7287 Results
Form:
drawings
Quantity:
17 drawing(s)
drawings
Quantity:
17 drawing(s)
Reference number:
DR1990:0028:001-017
DR1990:0028:001-017
People:
Subject:
architecture
architecture
Date:
ca. 1940-1941
ca. 1940-1941
Form:
drawings
Quantity:
17 drawing(s)
drawings
Quantity:
17 drawing(s)
Date:
ca. 1940-1941
ca. 1940-1941
People:
Subject:
architecture
architecture
Form:
drawings
drawings
Actions:
Reference number:
DR1997:0066:001-127
DR1997:0066:001-127
People:
Subject:
architecture, interior design, installation
architecture, interior design, installation
Date:
1938-1943
1938-1943
Form:
drawings
drawings
Date:
1938-1943
1938-1943
People:
Subject:
architecture, interior design, installation
architecture, interior design, installation
Form:
textual records
textual records
Actions:
Reference number:
AP197.S3.007
Description:
The box is comprised of correspondence for the years of 1997-1998, organized in chronological order. The box documents Frampton’s career as Ware professor at the Graduate School of Architecture, Planning and Preservation, Columbia University and his related professional activities. Correspondence in this box includes: offers of teaching positions; requests to write articles, reviews, books and recommendation letters; invitations to teach, present, or attend at lectures/symposiums/conferences; and requests to serve on juries. Throughout this period, Frampton corresponded with various architects, professors, publishers, and editors of various publications such as: the Berlage Institute; the Finnish Association of Architect; Università della Svizzera italiana; Kisho Kurakawa; Tadao Ando; Mario Botta; Aurelio Galfetti; the Barragan Foundation; and Steven Holl. Correspondence relating to the following projects can be found in this box: editor of Technology, Place and Architecture: The Jerusalem Seminar in Architecture; and the General Editor of the publication World Architecture: a Critical Mosaic 1900-2000 Vols: 1-10.
AP197.S3.007
Description:
The box is comprised of correspondence for the years of 1997-1998, organized in chronological order. The box documents Frampton’s career as Ware professor at the Graduate School of Architecture, Planning and Preservation, Columbia University and his related professional activities. Correspondence in this box includes: offers of teaching positions; requests to write articles, reviews, books and recommendation letters; invitations to teach, present, or attend at lectures/symposiums/conferences; and requests to serve on juries. Throughout this period, Frampton corresponded with various architects, professors, publishers, and editors of various publications such as: the Berlage Institute; the Finnish Association of Architect; Università della Svizzera italiana; Kisho Kurakawa; Tadao Ando; Mario Botta; Aurelio Galfetti; the Barragan Foundation; and Steven Holl. Correspondence relating to the following projects can be found in this box: editor of Technology, Place and Architecture: The Jerusalem Seminar in Architecture; and the General Editor of the publication World Architecture: a Critical Mosaic 1900-2000 Vols: 1-10.
People:
Date:
1997-1998
1997-1998
Title:
Personal and professional correspondence from 1997-1998
Actions:
AP197.S3.007
Description:
The box is comprised of correspondence for the years of 1997-1998, organized in chronological order. The box documents Frampton’s career as Ware professor at the Graduate School of Architecture, Planning and Preservation, Columbia University and his related professional activities. Correspondence in this box includes: offers of teaching positions; requests to write articles, reviews, books and recommendation letters; invitations to teach, present, or attend at lectures/symposiums/conferences; and requests to serve on juries. Throughout this period, Frampton corresponded with various architects, professors, publishers, and editors of various publications such as: the Berlage Institute; the Finnish Association of Architect; Università della Svizzera italiana; Kisho Kurakawa; Tadao Ando; Mario Botta; Aurelio Galfetti; the Barragan Foundation; and Steven Holl. Correspondence relating to the following projects can be found in this box: editor of Technology, Place and Architecture: The Jerusalem Seminar in Architecture; and the General Editor of the publication World Architecture: a Critical Mosaic 1900-2000 Vols: 1-10.
Personal and professional correspondence from 1997-1998
Actions:
AP197.S3.007
Description:
The box is comprised of correspondence for the years of 1997-1998, organized in chronological order. The box documents Frampton’s career as Ware professor at the Graduate School of Architecture, Planning and Preservation, Columbia University and his related professional activities. Correspondence in this box includes: offers of teaching positions; requests to write articles, reviews, books and recommendation letters; invitations to teach, present, or attend at lectures/symposiums/conferences; and requests to serve on juries. Throughout this period, Frampton corresponded with various architects, professors, publishers, and editors of various publications such as: the Berlage Institute; the Finnish Association of Architect; Università della Svizzera italiana; Kisho Kurakawa; Tadao Ando; Mario Botta; Aurelio Galfetti; the Barragan Foundation; and Steven Holl. Correspondence relating to the following projects can be found in this box: editor of Technology, Place and Architecture: The Jerusalem Seminar in Architecture; and the General Editor of the publication World Architecture: a Critical Mosaic 1900-2000 Vols: 1-10.
Form:
textual records
textual records
Date:
1997-1998
1997-1998
People:
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Title:
Richard Henriquez fonds
Richard Henriquez fonds
Actions:
Reference number:
AP059
Synopsis:
The Richard Henriquez fonds, 1962-2002, documents the professional career of architect and urban designer Richard G. Henriquez. More specifically, the fonds documents Henriquez’s architectural training at the University of Manitoba, his early career as an architect in Jamaica, and his career as a principal at the architectural firm Henriquez Partners Architects. The fonds contains approximately 8935 drawings (including reprographic copies), 106 panels, 100 photographs, 31 l.m textual records, 5 offset printing plates and 1 model.
AP059
Synopsis:
The Richard Henriquez fonds, 1962-2002, documents the professional career of architect and urban designer Richard G. Henriquez. More specifically, the fonds documents Henriquez’s architectural training at the University of Manitoba, his early career as an architect in Jamaica, and his career as a principal at the architectural firm Henriquez Partners Architects. The fonds contains approximately 8935 drawings (including reprographic copies), 106 panels, 100 photographs, 31 l.m textual records, 5 offset printing plates and 1 model.
People:
Date:
1962-2002
1962-2002
Title:
Richard Henriquez fonds
Actions:
AP059
Synopsis:
The Richard Henriquez fonds, 1962-2002, documents the professional career of architect and urban designer Richard G. Henriquez. More specifically, the fonds documents Henriquez’s architectural training at the University of Manitoba, his early career as an architect in Jamaica, and his career as a principal at the architectural firm Henriquez Partners Architects. The fonds contains approximately 8935 drawings (including reprographic copies), 106 panels, 100 photographs, 31 l.m textual records, 5 offset printing plates and 1 model.
Richard Henriquez fonds
Actions:
AP059
Synopsis:
The Richard Henriquez fonds, 1962-2002, documents the professional career of architect and urban designer Richard G. Henriquez. More specifically, the fonds documents Henriquez’s architectural training at the University of Manitoba, his early career as an architect in Jamaica, and his career as a principal at the architectural firm Henriquez Partners Architects. The fonds contains approximately 8935 drawings (including reprographic copies), 106 panels, 100 photographs, 31 l.m textual records, 5 offset printing plates and 1 model.
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Date:
1962-2002
1962-2002
People:
Form:
exhibitions
exhibitions
Actions:
Description:
The CCA galleries are transformed into cinematic screening rooms to present a range of artistic, scientific, and experimental films on speed and space. Selected by curators from the archives of NASA, the Smithsonian National Air and Space Museum (NASM), the National Film Board of Canada (NFB), and UbuWeb, the films explore the impact of velocity and technology on our(...)
The CCA galleries are transformed into cinematic screening rooms to present a range of artistic, scientific, and experimental films on speed and space. Selected by curators from the archives of NASA, the Smithsonian National Air and Space Museum (NASM), the National Film Board of Canada (NFB), and UbuWeb, the films explore the impact of velocity and technology on our(...)
Location:
Main galleries
Main galleries
Date:
25 November 2009 to 28 February 2010
25 November 2009 to 28 February 2010
Title:
Intermission: Films From a Heroic Future
Actions:
Description:
The CCA galleries are transformed into cinematic screening rooms to present a range of artistic, scientific, and experimental films on speed and space. Selected by curators from the archives of NASA, the Smithsonian National Air and Space Museum (NASM), the National Film Board of Canada (NFB), and UbuWeb, the films explore the impact of velocity and technology on our(...)
Intermission: Films From a Heroic Future
Actions:
Description:
The CCA galleries are transformed into cinematic screening rooms to present a range of artistic, scientific, and experimental films on speed and space. Selected by curators from the archives of NASA, the Smithsonian National Air and Space Museum (NASM), the National Film Board of Canada (NFB), and UbuWeb, the films explore the impact of velocity and technology on our(...)
Form:
exhibitions
exhibitions
Date:
25 November 2009 to
28 February 2010
25 November 2009 to
28 February 2010
Location:
Main galleries
Main galleries
Form:
exhibitions
exhibitions
Actions:
Description:
The exhibition Robert Burley: The Disappearance of Darkness presents a series of photographs by Canadian artist Robert Burley, documenting the decline of traditional photographic equipment manufacturing brought on by new technologies. Since 2005, digital photographic technology has increasingly displaced its analog predecessor, resulting in a plummeting demand for(...)
The exhibition Robert Burley: The Disappearance of Darkness presents a series of photographs by Canadian artist Robert Burley, documenting the decline of traditional photographic equipment manufacturing brought on by new technologies. Since 2005, digital photographic technology has increasingly displaced its analog predecessor, resulting in a plummeting demand for(...)
Location:
Hall cases
Hall cases
Date:
11 September 2009 to 15 November 2009
11 September 2009 to 15 November 2009
Title:
Robert Burley: The Disappearance of Darkness
Actions:
Description:
The exhibition Robert Burley: The Disappearance of Darkness presents a series of photographs by Canadian artist Robert Burley, documenting the decline of traditional photographic equipment manufacturing brought on by new technologies. Since 2005, digital photographic technology has increasingly displaced its analog predecessor, resulting in a plummeting demand for(...)
Robert Burley: The Disappearance of Darkness
Actions:
Description:
The exhibition Robert Burley: The Disappearance of Darkness presents a series of photographs by Canadian artist Robert Burley, documenting the decline of traditional photographic equipment manufacturing brought on by new technologies. Since 2005, digital photographic technology has increasingly displaced its analog predecessor, resulting in a plummeting demand for(...)
Form:
exhibitions
exhibitions
Date:
11 September 2009 to
15 November 2009
11 September 2009 to
15 November 2009
Location:
Hall cases
Hall cases
Form:
exhibitions
exhibitions
Actions:
Description:
Media and Machines marks the second phase of the research project initiated with the 2013 exhibition Archaeology of the Digital. This initiative investigates how architecture engaged with digital technology from the 1980s until the turn of the century. The first exhibition identified the earliest practices looking to computation as a design medium that could serve(...)
Media and Machines marks the second phase of the research project initiated with the 2013 exhibition Archaeology of the Digital. This initiative investigates how architecture engaged with digital technology from the 1980s until the turn of the century. The first exhibition identified the earliest practices looking to computation as a design medium that could serve(...)
Location:
Main galleries
Main galleries
Date:
21 May 2014 to 5 October 2014
21 May 2014 to 5 October 2014
Title:
Archaeology of the Digital: Media and Machines
Actions:
Description:
Media and Machines marks the second phase of the research project initiated with the 2013 exhibition Archaeology of the Digital. This initiative investigates how architecture engaged with digital technology from the 1980s until the turn of the century. The first exhibition identified the earliest practices looking to computation as a design medium that could serve(...)
Archaeology of the Digital: Media and Machines
Actions:
Description:
Media and Machines marks the second phase of the research project initiated with the 2013 exhibition Archaeology of the Digital. This initiative investigates how architecture engaged with digital technology from the 1980s until the turn of the century. The first exhibition identified the earliest practices looking to computation as a design medium that could serve(...)
Form:
exhibitions
exhibitions
Date:
21 May 2014 to
5 October 2014
21 May 2014 to
5 October 2014
Location:
Main galleries
Main galleries
Level of archival description:
Project
Project
Title:
Study of human settlements
Study of human settlements
Reference number:
AP149.S1.1986.PR01
Description:
This project series documents Minimum Cost Housing Group's human settlement study in developping countries, mainly in India and in China, in the 1970s and 1980s. The project led to three publications series "How the Other Half Builds" (Volume 1: Space (1984), Volume 2: Plots (1986) and Volume 3: The Self-Selection Process (1990)). A series of audio-visual training packages entitled "Human Settlements Training Packages" was also produced in relation with this study. They produced a total of six series comprised of slides and audio cassettes that provide new ideas for planning low-income housing and low-cost technologies. The production of these training packages is based on years of field work in China and in India, and research in collobaration with the Vastu-Shilpa Foundation in Ahmedabad, India. The material in this project series was produced between 1985 and 1993. The files contain a large collection of slides of the training packages, guides for the slide show presentations, and various textual records related to the production of the training packages. The project series also comprises correspondence with the Vastu-Shilpa Foundation and sketchbooks with study drawings of housing mainly in India, possibly by Vikram Bhatt. The file also includes textual records related to the production of the publications series "How the Other Half Builds", as well as proofs for the publications and the final version of the books.
AP149.S1.1986.PR01
Description:
This project series documents Minimum Cost Housing Group's human settlement study in developping countries, mainly in India and in China, in the 1970s and 1980s. The project led to three publications series "How the Other Half Builds" (Volume 1: Space (1984), Volume 2: Plots (1986) and Volume 3: The Self-Selection Process (1990)). A series of audio-visual training packages entitled "Human Settlements Training Packages" was also produced in relation with this study. They produced a total of six series comprised of slides and audio cassettes that provide new ideas for planning low-income housing and low-cost technologies. The production of these training packages is based on years of field work in China and in India, and research in collobaration with the Vastu-Shilpa Foundation in Ahmedabad, India. The material in this project series was produced between 1985 and 1993. The files contain a large collection of slides of the training packages, guides for the slide show presentations, and various textual records related to the production of the training packages. The project series also comprises correspondence with the Vastu-Shilpa Foundation and sketchbooks with study drawings of housing mainly in India, possibly by Vikram Bhatt. The file also includes textual records related to the production of the publications series "How the Other Half Builds", as well as proofs for the publications and the final version of the books.
People:
Date:
1985-1993
1985-1993
Title:
Study of human settlements
Actions:
AP149.S1.1986.PR01
Description:
This project series documents Minimum Cost Housing Group's human settlement study in developping countries, mainly in India and in China, in the 1970s and 1980s. The project led to three publications series "How the Other Half Builds" (Volume 1: Space (1984), Volume 2: Plots (1986) and Volume 3: The Self-Selection Process (1990)). A series of audio-visual training packages entitled "Human Settlements Training Packages" was also produced in relation with this study. They produced a total of six series comprised of slides and audio cassettes that provide new ideas for planning low-income housing and low-cost technologies. The production of these training packages is based on years of field work in China and in India, and research in collobaration with the Vastu-Shilpa Foundation in Ahmedabad, India. The material in this project series was produced between 1985 and 1993. The files contain a large collection of slides of the training packages, guides for the slide show presentations, and various textual records related to the production of the training packages. The project series also comprises correspondence with the Vastu-Shilpa Foundation and sketchbooks with study drawings of housing mainly in India, possibly by Vikram Bhatt. The file also includes textual records related to the production of the publications series "How the Other Half Builds", as well as proofs for the publications and the final version of the books.
Study of human settlements
Actions:
AP149.S1.1986.PR01
Description:
This project series documents Minimum Cost Housing Group's human settlement study in developping countries, mainly in India and in China, in the 1970s and 1980s. The project led to three publications series "How the Other Half Builds" (Volume 1: Space (1984), Volume 2: Plots (1986) and Volume 3: The Self-Selection Process (1990)). A series of audio-visual training packages entitled "Human Settlements Training Packages" was also produced in relation with this study. They produced a total of six series comprised of slides and audio cassettes that provide new ideas for planning low-income housing and low-cost technologies. The production of these training packages is based on years of field work in China and in India, and research in collobaration with the Vastu-Shilpa Foundation in Ahmedabad, India. The material in this project series was produced between 1985 and 1993. The files contain a large collection of slides of the training packages, guides for the slide show presentations, and various textual records related to the production of the training packages. The project series also comprises correspondence with the Vastu-Shilpa Foundation and sketchbooks with study drawings of housing mainly in India, possibly by Vikram Bhatt. The file also includes textual records related to the production of the publications series "How the Other Half Builds", as well as proofs for the publications and the final version of the books.
Level of archival description:
Project
Project
Date:
1985-1993
1985-1993
People:
Form:
exhibitions
exhibitions
Actions:
Description:
The greystone buildings standing in Montreal today are essential tools for understanding the city. A deep study of their material history from the late 17th century to the early 20th demonstrates how geology, topography, politics, ethnicity, culture, as well as changes in economy and technology, have shaped the city through the centuries. Conceived as a photographic(...)
The greystone buildings standing in Montreal today are essential tools for understanding the city. A deep study of their material history from the late 17th century to the early 20th demonstrates how geology, topography, politics, ethnicity, culture, as well as changes in economy and technology, have shaped the city through the centuries. Conceived as a photographic(...)
Location:
Octagonal gallery Keyword(s):
Greystone, Phyllis Lambert, Montréal, photography, Richard Pare
Octagonal gallery Keyword(s):
Greystone, Phyllis Lambert, Montréal, photography, Richard Pare
Date:
13 October 2017 to 4 March 2018
13 October 2017 to 4 March 2018
Title:
Greystone: Tools for Understanding the City
Actions:
Description:
The greystone buildings standing in Montreal today are essential tools for understanding the city. A deep study of their material history from the late 17th century to the early 20th demonstrates how geology, topography, politics, ethnicity, culture, as well as changes in economy and technology, have shaped the city through the centuries. Conceived as a photographic(...)
Greystone: Tools for Understanding the City
Actions:
Description:
The greystone buildings standing in Montreal today are essential tools for understanding the city. A deep study of their material history from the late 17th century to the early 20th demonstrates how geology, topography, politics, ethnicity, culture, as well as changes in economy and technology, have shaped the city through the centuries. Conceived as a photographic(...)
Form:
exhibitions
exhibitions
Date:
13 October 2017 to
4 March 2018
13 October 2017 to
4 March 2018
Location:
Octagonal gallery Keyword(s):
Greystone, Phyllis Lambert, Montréal, photography, Richard Pare
Octagonal gallery Keyword(s):
Greystone, Phyllis Lambert, Montréal, photography, Richard Pare
Form:
events
events
Actions:
Description:
Curatorial practice as it emerged during the twentieth century is no doubt being extensively recast. The tremendous change in the status of the object, of culture, of the various disciplines, or information and education, implies an inevitable transformation of the curator’s role and competences. A renewed interest for curatorial practice has emerged within the field of(...)
Curatorial practice as it emerged during the twentieth century is no doubt being extensively recast. The tremendous change in the status of the object, of culture, of the various disciplines, or information and education, implies an inevitable transformation of the curator’s role and competences. A renewed interest for curatorial practice has emerged within the field of(...)
Location:
Paul Desmarais Theatre
Paul Desmarais Theatre
Date:
11 November 2010 to 13 November 2010
11 November 2010 to 13 November 2010
Title:
The CCA in an Expanding Curatorial Field
Actions:
Description:
Curatorial practice as it emerged during the twentieth century is no doubt being extensively recast. The tremendous change in the status of the object, of culture, of the various disciplines, or information and education, implies an inevitable transformation of the curator’s role and competences. A renewed interest for curatorial practice has emerged within the field of(...)
The CCA in an Expanding Curatorial Field
Actions:
Description:
Curatorial practice as it emerged during the twentieth century is no doubt being extensively recast. The tremendous change in the status of the object, of culture, of the various disciplines, or information and education, implies an inevitable transformation of the curator’s role and competences. A renewed interest for curatorial practice has emerged within the field of(...)
Form:
events
events
Date:
11 November 2010 to
13 November 2010
11 November 2010 to
13 November 2010
Location:
Paul Desmarais Theatre
Paul Desmarais Theatre
