Dopostoria
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Who owns the past? Are museum archives and their re-collections of cultural heritage a cult of the dead-and if so, are we living in a necropolis? This book on photography, cemeteries, and the archive evolved out of an experimental research project at the Bibliotheca Hertzianain Rome, with its immense collection of canonic photographs from the history of art and(...)
March 2023
Dopostoria
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Who owns the past? Are museum archives and their re-collections of cultural heritage a cult of the dead-and if so, are we living in a necropolis? This book on photography, cemeteries, and the archive evolved out of an experimental research project at the Bibliotheca Hertzianain Rome, with its immense collection of canonic photographs from the history of art and architecture. An artist's book, it takes on the form of a description of an unfinished film in five acts-a cinematic fragment, so to speak: ''DOPOSTORIA.'' The title essay by Christoph Keller is complemented by two contributions on burial cultures in prehistory and in modernity from the archaeologist Maria Clara Martinelli and the modern historian Carolin Kosuch. A sequence of collages at the back of the book conjures up a phantasmagorical journey through an ancient-modern Rome.
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Vous souffrez d'agoraphobie, de la crise de la quarantaine, d'une jambe cassée ou d'un chagrin d'amour ? Sachez qu’un livre peut avoir l'effet d'un prodigieux médicament, voire vous sauver ! Vous en doutez ? Essayez plutôt... Vous trouverez ici les meilleurs romans adaptés à votre cas. Garantis sans effets secondaires, ils vous permettront de traiter les pathologies(...)
November 2016
Remèdes littéraires : se soigner par les livres
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Vous souffrez d'agoraphobie, de la crise de la quarantaine, d'une jambe cassée ou d'un chagrin d'amour ? Sachez qu’un livre peut avoir l'effet d'un prodigieux médicament, voire vous sauver ! Vous en doutez ? Essayez plutôt... Vous trouverez ici les meilleurs romans adaptés à votre cas. Garantis sans effets secondaires, ils vous permettront de traiter les pathologies telles que : abandon, alcoolisme, calvitie, rage de dents, mal de dos, harcèlement, hémorroïdes, insomnie, jalousie, ménopause, obésité, rhume des foins, solitude… et bien d'autres !
Espaces de savoir
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Dans le paradigme de complexité qui est le nôtre, les contextes institutionnels dans lesquels s'exerce le savoir doivent dorénavant ouvrir sur un environnement général qui le réclame, dans l'idée d'un continuum devenu nécessaire entre les situations humaines et le savoir. C'est à cette problématique contemporaine que le présent ouvrage réfléchit. Il résulte de trois(...)
Espaces de savoir
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Dans le paradigme de complexité qui est le nôtre, les contextes institutionnels dans lesquels s'exerce le savoir doivent dorénavant ouvrir sur un environnement général qui le réclame, dans l'idée d'un continuum devenu nécessaire entre les situations humaines et le savoir. C'est à cette problématique contemporaine que le présent ouvrage réfléchit. Il résulte de trois années de travail dans le cadre d'un projet réunissant cinq contributeurs de quatre universités québécoises ainsi qu'une artiste du milieu littéraire. L'équipe s'est intéressée à faire émerger et à développer des stratégies de spatialisation permettant d'accéder de manière inédite à des environnements de savoir ainsi qu'à générer et à organiser de manière singulière de tels environnements. Il s'agit ici d'ouvrir un champ de recherche artistique sur la question de la spatialisation du savoir, dans le cadre des mises en situation individuelles et créatives dont l'efficacité et la validité répondent ainsi à des impératifs très différents de ceux commandés par des critères de multitude et d'universalité.
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In Archive Fever, Jacques Derrida deftly guides us through an extended meditation on remembrance, religion, time, and technology—fruitfully occasioned by a deconstructive analysis of the notion of archiving. Intrigued by the evocative relationship between technologies of inscription and psychic processes, Derrida offers for the first time a major statement on the(...)
August 2017
Archive fever: a freudian impression
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In Archive Fever, Jacques Derrida deftly guides us through an extended meditation on remembrance, religion, time, and technology—fruitfully occasioned by a deconstructive analysis of the notion of archiving. Intrigued by the evocative relationship between technologies of inscription and psychic processes, Derrida offers for the first time a major statement on the pervasive impact of electronic media, particularly e-mail, which threaten to transform the entire public and private space of humanity. Plying this rich material with characteristic virtuosity, Derrida constructs a synergistic reading of archives and archiving, both provocative and compelling.
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In the modern era, the archive--official or personal--has become the most significant means by which historical knowledge and memory are collected, stored, and recovered. The archive has thus emerged as a key site of inquiry in such fields as anthropology, critical theory, history, and, especially, recent art. Traces and testimonies of such events as World War II and(...)
November 2006, London / Cambridge
The archive: Documents of contemporary art
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In the modern era, the archive--official or personal--has become the most significant means by which historical knowledge and memory are collected, stored, and recovered. The archive has thus emerged as a key site of inquiry in such fields as anthropology, critical theory, history, and, especially, recent art. Traces and testimonies of such events as World War II and ensuing conflicts, the emergence of the postcolonial era, and the fall of communism have each provoked a reconsideration of the authority given the archive--no longer viewed as a neutral, transparent site of record but as a contested subject and medium in itself. This volume surveys the full diversity of our transformed theoretical and critical notions of the archive--as idea and as physical presence--from Freud's "mystic writing pad" to Derrida's "archive fever"; from Christian Boltanski's first autobiographical explorations of archival material in the 1960s to the practice of artists as various as Susan Hiller, Ilya Kabakov, Thomas Hirshhorn, Renée Green, and The Atlas Group in the present.
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Parametricism is an avant-garde architecture and design movement that has been growing and maturing over the last 15 years, emerging as a remarkable global force. The tendency started in architecture but now encompasses all design disciplines, from urban design to fashion. In architecture, the style has an international following and is currently progressing beyond its(...)
April 2016
AD 86:02 Parametricism 2.0. Rethinking architecture's agenda for the 21st century
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Parametricism is an avant-garde architecture and design movement that has been growing and maturing over the last 15 years, emerging as a remarkable global force. The tendency started in architecture but now encompasses all design disciplines, from urban design to fashion. In architecture, the style has an international following and is currently progressing beyond its experimental roots to make an impact on a broader scale, with practices like Zaha Hadid Architects (ZHA) winning and completing large-scale architectural projects worldwide. Parametricism implies that all elements and aspects of an architectural composition or product are parametrically malleable; and the style owes its original, unmistakable physiognomy to its unprecedented use of computational design tools and fabrication methods. All design parameters are conceived as variables that allow the design to vary and adapt to the diverse, complex and dynamic requirements of contemporary society. Although Parametricism has been talked about and hotly debated for a number of years, so far there has been no publication dedicated to Parametricism. The issue is guest-edited by Patrik Schumacher, partner at ZHA, and one of the world’s most highly renowned advocates of Parametricism.
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Digital and social media have transformed how much and how fast we communicate, but they have also altered the palette of expressive strategies: the cultural forms that shape how citizens, activists, and artists speak and interact. Most familiar among these strategies are storytelling and representation. In A Theory of Assembly, Kyle Parry argues that one of the most(...)
January 2023
A theory of assembly: From museums to memes
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Digital and social media have transformed how much and how fast we communicate, but they have also altered the palette of expressive strategies: the cultural forms that shape how citizens, activists, and artists speak and interact. Most familiar among these strategies are storytelling and representation. In A Theory of Assembly, Kyle Parry argues that one of the most powerful and pervasive cultural forms in the digital era is assembly. Whether as subtle photographic sequences, satirical Venn diagrams, or networked archives, projects based in assembly do not so much narrate or represent the world as rearrange it. This work of rearranging can take place at any scale, from a simple pairing of images, undertaken by one person, to the entire history of internet memes, undertaken by millions. With examples ranging from GIFs and paintings to museum exhibitions and social movement hashtags, Parry shows how, in the internet age, assembly has come to equal narrative and representation in its reach and influence, particularly as a response to ecological and social violence. He also emphasizes the ambivalence of assembly—the way it can be both emancipatory and antidemocratic.
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Great American writers—William Carlos Williams, Jonathan Edwards, Emily Dickinson, Noah Webster, Hart Crane, Wallace Stevens, Henry James — all in the physicality of their archival manuscripts — are the presiding spirits of Spontaneous Particulars: Telepathy of Archives. Also woven into Susan Howe’s newest book are beautiful photographs of embroideries and textiles from(...)
November 2014
Spontaneous particulars: the telepathy of archives
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Great American writers—William Carlos Williams, Jonathan Edwards, Emily Dickinson, Noah Webster, Hart Crane, Wallace Stevens, Henry James — all in the physicality of their archival manuscripts — are the presiding spirits of Spontaneous Particulars: Telepathy of Archives. Also woven into Susan Howe’s newest book are beautiful photographs of embroideries and textiles from anonymous craftspeople. All the archived materials are links, discoveries, chance encounters, the visual and acoustic shocks of rooting around amid physical archives.
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Nous sommes en 1763. L'un des maîtres de la correspondance s'adresse ici à monsieur de Sartine, son vieil ami, alors directeur de la Librairie. Et c'est un véritable plaidoyer pour la défense du Libraire-Éditeur. Il s'interroge d'abord sur le lien entre le commerce et la littérature et décrit avec soin, mais sans la condamner, la transformation de la valeur littéraire en(...)
January 2015
Lettre historique & politique adressée à un magistrat sur le commerce de la librairie
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Nous sommes en 1763. L'un des maîtres de la correspondance s'adresse ici à monsieur de Sartine, son vieil ami, alors directeur de la Librairie. Et c'est un véritable plaidoyer pour la défense du Libraire-Éditeur. Il s'interroge d'abord sur le lien entre le commerce et la littérature et décrit avec soin, mais sans la condamner, la transformation de la valeur littéraire en valeur mercantile. Ce faisant, il lie le sort de la littérature à celui de l'édition. Il plaide en faveur d'un fonds de librairie, celui qui s'écoule lentement, en équilibre avec les ventes plus rapides. Au fil d'une véritable enquête, il démontre par là même au lecteur contemporain que les problèmes qui se posent aujourd'hui au libraire ou à l'éditeur sont loin d'être récents, bien qu'ils se posent aujourd’hui plus que jamais.
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When we speak of clouds these days, it is as likely that we mean data clouds or network clouds as cumulus or stratus. In their sharing of the term, both kinds of clouds reveal an essential truth: that the natural world and the technological world are not so distinct. In The Marvelous Clouds, John Durham Peters argues that though we often think of media as environments,(...)
June 2015
The marvelous clouds: toward a philosophy of elemental media
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When we speak of clouds these days, it is as likely that we mean data clouds or network clouds as cumulus or stratus. In their sharing of the term, both kinds of clouds reveal an essential truth: that the natural world and the technological world are not so distinct. In The Marvelous Clouds, John Durham Peters argues that though we often think of media as environments, the reverse is also just as true - environments are media.