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118 pages : color illustrations ; 27 cm
Paris : Réunion des musées nationaux, 2010.
Paris ville rayonnante : Musée de Cluny - Musée National du Moyen Âge, 10 février-24 mai 2010 / Musée de Cluny ; [commissaires de l'exposition] Meredith Cohen, Xavier Dectot.
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118 pages : color illustrations ; 27 cm
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Paris : Réunion des musées nationaux, 2010.
books
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xii, 463 pages : illustrations (some color), maps, plans ; 25 cm.
Leiden ; Boston : Brill, [2016], ©2016
Architecture, power and religion in Lebanon : Rafiq Hariri and the politics of sacred space in Beirut / by Ward Vloeberghs.
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xii, 463 pages : illustrations (some color), maps, plans ; 25 cm.
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Leiden ; Boston : Brill, [2016], ©2016
books
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4 preliminary leaves, 228 pages phot. 23 cm
London, A.W. Bennett, 1862.
Ruined abbeys and castles of Great Britain. By William and Mary Howitt. The photographic illustrations by Bedford, Sedgfield, Wilson, Fenton, and others.
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4 preliminary leaves, 228 pages phot. 23 cm
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London, A.W. Bennett, 1862.
books
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63 pages : illustrations ; 17 cm
Bristol : Arnolfini ; Zurich : JRP Ringier Kunstverlag, ©2008.
Celebration at Persepolis / by Michael Stevenson.
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63 pages : illustrations ; 17 cm
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Bristol : Arnolfini ; Zurich : JRP Ringier Kunstverlag, ©2008.
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Originally designed in the 1930s by renowned architect, Sir Giles Gilbert Scott, the Grade II* Listed Power Station’s thirty-year neglect had created a modern ruin. It was in a critical state of disrepair when it was purchased in 2012 by an ambitious consortium of Malaysian investors who entrusted architects WilkinsonEyre with the design of its repair and regeneration.(...)
Battersea Power Station: The architectural rebirth of a romantic ruin
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Originally designed in the 1930s by renowned architect, Sir Giles Gilbert Scott, the Grade II* Listed Power Station’s thirty-year neglect had created a modern ruin. It was in a critical state of disrepair when it was purchased in 2012 by an ambitious consortium of Malaysian investors who entrusted architects WilkinsonEyre with the design of its repair and regeneration. "Battersea Power Station - The architectural rebirth of a romantic ruin" charts the practice’s journey and processes to transform the building - one of the largest brick structures in the world and one of the UK’s most recognizable landmarks - from twentieth century industrial relic to the sustainable heart of a thriving new London district.
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After the Holocaust, the empty, silent spaces of bombed-out synagogues, cemeteries, and Jewish districts were all that was left of Jewish life in many German and Polish cities. What happened to this scarred landscape after the war, and how Germans, Poles, and Jews encountered these ruins over the past sixty years, is the story this book tells.
Shattered spaces: encountering Jewish ruins in postwar Germany and Polland
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After the Holocaust, the empty, silent spaces of bombed-out synagogues, cemeteries, and Jewish districts were all that was left of Jewish life in many German and Polish cities. What happened to this scarred landscape after the war, and how Germans, Poles, and Jews encountered these ruins over the past sixty years, is the story this book tells.
History since 1900, Reference Books
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American ruins have become increasingly prominent, whether in discussions of “urban blight” and home foreclosures, in commemorations of 9/11, or in postapocalyptic movies. In this book, Nick Yablon argues that the association between American cities and ruins dates back to a much earlier period in the nation’s history. Recovering numerous scenes of urban desolation—from(...)
Untimely ruins : an archaeology of American urban modernity, 1819-1919
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American ruins have become increasingly prominent, whether in discussions of “urban blight” and home foreclosures, in commemorations of 9/11, or in postapocalyptic movies. In this book, Nick Yablon argues that the association between American cities and ruins dates back to a much earlier period in the nation’s history. Recovering numerous scenes of urban desolation—from failed banks, abandoned towns, and dilapidated tenements to the crumbling skyscrapers and bridges envisioned in science fiction and cartoons—this publication challenges the myth that ruins were absent or insignificant objects in nineteenth-century America. The first book to document an American cult of the ruin, it traces its deviations as well as derivations from European conventions. Unlike classical and Gothic ruins, which decayed gracefully over centuries and inspired philosophical meditations about the fate of civilizations, America’s ruins were often “untimely,” appearing unpredictably and disappearing before they could accrue an aura of age. As modern ruins of steel and iron, they stimulated critical reflections about contemporary cities, and the unfamiliar kinds of experience they enabled. Unearthing evocative sources everywhere from the archives of amateur photographers to the contents of time-capsules, this title exposes crucial debates about the economic, technological, and cultural transformations known as urban modernity.
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February 2010, Chicago
Urban Theory
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Despite attempts to promote the aesthetics of ruins in Russia - from Catherine the Great's construction of fake ruins in imperial parks to Josef Brodsky's elegiac meditations - ruins have never achieved the status they enjoy in Western Europe. While the Soviet Union was notorious for leveling churches, post-Soviet Russia has only intensified the practice of massive(...)
Architecture of oblivion : ruins and historical consciousness in modern Russia
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Despite attempts to promote the aesthetics of ruins in Russia - from Catherine the Great's construction of fake ruins in imperial parks to Josef Brodsky's elegiac meditations - ruins have never achieved the status they enjoy in Western Europe. While the Soviet Union was notorious for leveling churches, post-Soviet Russia has only intensified the practice of massive destruction and reconstruction. "Architecture of Oblivion "examines the role of ruins in the development of Russia's historical consciousness from the 18th century to the present. This original work from a leading authority on the subject will appeal to historians of Russian culture and thought, literature and art scholars, and general readers interested in ruins.
Architectural Theory
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New Labour came to power in 1997 amid much talk of regenerating the inner cities left to rot under successive Conservative governments. Over the next decade, urban environments became the laboratories of the new enterprise economy: of finance, property speculation, and the service industry. Now, with New Labour capsized, Owen Hatherley sets out to explore the wreckage —(...)
A guide to the new ruins of Great Britain (Paperback)
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New Labour came to power in 1997 amid much talk of regenerating the inner cities left to rot under successive Conservative governments. Over the next decade, urban environments became the laboratories of the new enterprise economy: of finance, property speculation, and the service industry. Now, with New Labour capsized, Owen Hatherley sets out to explore the wreckage — the architecture that epitomized an age of greed and selfish aspiration. From riverside apartment complexes, art galleries and amorphous interactive “centers” to shopping malls, call centers and factories turned into expensive lofts, Hatherley maps the derelict Britain of the 2010s, an emphatic expression of a failed politics.
Urban Theory
$43.95
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Shaun O'Boyle has been photographing ruined landscapes and buildings in the Mid-Atlantic region, for more than twenty-five years. This collection of photographs represents some of his best work. Modern Ruins begins with an introduction by architectural essayist Geoff Manaugh, who offers insight into why people are so drawn to ruins and what they might mean to us in a(...)
Modern ruins: Portraits of place in the Mid-Atlantic region
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Shaun O'Boyle has been photographing ruined landscapes and buildings in the Mid-Atlantic region, for more than twenty-five years. This collection of photographs represents some of his best work. Modern Ruins begins with an introduction by architectural essayist Geoff Manaugh, who offers insight into why people are so drawn to ruins and what they might mean to us in a larger psychological sense. Brief essays by noted historians Curt Miner, Kenneth Warren, Kenneth Wolensky, and Thomas Lewis offer social and historical contexts for the sites documented in the book. It concludes with an interview with the photographer that touches on his fascination with ruins and explores some of the processes and procedures he uses to document them.
Photography monographs