Sub-series
AP197.S1.SS9
Description:
This subseries is comprised of notes, drafts, research, and photographic materials that were organized by topic. Unlike Kenneth Frampton’s research files which are arranged in Series AP197.S2, these files were compiled for book projects, articles, book reviews, lectures, interviews, conference addresses, and keynote speeches, and document over 300 of Frampton's published or unpublished texts. The materials include notes, contracts, drafts, correspondence, final copies of texts, photographic materials, and research materials. This subseries also includes Frampton’s curriculum vitaes, notebooks, and covers he designed for the journal Architectural Design (1962-1964). The files are organized alphabetically by the topic explored, namely architects. Some of these architects include: Alvar Aalto; Tadao Ando; Georges Baines; Luis Barragan; H.P. Berlage; Mario Botta; Alberto Campo Baeza; David Chipperfield; Alvaro Siza; Michael Kagan; Louis Kahn; Rem Koolhaas; Kengo Kuma; Kisho Kurakawa; Adolf Loos; Le Corbusier; Raphael Moneo; Carlo Scarpa; O.M. Ungers; Raj Rewal; Rogelio Salmona; Frank Lloyd Wright; and Monica Pidgeon. Subjects explored in these texts include: photography; the predicament of environmental design; reciprocal regionalism; the British Library; China's sacred sites; reflections on the oppositions of architecture and building; reflections on Perspecta; and the role of education. Large portions of these boxes document the publications "World Architecture 1900-2000: a Critical Mosaic" (1999), "Le Corbusier" (1997 and 2002), "American Masterworks: the Twentieth Century House" (1995), and "American Masterworks" (2008). Some folders may include coloured tabs with the note "copied." These tabs were used to identify whether the particular writing/project in question had been added to Frampton's curriculum vitae.
circa 1952 -2016
Books, articles, reviews, lectures, and juries
Actions:
AP197.S1.SS9
Description:
This subseries is comprised of notes, drafts, research, and photographic materials that were organized by topic. Unlike Kenneth Frampton’s research files which are arranged in Series AP197.S2, these files were compiled for book projects, articles, book reviews, lectures, interviews, conference addresses, and keynote speeches, and document over 300 of Frampton's published or unpublished texts. The materials include notes, contracts, drafts, correspondence, final copies of texts, photographic materials, and research materials. This subseries also includes Frampton’s curriculum vitaes, notebooks, and covers he designed for the journal Architectural Design (1962-1964). The files are organized alphabetically by the topic explored, namely architects. Some of these architects include: Alvar Aalto; Tadao Ando; Georges Baines; Luis Barragan; H.P. Berlage; Mario Botta; Alberto Campo Baeza; David Chipperfield; Alvaro Siza; Michael Kagan; Louis Kahn; Rem Koolhaas; Kengo Kuma; Kisho Kurakawa; Adolf Loos; Le Corbusier; Raphael Moneo; Carlo Scarpa; O.M. Ungers; Raj Rewal; Rogelio Salmona; Frank Lloyd Wright; and Monica Pidgeon. Subjects explored in these texts include: photography; the predicament of environmental design; reciprocal regionalism; the British Library; China's sacred sites; reflections on the oppositions of architecture and building; reflections on Perspecta; and the role of education. Large portions of these boxes document the publications "World Architecture 1900-2000: a Critical Mosaic" (1999), "Le Corbusier" (1997 and 2002), "American Masterworks: the Twentieth Century House" (1995), and "American Masterworks" (2008). Some folders may include coloured tabs with the note "copied." These tabs were used to identify whether the particular writing/project in question had been added to Frampton's curriculum vitae.
Subseries
circa 1952 -2016
photographs
Project documentation for presentation purposes for Erickson's museums and galleries projects
ARCH274183
Description:
Photographic documentation of various projects filed under, "Museums and Galleries." Contains slides of plans, models and completed projects where applicable. Includes: Children's Gallery, Vancouver Art Gallery, Vancouver, BC (1959); Mendel Art Gallery, Saskatoon, SK (1962); Centennial Museum Complex, Vancouver, BC (1965); Vancouver Aquarium, Vancouver, BC (1967); Winnipeg Art Gallery, Winnipeg, MN (1967); Centre du Plateau Beaubourg, Paris, France (1971); Museum of Anthropology, University of British Columbia, Vancouver, BC (1972); National Gallery of Canada, Ottawa, ON, with David Boulva Cleve (1975); Vancouver Art Gallery, Vancouver, BC (1979); SANCST Science Halls, Riyadh, Saudi Arabia (1982); Visual Arts Center, Ohio State University, Columbus, OH, with Feinknopf Macioce Schappa (1983); Robert McLaughlin Art Gallery, Oshawa, ON (1984); Fine Arts Complex, Arizona State University, Tempe, AZ (1985); Museum of History, Science and Technology, Hong Kong, China, with Tao Ho (1985); Discovery Place, Prince George, BC (1986); Vernon Art Museum and Gallery, Vernon, BC (1987); Museum of Anthropology Expansion, University of British Columbia, Vancouver, BC (1988).
21 October 1994
Project documentation for presentation purposes for Erickson's museums and galleries projects
Actions:
ARCH274183
Description:
Photographic documentation of various projects filed under, "Museums and Galleries." Contains slides of plans, models and completed projects where applicable. Includes: Children's Gallery, Vancouver Art Gallery, Vancouver, BC (1959); Mendel Art Gallery, Saskatoon, SK (1962); Centennial Museum Complex, Vancouver, BC (1965); Vancouver Aquarium, Vancouver, BC (1967); Winnipeg Art Gallery, Winnipeg, MN (1967); Centre du Plateau Beaubourg, Paris, France (1971); Museum of Anthropology, University of British Columbia, Vancouver, BC (1972); National Gallery of Canada, Ottawa, ON, with David Boulva Cleve (1975); Vancouver Art Gallery, Vancouver, BC (1979); SANCST Science Halls, Riyadh, Saudi Arabia (1982); Visual Arts Center, Ohio State University, Columbus, OH, with Feinknopf Macioce Schappa (1983); Robert McLaughlin Art Gallery, Oshawa, ON (1984); Fine Arts Complex, Arizona State University, Tempe, AZ (1985); Museum of History, Science and Technology, Hong Kong, China, with Tao Ho (1985); Discovery Place, Prince George, BC (1986); Vernon Art Museum and Gallery, Vernon, BC (1987); Museum of Anthropology Expansion, University of British Columbia, Vancouver, BC (1988).
photographs
21 October 1994
textual records
ARCH278204
Description:
Documents are in English, Spanish, Italian, German, French and Chinese[?].
n.d.
Reference materials on skyscrapers, Técnica y architectura en la ciudad contemporánea
Actions:
ARCH278204
Description:
Documents are in English, Spanish, Italian, German, French and Chinese[?].
textual records
n.d.
articles
White Walls and Black Tiles
White Walls and Black Tiles
Taro Cai and Peter Sealy on how travel photography reframed Chinese garden aesthetics
Actions:
Acts of Looking
articles
With Another Lens
7 April 2026
With Another Lens
Wang Tuo introduces *Intensity in Ten Cities*, a film installation produced for [How Modern: Biographies of Architecture in China 1949-1979](https://www.cca.qc.ca/en/events/96996/how-modern).
Actions:
textual records
AP197.S3.009
Description:
The box is comprised of correspondence for the years of 1999-2000, organized in chronological order. The box documents Frampton’s career as Ware professor at the Graduate School of Architecture, Planning and Preservation, Columbia University and his related professional activities. Correspondence in this box includes: offers of teaching positions; requests to write articles, reviews, books and recommendation letters; invitations to teach, present, or attend at lectures/symposiums/conferences; and requests to serve on juries. Throughout this period, Frampton corresponded with various universities, architects, professors, publishers, and editors of various publications such as: Tadao Ando; Alvaro Siza; Norman Foster; the Architectural Society of China; and the Università della Svizzera italiana. Correspondence relates to his participation/involvement in: the Centennial Conference; the International Committee for Documentation and Conservation of Buildings, Sites and Neighbourhoods of the Modern Movement’s (do.co,mo.mo) conference in Brasilia; the Le Corbusier Seminar in France; the Aga Khan Award for Architecture; the Le Corbusier publication; Journal of Architectural Education (JAE)’s "Technology and Place;" and the English version of his essay in the publication Alvaro Siza: Complete works.
1999-2000
Personal and professional correspondence from 1999-2000
Actions:
AP197.S3.009
Description:
The box is comprised of correspondence for the years of 1999-2000, organized in chronological order. The box documents Frampton’s career as Ware professor at the Graduate School of Architecture, Planning and Preservation, Columbia University and his related professional activities. Correspondence in this box includes: offers of teaching positions; requests to write articles, reviews, books and recommendation letters; invitations to teach, present, or attend at lectures/symposiums/conferences; and requests to serve on juries. Throughout this period, Frampton corresponded with various universities, architects, professors, publishers, and editors of various publications such as: Tadao Ando; Alvaro Siza; Norman Foster; the Architectural Society of China; and the Università della Svizzera italiana. Correspondence relates to his participation/involvement in: the Centennial Conference; the International Committee for Documentation and Conservation of Buildings, Sites and Neighbourhoods of the Modern Movement’s (do.co,mo.mo) conference in Brasilia; the Le Corbusier Seminar in France; the Aga Khan Award for Architecture; the Le Corbusier publication; Journal of Architectural Education (JAE)’s "Technology and Place;" and the English version of his essay in the publication Alvaro Siza: Complete works.
textual records
1999-2000
archives
Level of archival description:
Fonds
Myron Goldsmith fonds
AP032
Synopsis:
The Myron Goldsmith fonds consists primarily of 30.4 metres of textual documents, including notebooks, research and reading notes, travel journals, documentation files, correspondence, sketchbooks and personal and office papers. There are also 2,800 original drawings and prints, 10,000 photographs and slides, and 5 architectural models. The material ranges in date from c.1933 to 1996. In shedding light on Goldsmith's student years and working career, the fonds' rich collection of documents also provides material on activities in the architectural profession, architectural education, and architectural and engineering theory and building techniques through the 1940s to the 1990s.
1933-1996
Myron Goldsmith fonds
Actions:
AP032
Synopsis:
The Myron Goldsmith fonds consists primarily of 30.4 metres of textual documents, including notebooks, research and reading notes, travel journals, documentation files, correspondence, sketchbooks and personal and office papers. There are also 2,800 original drawings and prints, 10,000 photographs and slides, and 5 architectural models. The material ranges in date from c.1933 to 1996. In shedding light on Goldsmith's student years and working career, the fonds' rich collection of documents also provides material on activities in the architectural profession, architectural education, and architectural and engineering theory and building techniques through the 1940s to the 1990s.
archives
Level of archival description:
Fonds
1933-1996
archives
Level of archival description:
Fonds
Arthur Erickson fonds
AP022
Synopsis:
The Arthur Erickson fonds documents the work and activities of Canadian architect Arthur Erickson between 1947 and 2002 (predominant dates 1963-ca. 2000). It comprises architecture projects records with three hundred ninety-seven projects by Erickson / Massey, Arthur Erickson Architects and Arthur Erickson as a design consultant are documented with drawings, photographs, textual documents and other material. It also includes project administration records, records from Erickson's Toronto, Los Angeles and Vancouver offices, records related to Erickson's professional activities, material related to some of Erickson's student projects, and personal papers.
1947-2002 (predominant 1963-2000)
Arthur Erickson fonds
Actions:
AP022
Synopsis:
The Arthur Erickson fonds documents the work and activities of Canadian architect Arthur Erickson between 1947 and 2002 (predominant dates 1963-ca. 2000). It comprises architecture projects records with three hundred ninety-seven projects by Erickson / Massey, Arthur Erickson Architects and Arthur Erickson as a design consultant are documented with drawings, photographs, textual documents and other material. It also includes project administration records, records from Erickson's Toronto, Los Angeles and Vancouver offices, records related to Erickson's professional activities, material related to some of Erickson's student projects, and personal papers.
archives
Level of archival description:
Fonds
1947-2002 (predominant 1963-2000)
DR1988:0437:044
Description:
- This etching for a fireworks construction or macchina is dedicated to Chinese philosophy. The macchina is in the form of a wall articulated with a specially designed order of architecture. The capitals of the order consist of two dragons looking in opposite directions. Statues representing chinese philosophers are placed between the columns.
temporary architecture
printed 1772
Etching of Posi's design for the "prima macchina" of 1772
Actions:
DR1988:0437:044
Description:
- This etching for a fireworks construction or macchina is dedicated to Chinese philosophy. The macchina is in the form of a wall articulated with a specially designed order of architecture. The capitals of the order consist of two dragons looking in opposite directions. Statues representing chinese philosophers are placed between the columns.
temporary architecture
textual records
AP197.S3.008
Description:
The box is comprised of correspondence for the year 1999. The box documents Frampton’s career as Ware professor at the Graduate School of Architecture, Planning and Preservation, Columbia University and his related professional activities. Correspondence in this box includes: offers of teaching positions; requests to write articles, reviews, books and recommendation letters; invitations to teach, present, or attend at lectures/symposiums/conferences; and requests to serve on juries. Throughout this period, Frampton corresponded with various universities, architects, professors, publishers, and editors of various publications such as: David Chipperfield; J.C. Calderon; Steven Holl; Phaidon Press Ltd.; Monacelli Press; the Barragan Foundation; Rafael Moneo; Renzo Piano; and the Architectural Society of China. This correspondence relates to articles Frampton has written such as: “Reflections on Minimalism;” the “Labyrinth of Barragan;” and an essay for the publication Tadao Ando in Body and Building: Essays on the Changing Relationship of Body and Architecture. Correspondence relating to Frampton’s position as a visiting professor at the Università della Svizzera italiana, a jury member for the Aga Khan Award, and as General Editor of World Architecture: a Critical Mosaic 1900-2000 Vols: 1-10 is also included in this box.
1999
Personal and professional correspondence from 1999
Actions:
AP197.S3.008
Description:
The box is comprised of correspondence for the year 1999. The box documents Frampton’s career as Ware professor at the Graduate School of Architecture, Planning and Preservation, Columbia University and his related professional activities. Correspondence in this box includes: offers of teaching positions; requests to write articles, reviews, books and recommendation letters; invitations to teach, present, or attend at lectures/symposiums/conferences; and requests to serve on juries. Throughout this period, Frampton corresponded with various universities, architects, professors, publishers, and editors of various publications such as: David Chipperfield; J.C. Calderon; Steven Holl; Phaidon Press Ltd.; Monacelli Press; the Barragan Foundation; Rafael Moneo; Renzo Piano; and the Architectural Society of China. This correspondence relates to articles Frampton has written such as: “Reflections on Minimalism;” the “Labyrinth of Barragan;” and an essay for the publication Tadao Ando in Body and Building: Essays on the Changing Relationship of Body and Architecture. Correspondence relating to Frampton’s position as a visiting professor at the Università della Svizzera italiana, a jury member for the Aga Khan Award, and as General Editor of World Architecture: a Critical Mosaic 1900-2000 Vols: 1-10 is also included in this box.
textual records
1999