19531 Results
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drawings, textual records, photographs
drawings, textual records, photographs
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Reference number:
ARCH169115
Description:
60 feuillets: Correspondance et documentation relatives à la participation de Jacques Rousseau au projet d'exposition "Water Works" organisé par Visual Arts Ontario décembre 1987-septembre 1988 jusqu'à 35,5 x 21,5 cm 1 carte postale 1 facture "Rent-a-Wreck" 1 carte d'affaire 2 billets d'avion 1 périodique: ArtViews, été 1987, vol.13, no.3 6 feuillets: Coupures de journaux et photocopies 35,5 x 21,5 cm Plan d'une section du rivage du Lac Ontario
ARCH169115
Description:
60 feuillets: Correspondance et documentation relatives à la participation de Jacques Rousseau au projet d'exposition "Water Works" organisé par Visual Arts Ontario décembre 1987-septembre 1988 jusqu'à 35,5 x 21,5 cm 1 carte postale 1 facture "Rent-a-Wreck" 1 carte d'affaire 2 billets d'avion 1 périodique: ArtViews, été 1987, vol.13, no.3 6 feuillets: Coupures de journaux et photocopies 35,5 x 21,5 cm Plan d'une section du rivage du Lac Ontario
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Title:
Correspondance et documentation relatives au projet d'exposition "Water Works"
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ARCH169115
Description:
60 feuillets: Correspondance et documentation relatives à la participation de Jacques Rousseau au projet d'exposition "Water Works" organisé par Visual Arts Ontario décembre 1987-septembre 1988 jusqu'à 35,5 x 21,5 cm 1 carte postale 1 facture "Rent-a-Wreck" 1 carte d'affaire 2 billets d'avion 1 périodique: ArtViews, été 1987, vol.13, no.3 6 feuillets: Coupures de journaux et photocopies 35,5 x 21,5 cm Plan d'une section du rivage du Lac Ontario
Correspondance et documentation relatives au projet d'exposition "Water Works"
Actions:
ARCH169115
Description:
60 feuillets: Correspondance et documentation relatives à la participation de Jacques Rousseau au projet d'exposition "Water Works" organisé par Visual Arts Ontario décembre 1987-septembre 1988 jusqu'à 35,5 x 21,5 cm 1 carte postale 1 facture "Rent-a-Wreck" 1 carte d'affaire 2 billets d'avion 1 périodique: ArtViews, été 1987, vol.13, no.3 6 feuillets: Coupures de journaux et photocopies 35,5 x 21,5 cm Plan d'une section du rivage du Lac Ontario
Form:
drawings, textual records, photographs
drawings, textual records, photographs
People:
Level of archival description:
Project
Project
Reference number:
AP066.S3.D3
Description:
Le dossier documente la soumission pour le concour ouvert pour le Musée d'art contemporain de Montréal qui s'est tenu à Montréal, Québec, pendant l'hiver 1984. Le dossier contient des dessins, des reprographies, des panneaux, des artéfacts, des documents textuels et des documents photographiques. Objectifs du concours: "Dans le cadre de sa politique culturelle, le Québec posait récemment un geste attendu depuis longtemps: celui de relocaliser, au centre-ville de Montréal, le Musée d'art contemporain de Montréal installé depuis 1967 sur l'ancien site de l'Exposition universelle." Odile Hénault, " Le concours du Musée d'art contemporain: un constat ", Section A, vol. 2, nº 2, p. 11. Description du projet par l'architecte: "Réaliser une architecture qui manifeste, fière, l'audace et la recherche, en explorant un thème qui apparaît être un centre du débat contemporain, soit la pertinence de la nature dans la culture et plus largement du naturel dans le culturel." Jacques Rousseau, "Du lieu, vu du lieu vu", Parachute, nº 36, septembre 1984, p. 29.
AP066.S3.D3
Description:
Le dossier documente la soumission pour le concour ouvert pour le Musée d'art contemporain de Montréal qui s'est tenu à Montréal, Québec, pendant l'hiver 1984. Le dossier contient des dessins, des reprographies, des panneaux, des artéfacts, des documents textuels et des documents photographiques. Objectifs du concours: "Dans le cadre de sa politique culturelle, le Québec posait récemment un geste attendu depuis longtemps: celui de relocaliser, au centre-ville de Montréal, le Musée d'art contemporain de Montréal installé depuis 1967 sur l'ancien site de l'Exposition universelle." Odile Hénault, " Le concours du Musée d'art contemporain: un constat ", Section A, vol. 2, nº 2, p. 11. Description du projet par l'architecte: "Réaliser une architecture qui manifeste, fière, l'audace et la recherche, en explorant un thème qui apparaît être un centre du débat contemporain, soit la pertinence de la nature dans la culture et plus largement du naturel dans le culturel." Jacques Rousseau, "Du lieu, vu du lieu vu", Parachute, nº 36, septembre 1984, p. 29.
People:
Date:
1984
1984
Title:
Concours du Musée d'art contemporain de Montréal
Actions:
AP066.S3.D3
Description:
Le dossier documente la soumission pour le concour ouvert pour le Musée d'art contemporain de Montréal qui s'est tenu à Montréal, Québec, pendant l'hiver 1984. Le dossier contient des dessins, des reprographies, des panneaux, des artéfacts, des documents textuels et des documents photographiques. Objectifs du concours: "Dans le cadre de sa politique culturelle, le Québec posait récemment un geste attendu depuis longtemps: celui de relocaliser, au centre-ville de Montréal, le Musée d'art contemporain de Montréal installé depuis 1967 sur l'ancien site de l'Exposition universelle." Odile Hénault, " Le concours du Musée d'art contemporain: un constat ", Section A, vol. 2, nº 2, p. 11. Description du projet par l'architecte: "Réaliser une architecture qui manifeste, fière, l'audace et la recherche, en explorant un thème qui apparaît être un centre du débat contemporain, soit la pertinence de la nature dans la culture et plus largement du naturel dans le culturel." Jacques Rousseau, "Du lieu, vu du lieu vu", Parachute, nº 36, septembre 1984, p. 29.
Concours du Musée d'art contemporain de Montréal
Actions:
AP066.S3.D3
Description:
Le dossier documente la soumission pour le concour ouvert pour le Musée d'art contemporain de Montréal qui s'est tenu à Montréal, Québec, pendant l'hiver 1984. Le dossier contient des dessins, des reprographies, des panneaux, des artéfacts, des documents textuels et des documents photographiques. Objectifs du concours: "Dans le cadre de sa politique culturelle, le Québec posait récemment un geste attendu depuis longtemps: celui de relocaliser, au centre-ville de Montréal, le Musée d'art contemporain de Montréal installé depuis 1967 sur l'ancien site de l'Exposition universelle." Odile Hénault, " Le concours du Musée d'art contemporain: un constat ", Section A, vol. 2, nº 2, p. 11. Description du projet par l'architecte: "Réaliser une architecture qui manifeste, fière, l'audace et la recherche, en explorant un thème qui apparaît être un centre du débat contemporain, soit la pertinence de la nature dans la culture et plus largement du naturel dans le culturel." Jacques Rousseau, "Du lieu, vu du lieu vu", Parachute, nº 36, septembre 1984, p. 29.
Level of archival description:
Dossier 3
Dossier 3
Date:
1984
1984
People:
Form:
exhibitions
exhibitions
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Description:
Seemingly common activities such as walking, playing, recycling, and gardening are pushed beyond their usual definition by the international architects, artists, and collectives featured in the exhibition. Their actions push against accepted norms of behaviour in cities, at times even challenging legal limitations. The individuals and groups employ a range of approaches(...)
Seemingly common activities such as walking, playing, recycling, and gardening are pushed beyond their usual definition by the international architects, artists, and collectives featured in the exhibition. Their actions push against accepted norms of behaviour in cities, at times even challenging legal limitations. The individuals and groups employ a range of approaches(...)
Location:
Main galleries
Main galleries
Date:
26 November 2008 to 19 April 2009
26 November 2008 to 19 April 2009
Title:
Actions: What You Can Do With the City
Actions:
Description:
Seemingly common activities such as walking, playing, recycling, and gardening are pushed beyond their usual definition by the international architects, artists, and collectives featured in the exhibition. Their actions push against accepted norms of behaviour in cities, at times even challenging legal limitations. The individuals and groups employ a range of approaches(...)
Actions: What You Can Do With the City
Actions:
Description:
Seemingly common activities such as walking, playing, recycling, and gardening are pushed beyond their usual definition by the international architects, artists, and collectives featured in the exhibition. Their actions push against accepted norms of behaviour in cities, at times even challenging legal limitations. The individuals and groups employ a range of approaches(...)
Form:
exhibitions
exhibitions
Date:
26 November 2008 to
19 April 2009
26 November 2008 to
19 April 2009
Location:
Main galleries
Main galleries
Form:
exhibitions
exhibitions
Title:
Into the Island
Into the Island
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Description:
Into the Island follows Xu Tiantian of DnA in her discovery of essential elements, pressure points, and issues on the destabilizing terrain that is the ocean and its delicate ecosystem of Meizhou Island. It is the first chapter in a three part film and exhibition series, Groundwork.
Into the Island follows Xu Tiantian of DnA in her discovery of essential elements, pressure points, and issues on the destabilizing terrain that is the ocean and its delicate ecosystem of Meizhou Island. It is the first chapter in a three part film and exhibition series, Groundwork.
Location:
Main Galleries Keyword(s):
Meizhou, Xu Tiantian, Irene Chin, Francesco Garutti, Into the island, groundwork, ecology, Carla Juaçaba, Joshua Frank, ecosystem
Main Galleries Keyword(s):
Meizhou, Xu Tiantian, Irene Chin, Francesco Garutti, Into the island, groundwork, ecology, Carla Juaçaba, Joshua Frank, ecosystem
Date:
7 May 2024 to 17 November 2024
7 May 2024 to 17 November 2024
Title:
Into the Island
Actions:
Description:
Into the Island follows Xu Tiantian of DnA in her discovery of essential elements, pressure points, and issues on the destabilizing terrain that is the ocean and its delicate ecosystem of Meizhou Island. It is the first chapter in a three part film and exhibition series, Groundwork.
Into the Island
Actions:
Description:
Into the Island follows Xu Tiantian of DnA in her discovery of essential elements, pressure points, and issues on the destabilizing terrain that is the ocean and its delicate ecosystem of Meizhou Island. It is the first chapter in a three part film and exhibition series, Groundwork.
Form:
exhibitions
exhibitions
Date:
7 May 2024 to
17 November 2024
7 May 2024 to
17 November 2024
Location:
Main Galleries Keyword(s):
Meizhou, Xu Tiantian, Irene Chin, Francesco Garutti, Into the island, groundwork, ecology, Carla Juaçaba, Joshua Frank, ecosystem
Main Galleries Keyword(s):
Meizhou, Xu Tiantian, Irene Chin, Francesco Garutti, Into the island, groundwork, ecology, Carla Juaçaba, Joshua Frank, ecosystem
Form:
exhibitions
exhibitions
Actions:
Description:
Curated by Stefano Graziani and Bas Princen, The Lives of Documents—Photography as Project is the first of a trilogy of research and exhibition projects produced by the Canadian Centre for Architecture on the medium of photography—between work of art, research tool, and document—as a means to investigate the built environment.
Curated by Stefano Graziani and Bas Princen, The Lives of Documents—Photography as Project is the first of a trilogy of research and exhibition projects produced by the Canadian Centre for Architecture on the medium of photography—between work of art, research tool, and document—as a means to investigate the built environment.
Location:
Main galleries Keyword(s):
Stefano Graziani, Bas Princen, Hester Keijser, photography, The Lives of Documents—Photography as Project
Main galleries Keyword(s):
Stefano Graziani, Bas Princen, Hester Keijser, photography, The Lives of Documents—Photography as Project
Date:
3 May 2023 to 7 April 2024
3 May 2023 to 7 April 2024
Title:
The Lives of Documents—Photography as Project
Actions:
Description:
Curated by Stefano Graziani and Bas Princen, The Lives of Documents—Photography as Project is the first of a trilogy of research and exhibition projects produced by the Canadian Centre for Architecture on the medium of photography—between work of art, research tool, and document—as a means to investigate the built environment.
The Lives of Documents—Photography as Project
Actions:
Description:
Curated by Stefano Graziani and Bas Princen, The Lives of Documents—Photography as Project is the first of a trilogy of research and exhibition projects produced by the Canadian Centre for Architecture on the medium of photography—between work of art, research tool, and document—as a means to investigate the built environment.
Form:
exhibitions
exhibitions
Date:
3 May 2023 to
7 April 2024
3 May 2023 to
7 April 2024
Location:
Main galleries Keyword(s):
Stefano Graziani, Bas Princen, Hester Keijser, photography, The Lives of Documents—Photography as Project
Main galleries Keyword(s):
Stefano Graziani, Bas Princen, Hester Keijser, photography, The Lives of Documents—Photography as Project
Form:
exhibitions
exhibitions
Actions:
Description:
The Anatomy of the Architectural Book, an exhibition presented in conjunction with the publication of a book of the same title by André Tavares, examines the relationships between book culture and building culture, making visible the axes along which architectural knowledge circulates through books into buildings and back. Through seven themes—Texture, Spread, Sequence,(...)
The Anatomy of the Architectural Book, an exhibition presented in conjunction with the publication of a book of the same title by André Tavares, examines the relationships between book culture and building culture, making visible the axes along which architectural knowledge circulates through books into buildings and back. Through seven themes—Texture, Spread, Sequence,(...)
Date:
10 May 2016 to 20 November 2016
10 May 2016 to 20 November 2016
Title:
The Anatomy of the Architectural Book
Actions:
Description:
The Anatomy of the Architectural Book, an exhibition presented in conjunction with the publication of a book of the same title by André Tavares, examines the relationships between book culture and building culture, making visible the axes along which architectural knowledge circulates through books into buildings and back. Through seven themes—Texture, Spread, Sequence,(...)
The Anatomy of the Architectural Book
Actions:
Description:
The Anatomy of the Architectural Book, an exhibition presented in conjunction with the publication of a book of the same title by André Tavares, examines the relationships between book culture and building culture, making visible the axes along which architectural knowledge circulates through books into buildings and back. Through seven themes—Texture, Spread, Sequence,(...)
Form:
exhibitions
exhibitions
Date:
10 May 2016 to
20 November 2016
10 May 2016 to
20 November 2016
Form:
exhibitions
exhibitions
Actions:
Description:
Herzog de Meuron: Archaeology of the Mind presents an exhaustive display of materials from the architects’ archive and from related collections. Referencing a natural history, the exhibition includes study models, books, photographs, toys, fossils, Chinese scholars’ rocks, and significant works of contemporary art, all of which have informed the thinking of the Swiss(...)
Herzog de Meuron: Archaeology of the Mind presents an exhaustive display of materials from the architects’ archive and from related collections. Referencing a natural history, the exhibition includes study models, books, photographs, toys, fossils, Chinese scholars’ rocks, and significant works of contemporary art, all of which have informed the thinking of the Swiss(...)
Location:
Main galleries
Main galleries
Date:
23 October 2002 to 6 April 2003
23 October 2002 to 6 April 2003
Title:
Herzog & de Meuron: Archaeology of the Mind
Actions:
Description:
Herzog de Meuron: Archaeology of the Mind presents an exhaustive display of materials from the architects’ archive and from related collections. Referencing a natural history, the exhibition includes study models, books, photographs, toys, fossils, Chinese scholars’ rocks, and significant works of contemporary art, all of which have informed the thinking of the Swiss(...)
Herzog & de Meuron: Archaeology of the Mind
Actions:
Description:
Herzog de Meuron: Archaeology of the Mind presents an exhaustive display of materials from the architects’ archive and from related collections. Referencing a natural history, the exhibition includes study models, books, photographs, toys, fossils, Chinese scholars’ rocks, and significant works of contemporary art, all of which have informed the thinking of the Swiss(...)
Form:
exhibitions
exhibitions
Date:
23 October 2002 to
6 April 2003
23 October 2002 to
6 April 2003
Location:
Main galleries
Main galleries
Form:
photographs
photographs
Actions:
Reference number:
ARCH255963
Description:
"Le Pavillon de l'Italie à l'Expo 67 ----- En terme d'architecture, le toit du pavillon est une voile couchée. Le Pavillon entier semble flotter dans l'air. Sur le toit, trois sculptures symbolisent les trois secteurs d'exposition du Pavillon: la Poésie, les Moeurs et le Progrès. / Italian pavilion at Expo....... the most outstanding architectural feature of the Italian pavilion is its sloping roof which soars independent of the underlying structures. Three symbolic sculptures which also summarize the whole interior exhibit stand in full view upton the roof."--Description.
ARCH255963
Description:
"Le Pavillon de l'Italie à l'Expo 67 ----- En terme d'architecture, le toit du pavillon est une voile couchée. Le Pavillon entier semble flotter dans l'air. Sur le toit, trois sculptures symbolisent les trois secteurs d'exposition du Pavillon: la Poésie, les Moeurs et le Progrès. / Italian pavilion at Expo....... the most outstanding architectural feature of the Italian pavilion is its sloping roof which soars independent of the underlying structures. Three symbolic sculptures which also summarize the whole interior exhibit stand in full view upton the roof."--Description.
People:
Date:
1967?
1967?
Title:
Night view of the Pavilion of Italy with its scupltures on roof, Expo 67, Montréal, Québec
Actions:
ARCH255963
Description:
"Le Pavillon de l'Italie à l'Expo 67 ----- En terme d'architecture, le toit du pavillon est une voile couchée. Le Pavillon entier semble flotter dans l'air. Sur le toit, trois sculptures symbolisent les trois secteurs d'exposition du Pavillon: la Poésie, les Moeurs et le Progrès. / Italian pavilion at Expo....... the most outstanding architectural feature of the Italian pavilion is its sloping roof which soars independent of the underlying structures. Three symbolic sculptures which also summarize the whole interior exhibit stand in full view upton the roof."--Description.
Night view of the Pavilion of Italy with its scupltures on roof, Expo 67, Montréal, Québec
Actions:
ARCH255963
Description:
"Le Pavillon de l'Italie à l'Expo 67 ----- En terme d'architecture, le toit du pavillon est une voile couchée. Le Pavillon entier semble flotter dans l'air. Sur le toit, trois sculptures symbolisent les trois secteurs d'exposition du Pavillon: la Poésie, les Moeurs et le Progrès. / Italian pavilion at Expo....... the most outstanding architectural feature of the Italian pavilion is its sloping roof which soars independent of the underlying structures. Three symbolic sculptures which also summarize the whole interior exhibit stand in full view upton the roof."--Description.
Form:
photographs
photographs
Date:
1967?
1967?
People:
Form:
exhibitions
exhibitions
Actions:
Description:
Architect James Frazer Stirling’s work has resisted characterization because of its radical shifts in influence, named by others as prewar modernism to Neoclassicism, Rationalism and Brutalism to Postmodernism. But the continuity of his thinking emerges through the quantity and variety of material in the James Stirling/Michael Wilford Archive, a tool for understanding an(...)
Architect James Frazer Stirling’s work has resisted characterization because of its radical shifts in influence, named by others as prewar modernism to Neoclassicism, Rationalism and Brutalism to Postmodernism. But the continuity of his thinking emerges through the quantity and variety of material in the James Stirling/Michael Wilford Archive, a tool for understanding an(...)
Location:
Main galleries
Main galleries
Date:
16 May 2012 to 14 October 2012
16 May 2012 to 14 October 2012
Title:
Notes from the Archive: James Frazer Stirling
Actions:
Description:
Architect James Frazer Stirling’s work has resisted characterization because of its radical shifts in influence, named by others as prewar modernism to Neoclassicism, Rationalism and Brutalism to Postmodernism. But the continuity of his thinking emerges through the quantity and variety of material in the James Stirling/Michael Wilford Archive, a tool for understanding an(...)
Notes from the Archive: James Frazer Stirling
Actions:
Description:
Architect James Frazer Stirling’s work has resisted characterization because of its radical shifts in influence, named by others as prewar modernism to Neoclassicism, Rationalism and Brutalism to Postmodernism. But the continuity of his thinking emerges through the quantity and variety of material in the James Stirling/Michael Wilford Archive, a tool for understanding an(...)
Form:
exhibitions
exhibitions
Date:
16 May 2012 to
14 October 2012
16 May 2012 to
14 October 2012
Location:
Main galleries
Main galleries
Form:
exhibitions
exhibitions
Actions:
Description:
The H-Block buildings of Maze Prison were a potent symbol of the often violent political struggles in Northern Ireland known today as the Troubles. The prison, opened in 1971 by the British government, was designed to keep apart warring loyalist and republican paramilitaries, the latter demanding to be treated as prisoners of war rather than criminals. As part of this(...)
The H-Block buildings of Maze Prison were a potent symbol of the often violent political struggles in Northern Ireland known today as the Troubles. The prison, opened in 1971 by the British government, was designed to keep apart warring loyalist and republican paramilitaries, the latter demanding to be treated as prisoners of war rather than criminals. As part of this(...)
Location:
Octagonal gallery
Octagonal gallery
Date:
5 September 2013 to 12 January 2014
5 September 2013 to 12 January 2014
Title:
H-BLOCK: Prison Housing – Donovan Wylie
Actions:
Description:
The H-Block buildings of Maze Prison were a potent symbol of the often violent political struggles in Northern Ireland known today as the Troubles. The prison, opened in 1971 by the British government, was designed to keep apart warring loyalist and republican paramilitaries, the latter demanding to be treated as prisoners of war rather than criminals. As part of this(...)
H-BLOCK: Prison Housing – Donovan Wylie
Actions:
Description:
The H-Block buildings of Maze Prison were a potent symbol of the often violent political struggles in Northern Ireland known today as the Troubles. The prison, opened in 1971 by the British government, was designed to keep apart warring loyalist and republican paramilitaries, the latter demanding to be treated as prisoners of war rather than criminals. As part of this(...)
Form:
exhibitions
exhibitions
Date:
5 September 2013 to
12 January 2014
5 September 2013 to
12 January 2014
Location:
Octagonal gallery
Octagonal gallery
