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books
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Title:
L'esprit du terrorisme
L'esprit du terrorisme
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" (...) Nous avons même affaire, avec les attentats de New York et du World Trade Center, à l'événement absolu, la "mère" des événements, à l'événement pur qui concentre en lui tous les événements qui n'ont jamais eu lieu. Que nous ayons rêvé de cet événement, que tout le monde sans exception en ait rêvé, parce que nul ne peut pas rêver de la destruction de n'importe(...)
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" (...) Nous avons même affaire, avec les attentats de New York et du World Trade Center, à l'événement absolu, la "mère" des événements, à l'événement pur qui concentre en lui tous les événements qui n'ont jamais eu lieu. Que nous ayons rêvé de cet événement, que tout le monde sans exception en ait rêvé, parce que nul ne peut pas rêver de la destruction de n'importe(...)
Title:
L'esprit du terrorisme
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" (...) Nous avons même affaire, avec les attentats de New York et du World Trade Center, à l'événement absolu, la "mère" des événements, à l'événement pur qui concentre en lui tous les événements qui n'ont jamais eu lieu. Que nous ayons rêvé de cet événement, que tout le monde sans exception en ait rêvé, parce que nul ne peut pas rêver de la destruction de n'importe quelle puissance devenue à ce point hégémonique, cela est inacceptable pour la conscience morale occidentale, mais c'est pourtant un fait, et qui se mesure justement à la violence pathétique de tous les discours qui veulent l'effacer. (...) "
L'esprit du terrorisme
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" (...) Nous avons même affaire, avec les attentats de New York et du World Trade Center, à l'événement absolu, la "mère" des événements, à l'événement pur qui concentre en lui tous les événements qui n'ont jamais eu lieu. Que nous ayons rêvé de cet événement, que tout le monde sans exception en ait rêvé, parce que nul ne peut pas rêver de la destruction de n'importe quelle puissance devenue à ce point hégémonique, cela est inacceptable pour la conscience morale occidentale, mais c'est pourtant un fait, et qui se mesure justement à la violence pathétique de tous les discours qui veulent l'effacer. (...) "
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books
books
Publication:
January 2002, Paris
January 2002, Paris
Subject:
Critical Theory
Critical Theory
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books
books
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$25.00
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Mirando al Futuro is a summary of an event held in La Paz, Bolivia, in the year 2000, in order to generate urban strategies for the city of La Paz, involving students and professors from universities in Bolivia and the Netherlands. It conatins texts, drawings, photographs and reports from guest professors. A large part of the book is devoted to ideas and solutions from(...)
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Mirando al Futuro is a summary of an event held in La Paz, Bolivia, in the year 2000, in order to generate urban strategies for the city of La Paz, involving students and professors from universities in Bolivia and the Netherlands. It conatins texts, drawings, photographs and reports from guest professors. A large part of the book is devoted to ideas and solutions from(...)
Title:
Mirando al futuro - looking to the future
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Mirando al Futuro is a summary of an event held in La Paz, Bolivia, in the year 2000, in order to generate urban strategies for the city of La Paz, involving students and professors from universities in Bolivia and the Netherlands. It conatins texts, drawings, photographs and reports from guest professors. A large part of the book is devoted to ideas and solutions from student projects.
Mirando al futuro - looking to the future
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Mirando al Futuro is a summary of an event held in La Paz, Bolivia, in the year 2000, in order to generate urban strategies for the city of La Paz, involving students and professors from universities in Bolivia and the Netherlands. It conatins texts, drawings, photographs and reports from guest professors. A large part of the book is devoted to ideas and solutions from student projects.
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books
books
Publication:
January 1900, Bussum, Netherlands
January 1900, Bussum, Netherlands
Subject:
Urban Theory
Urban Theory
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books
books
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$57.75
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Providing hard data for trends that many perceive only vaguely and some deny altogether, "Designing for diversity" reveals a profession rife with gender and racial discrimination and examines the aspects of architectural practice that hinder or support the full participation of women and persons of color. Drawing on interviews and surveys of hundreds of architects,(...)
$57.75
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Providing hard data for trends that many perceive only vaguely and some deny altogether, "Designing for diversity" reveals a profession rife with gender and racial discrimination and examines the aspects of architectural practice that hinder or support the full participation of women and persons of color. Drawing on interviews and surveys of hundreds of architects,(...)
Subject:
Architectural Theory
Architectural Theory
Publication:
April 2002, Urbana and Chicago
April 2002, Urbana and Chicago
Title:
Designing for diversity : gender, race. and ethnicity in the architectural profession
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Providing hard data for trends that many perceive only vaguely and some deny altogether, "Designing for diversity" reveals a profession rife with gender and racial discrimination and examines the aspects of architectural practice that hinder or support the full participation of women and persons of color. Drawing on interviews and surveys of hundreds of architects, Kathryn H. Anthony outlines some of the forms of discrimination that recur in architecture, such as being confined to certain kinds of positions, typically interior design for women, government work for African Americans, and computer-aided design for Asian-American architects. Anthony discusses the profession's attitude toward flexible schedules and part-time contracts and identifies strategies that have helped underrepresented individuals advance in the profession. Given the traditional mismatch between diverse consumers and predominantly white male producers of the built environment, plus the shifting population balance toward communities of color, Anthony contends that the architectural profession staves off true diversity at its own peril. Through her book, practicing architects, managers of firms, and educators will learn how to create conditions more welcoming to a diversity of users as well as designers of the built environment.
Designing for diversity : gender, race. and ethnicity in the architectural profession
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$57.75
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Summary:
Providing hard data for trends that many perceive only vaguely and some deny altogether, "Designing for diversity" reveals a profession rife with gender and racial discrimination and examines the aspects of architectural practice that hinder or support the full participation of women and persons of color. Drawing on interviews and surveys of hundreds of architects, Kathryn H. Anthony outlines some of the forms of discrimination that recur in architecture, such as being confined to certain kinds of positions, typically interior design for women, government work for African Americans, and computer-aided design for Asian-American architects. Anthony discusses the profession's attitude toward flexible schedules and part-time contracts and identifies strategies that have helped underrepresented individuals advance in the profession. Given the traditional mismatch between diverse consumers and predominantly white male producers of the built environment, plus the shifting population balance toward communities of color, Anthony contends that the architectural profession staves off true diversity at its own peril. Through her book, practicing architects, managers of firms, and educators will learn how to create conditions more welcoming to a diversity of users as well as designers of the built environment.
Form:
books
books
Publication:
April 2002, Urbana and Chicago
April 2002, Urbana and Chicago
Subject:
Architectural Theory
Architectural Theory
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books
books
Price:
$41.95
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Summary:
À partir d'une collection de lieux choisis, amplement phototographiés et dessinés par Dominique Spinetta, s'élabore un enseignement qui lie intimement la compréhension des formes à leurs usages. Au fil des démonstrations, le lecteur pourra se forger un regard de concepteur, capable de reconnaître - pour les transformer - les logiques des espaces bâtis.
$41.95
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À partir d'une collection de lieux choisis, amplement phototographiés et dessinés par Dominique Spinetta, s'élabore un enseignement qui lie intimement la compréhension des formes à leurs usages. Au fil des démonstrations, le lecteur pourra se forger un regard de concepteur, capable de reconnaître - pour les transformer - les logiques des espaces bâtis.
Title:
L'apprentissage du regard : leçons d'architecture de Dominique Spinetta
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À partir d'une collection de lieux choisis, amplement phototographiés et dessinés par Dominique Spinetta, s'élabore un enseignement qui lie intimement la compréhension des formes à leurs usages. Au fil des démonstrations, le lecteur pourra se forger un regard de concepteur, capable de reconnaître - pour les transformer - les logiques des espaces bâtis.
L'apprentissage du regard : leçons d'architecture de Dominique Spinetta
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Summary:
À partir d'une collection de lieux choisis, amplement phototographiés et dessinés par Dominique Spinetta, s'élabore un enseignement qui lie intimement la compréhension des formes à leurs usages. Au fil des démonstrations, le lecteur pourra se forger un regard de concepteur, capable de reconnaître - pour les transformer - les logiques des espaces bâtis.
Form:
books
books
Publication:
May 2002, Paris
May 2002, Paris
Subject:
Architectural Theory
Architectural Theory
Form:
books
books
Title:
Infinity and perspective
Infinity and perspective
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$36.95
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Summary:
Much postmodern rhetoric, suggests Karsten Harries, can be understood as a symptom of our civilization's discontent, born of regret that we are no longer able to experience our world as a cosmos that assigns us our place. But dissatisfaction with the modern world may also spring from a conviction that modernism has failed to confront the challenge of an inevitably open(...)
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Much postmodern rhetoric, suggests Karsten Harries, can be understood as a symptom of our civilization's discontent, born of regret that we are no longer able to experience our world as a cosmos that assigns us our place. But dissatisfaction with the modern world may also spring from a conviction that modernism has failed to confront the challenge of an inevitably open(...)
Title:
Infinity and perspective
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$36.95
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Much postmodern rhetoric, suggests Karsten Harries, can be understood as a symptom of our civilization's discontent, born of regret that we are no longer able to experience our world as a cosmos that assigns us our place. But dissatisfaction with the modern world may also spring from a conviction that modernism has failed to confront the challenge of an inevitably open future. Such conviction has frequently led to a critique of modernity's founding heroes. Challenging that critique, Harries insists that modernity is supported by nothing other than human freedom. But more important to Harries is to show how modernist self-assertion is shadowed by nihilism and what it might mean to step out of that shadow. Looking at a small number of medieval and Renaissance texts, as well as some paintings, he uncovers the threshold that separates the modern from the premodern world. At the same time, he illuminates that other, more questionable threshold, between the modern and the postmodern. Two spirits preside over the book: Alberti, the Renaissance author on art and architecture, whose passionate interest in perspective and point of view offers a key to modernity; and Nicolaus Cusanus, the fifteenth-century cardinal, whose work shows that such interest cannot be divorced from speculations on the infinity of God. The title Infinity and Perspective connects the two to each other and to the shape of modernity.
Infinity and perspective
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Summary:
Much postmodern rhetoric, suggests Karsten Harries, can be understood as a symptom of our civilization's discontent, born of regret that we are no longer able to experience our world as a cosmos that assigns us our place. But dissatisfaction with the modern world may also spring from a conviction that modernism has failed to confront the challenge of an inevitably open future. Such conviction has frequently led to a critique of modernity's founding heroes. Challenging that critique, Harries insists that modernity is supported by nothing other than human freedom. But more important to Harries is to show how modernist self-assertion is shadowed by nihilism and what it might mean to step out of that shadow. Looking at a small number of medieval and Renaissance texts, as well as some paintings, he uncovers the threshold that separates the modern from the premodern world. At the same time, he illuminates that other, more questionable threshold, between the modern and the postmodern. Two spirits preside over the book: Alberti, the Renaissance author on art and architecture, whose passionate interest in perspective and point of view offers a key to modernity; and Nicolaus Cusanus, the fifteenth-century cardinal, whose work shows that such interest cannot be divorced from speculations on the infinity of God. The title Infinity and Perspective connects the two to each other and to the shape of modernity.
Form:
books
books
Publication:
October 2002, Cambridge, Mass.
October 2002, Cambridge, Mass.
Subject:
Architectural Theory
Architectural Theory
Form:
books
books
Price:
$39.95
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Summary:
Focusing on Los Angeles, this book looks at urban transformation through the architecture and land development of large-scale residential projects. The author demonstrates the inherent instability of very large sites. Cuff explores five cases that span the period from the 1930s, when federal support for slum clearance and public housing caused convulsions near(...)
$39.95
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Summary:
Focusing on Los Angeles, this book looks at urban transformation through the architecture and land development of large-scale residential projects. The author demonstrates the inherent instability of very large sites. Cuff explores five cases that span the period from the 1930s, when federal support for slum clearance and public housing caused convulsions near(...)
Title:
The provisional city : Los Angeles stories of architecture and urbanism
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Focusing on Los Angeles, this book looks at urban transformation through the architecture and land development of large-scale residential projects. The author demonstrates the inherent instability of very large sites. Cuff explores five cases that span the period from the 1930s, when federal support for slum clearance and public housing caused convulsions near downtown, to a huge 1990s mixed-use development on one of Los Angeles' last remaining wetlands. The story takes us from the refined modernist architecture of Richard Neutra to the self-conscious populism of the New Urbanism. The cases illuminate the relationship of housing architecture to issues of race, class, urban design, geography, and political ideology.
The provisional city : Los Angeles stories of architecture and urbanism
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$39.95
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Summary:
Focusing on Los Angeles, this book looks at urban transformation through the architecture and land development of large-scale residential projects. The author demonstrates the inherent instability of very large sites. Cuff explores five cases that span the period from the 1930s, when federal support for slum clearance and public housing caused convulsions near downtown, to a huge 1990s mixed-use development on one of Los Angeles' last remaining wetlands. The story takes us from the refined modernist architecture of Richard Neutra to the self-conscious populism of the New Urbanism. The cases illuminate the relationship of housing architecture to issues of race, class, urban design, geography, and political ideology.
Form:
books
books
Publication:
October 2002, Cambridge, Mass.
October 2002, Cambridge, Mass.
Subject:
Urban Theory
Urban Theory
Form:
books
books
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$44.95
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CIAM (Congrès Internationaux d'Architecture Moderne), founded in Switzerland in 1928, was an avant-garde association of architects intended to advance both modernism and internationalism in architecture. CIAM saw itself as an elite group revolutionizing architecture to serve the interests of society. Its members included some of the best-known architects of the twentieth(...)
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CIAM (Congrès Internationaux d'Architecture Moderne), founded in Switzerland in 1928, was an avant-garde association of architects intended to advance both modernism and internationalism in architecture. CIAM saw itself as an elite group revolutionizing architecture to serve the interests of society. Its members included some of the best-known architects of the twentieth(...)
Subject:
Urban Theory
Urban Theory
Publication:
October 2002, Cambridge, Massachusetts
October 2002, Cambridge, Massachusetts
Title:
The CIAM discourse on urbanism, 1928-1960
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CIAM (Congrès Internationaux d'Architecture Moderne), founded in Switzerland in 1928, was an avant-garde association of architects intended to advance both modernism and internationalism in architecture. CIAM saw itself as an elite group revolutionizing architecture to serve the interests of society. Its members included some of the best-known architects of the twentieth century, such as Le Corbusier, Walter Gropius, and Richard Neutra, but also hundreds of others who looked to it for doctrines on how to shape the urban environment in a rapidly changing world. In this first book-length history of the organization, architectural historian Eric Mumford focuses on CIAM's discourse to trace the development and promotion of its influential concept of the "Functional City." He views official doctrines and pronouncements in relation to the changing circumstances of the members, revealing how CIAM in the 1930s began to resemble a kind of syndicalist party oriented toward winning over any suitable authority, regardless of political orientation. Mumford also looks at CIAM's efforts after World War II to find a new basis for a socially engaged architecture and describes the attempts by the group of younger members called Team 10 to radically revise CIAM's mission in the 1950s, efforts that led to the organization's dissolution in 1959.
The CIAM discourse on urbanism, 1928-1960
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Summary:
CIAM (Congrès Internationaux d'Architecture Moderne), founded in Switzerland in 1928, was an avant-garde association of architects intended to advance both modernism and internationalism in architecture. CIAM saw itself as an elite group revolutionizing architecture to serve the interests of society. Its members included some of the best-known architects of the twentieth century, such as Le Corbusier, Walter Gropius, and Richard Neutra, but also hundreds of others who looked to it for doctrines on how to shape the urban environment in a rapidly changing world. In this first book-length history of the organization, architectural historian Eric Mumford focuses on CIAM's discourse to trace the development and promotion of its influential concept of the "Functional City." He views official doctrines and pronouncements in relation to the changing circumstances of the members, revealing how CIAM in the 1930s began to resemble a kind of syndicalist party oriented toward winning over any suitable authority, regardless of political orientation. Mumford also looks at CIAM's efforts after World War II to find a new basis for a socially engaged architecture and describes the attempts by the group of younger members called Team 10 to radically revise CIAM's mission in the 1950s, efforts that led to the organization's dissolution in 1959.
Form:
books
books
Publication:
October 2002, Cambridge, Massachusetts
October 2002, Cambridge, Massachusetts
Subject:
Urban Theory
Urban Theory
Form:
books
books
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$47.95
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"Vitruvius’s De architectura" is the only major work on architecture to survive from classical antiquity, and until the eighteenth century it was the text to which all other architectural treatises referred. While European classicists have focused on the factual truth of the text itself, English-speaking architects and architectural theorists have viewed it as a timeless(...)
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"Vitruvius’s De architectura" is the only major work on architecture to survive from classical antiquity, and until the eighteenth century it was the text to which all other architectural treatises referred. While European classicists have focused on the factual truth of the text itself, English-speaking architects and architectural theorists have viewed it as a timeless(...)
Subject:
Architectural Theory
Architectural Theory
Publication:
October 2002, Cambridge, Mass.
October 2002, Cambridge, Mass.
Title:
Vitruvius: Writing the body of architecture
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"Vitruvius’s De architectura" is the only major work on architecture to survive from classical antiquity, and until the eighteenth century it was the text to which all other architectural treatises referred. While European classicists have focused on the factual truth of the text itself, English-speaking architects and architectural theorists have viewed it as a timeless source of valuable metaphors. Departing from both perspectives, Indra Kagis McEwen examines the work’s meaning and significance in its own time. Vitruvius dedicated De architectura to his patron Augustus Caesar, the first Roman emperor, whose rise to power inspired its composition near the end of the first century B.C. McEwen argues that the imperial project of world dominion shaped Vitruvius’s purpose in writing what he calls "the whole body of architecture." Specifically, Vitruvius’s aim was to present his discipline as the means for making the emperor’s body congruent with the imagined body of the world he would rule.
Vitruvius: Writing the body of architecture
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"Vitruvius’s De architectura" is the only major work on architecture to survive from classical antiquity, and until the eighteenth century it was the text to which all other architectural treatises referred. While European classicists have focused on the factual truth of the text itself, English-speaking architects and architectural theorists have viewed it as a timeless source of valuable metaphors. Departing from both perspectives, Indra Kagis McEwen examines the work’s meaning and significance in its own time. Vitruvius dedicated De architectura to his patron Augustus Caesar, the first Roman emperor, whose rise to power inspired its composition near the end of the first century B.C. McEwen argues that the imperial project of world dominion shaped Vitruvius’s purpose in writing what he calls "the whole body of architecture." Specifically, Vitruvius’s aim was to present his discipline as the means for making the emperor’s body congruent with the imagined body of the world he would rule.
Form:
books
books
Publication:
October 2002, Cambridge, Mass.
October 2002, Cambridge, Mass.
Subject:
Architectural Theory
Architectural Theory
Form:
books
books
Title:
The spirit of terrorism
The spirit of terrorism
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$19.00
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«In dealing all the cards to itself, the system forced the Other to change the rules of the game. And the new rules are ferocious, because the game is ferocious.»
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«In dealing all the cards to itself, the system forced the Other to change the rules of the game. And the new rules are ferocious, because the game is ferocious.»
Subject:
Architectural Theory
Architectural Theory
Publication:
September 2002, London / New York
September 2002, London / New York
Title:
The spirit of terrorism
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«In dealing all the cards to itself, the system forced the Other to change the rules of the game. And the new rules are ferocious, because the game is ferocious.»
The spirit of terrorism
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«In dealing all the cards to itself, the system forced the Other to change the rules of the game. And the new rules are ferocious, because the game is ferocious.»
Form:
books
books
Publication:
September 2002, London / New York
September 2002, London / New York
Subject:
Architectural Theory
Architectural Theory
Form:
books
books
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$46.95
(available to order)
Summary:
Jean-Pierre Barillet-Deschamps (1824-1873), premier jardinier en chef du service des promenades et plantations de la ville de Paris, est l’auteur de l’aménagement paysager de la capitale au moment de sa transformation par le préfet Haussmann. Transformant notamment les bois de Boulogne et de Vincennes, le parc Monceau, réalisant le parc des Buttes-Chaumont, il inaugure(...)
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Jean-Pierre Barillet-Deschamps (1824-1873), premier jardinier en chef du service des promenades et plantations de la ville de Paris, est l’auteur de l’aménagement paysager de la capitale au moment de sa transformation par le préfet Haussmann. Transformant notamment les bois de Boulogne et de Vincennes, le parc Monceau, réalisant le parc des Buttes-Chaumont, il inaugure(...)
Title:
L'art des jardins sous le Second Empire : Jean-Pierre Barillet-Deschamps (1824-1873)
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Jean-Pierre Barillet-Deschamps (1824-1873), premier jardinier en chef du service des promenades et plantations de la ville de Paris, est l’auteur de l’aménagement paysager de la capitale au moment de sa transformation par le préfet Haussmann. Transformant notamment les bois de Boulogne et de Vincennes, le parc Monceau, réalisant le parc des Buttes-Chaumont, il inaugure un nouveau type de jardin, caractérisé par les vallonnements, les formes sinueuses des allées et des pelouses, la richesse de la décoration végétale, qui exalte la modernité du Second Empire et de la bourgeoisie, nouvelle classe dominante. Les nouveaux jardins parisiens se font le reflet de cette société, de ses désirs, ses principes et ses valeurs; et révèlent en même temps ses faiblesses et ses contradictions. Image fidèle de la bourgeoisie parisienne, le nouveau jardin est diversement accueilli dans les pays où il est exporté: en province, à Lille, Marseille, Avignon, Hyères, ainsi qu’à l’étranger, à Genève, Milan, Turin, Vienne et Le Caire. Le jardin parisien du Second Empire caractérisera ainsi l’art des jardins du XIXè siècle, et marquera de son empreinte la plupart des réalisations paysagères du XXè siècle. Luisa Limido est née en Italie en 1964. Architecte, Docteur en géographie à l’Université de Paris I, elle a préparé une thèse sur les jardins publics parisiens sous le Second Empire. Elle travaille actuellement sur le rapport ville-nature et société dans la ville du XIXè et XXè siècles.
L'art des jardins sous le Second Empire : Jean-Pierre Barillet-Deschamps (1824-1873)
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Jean-Pierre Barillet-Deschamps (1824-1873), premier jardinier en chef du service des promenades et plantations de la ville de Paris, est l’auteur de l’aménagement paysager de la capitale au moment de sa transformation par le préfet Haussmann. Transformant notamment les bois de Boulogne et de Vincennes, le parc Monceau, réalisant le parc des Buttes-Chaumont, il inaugure un nouveau type de jardin, caractérisé par les vallonnements, les formes sinueuses des allées et des pelouses, la richesse de la décoration végétale, qui exalte la modernité du Second Empire et de la bourgeoisie, nouvelle classe dominante. Les nouveaux jardins parisiens se font le reflet de cette société, de ses désirs, ses principes et ses valeurs; et révèlent en même temps ses faiblesses et ses contradictions. Image fidèle de la bourgeoisie parisienne, le nouveau jardin est diversement accueilli dans les pays où il est exporté: en province, à Lille, Marseille, Avignon, Hyères, ainsi qu’à l’étranger, à Genève, Milan, Turin, Vienne et Le Caire. Le jardin parisien du Second Empire caractérisera ainsi l’art des jardins du XIXè siècle, et marquera de son empreinte la plupart des réalisations paysagères du XXè siècle. Luisa Limido est née en Italie en 1964. Architecte, Docteur en géographie à l’Université de Paris I, elle a préparé une thèse sur les jardins publics parisiens sous le Second Empire. Elle travaille actuellement sur le rapport ville-nature et société dans la ville du XIXè et XXè siècles.
Form:
books
books
Publication:
March 2002, Seyssel
March 2002, Seyssel
Subject:
Landscape Theory
Landscape Theory
