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As a pattern book for design concepts for modern living, 'Housey housey' takes inspiration from a long tradition of disseminating knowledge about architecture and construction in a form aimed at, and accessible to, experts and the general public alike. At the same time, its approach to issues of flexible space, robust, sustainable construction, and interaction with the(...)
Residential Architecture
January 2005, London
Housey housey : a pattern book of ideal homes
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As a pattern book for design concepts for modern living, 'Housey housey' takes inspiration from a long tradition of disseminating knowledge about architecture and construction in a form aimed at, and accessible to, experts and the general public alike. At the same time, its approach to issues of flexible space, robust, sustainable construction, and interaction with the public realm, underlines its engagement with a progressive and optimistic tradition of idealism about social change.
Residential Architecture
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This book is the first to present in a single volume a complete guide to one of the most notorious and radical art movements of the 20th century, the Situationist International (SI). Comprising a comprehensive history that includes an examination of the SI's far-reaching ideas about our 'society of the spectacle', this book also provides an insight into the Situationist(...)
The Situationist International : a user's guide
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This book is the first to present in a single volume a complete guide to one of the most notorious and radical art movements of the 20th century, the Situationist International (SI). Comprising a comprehensive history that includes an examination of the SI's far-reaching ideas about our 'society of the spectacle', this book also provides an insight into the Situationist legacy together with extensive visual material. Tracing its development back to the European avant-garde and groups such as COBRA, Lettrism and the International Movement for an Imaginist Bauhaus, Ford provides a comprehensive historical background to the 1957 foundation of the Situationist International under its self-proclaimed leader, the brilliant Guy Debord. Looking at painting, architecture and cinema, Ford includes detailed profiles of the main members such as the Asger Jorn, Constant, Pinot-Gallizio and Ralph Rumney. With its disintegration in 1972 the final chapter looks at how the SI's legacy can be traced within subsequent artistic and activist movements, from punk through to culture jamming and media activism.
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October 2004, London
Situationism
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“Inspiring Designers” a sourcebook provides an insight into the minds of 18 of the world's most distinguished designers working today. The book comprehensively explores what makes these designers critically and commercially successful. Moreover, it poses the question: Do designers possess a special something in their genetic make up - 'cultural DNA' - that makes them(...)
Inspiring designers : a sourcebook
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“Inspiring Designers” a sourcebook provides an insight into the minds of 18 of the world's most distinguished designers working today. The book comprehensively explores what makes these designers critically and commercially successful. Moreover, it poses the question: Do designers possess a special something in their genetic make up - 'cultural DNA' - that makes them flourish in the contemporary design world? ”Inspiring Designers” presents personal narratives of each designer's cultural development providing a comprehensive overview of the iconic influences used in today's design practice. Each designer has been interviewed about their influences and inspiration sources - buildings, products, films, artists, books, cars, music, magazines, people. As such the book provides a unique and accessible introduction as to how inspiration works within and informs our modern world.
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June 2004, London
Interior Design
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Catalogue de l'exposition tenue au capc Musée d'art contemporain de Bordeaux.
Contemporary Art Monographs
May 2004, Bordeaux
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Mémoire du Luxembourg
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Retrace près de vingt siècles d'histoire du jardin du Luxembourg à Paris, de la période romaine au palais du Sénat, à travers des périodes retenues pour leur relief historique.
Mémoire du Luxembourg
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Retrace près de vingt siècles d'histoire du jardin du Luxembourg à Paris, de la période romaine au palais du Sénat, à travers des périodes retenues pour leur relief historique.
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June 2004, Paris
Gardens
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A founder partner of the leading design firm Pentagram, Alan Fletcher is considered by many in the graphic design world to be a contemporary master, known for his sharp and unerring sense of style. From the initial brief to the often award-winning outcome, here are more than a hundred of Fletcher’s design solutions. Grouped into thematic chapters for instructive(...)
Graphic Designers, Monographs
February 2004, London
Beware wet paint : designs by Alan Fletcher
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A founder partner of the leading design firm Pentagram, Alan Fletcher is considered by many in the graphic design world to be a contemporary master, known for his sharp and unerring sense of style. From the initial brief to the often award-winning outcome, here are more than a hundred of Fletcher’s design solutions. Grouped into thematic chapters for instructive reference, the projects demonstrate his lithe and lateral jumps, his skills and techniques and his ability to fuse interpretation, aesthetics and function with apparent ease. The commentary shows how each graphic idea was developed, giving insights both into the individual project and into the way in which the design process can be manipulated.
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February 2004, London
Graphic Designers, Monographs
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Boring postcards
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Martin Parr is a key figure in the world of photography and contemporary art. Some accuse him of cruelty, but many more appreciate the wit and irony with which he tackles such subjects as bad taste, food, the tourist, shopping and the foibles of the British. Parr has been collecting postcards for twenty years, and here is the cream of his collection – his boring(...)
Boring postcards
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Martin Parr is a key figure in the world of photography and contemporary art. Some accuse him of cruelty, but many more appreciate the wit and irony with which he tackles such subjects as bad taste, food, the tourist, shopping and the foibles of the British. Parr has been collecting postcards for twenty years, and here is the cream of his collection – his boring postcards. With no introduction or commentary of any kind, Parr’s boring postcards are reproduced straight: they are exactly what they say they are, namely boring picture postcards showing boring photographs of boring places … presumably for boring people to buy to send to their boring friends. All of them are shot in Britain, taking us on a boring tour of its motorways, ring roads, traffic interchanges, bus stations, pedestrian precincts, factories, housing estates, airports, caravan sites, convalescent homes and shopping centres. Some attempt to idealize their subjects, only to fail dismally. Others lack any apparent purpose or interest … but the resultant collection of photographic images is wholly compelling. Boring Postcards is multi-layered: a commentary on British architecture, social life and identity, a record of a folk photography which is today being appropriated by the most fashionable photographers (including Parr), an exercise in sublime minimalism … and, above all, a richly comic photographic entertainment
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February 2004, London
Theory of Photography
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Hans Haacke
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Born in Cologne in 1936 and based in New York since 1965, Haacke’s strong political, cultural and social concerns are reflected in his installations, texts and sculptures. Throughout his fifty-year career Haacke has frequently changed the presentation of his art to get his message across. Often borrowing from non-art sources such as corporate advertising,(...)
Contemporary Art Monographs
May 2004, London
Hans Haacke
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Born in Cologne in 1936 and based in New York since 1965, Haacke’s strong political, cultural and social concerns are reflected in his installations, texts and sculptures. Throughout his fifty-year career Haacke has frequently changed the presentation of his art to get his message across. Often borrowing from non-art sources such as corporate advertising, questionnaires or scientific experimentation, Haacke is probably the most successful and best-known late twentieth-century artist to create a political art that manages to hit its mark with succinct elegance. Haacke sometimes works almost as a sleuth-like reporter, uncovering museum politics in his art. This practice has famously led on occasion to museum officials cancelling his exhibitions. For example, his 1971 one-person show at the Solomon R. Guggenheim Museum, New York, was cancelled in response to his proposal to present the questionable real estate dealings of several New York companies. Haacke is a unique figure in post-war art, and his work has touched on such diverse movements as Conceptual, Pop, Minimal and Land art. His integrity as well as the formal innovations of his art have proven hugely influential for many generations of contemporary artists.
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May 2004, London
Contemporary Art Monographs
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Design d'exposition : dix mises en espace d'expositions au Musée national des beaux-arts du Québec
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Cette publication donne une voix aux créateurs qui travaillent habituellement dans l'ombre et dont le travail est crucial quant à la transformation d'expositions en actes de communication. Dix expositions majeures, présentées entre 1998 et 2001, sont décrites en termes d'articulation de l'espace via la lumière et les couleurs, la liberté des parcours, la fluidité et le(...)
Museums and Universal Exhibitions
May 2004, Québec
Design d'exposition : dix mises en espace d'expositions au Musée national des beaux-arts du Québec
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Cette publication donne une voix aux créateurs qui travaillent habituellement dans l'ombre et dont le travail est crucial quant à la transformation d'expositions en actes de communication. Dix expositions majeures, présentées entre 1998 et 2001, sont décrites en termes d'articulation de l'espace via la lumière et les couleurs, la liberté des parcours, la fluidité et le mouvement, ainsi que d'une myriade de détails définissant l'exposition et l'expérience qui en découle pour le spectateur. Parmi les expositions, on y discute celle de Rodin, du "Ludique" et de Denis Juneau.
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May 2004, Québec
Museums and Universal Exhibitions
By - product - Tokyo
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RMIT's relationship with Tokyo Institute of Technology began in 1994 with a joint research project in the City of Ogaki in Gifu Prefecture. That project was part of RMIT School of Architecture's continuing commitment to an engagement with the urbanism of its region. "By-Product-Tokyo" is the outcome of a new chapter in this dialogue with TITech. The project was instigated(...)
Architecture since 1900, Europe
December 2003, Melbourne
By - product - Tokyo
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RMIT's relationship with Tokyo Institute of Technology began in 1994 with a joint research project in the City of Ogaki in Gifu Prefecture. That project was part of RMIT School of Architecture's continuing commitment to an engagement with the urbanism of its region. "By-Product-Tokyo" is the outcome of a new chapter in this dialogue with TITech. The project was instigated by Shane Murray in 1999 with the receipt of a grant to fund student exchange from the University Mobility in Asia and the Pacific Association. Nigel Bertram and Marika Neustupny developed the three-month project in Tokyo. This book is itself a by-product of Tokyo, and its contemporary thought. It is an unexpected offshoot of an ongoing line of architectural research being undertaken by a group of Japanese architects and students centred at the Tokyo Institute of Technology.
Architecture since 1900, Europe