research
Visiting Scholars 2016
Olumuyiwa Adegun, University of the Witwatersrand, Johannesburg, South Africa Topic: Informal Urban Housing: from 19th century Europe to 21st century Africa Susanne Bauer, The London Consortium, London, United Kingdom / Universidade Federal de Uberlândia, Uberlândia, Brazil Topic: Investigations Into Case: Peter Eisenman’s Dress Rehearsal For The Institute Of(...)
2 June 2016 to 2 September 2016
Visiting Scholars 2016
Actions:
Description:
Olumuyiwa Adegun, University of the Witwatersrand, Johannesburg, South Africa Topic: Informal Urban Housing: from 19th century Europe to 21st century Africa Susanne Bauer, The London Consortium, London, United Kingdom / Universidade Federal de Uberlândia, Uberlândia, Brazil Topic: Investigations Into Case: Peter Eisenman’s Dress Rehearsal For The Institute Of(...)
research
2 June 2016 to
2 September 2016
Audible Archives
Audible Archives presents samples of digitized recordings alongside silent artefacts from the CCA Collection, highlighting sound as a significant medium for research while drawing attention to the challenges of preservation and stewardship.
Audible Archives
Actions:
Description:
Audible Archives presents samples of digitized recordings alongside silent artefacts from the CCA Collection, highlighting sound as a significant medium for research while drawing attention to the challenges of preservation and stewardship.
archives
Level of archival description:
Fonds
AP168
Synopsis:
The Neil Denari Interrupted Projections project records, 1994-2004 (predominant 1994-1996), document the development and installation of Denari’s show “Interrupted Projections” at Gallery MA in Tokyo, Japan. The archive consists of original born-digital files and a small amount of physical material, including drawings, transparencies, slides, and promotional materials.
1994-2004
Neil Denari Interrupted Projections project records
Actions:
AP168
Synopsis:
The Neil Denari Interrupted Projections project records, 1994-2004 (predominant 1994-1996), document the development and installation of Denari’s show “Interrupted Projections” at Gallery MA in Tokyo, Japan. The archive consists of original born-digital files and a small amount of physical material, including drawings, transparencies, slides, and promotional materials.
archives
Level of archival description:
Fonds
1994-2004
archives
Level of archival description:
Fonds
John Hejduk fonds
AP145
Synopsis:
The John Hejduk fonds documents the professional practice of architect John Hejduk. Drawings of nearly every project by Hejduk are present, with many of his most significant architectural, exhibition, and publishing projects particularly well represented. Material in this fonds was produced between 1947 and 2000.
1947-2000, predominant 1947-1996
John Hejduk fonds
Actions:
AP145
Synopsis:
The John Hejduk fonds documents the professional practice of architect John Hejduk. Drawings of nearly every project by Hejduk are present, with many of his most significant architectural, exhibition, and publishing projects particularly well represented. Material in this fonds was produced between 1947 and 2000.
archives
Level of archival description:
Fonds
1947-2000, predominant 1947-1996
archives
Level of archival description:
Fonds
AP128
Synopsis:
The Harold Ship Alexis Nihon Plaza and Nuns’ Island Master Plan project records, (1956- 1973), document architect Harold Ship’s design and plan for the Alexis Nihon Plaza (1956-1965) and the Nun’s Island Master Plan (1959-1973). Materials in these project records consist of 1 619 drawings (including reprographic copies), 330 photographs, 5 l.m. of textual records, 5 models and 2 panels.
1956-1973
Harold Ship Alexis Nihon Plaza and Nuns’ Island Master Plan project records
Actions:
AP128
Synopsis:
The Harold Ship Alexis Nihon Plaza and Nuns’ Island Master Plan project records, (1956- 1973), document architect Harold Ship’s design and plan for the Alexis Nihon Plaza (1956-1965) and the Nun’s Island Master Plan (1959-1973). Materials in these project records consist of 1 619 drawings (including reprographic copies), 330 photographs, 5 l.m. of textual records, 5 models and 2 panels.
archives
Level of archival description:
Fonds
1956-1973
drawings, textual records, photographs
AP018.S1.1983.PR14.001
Description:
This box includes correspondence, project documentation, including instructions to tenderers and specifications, as well as progress photos and drawing list and details.
1983-1987
Project documentation, progress photographs, and details, National Aviation Museum, Rockcliffe Airport, Ottawa, Ontario
Actions:
AP018.S1.1983.PR14.001
Description:
This box includes correspondence, project documentation, including instructions to tenderers and specifications, as well as progress photos and drawing list and details.
drawings, textual records, photographs
1983-1987
articles
Tracing a plan in Kréyol
Of Migration
drawings
A celebration... water in the light, Place des Moulins, Esplanade Frontenac, Sherbrooke, Québec
DR2007:0085:004:004
Description:
Drawing SC-04, a detail drawing.
2003
A celebration... water in the light, Place des Moulins, Esplanade Frontenac, Sherbrooke, Québec
Actions:
DR2007:0085:004:004
Description:
Drawing SC-04, a detail drawing.
drawings
2003
Ecological Supercity
On the occasion of Earth Day and to celebrate the launch of Goodbye Oil, our new children’s book by Harriet Russell, we invite you to help us create a giant collaborative drawing. Come design an ecological city that will cover an entire continent, including mountains, ocean, desert and more, and won’t use any oil.
Shaughnessy House
21 April 2018, 11am to 4pm
Ecological Supercity
Actions:
Description:
On the occasion of Earth Day and to celebrate the launch of Goodbye Oil, our new children’s book by Harriet Russell, we invite you to help us create a giant collaborative drawing. Come design an ecological city that will cover an entire continent, including mountains, ocean, desert and more, and won’t use any oil.
Shaughnessy House
archives
Level of archival description:
Fonds
Álvaro Siza fonds
AP178
Description:
The Álvaro Siza fonds documents the architectural work of Portuguese architect Álvaro Siza. Records in this fonds document Siza’s projects from 1958-2012, including built and unbuilt designs. A collaborative project was established between the Canadian Centre for Architecture (CCA), Fundação de Serralves, and Fundação Calouste Gulbenkian to allow for international research and access to the archive. The archive is shared by the three institutions with each institution holding different projects while collaborating on the descriptive work and increasing the visibility of the archive. The holdings at both the Fundação de Serralves and Fundação Calouste Gulbenkian focus on Siza’s Portuguese projects, while the portion of the archive held by the CCA mainly includes Siza’s projects abroad. All three institutions are committed to describing the archive and making it accessible for scholarly research. The processing of the Siza archive held by the CCA has been divided into four phases to allow for access to parts of the archive while still in process. For the first, second, and third phases, the processing archivist has described the projects from the fifties, sixties, and seventies, as well as projects for the IBA competition in Berlin, urban renewal projects in The Hague from the eighties, urban plans, museums, and individual houses between 1980 and 2000. The processing archivist has also described approximately 203 sketchbooks. Many of these sketchbooks include sketches related to architectural projects which were processed. The complete list of projects processed by the CCA to date can be found in series AP178.S1. The bulk of the Álvaro Siza fonds is arranged in Series AP178.S1, which contains documentation for over 200 of Siza’s architectural projects. Records in this archive are predominantly from 1970 to 2000. Series AP178.S1 mainly contains conceptual, design development, presentation, and working drawings. Also included are photographic materials, models, born digital records, and textual documentation, which include correspondence, project proposals, and notes. The architect’s creative process is captured in 282 sketchbooks arranged in Series AP178.S2. In all there are approximately 60 000 drawings, 3000 folders of textual documentation, 9.46 linear meters of photographs and negatives, 6,545 slides, 250 CD-ROMS, 101 floppy disks, and 371 models that document the architectural activities of Siza and his office. Among the drawings are sketches by Siza on various items, such as napkins, receipts, envelopes, or on the back of working drawings. The fonds contains several types of architectural projects including residential buildings, museums, universities, urban plans, offices, and city restorations. Of particular significance are the sketchbooks, comprised of sketches for architectural projects, Siza’s travels, people, and animals as well as notes and draft letters. The sketchbooks are organized in chronological order, starting in the late 1970’s to the beginning of the 2000’s. Locations, notes, and dates have also been identified on the front of each sketchbook along with the sketchbook number. The sketchbooks provide a unique perspective of Siza’s use of drawing as part of his work process.
1958-2002
Álvaro Siza fonds
Actions:
AP178
Description:
The Álvaro Siza fonds documents the architectural work of Portuguese architect Álvaro Siza. Records in this fonds document Siza’s projects from 1958-2012, including built and unbuilt designs. A collaborative project was established between the Canadian Centre for Architecture (CCA), Fundação de Serralves, and Fundação Calouste Gulbenkian to allow for international research and access to the archive. The archive is shared by the three institutions with each institution holding different projects while collaborating on the descriptive work and increasing the visibility of the archive. The holdings at both the Fundação de Serralves and Fundação Calouste Gulbenkian focus on Siza’s Portuguese projects, while the portion of the archive held by the CCA mainly includes Siza’s projects abroad. All three institutions are committed to describing the archive and making it accessible for scholarly research. The processing of the Siza archive held by the CCA has been divided into four phases to allow for access to parts of the archive while still in process. For the first, second, and third phases, the processing archivist has described the projects from the fifties, sixties, and seventies, as well as projects for the IBA competition in Berlin, urban renewal projects in The Hague from the eighties, urban plans, museums, and individual houses between 1980 and 2000. The processing archivist has also described approximately 203 sketchbooks. Many of these sketchbooks include sketches related to architectural projects which were processed. The complete list of projects processed by the CCA to date can be found in series AP178.S1. The bulk of the Álvaro Siza fonds is arranged in Series AP178.S1, which contains documentation for over 200 of Siza’s architectural projects. Records in this archive are predominantly from 1970 to 2000. Series AP178.S1 mainly contains conceptual, design development, presentation, and working drawings. Also included are photographic materials, models, born digital records, and textual documentation, which include correspondence, project proposals, and notes. The architect’s creative process is captured in 282 sketchbooks arranged in Series AP178.S2. In all there are approximately 60 000 drawings, 3000 folders of textual documentation, 9.46 linear meters of photographs and negatives, 6,545 slides, 250 CD-ROMS, 101 floppy disks, and 371 models that document the architectural activities of Siza and his office. Among the drawings are sketches by Siza on various items, such as napkins, receipts, envelopes, or on the back of working drawings. The fonds contains several types of architectural projects including residential buildings, museums, universities, urban plans, offices, and city restorations. Of particular significance are the sketchbooks, comprised of sketches for architectural projects, Siza’s travels, people, and animals as well as notes and draft letters. The sketchbooks are organized in chronological order, starting in the late 1970’s to the beginning of the 2000’s. Locations, notes, and dates have also been identified on the front of each sketchbook along with the sketchbook number. The sketchbooks provide a unique perspective of Siza’s use of drawing as part of his work process.
archives
Level of archival description:
Fonds
1958-2002