Nuit Blanche 2025: 38%
It is time for a systemic change in the way we design and value the built environment. The way we build is not ecologically sustainable. The building industry is responsible for 38% of the worlds annual production of greenhouse gases. During the Nuit Blanche at the CCA, we invite you to come and discuss, reflect and be inspired by the actions of the German architecture(...)
Nuit Blanche 2025
1 March 2025 to 2 March 2025, 7pm to 1am
Nuit Blanche 2025: 38%
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It is time for a systemic change in the way we design and value the built environment. The way we build is not ecologically sustainable. The building industry is responsible for 38% of the worlds annual production of greenhouse gases. During the Nuit Blanche at the CCA, we invite you to come and discuss, reflect and be inspired by the actions of the German architecture(...)
Nuit Blanche 2025
As part of the CCA’s ongoing exploration of key issues in contemporary architecture with a specific focus on urban, social, and environmental concerns, Some Ideas on Living in London and Tokyo by Stephen Taylor and Ryue Nishizawa features recent architectural projects that propose new solutions to the challenges of building homes in dense urban environments. London and(...)
Main galleries
14 May 2008 to 26 October 2008
Some Ideas on Living in London and Tokyo by Stephen Taylor and Ryue Nishizawa
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As part of the CCA’s ongoing exploration of key issues in contemporary architecture with a specific focus on urban, social, and environmental concerns, Some Ideas on Living in London and Tokyo by Stephen Taylor and Ryue Nishizawa features recent architectural projects that propose new solutions to the challenges of building homes in dense urban environments. London and(...)
Main galleries
articles
Lateral Gaze
21 August 2023
Lateral Gaze
Stefano Boeri on Gabriele Basilico, in conversation with Stefano Graziani and Bas Princen
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Archaeology of the Digital: Complexity and Convention is the third exhibition related to the development of a strategy for collecting and preserving digital archives at the CCA. The Archaeology of the Digital program comprises twenty-five projects for which digital materials are integral to an understanding of the design process. For projects included in the first two(...)
11 May 2016 to 16 October 2016
Archaeology of the Digital: Complexity and Convention
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Archaeology of the Digital: Complexity and Convention is the third exhibition related to the development of a strategy for collecting and preserving digital archives at the CCA. The Archaeology of the Digital program comprises twenty-five projects for which digital materials are integral to an understanding of the design process. For projects included in the first two(...)
ARCH256302
Description:
"Les éléments d'exposition du pavillon que la république de Haiti fait construire à l'Expo 67 illustreront le thème 'Haiti, terre de soleil'. L'édifice sera situé dans l'Ile Notre-Dame, à proximité des pavillons de Monaco et de la Yougoslavie. Il se reflétera dans deux des canaux de l'Expo. / The pavilion of the Republic of Haiti will stress the theme 'Haiti... land of the sun,' and will be located on Notre-Dame near the pavilions of Monaco and Yugoslavia. The pavilion's floor and external terrace will be a checkered motif stylizing the sun, while the roof will be made of 16 hollow tubes of varying heights. Total cost of the pavilion will be approximately $150,000.00."--Description.
1967
View of the Pavilion of Haiti, Expo 67, Montréal, Québec
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ARCH256302
Description:
"Les éléments d'exposition du pavillon que la république de Haiti fait construire à l'Expo 67 illustreront le thème 'Haiti, terre de soleil'. L'édifice sera situé dans l'Ile Notre-Dame, à proximité des pavillons de Monaco et de la Yougoslavie. Il se reflétera dans deux des canaux de l'Expo. / The pavilion of the Republic of Haiti will stress the theme 'Haiti... land of the sun,' and will be located on Notre-Dame near the pavilions of Monaco and Yugoslavia. The pavilion's floor and external terrace will be a checkered motif stylizing the sun, while the roof will be made of 16 hollow tubes of varying heights. Total cost of the pavilion will be approximately $150,000.00."--Description.
Take Note
Take Note presents selected pivotal moments in the ongoing relationship between writing and architecture. This exhibition is the fifth in a series of CCA exhibitions developed in collaboration with universities. Curated by Sylvia Lavin, University of California, Los Angeles.
Octagonal gallery
4 February 2010 to 30 May 2010
Take Note
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Take Note presents selected pivotal moments in the ongoing relationship between writing and architecture. This exhibition is the fifth in a series of CCA exhibitions developed in collaboration with universities. Curated by Sylvia Lavin, University of California, Los Angeles.
Octagonal gallery
During the Second World War, exhibitions and publications played a critical role in the war effort. They were organized internationally as moments of reflection and propaganda, productions of a disciplinary approach to architecture and urban design. This display springs from Jean-Louis Cohen’s research for Architecture in Uniform: Designing and Building for the Second(...)
Hall cases
13 April 2011 to 18 September 2011
A Paper War: Pictures and words, 1939-1945
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During the Second World War, exhibitions and publications played a critical role in the war effort. They were organized internationally as moments of reflection and propaganda, productions of a disciplinary approach to architecture and urban design. This display springs from Jean-Louis Cohen’s research for Architecture in Uniform: Designing and Building for the Second(...)
Hall cases
Alongside a growth in decentralized, experimental, and underground cinema at the end of the 1960s and in the early 1970s, many groups operating from inside the field of architecture such as Superstudio, Studio 9999, and Ant Farm explored the short film as a medium to expand architectural discourse, embed their projects with bold reflections and projections of society, and(...)
Octagonal gallery
21 September 2018 to 19 May 2019
Scripts for a new world
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Alongside a growth in decentralized, experimental, and underground cinema at the end of the 1960s and in the early 1970s, many groups operating from inside the field of architecture such as Superstudio, Studio 9999, and Ant Farm explored the short film as a medium to expand architectural discourse, embed their projects with bold reflections and projections of society, and(...)
Octagonal gallery
Series
AP115.S1
Description:
Cette série porte sur le travail de documentation photographique de Robert Duchesnay d'un des exemples construit du Dymaxion Dwelling Machine, à Wichita, Kansas, aux États-Unis. Le Dymaxion Dwelling Machine, concept conçu par Buckminster Fuller et considéré comme le précurseur du dôme géodésique, visait a créer un mode d'habitation donnant un maximun d'espace pour un minimum de coût et de matériaux. L'exemple du Wichita House est conçu par Fuller en 1945-1946. "L'apparence de cette machine à habiter ressemble quelque peu à une soucoupe volante. Avec sa peau externe en aluminium et ses fenêtres en plexiglass, elle offre un surface élégante et profilée, tout en renferman un espace au sol de 1100 pieds carrées." [1] Le Dymaxion Dwelling Machine est abandonné en 1970, pour être finalement acquise en 1990 par le Henry Ford Museum à Detroit, au Michigan. La structure est démantelé la même année avec l'aide d'un ancien collaborateur de Buckminster Fuller, Jay Baldwin. Le Dymaxion Dwelling Machine est toujours visible au Ford Museum. La série contient des photographies de la Wichita House avant et durant le démantèlement, brochures et feuillets du Wichita Art Museum présentant l'exposition de Robert Duchesnay sur le bâtiment, correspondance reçue par Duchesnay sur son projet de documentation des dômes géodésiques de Buckminster Fuller, et coupures de presse sur le Dymaxion Dwelling Machine et le démantèlement de la Wichita House. [1] Robert Duchesnay, "Dymaxion Dwelling Machine", 2022, https://robertduchesnay.com/fr/dymaxion-fr/ (page consultée 27 février 2023).
1990-1992
Dymaxion Dwelling Machine, Wichita, Kansas
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AP115.S1
Description:
Cette série porte sur le travail de documentation photographique de Robert Duchesnay d'un des exemples construit du Dymaxion Dwelling Machine, à Wichita, Kansas, aux États-Unis. Le Dymaxion Dwelling Machine, concept conçu par Buckminster Fuller et considéré comme le précurseur du dôme géodésique, visait a créer un mode d'habitation donnant un maximun d'espace pour un minimum de coût et de matériaux. L'exemple du Wichita House est conçu par Fuller en 1945-1946. "L'apparence de cette machine à habiter ressemble quelque peu à une soucoupe volante. Avec sa peau externe en aluminium et ses fenêtres en plexiglass, elle offre un surface élégante et profilée, tout en renferman un espace au sol de 1100 pieds carrées." [1] Le Dymaxion Dwelling Machine est abandonné en 1970, pour être finalement acquise en 1990 par le Henry Ford Museum à Detroit, au Michigan. La structure est démantelé la même année avec l'aide d'un ancien collaborateur de Buckminster Fuller, Jay Baldwin. Le Dymaxion Dwelling Machine est toujours visible au Ford Museum. La série contient des photographies de la Wichita House avant et durant le démantèlement, brochures et feuillets du Wichita Art Museum présentant l'exposition de Robert Duchesnay sur le bâtiment, correspondance reçue par Duchesnay sur son projet de documentation des dômes géodésiques de Buckminster Fuller, et coupures de presse sur le Dymaxion Dwelling Machine et le démantèlement de la Wichita House. [1] Robert Duchesnay, "Dymaxion Dwelling Machine", 2022, https://robertduchesnay.com/fr/dymaxion-fr/ (page consultée 27 février 2023).
Série
1990-1992