31793 Results
Form:
photographs
photographs
Actions:
Reference number:
PH1985:0692:001-002
Description:
- The inscribed title is on a separate piece of paper which was possibly detached from an album page or previous mount. - This photograph is one in a series of views which Felice Beato made of the four Taku Forts (Harris, p. 139; Worswick, p. 138).
PH1985:0692:001-002
Description:
- The inscribed title is on a separate piece of paper which was possibly detached from an album page or previous mount. - This photograph is one in a series of views which Felice Beato made of the four Taku Forts (Harris, p. 139; Worswick, p. 138).
People:
Subject:
architecture, engineering, military
architecture, engineering, military
Date:
between 22 August and 21 September 1860
between 22 August and 21 September 1860
Title:
Panorama of the Lower North Taku Fort (also known as the 2nd North Fort) showing earthwork cavaliers and defensive walls, Taku (now Dagu), near Tientsin (now Tianjin), China
Actions:
PH1985:0692:001-002
Description:
- The inscribed title is on a separate piece of paper which was possibly detached from an album page or previous mount. - This photograph is one in a series of views which Felice Beato made of the four Taku Forts (Harris, p. 139; Worswick, p. 138).
Panorama of the Lower North Taku Fort (also known as the 2nd North Fort) showing earthwork cavaliers and defensive walls, Taku (now Dagu), near Tientsin (now Tianjin), China
Actions:
PH1985:0692:001-002
Description:
- The inscribed title is on a separate piece of paper which was possibly detached from an album page or previous mount. - This photograph is one in a series of views which Felice Beato made of the four Taku Forts (Harris, p. 139; Worswick, p. 138).
Form:
photographs
photographs
Date:
between 22 August and 21 September 1860
between 22 August and 21 September 1860
People:
Subject:
architecture, engineering, military
architecture, engineering, military
Level of archival description:
Project
Project
Title:
Detroit Think Grid
Detroit Think Grid
Reference number:
AP144.S2.D73
Description:
File documents Detroit Think Grid, an unrealized project for a series of experiments which were to be developed by Price in collaboration with various groups in the Greater Detroit and Oakland area and implemented over a five-year period. Collaborators were to include the municipality, industry, commerce, and the existing education network, particularly Oakland County Community College in Detroit, Michigan. The principle aim of the Detroit Think Grid was to make the education "system" flexible and responsive to the needs of the community and readily accessible to everyone. Detroit Think Grid components include mobile units such as swimming pools, public learning booths and packaged workshops. Material in this group consists of existing conditions documentation concerning Oakland County and Oakland Community College campuses, such as aerial photographs of streets, zoning maps and maps of various townships, maps of traffic flow in Oakland County, and site plans of Oakland Community College campuses. Design development drawings include zoning plans showing present and projected uses of various zones, major transportation modes, patterns, and access points, and predictions for general population, school population, and retail growth within Oakland County. Material from this file was published in "Cedric Price Supplement No. 3", 'Architectural Design', vol. 41, (June 1971), 353-363 and 'Cedric Price-Works II' (London: Architectural Press, 1984), 54, 66. Material in this file was produced between 1957 and 1975, but predominantly between 1969 and 1971. Cedric Price presented a conference at the Cranbrook Institute of Science, in Michigan in 1968 and produced 2 reports for them titled 'Oakland Community College: An Investigation into Educational Servicing' (1968) and 'Oakland Community College: An Investigation into New Forms of Learning' (1968). File contains cartographic materials, design development drawings, photographic materials, reference drawings, and textual records.
AP144.S2.D73
Description:
File documents Detroit Think Grid, an unrealized project for a series of experiments which were to be developed by Price in collaboration with various groups in the Greater Detroit and Oakland area and implemented over a five-year period. Collaborators were to include the municipality, industry, commerce, and the existing education network, particularly Oakland County Community College in Detroit, Michigan. The principle aim of the Detroit Think Grid was to make the education "system" flexible and responsive to the needs of the community and readily accessible to everyone. Detroit Think Grid components include mobile units such as swimming pools, public learning booths and packaged workshops. Material in this group consists of existing conditions documentation concerning Oakland County and Oakland Community College campuses, such as aerial photographs of streets, zoning maps and maps of various townships, maps of traffic flow in Oakland County, and site plans of Oakland Community College campuses. Design development drawings include zoning plans showing present and projected uses of various zones, major transportation modes, patterns, and access points, and predictions for general population, school population, and retail growth within Oakland County. Material from this file was published in "Cedric Price Supplement No. 3", 'Architectural Design', vol. 41, (June 1971), 353-363 and 'Cedric Price-Works II' (London: Architectural Press, 1984), 54, 66. Material in this file was produced between 1957 and 1975, but predominantly between 1969 and 1971. Cedric Price presented a conference at the Cranbrook Institute of Science, in Michigan in 1968 and produced 2 reports for them titled 'Oakland Community College: An Investigation into Educational Servicing' (1968) and 'Oakland Community College: An Investigation into New Forms of Learning' (1968). File contains cartographic materials, design development drawings, photographic materials, reference drawings, and textual records.
People:
Date:
1957-1975, predominant 1969-1971
1957-1975, predominant 1969-1971
Title:
Detroit Think Grid
Actions:
AP144.S2.D73
Description:
File documents Detroit Think Grid, an unrealized project for a series of experiments which were to be developed by Price in collaboration with various groups in the Greater Detroit and Oakland area and implemented over a five-year period. Collaborators were to include the municipality, industry, commerce, and the existing education network, particularly Oakland County Community College in Detroit, Michigan. The principle aim of the Detroit Think Grid was to make the education "system" flexible and responsive to the needs of the community and readily accessible to everyone. Detroit Think Grid components include mobile units such as swimming pools, public learning booths and packaged workshops. Material in this group consists of existing conditions documentation concerning Oakland County and Oakland Community College campuses, such as aerial photographs of streets, zoning maps and maps of various townships, maps of traffic flow in Oakland County, and site plans of Oakland Community College campuses. Design development drawings include zoning plans showing present and projected uses of various zones, major transportation modes, patterns, and access points, and predictions for general population, school population, and retail growth within Oakland County. Material from this file was published in "Cedric Price Supplement No. 3", 'Architectural Design', vol. 41, (June 1971), 353-363 and 'Cedric Price-Works II' (London: Architectural Press, 1984), 54, 66. Material in this file was produced between 1957 and 1975, but predominantly between 1969 and 1971. Cedric Price presented a conference at the Cranbrook Institute of Science, in Michigan in 1968 and produced 2 reports for them titled 'Oakland Community College: An Investigation into Educational Servicing' (1968) and 'Oakland Community College: An Investigation into New Forms of Learning' (1968). File contains cartographic materials, design development drawings, photographic materials, reference drawings, and textual records.
Detroit Think Grid
Actions:
AP144.S2.D73
Description:
File documents Detroit Think Grid, an unrealized project for a series of experiments which were to be developed by Price in collaboration with various groups in the Greater Detroit and Oakland area and implemented over a five-year period. Collaborators were to include the municipality, industry, commerce, and the existing education network, particularly Oakland County Community College in Detroit, Michigan. The principle aim of the Detroit Think Grid was to make the education "system" flexible and responsive to the needs of the community and readily accessible to everyone. Detroit Think Grid components include mobile units such as swimming pools, public learning booths and packaged workshops. Material in this group consists of existing conditions documentation concerning Oakland County and Oakland Community College campuses, such as aerial photographs of streets, zoning maps and maps of various townships, maps of traffic flow in Oakland County, and site plans of Oakland Community College campuses. Design development drawings include zoning plans showing present and projected uses of various zones, major transportation modes, patterns, and access points, and predictions for general population, school population, and retail growth within Oakland County. Material from this file was published in "Cedric Price Supplement No. 3", 'Architectural Design', vol. 41, (June 1971), 353-363 and 'Cedric Price-Works II' (London: Architectural Press, 1984), 54, 66. Material in this file was produced between 1957 and 1975, but predominantly between 1969 and 1971. Cedric Price presented a conference at the Cranbrook Institute of Science, in Michigan in 1968 and produced 2 reports for them titled 'Oakland Community College: An Investigation into Educational Servicing' (1968) and 'Oakland Community College: An Investigation into New Forms of Learning' (1968). File contains cartographic materials, design development drawings, photographic materials, reference drawings, and textual records.
Level of archival description:
File 73
File 73
Date:
1957-1975, predominant 1969-1971
1957-1975, predominant 1969-1971
People:
Level of archival description:
Series
Series
Reference number:
AP179.S3
Description:
Series 3, Tongxian Art Center, Beijing, 2000 – 2007, documents the development of a multiphase project for a public arts complex thirty miles from Beijing. Phases are distinguished when possible. Phase I of the project is the gatehouse (realized), which consists of housing and studio space for artists-in-residence. It is conceived as a brick monolith that has been shrink-wrapped or vacuumed into its shape – a metaphor for the optimization of the building’s limited space. Regional materials are incorporated through the use of local brick and native chudumu wood on the exterior. The gatehouse was completed in 2003. Phase II of the project is the art center (unrealized), which consists of public spaces, sculpture courts, administrative spaces and infrastructural needs of the institution, connected through a series of alleyways. The layout is organized to maximize interaction between inhabitants while maintaining a level of privacy. In addition to phases I and II, records in the series document a design referred to as Tongxian Gatekeeper (unrealized). Drawings, circa 2006, illustrate a building to house animals and agriculture in the southwest corner of the Tongxian Art complex grounds. The series contains sketches, drawings and reprographic copies from pre-design to construction stages of the project, two models including a wood model of the art center and a cardboard model of the gatekeeper wall, and photographic materials. The series also contains textual documents including correspondence with on-site project coordinator Timothy Clark, as well as meeting agendas, project schedules, agreements and proposals, and other project documentation. Digital material includes photographs of construction, CAD drawings, renderings, e-mail, and a video featuring the project team. The majority of material in the series relates to phase I of the project, the gatehouse. Some files include documentation about the involvement of contemporary artist Ai Wei Wei in a supervisory role for the project.
AP179.S3
Description:
Series 3, Tongxian Art Center, Beijing, 2000 – 2007, documents the development of a multiphase project for a public arts complex thirty miles from Beijing. Phases are distinguished when possible. Phase I of the project is the gatehouse (realized), which consists of housing and studio space for artists-in-residence. It is conceived as a brick monolith that has been shrink-wrapped or vacuumed into its shape – a metaphor for the optimization of the building’s limited space. Regional materials are incorporated through the use of local brick and native chudumu wood on the exterior. The gatehouse was completed in 2003. Phase II of the project is the art center (unrealized), which consists of public spaces, sculpture courts, administrative spaces and infrastructural needs of the institution, connected through a series of alleyways. The layout is organized to maximize interaction between inhabitants while maintaining a level of privacy. In addition to phases I and II, records in the series document a design referred to as Tongxian Gatekeeper (unrealized). Drawings, circa 2006, illustrate a building to house animals and agriculture in the southwest corner of the Tongxian Art complex grounds. The series contains sketches, drawings and reprographic copies from pre-design to construction stages of the project, two models including a wood model of the art center and a cardboard model of the gatekeeper wall, and photographic materials. The series also contains textual documents including correspondence with on-site project coordinator Timothy Clark, as well as meeting agendas, project schedules, agreements and proposals, and other project documentation. Digital material includes photographs of construction, CAD drawings, renderings, e-mail, and a video featuring the project team. The majority of material in the series relates to phase I of the project, the gatehouse. Some files include documentation about the involvement of contemporary artist Ai Wei Wei in a supervisory role for the project.
People:
Date:
2000 - 2007
2000 - 2007
Title:
Tongxian Art Center, Beijing, China (2000 - 2007)
Actions:
AP179.S3
Description:
Series 3, Tongxian Art Center, Beijing, 2000 – 2007, documents the development of a multiphase project for a public arts complex thirty miles from Beijing. Phases are distinguished when possible. Phase I of the project is the gatehouse (realized), which consists of housing and studio space for artists-in-residence. It is conceived as a brick monolith that has been shrink-wrapped or vacuumed into its shape – a metaphor for the optimization of the building’s limited space. Regional materials are incorporated through the use of local brick and native chudumu wood on the exterior. The gatehouse was completed in 2003. Phase II of the project is the art center (unrealized), which consists of public spaces, sculpture courts, administrative spaces and infrastructural needs of the institution, connected through a series of alleyways. The layout is organized to maximize interaction between inhabitants while maintaining a level of privacy. In addition to phases I and II, records in the series document a design referred to as Tongxian Gatekeeper (unrealized). Drawings, circa 2006, illustrate a building to house animals and agriculture in the southwest corner of the Tongxian Art complex grounds. The series contains sketches, drawings and reprographic copies from pre-design to construction stages of the project, two models including a wood model of the art center and a cardboard model of the gatekeeper wall, and photographic materials. The series also contains textual documents including correspondence with on-site project coordinator Timothy Clark, as well as meeting agendas, project schedules, agreements and proposals, and other project documentation. Digital material includes photographs of construction, CAD drawings, renderings, e-mail, and a video featuring the project team. The majority of material in the series relates to phase I of the project, the gatehouse. Some files include documentation about the involvement of contemporary artist Ai Wei Wei in a supervisory role for the project.
Tongxian Art Center, Beijing, China (2000 - 2007)
Actions:
AP179.S3
Description:
Series 3, Tongxian Art Center, Beijing, 2000 – 2007, documents the development of a multiphase project for a public arts complex thirty miles from Beijing. Phases are distinguished when possible. Phase I of the project is the gatehouse (realized), which consists of housing and studio space for artists-in-residence. It is conceived as a brick monolith that has been shrink-wrapped or vacuumed into its shape – a metaphor for the optimization of the building’s limited space. Regional materials are incorporated through the use of local brick and native chudumu wood on the exterior. The gatehouse was completed in 2003. Phase II of the project is the art center (unrealized), which consists of public spaces, sculpture courts, administrative spaces and infrastructural needs of the institution, connected through a series of alleyways. The layout is organized to maximize interaction between inhabitants while maintaining a level of privacy. In addition to phases I and II, records in the series document a design referred to as Tongxian Gatekeeper (unrealized). Drawings, circa 2006, illustrate a building to house animals and agriculture in the southwest corner of the Tongxian Art complex grounds. The series contains sketches, drawings and reprographic copies from pre-design to construction stages of the project, two models including a wood model of the art center and a cardboard model of the gatekeeper wall, and photographic materials. The series also contains textual documents including correspondence with on-site project coordinator Timothy Clark, as well as meeting agendas, project schedules, agreements and proposals, and other project documentation. Digital material includes photographs of construction, CAD drawings, renderings, e-mail, and a video featuring the project team. The majority of material in the series relates to phase I of the project, the gatehouse. Some files include documentation about the involvement of contemporary artist Ai Wei Wei in a supervisory role for the project.
Level of archival description:
Series
Series
Date:
2000 - 2007
2000 - 2007
People:
Level of archival description:
Project
Project
Reference number:
AP018.S1.1972.PR08
Description:
This project series documents the second stage of the expansion of the Art Gallery of Ontario (AGO) in Toronto from 1972-1977. The office identified the project number as 7208. This project consisted of the expansion of the AGO that began in 1972. It was Stage II of the expansion program, which began in 1969 with Stage I. Most prominent in this project was the extension of the gallery’s west side to reach Beverley Street. This wing housed the new Education and Extension (E&E) branch galleries and educational facilities, and a two-storey reference library. The library included a 10,000 square foot reading room and an audiovisual library. This stage also proposed an extension to the south of the main gallery, directly east of the Grange mansion, that would connect the AGO to the neighbouring Ontario College of Art. It should be noted that while AGO project contracts were originally given to John B. Parkin Associates, John C. Parkin continued the project under his new firm, Parkin Architects Planners, after parting ways with partner John B. Parkin in 1971. The project is recorded through drawings, photographs, and textual records dating from 1971-1983. The majority of the drawings are reprographic copies of detail drawings arranged with the textual records, although original drawings of details are also present within the textual records. Large drawings housed separately show both the design development and construction of the project. There are also presentation boards showing floor plan schemes. The textual records include contractor and client correspondence, meeting reports, specifications, project notebooks, tender documents, contract data, consultancy records, site reports, certificates of payment and other financial documentation, change orders, supplementary instructions, deficiency lists, detail planning records, and studies. Box AP018.S1.1972.PR08.001 contains an index to the textual records, which was created by the office.
AP018.S1.1972.PR08
Description:
This project series documents the second stage of the expansion of the Art Gallery of Ontario (AGO) in Toronto from 1972-1977. The office identified the project number as 7208. This project consisted of the expansion of the AGO that began in 1972. It was Stage II of the expansion program, which began in 1969 with Stage I. Most prominent in this project was the extension of the gallery’s west side to reach Beverley Street. This wing housed the new Education and Extension (E&E) branch galleries and educational facilities, and a two-storey reference library. The library included a 10,000 square foot reading room and an audiovisual library. This stage also proposed an extension to the south of the main gallery, directly east of the Grange mansion, that would connect the AGO to the neighbouring Ontario College of Art. It should be noted that while AGO project contracts were originally given to John B. Parkin Associates, John C. Parkin continued the project under his new firm, Parkin Architects Planners, after parting ways with partner John B. Parkin in 1971. The project is recorded through drawings, photographs, and textual records dating from 1971-1983. The majority of the drawings are reprographic copies of detail drawings arranged with the textual records, although original drawings of details are also present within the textual records. Large drawings housed separately show both the design development and construction of the project. There are also presentation boards showing floor plan schemes. The textual records include contractor and client correspondence, meeting reports, specifications, project notebooks, tender documents, contract data, consultancy records, site reports, certificates of payment and other financial documentation, change orders, supplementary instructions, deficiency lists, detail planning records, and studies. Box AP018.S1.1972.PR08.001 contains an index to the textual records, which was created by the office.
People:
Date:
1971-1983
1971-1983
Title:
Art Gallery of Ontario, Stage II Expansion, Toronto (1978)
Actions:
AP018.S1.1972.PR08
Description:
This project series documents the second stage of the expansion of the Art Gallery of Ontario (AGO) in Toronto from 1972-1977. The office identified the project number as 7208. This project consisted of the expansion of the AGO that began in 1972. It was Stage II of the expansion program, which began in 1969 with Stage I. Most prominent in this project was the extension of the gallery’s west side to reach Beverley Street. This wing housed the new Education and Extension (E&E) branch galleries and educational facilities, and a two-storey reference library. The library included a 10,000 square foot reading room and an audiovisual library. This stage also proposed an extension to the south of the main gallery, directly east of the Grange mansion, that would connect the AGO to the neighbouring Ontario College of Art. It should be noted that while AGO project contracts were originally given to John B. Parkin Associates, John C. Parkin continued the project under his new firm, Parkin Architects Planners, after parting ways with partner John B. Parkin in 1971. The project is recorded through drawings, photographs, and textual records dating from 1971-1983. The majority of the drawings are reprographic copies of detail drawings arranged with the textual records, although original drawings of details are also present within the textual records. Large drawings housed separately show both the design development and construction of the project. There are also presentation boards showing floor plan schemes. The textual records include contractor and client correspondence, meeting reports, specifications, project notebooks, tender documents, contract data, consultancy records, site reports, certificates of payment and other financial documentation, change orders, supplementary instructions, deficiency lists, detail planning records, and studies. Box AP018.S1.1972.PR08.001 contains an index to the textual records, which was created by the office.
Art Gallery of Ontario, Stage II Expansion, Toronto (1978)
Actions:
AP018.S1.1972.PR08
Description:
This project series documents the second stage of the expansion of the Art Gallery of Ontario (AGO) in Toronto from 1972-1977. The office identified the project number as 7208. This project consisted of the expansion of the AGO that began in 1972. It was Stage II of the expansion program, which began in 1969 with Stage I. Most prominent in this project was the extension of the gallery’s west side to reach Beverley Street. This wing housed the new Education and Extension (E&E) branch galleries and educational facilities, and a two-storey reference library. The library included a 10,000 square foot reading room and an audiovisual library. This stage also proposed an extension to the south of the main gallery, directly east of the Grange mansion, that would connect the AGO to the neighbouring Ontario College of Art. It should be noted that while AGO project contracts were originally given to John B. Parkin Associates, John C. Parkin continued the project under his new firm, Parkin Architects Planners, after parting ways with partner John B. Parkin in 1971. The project is recorded through drawings, photographs, and textual records dating from 1971-1983. The majority of the drawings are reprographic copies of detail drawings arranged with the textual records, although original drawings of details are also present within the textual records. Large drawings housed separately show both the design development and construction of the project. There are also presentation boards showing floor plan schemes. The textual records include contractor and client correspondence, meeting reports, specifications, project notebooks, tender documents, contract data, consultancy records, site reports, certificates of payment and other financial documentation, change orders, supplementary instructions, deficiency lists, detail planning records, and studies. Box AP018.S1.1972.PR08.001 contains an index to the textual records, which was created by the office.
Level of archival description:
Project
Project
Date:
1971-1983
1971-1983
People:
Level of archival description:
Sub-series
Sub-series
Actions:
Reference number:
AP075.S3.SS2
Description:
This sub-series documents Cornelia Hahn Oberlander's administrative records of her practice as landscape architect from the end of the 1950s to the end ot the 2010s. It comprises material related to her consulting services on her own various landscape projects and urban planning projects, and also her consulting services for projects submitted as member of a larger project team for private or public projects. Her office records also contains documents related the planning of her work, her patents applications and designs for her own landscape or playground furnitures, and her professional correspondence. The sub-series also documents Oberlander press and promotional activities, such as interviews she gave, articles written about her, about her work as landscape architect, her statements or her activism for social and environmental causes or preservation landmark buildings and spaces. The sub-series contains documents related to Oberlander's consulting services, including requests for services, proposals by her or by the project team, correspondence, or documentation collected for projects calls of interest to Oberlander. Oberlander's office records for planning of projects and other activities includes professional correspondence files, agendas and planners, message books and notebooks, patents applications and plans for her designs, and office references, such landscape architecture regulations and guidelines, and landscape specifications templates. The sub-series also comprises promotional material, such as photographs of her previous projects, press clippings of articles or periodicals with articles about her or her work, promotional panels for some of her major projects, and brochures or leaflets on her most well known projects. It includes also contains recordings of interviews on TV or radio shows she gave, biographical information on Oberlander, versions of her CV's, portaits of her, and lists and project write-ups.
AP075.S3.SS2
Description:
This sub-series documents Cornelia Hahn Oberlander's administrative records of her practice as landscape architect from the end of the 1950s to the end ot the 2010s. It comprises material related to her consulting services on her own various landscape projects and urban planning projects, and also her consulting services for projects submitted as member of a larger project team for private or public projects. Her office records also contains documents related the planning of her work, her patents applications and designs for her own landscape or playground furnitures, and her professional correspondence. The sub-series also documents Oberlander press and promotional activities, such as interviews she gave, articles written about her, about her work as landscape architect, her statements or her activism for social and environmental causes or preservation landmark buildings and spaces. The sub-series contains documents related to Oberlander's consulting services, including requests for services, proposals by her or by the project team, correspondence, or documentation collected for projects calls of interest to Oberlander. Oberlander's office records for planning of projects and other activities includes professional correspondence files, agendas and planners, message books and notebooks, patents applications and plans for her designs, and office references, such landscape architecture regulations and guidelines, and landscape specifications templates. The sub-series also comprises promotional material, such as photographs of her previous projects, press clippings of articles or periodicals with articles about her or her work, promotional panels for some of her major projects, and brochures or leaflets on her most well known projects. It includes also contains recordings of interviews on TV or radio shows she gave, biographical information on Oberlander, versions of her CV's, portaits of her, and lists and project write-ups.
People:
Date:
1953-2018
1953-2018
Title:
Administrative records and promotional material
Actions:
AP075.S3.SS2
Description:
This sub-series documents Cornelia Hahn Oberlander's administrative records of her practice as landscape architect from the end of the 1950s to the end ot the 2010s. It comprises material related to her consulting services on her own various landscape projects and urban planning projects, and also her consulting services for projects submitted as member of a larger project team for private or public projects. Her office records also contains documents related the planning of her work, her patents applications and designs for her own landscape or playground furnitures, and her professional correspondence. The sub-series also documents Oberlander press and promotional activities, such as interviews she gave, articles written about her, about her work as landscape architect, her statements or her activism for social and environmental causes or preservation landmark buildings and spaces. The sub-series contains documents related to Oberlander's consulting services, including requests for services, proposals by her or by the project team, correspondence, or documentation collected for projects calls of interest to Oberlander. Oberlander's office records for planning of projects and other activities includes professional correspondence files, agendas and planners, message books and notebooks, patents applications and plans for her designs, and office references, such landscape architecture regulations and guidelines, and landscape specifications templates. The sub-series also comprises promotional material, such as photographs of her previous projects, press clippings of articles or periodicals with articles about her or her work, promotional panels for some of her major projects, and brochures or leaflets on her most well known projects. It includes also contains recordings of interviews on TV or radio shows she gave, biographical information on Oberlander, versions of her CV's, portaits of her, and lists and project write-ups.
Administrative records and promotional material
Actions:
AP075.S3.SS2
Description:
This sub-series documents Cornelia Hahn Oberlander's administrative records of her practice as landscape architect from the end of the 1950s to the end ot the 2010s. It comprises material related to her consulting services on her own various landscape projects and urban planning projects, and also her consulting services for projects submitted as member of a larger project team for private or public projects. Her office records also contains documents related the planning of her work, her patents applications and designs for her own landscape or playground furnitures, and her professional correspondence. The sub-series also documents Oberlander press and promotional activities, such as interviews she gave, articles written about her, about her work as landscape architect, her statements or her activism for social and environmental causes or preservation landmark buildings and spaces. The sub-series contains documents related to Oberlander's consulting services, including requests for services, proposals by her or by the project team, correspondence, or documentation collected for projects calls of interest to Oberlander. Oberlander's office records for planning of projects and other activities includes professional correspondence files, agendas and planners, message books and notebooks, patents applications and plans for her designs, and office references, such landscape architecture regulations and guidelines, and landscape specifications templates. The sub-series also comprises promotional material, such as photographs of her previous projects, press clippings of articles or periodicals with articles about her or her work, promotional panels for some of her major projects, and brochures or leaflets on her most well known projects. It includes also contains recordings of interviews on TV or radio shows she gave, biographical information on Oberlander, versions of her CV's, portaits of her, and lists and project write-ups.
Level of archival description:
Sub-series
Sub-series
Date:
1953-2018
1953-2018
People:
Form:
exhibitions
exhibitions
Actions:
Description:
An Atlas. A Bricolage. A Compendium of different elements and strategies for understanding the city. ABC : MTL is an urban abecedary and open-source initiative that maps contemporary Montreal in a diversity of ways and media. Over ninety contributions including photography, music videos, sculptures and installations, drawings, models, workshops, lectures, and performances(...)
An Atlas. A Bricolage. A Compendium of different elements and strategies for understanding the city. ABC : MTL is an urban abecedary and open-source initiative that maps contemporary Montreal in a diversity of ways and media. Over ninety contributions including photography, music videos, sculptures and installations, drawings, models, workshops, lectures, and performances(...)
Location:
Main galleries
Main galleries
Date:
13 November 2012 to 31 March 2013
13 November 2012 to 31 March 2013
Title:
ABC : MTL – A Self-Portrait of Montréal
Actions:
Description:
An Atlas. A Bricolage. A Compendium of different elements and strategies for understanding the city. ABC : MTL is an urban abecedary and open-source initiative that maps contemporary Montreal in a diversity of ways and media. Over ninety contributions including photography, music videos, sculptures and installations, drawings, models, workshops, lectures, and performances(...)
ABC : MTL – A Self-Portrait of Montréal
Actions:
Description:
An Atlas. A Bricolage. A Compendium of different elements and strategies for understanding the city. ABC : MTL is an urban abecedary and open-source initiative that maps contemporary Montreal in a diversity of ways and media. Over ninety contributions including photography, music videos, sculptures and installations, drawings, models, workshops, lectures, and performances(...)
Form:
exhibitions
exhibitions
Date:
13 November 2012 to
31 March 2013
13 November 2012 to
31 March 2013
Location:
Main galleries
Main galleries
Form:
photographs
photographs
Actions:
Reference number:
ARCH282814
Description:
Il y a un timbre du studio photographique Ashley & Crippen au recto de l'épreuve photographique.
ARCH282814
Description:
Il y a un timbre du studio photographique Ashley & Crippen au recto de l'épreuve photographique.
People:
Date:
circa 1950
circa 1950
Title:
Portrait d'Ernest Cormier devant une reproduction du relief dit "d'Eleusis"
Actions:
ARCH282814
Description:
Il y a un timbre du studio photographique Ashley & Crippen au recto de l'épreuve photographique.
Portrait d'Ernest Cormier devant une reproduction du relief dit "d'Eleusis"
Actions:
ARCH282814
Description:
Il y a un timbre du studio photographique Ashley & Crippen au recto de l'épreuve photographique.
Form:
photographs
photographs
Date:
circa 1950
circa 1950
People:
Form:
photographs
photographs
Actions:
Reference number:
PH1980:0817:024
Description:
Photograph depicts a house clad in siding with a covered front porch, and hip-style roof and 3 dormer windows. Lumber and planking are visible in the foreground suggetsing ongoing construction work. A steep hill is directly behind the builidng, filling the background of the image.
PH1980:0817:024
Description:
Photograph depicts a house clad in siding with a covered front porch, and hip-style roof and 3 dormer windows. Lumber and planking are visible in the foreground suggetsing ongoing construction work. A steep hill is directly behind the builidng, filling the background of the image.
People:
Date:
1889-1896
1889-1896
Title:
View of a house, possibly Quebec City, Quebec, Canada
Actions:
PH1980:0817:024
Description:
Photograph depicts a house clad in siding with a covered front porch, and hip-style roof and 3 dormer windows. Lumber and planking are visible in the foreground suggetsing ongoing construction work. A steep hill is directly behind the builidng, filling the background of the image.
View of a house, possibly Quebec City, Quebec, Canada
Actions:
PH1980:0817:024
Description:
Photograph depicts a house clad in siding with a covered front porch, and hip-style roof and 3 dormer windows. Lumber and planking are visible in the foreground suggetsing ongoing construction work. A steep hill is directly behind the builidng, filling the background of the image.
Form:
photographs
photographs
Date:
1889-1896
1889-1896
People:
Form:
photographs
photographs
Actions:
Reference number:
ARCH284041
Description:
Contient des photographies de salles de concerts, des reproductions photographiques de plans de salles de concerts, diverses photographies de bâtiments et de peintures religieuses, et des photographies du projet d'Ernest Cormier pour l'Imprimerie Nationale du Canada. Contient les photographies numérotées P-287 à P-425.
ARCH284041
Description:
Contient des photographies de salles de concerts, des reproductions photographiques de plans de salles de concerts, diverses photographies de bâtiments et de peintures religieuses, et des photographies du projet d'Ernest Cormier pour l'Imprimerie Nationale du Canada. Contient les photographies numérotées P-287 à P-425.
People:
Date:
circa 1920-1950s
circa 1920-1950s
Title:
Diverses photographies de projets d'Ernest Cormier et documentation photographiques
Actions:
ARCH284041
Description:
Contient des photographies de salles de concerts, des reproductions photographiques de plans de salles de concerts, diverses photographies de bâtiments et de peintures religieuses, et des photographies du projet d'Ernest Cormier pour l'Imprimerie Nationale du Canada. Contient les photographies numérotées P-287 à P-425.
Diverses photographies de projets d'Ernest Cormier et documentation photographiques
Actions:
ARCH284041
Description:
Contient des photographies de salles de concerts, des reproductions photographiques de plans de salles de concerts, diverses photographies de bâtiments et de peintures religieuses, et des photographies du projet d'Ernest Cormier pour l'Imprimerie Nationale du Canada. Contient les photographies numérotées P-287 à P-425.
Form:
photographs
photographs
Date:
circa 1920-1950s
circa 1920-1950s
People:
Form:
textual records
textual records
Actions:
Reference number:
DR2021:0052:001-039
Description:
The papers in this collection are related to the participation of Barry Campbell in a project to create a 1:50 scale model for the Maison d'Artiste, an unbuilt project designed by architects Theo van Doesburg and Cor van Eesteren in 1923. The model, sponsored by lawyer Piet Sanders and Barry Campbell, was made by Frans Postma and was exhibited at the Stedelijk Museum De Lakenhal (2009-2010) and the Tate Modern (2010) as part of the exhibition "Van Doesburg and the International Avant Garde: Constructing a New World". In 2013, Barry Campbell, Frans Postma and Victor Veldhuijzen van Zanten donated the 1:50 model to Het Nieuwe Instituut/The New Institute in Rotterdam, the Netherlands (Piet Sanders, who died in September, 2012, was also named as a donor). A 1:75 scale model was made for each of the donors. Textual records in the collection include correspondence, a copy of the donor agreement, and a text by Bertus Mulder. Drawings include printouts of plans, elevations, sections, and perspectives. There are also photographs of drawings. Digital files consist of a panorama by Postma & Partner. The collection includes a printout of a photograph of Barry Campbell with the 1:50 model.
DR2021:0052:001-039
Description:
The papers in this collection are related to the participation of Barry Campbell in a project to create a 1:50 scale model for the Maison d'Artiste, an unbuilt project designed by architects Theo van Doesburg and Cor van Eesteren in 1923. The model, sponsored by lawyer Piet Sanders and Barry Campbell, was made by Frans Postma and was exhibited at the Stedelijk Museum De Lakenhal (2009-2010) and the Tate Modern (2010) as part of the exhibition "Van Doesburg and the International Avant Garde: Constructing a New World". In 2013, Barry Campbell, Frans Postma and Victor Veldhuijzen van Zanten donated the 1:50 model to Het Nieuwe Instituut/The New Institute in Rotterdam, the Netherlands (Piet Sanders, who died in September, 2012, was also named as a donor). A 1:75 scale model was made for each of the donors. Textual records in the collection include correspondence, a copy of the donor agreement, and a text by Bertus Mulder. Drawings include printouts of plans, elevations, sections, and perspectives. There are also photographs of drawings. Digital files consist of a panorama by Postma & Partner. The collection includes a printout of a photograph of Barry Campbell with the 1:50 model.
People:
Date:
2007-2013
2007-2013
Title:
Barry Campbell papers related to a 1:50 scale model for the Maison d'Artiste
Actions:
DR2021:0052:001-039
Description:
The papers in this collection are related to the participation of Barry Campbell in a project to create a 1:50 scale model for the Maison d'Artiste, an unbuilt project designed by architects Theo van Doesburg and Cor van Eesteren in 1923. The model, sponsored by lawyer Piet Sanders and Barry Campbell, was made by Frans Postma and was exhibited at the Stedelijk Museum De Lakenhal (2009-2010) and the Tate Modern (2010) as part of the exhibition "Van Doesburg and the International Avant Garde: Constructing a New World". In 2013, Barry Campbell, Frans Postma and Victor Veldhuijzen van Zanten donated the 1:50 model to Het Nieuwe Instituut/The New Institute in Rotterdam, the Netherlands (Piet Sanders, who died in September, 2012, was also named as a donor). A 1:75 scale model was made for each of the donors. Textual records in the collection include correspondence, a copy of the donor agreement, and a text by Bertus Mulder. Drawings include printouts of plans, elevations, sections, and perspectives. There are also photographs of drawings. Digital files consist of a panorama by Postma & Partner. The collection includes a printout of a photograph of Barry Campbell with the 1:50 model.
Barry Campbell papers related to a 1:50 scale model for the Maison d'Artiste
Actions:
DR2021:0052:001-039
Description:
The papers in this collection are related to the participation of Barry Campbell in a project to create a 1:50 scale model for the Maison d'Artiste, an unbuilt project designed by architects Theo van Doesburg and Cor van Eesteren in 1923. The model, sponsored by lawyer Piet Sanders and Barry Campbell, was made by Frans Postma and was exhibited at the Stedelijk Museum De Lakenhal (2009-2010) and the Tate Modern (2010) as part of the exhibition "Van Doesburg and the International Avant Garde: Constructing a New World". In 2013, Barry Campbell, Frans Postma and Victor Veldhuijzen van Zanten donated the 1:50 model to Het Nieuwe Instituut/The New Institute in Rotterdam, the Netherlands (Piet Sanders, who died in September, 2012, was also named as a donor). A 1:75 scale model was made for each of the donors. Textual records in the collection include correspondence, a copy of the donor agreement, and a text by Bertus Mulder. Drawings include printouts of plans, elevations, sections, and perspectives. There are also photographs of drawings. Digital files consist of a panorama by Postma & Partner. The collection includes a printout of a photograph of Barry Campbell with the 1:50 model.
Form:
textual records
textual records
Date:
2007-2013
2007-2013
People:
