art. A pioneer in textile design, Stolzl was head of the weaving workshop, and during her tenure there transformed it into a flourishing, productive enterprise. This volume illustrates manies works by the artist, accompanied by(...)
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Gunta Stolzl (1897-1983) was the only woman to teach at the Bauhaus, the twentieth century's most important school of design, architecture and art. A pioneer in textile design, Stolzl was head of the weaving workshop, and during her tenure there transformed it into a flourishing, productive enterprise. This volume illustrates manies works by the artist, accompanied by(...)
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Gunta Stölzl, bauhaus master
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Gunta Stolzl (1897-1983) was the only woman to teach at the Bauhaus, the twentieth century's most important school of design, architecture and art. A pioneer in textile design, Stolzl was head of the weaving workshop, and during her tenure there transformed it into a flourishing, productive enterprise. This volume illustrates manies works by the artist, accompanied by excerpts drawn from her journals, letters and articles, some of which are published here for the first time.
Gunta Stölzl, bauhaus master
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$48.00
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Gunta Stolzl (1897-1983) was the only woman to teach at the Bauhaus, the twentieth century's most important school of design, architecture and art. A pioneer in textile design, Stolzl was head of the weaving workshop, and during her tenure there transformed it into a flourishing, productive enterprise. This volume illustrates manies works by the artist, accompanied by excerpts drawn from her journals, letters and articles, some of which are published here for the first time.
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books
books
Publication:
July 2009
July 2009
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
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67 S. Ill., graph. Darst. 21 cm
Description:
67 S. Ill., graph. Darst. 21 cm
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Weimar VDG 2002
Weimar VDG 2002
Title:
Baudenkmal Bundesschule Bernau die Bau- und Nutzungsgeschichte ; der Verein zu dessen Bewahrung hrsg. vom Verein zur Bewahrung des Hannes-Meyer-Baus Gewerkschaftliche Bundesschule in Bernau - Baudenkmal Bundesschule Bernau e.V.
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67 S. Ill., graph. Darst. 21 cm
Baudenkmal Bundesschule Bernau die Bau- und Nutzungsgeschichte ; der Verein zu dessen Bewahrung hrsg. vom Verein zur Bewahrung des Hannes-Meyer-Baus Gewerkschaftliche Bundesschule in Bernau - Baudenkmal Bundesschule Bernau e.V.
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67 S. Ill., graph. Darst. 21 cm
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books
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Weimar VDG 2002
Weimar VDG 2002
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audio
audio
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1 online resource.
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[Place of publication not identified] : Scratching the Surface, 2022.
[Place of publication not identified] : Scratching the Surface, 2022.
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audio
audio
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[Place of publication not identified] : Scratching the Surface, 2022.
[Place of publication not identified] : Scratching the Surface, 2022.
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