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"The architectural uncanny" presents a series of meditations on issues and figures that are at the heart of the most pressing debates surrounding architecture today. Anthony Vidler interprets contemporary buildings and projects in light of the resurgent interest in the uncanny as a metaphor for a fundamentally "unhomely" modern condition. The essays are at once historical(...)
Architectural Theory
April 1994, Cambridge (MA), London
The architectural uncanny : essays in the modern unhomely
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"The architectural uncanny" presents a series of meditations on issues and figures that are at the heart of the most pressing debates surrounding architecture today. Anthony Vidler interprets contemporary buildings and projects in light of the resurgent interest in the uncanny as a metaphor for a fundamentally "unhomely" modern condition. The essays are at once historical and theoretical, opening up the complex and difficult relationships between politics, social thought, and architectural design in an era when the reality of homelessness and the idealism of the neo-avant-garde have never seemed so far apart.
Architectural Theory
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Reyner Banham was a pioneer in arguing that technology, human needs, and environmental concerns must be considered an integral part of architecture. No historian before him had so systematically explored the impact of environmental engineering on the design of buildings and on the minds of architects. In this revision of his classic work, Banham has added considerable new(...)
The architecture of the well-tempered environment, second edition
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Reyner Banham was a pioneer in arguing that technology, human needs, and environmental concerns must be considered an integral part of architecture. No historian before him had so systematically explored the impact of environmental engineering on the design of buildings and on the minds of architects. In this revision of his classic work, Banham has added considerable new material on the use of energy, particularly solar energy, in human environments. Included in the new material are discussions of Indian pueblos and solar architecture, the Centre Pompidou and other high-tech buildings, and the environmental wisdom of many current architectural vernaculars.
Architectural Theory
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Modernism and the posthumanist subject : the architecture of Hannes Meyer and Ludwig Hilberseimer
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Drawing both on the work of modern theorists like Georg Lukacs, Walter Benjamin, Theodor Adorno, and Siegfried Kracauer and on more recent poststructuralist thought, Hays creates an entirely new method of reading architectural production. Challenging much of the traditional wisdom about modernism and the avant-garde, Hays argues that a rigorously(...)
Modernism and the posthumanist subject : the architecture of Hannes Meyer and Ludwig Hilberseimer
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Drawing both on the work of modern theorists like Georg Lukacs, Walter Benjamin, Theodor Adorno, and Siegfried Kracauer and on more recent poststructuralist thought, Hays creates an entirely new method of reading architectural production. Challenging much of the traditional wisdom about modernism and the avant-garde, Hays argues that a rigorously articulated 'posthumanist' position was actually developed in the modernist architecture of Hannes Meyer and Ludwig Hilberseimer. He reinterprets their buildings, projects, and writings as constructions of this new category of subjectivity.
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May 1995, Cambridge, Mass.
Architectural Theory
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The complex legacy of this most notable period is discussed from a different perspective by each contributor. Peter S. Reed details the rise of modern architecture during the war—housing designs that used the latest ideas in prefabricated construction methods, lightweight materials, innovative technologies, and a corporate and institutional aesthetic that helped(...)
World War II and the American dream
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The complex legacy of this most notable period is discussed from a different perspective by each contributor. Peter S. Reed details the rise of modern architecture during the war—housing designs that used the latest ideas in prefabricated construction methods, lightweight materials, innovative technologies, and a corporate and institutional aesthetic that helped popularize modernism as the appropriate image of American industrial might and corporate success. Robert Friedel documents the development of new materials, especially plastics, and discusses techniques for employing traditional materials in novel ways. Margaret Crawford explores the struggle of women and blacks for public housing. Finally, Michael Sorkin, architect and writer, explores the migration of certain values and aesthetics from the necessities of war to the choices of peace. Among these are images of speed, camouflage, ruin, totalization, and flight.
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April 1995
Architectural Theory
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La France est confrontée à une nouvelle phase de la modernité urbaine. Celle-ci se construit autour de centres commerciaux périphériques, de cinémas multiplexes, de quasi-ghettos pour les plus pauvres et pour les plus riches, de suburbanisation proliférante, d'automobiles et d'autoroutes urbaines, etc. Ces développements apportent leur lot de questions(...)
La République contre la ville : essai sur l'avenir de la France urbaine
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La France est confrontée à une nouvelle phase de la modernité urbaine. Celle-ci se construit autour de centres commerciaux périphériques, de cinémas multiplexes, de quasi-ghettos pour les plus pauvres et pour les plus riches, de suburbanisation proliférante, d'automobiles et d'autoroutes urbaines, etc. Ces développements apportent leur lot de questions auxquelles Ascher s'efforce de répondre dans ce livre passionnant et engagé.
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April 1998, Paris
Urban Theory
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Focusing on examples in London and New York, this book examines the forces that created the property boom of the eighties and the bust of the nineties. It investigates the mentalities of the real-estate developers, financial institutions, and public officials who first poured enormous resourced into physical redevelopment only to see the market collapse.
The city builders : property, politics, and planning in London and New York
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Focusing on examples in London and New York, this book examines the forces that created the property boom of the eighties and the bust of the nineties. It investigates the mentalities of the real-estate developers, financial institutions, and public officials who first poured enormous resourced into physical redevelopment only to see the market collapse.
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January 1994, Oxford
Urban Theory
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Beginning with agoraphobia and claustrophobia in the late nineteenth century, followed by shell shock and panic fear after World War I, phobias and anxiety came to be seen as the mental condition of modern life. They became incorporated into the media and arts, in particular the (...)
Warped space : art, architecture, and anxiety in modern culture
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Beginning with agoraphobia and claustrophobia in the late nineteenth century, followed by shell shock and panic fear after World War I, phobias and anxiety came to be seen as the mental condition of modern life. They became incorporated into the media and arts, in particular the spatial arts of architecture, urbanism, and film. This "spatial warping" is now being reshaped by digitalization and virtual reality. Anthony Vidler is concerned with two forms of warped space. The first, a psychological space, is the repository of neuroses and phobias. This space is not empty but full of disturbing forms, including those of architecture and the city. The second kind of warping is produced when artists break the boundaries of genre to depict space in new ways. Vidler traces the emergence of a psychological idea of space from Pascal and Freud to the identification of agoraphobia and claustrophobia in the nineteenth century to twentieth-century theories of spatial alienation and estrangement in the writings of Georg Simmel, Siegfried Kracauer, and Walter Benjamin. Focusing on current conditions of displacement and placelessness, he examines ways in which contemporary artists and architects have produced new forms of spatial warping. The discussion ranges from theorists such as Jacques Lacan and Gilles Deleuze to artists such as Vito Acconci, Mike Kelley, Martha Rosler, and Rachel Whiteread. Finally, Vidler looks at the architectural experiments of Frank Gehry, Coop Himmelblau, Daniel Libeskind, Greg Lynn, Morphosis, and Eric Owen Moss in the light of new digital techniques that, while relying on traditional perspective, have radically transformed the composition, production, and experience of architecture.
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June 2000, Cambridge, Mass.
Architectural Theory
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These essays, written over a third of a century during a time of huge ideological, technological and methodological upheaval, witness British architecture's unceasing negotiation with a vast and rigorous set of constraints and its eventual emergence as a truly modern profession --a special interest group responsive and answerable to social change but shaped and informed(...)
Architectural knowledge : the idea of a profession
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These essays, written over a third of a century during a time of huge ideological, technological and methodological upheaval, witness British architecture's unceasing negotiation with a vast and rigorous set of constraints and its eventual emergence as a truly modern profession --a special interest group responsive and answerable to social change but shaped and informed by values and principles that may be on a longer cycle and perhaps a loftier plane.
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May 1998, London
Architectural Theory
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Collections "Villes et entreprises"
Concevoir, inventer, créer : réflexions sur les pratiques
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Collections "Villes et entreprises"
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April 1996, Paris
Architectural Theory
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The new American ghetto
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The New American Ghetto provides, through photographs and text, an exploration, over nearly two decades, of ghettos in New York, Newark, Los Angeles, Chicago, Detroit, and smaller cities. The author has taken successive photographs of the same places, tracking change over time - changes that have made the conditions of today's ghettos very different from those of an(...)
The new American ghetto
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The New American Ghetto provides, through photographs and text, an exploration, over nearly two decades, of ghettos in New York, Newark, Los Angeles, Chicago, Detroit, and smaller cities. The author has taken successive photographs of the same places, tracking change over time - changes that have made the conditions of today's ghettos very different from those of an earlier era. Vergara's interviews with residents and historical research contribute to his unique view of the nature and meaning of the inner city.
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January 1900, New Brunswick, N.J.
Urban Theory