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In the early 1980s, China launched the greatest building boom in human history, beginning a period of wholesale construction and destruction unlike anything the world has ever seen. There were fewer than two hundred cities in China in the late 1970s; today there are nearly seven hundred. While the United States has nine cities with more than a million residents, China now(...)
Contemporary Asian Architecture
June 2008, New York
The Concrete Dragon: China's urban revolution and what it means for the world
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In the early 1980s, China launched the greatest building boom in human history, beginning a period of wholesale construction and destruction unlike anything the world has ever seen. There were fewer than two hundred cities in China in the late 1970s; today there are nearly seven hundred. While the United States has nine cities with more than a million residents, China now has 102 such cities. And in a single decade more Chinese families have been displaced by redevelopment than by thirty years of urban renewal in the United States. The scale of this urban revolution is breathtaking: China is now home to the largest malls on earth, the biggest airport, many of the planet's tallest buildings and longest bridges, the biggest gated community, the largest bowling alley, and even the worlds largest skateboard park. China's rich urban architectural legacy is being sacrificed to make way for icons of progress and modernity.
Contemporary Asian Architecture
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With the exception of poster art, French graphic design has enjoyed little recognition on the international stage – until now. This new book tells the story of the development of design in the France. French graphic design has thrived on a multitude of external influences from places as far afield as Russia, Switzerland, Poland, Germany and Hungary. The designers here(...)
The story of graphic design in France
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With the exception of poster art, French graphic design has enjoyed little recognition on the international stage – until now. This new book tells the story of the development of design in the France. French graphic design has thrived on a multitude of external influences from places as far afield as Russia, Switzerland, Poland, Germany and Hungary. The designers here are legendary artists, actually some of the world’s most revered: French artists and artists who made Paris their home - Man Ray, Brassai, Cassandre, Leger, Duchamp, Mallarme to name just a few. "Graphic design in France" documents the emergence of graphic design as a culture in France and illustrates how it has come to the fore in recent years with a great burst of vitality in poster art, typography, editorial design, magazine design, information graphics, multimedia and television. This book places the tradition of French graphic design amidst the greater aesthetic languages of fine art, iconography, urban architecture, sculpture, communication art, fashion, literature, and much more.
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Camouflage
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The desire for camouflage is a desire to feel connected--to find our place in the world and to feel at home. In Camouflage Neil Leach analyzes this desire and its consequences for architectural concerns. Design, Leach argues, can aid the process of assimilation we go through when we adapt to our surroundings. Design can provide a form of connectivity--a mediation between(...)
Camouflage
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The desire for camouflage is a desire to feel connected--to find our place in the world and to feel at home. In Camouflage Neil Leach analyzes this desire and its consequences for architectural concerns. Design, Leach argues, can aid the process of assimilation we go through when we adapt to our surroundings. Design can provide a form of connectivity--a mediation between us and our environment--and it can contribute to a sense of belonging. Architecture, and indeed all forms of design and creativity--fashion, art, cinema, and others--can be an effective realm for forging a sense of belonging and establishing an identity. Camouflage offers a range of overlapping and intersecting theoretical perspectives--from an overview of psychoanalytic insights to an account of the magical properties of architectural models--that together suggest a way to rethink our relationship to the world and the role that design plays in that relationship.
Architectural Theory
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Last 2007 La Casa Encendida organised the Sueño de Casa Propia (Dream of a Home of One’s Own) exhibition, curated by María Inés Rodríguez, in which a series of reflections on housing by artists, designers and architects served as the basis for an analysis of how different contexts produce different strategies for resolving the issue of access to housing. Parallel to the(...)
Housing and domestic space in the XXI century
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Last 2007 La Casa Encendida organised the Sueño de Casa Propia (Dream of a Home of One’s Own) exhibition, curated by María Inés Rodríguez, in which a series of reflections on housing by artists, designers and architects served as the basis for an analysis of how different contexts produce different strategies for resolving the issue of access to housing. Parallel to the exhibition, a seminar entitled Housing and Domestic Space in the 21st Century was organised. Coordinated by Juan Herreros, an architect and lecturer at the Madrid University School of Architecture, the seminar brought together a group of intellectuals from both Spain and abroad for discussions on this theme. The ultimate aim of the seminar was to raise awareness about architecture’s potential role in the current and evident transformation of lifestyles. With the collaboration of: Raúl Cárdenas, María Auxiliadora Gálvez, Vicente Guallart, Hans-Walter Müller, Philippe Rahm, Alejandro Aravena, Robert Kronenburg, Colin Davies and Enric Ruiz-Geli.
books
January 2009
Collective Housing
New York skyscrapers
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New York City is home to more skyscrapers than any other city in the world. Iconic in stature, they tell the story of the city’s commercial and architectural history. The buildings pictured here stretch from the sidewalks to the sky, from the East River to the Hudson, from Battery Park to the far reaches of Central Park. Along with structures that are familiar to readers(...)
New York skyscrapers
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New York City is home to more skyscrapers than any other city in the world. Iconic in stature, they tell the story of the city’s commercial and architectural history. The buildings pictured here stretch from the sidewalks to the sky, from the East River to the Hudson, from Battery Park to the far reaches of Central Park. Along with structures that are familiar to readers such as the Empire State Building, the Chrysler and Woolworth buildings, there are other less recognizable but nonetheless important structures that have become a part of New Yorkers’ daily lives. Each chapter focuses on an area of Manhattan, and opens with numbered maps showing the exact locations of the featured buildings. In a series of two to four page spreads, fullpage photographs of the skyscrapers are accompanied by additional illustrations, historical insights, architectural details, and interesting facts about their construction and evolution. An essay on the collective history of the city’s skyscrapers rounds out this compilation.
History until 1900
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Tony Conrad : yellow movies
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This first monograph on artist, filmmaker and musician Tony Conrad documents his seminal Yellow Movie project of the early 1970s. Published to accompany Conrad's recent one-person exhibition at New York's Greene Naftali Gallery and Galerie Bucholz, Köln, it includes an introductory note by Conrad, a new text by Diedrich Diederichsen and comprehensive documentation of all(...)
Tony Conrad : yellow movies
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This first monograph on artist, filmmaker and musician Tony Conrad documents his seminal Yellow Movie project of the early 1970s. Published to accompany Conrad's recent one-person exhibition at New York's Greene Naftali Gallery and Galerie Bucholz, Köln, it includes an introductory note by Conrad, a new text by Diedrich Diederichsen and comprehensive documentation of all the Yellow Movies still in existence. Art in America's David Coggins described the project in 2007: "Yellow Movies, a series of works from the early 1970s by pioneering filmmaker Tony Conrad, initially appears to be nothing more than white squares enclosed by black borders painted on large sheets of paper. Yet these casual paintings, roughly the size of old home-movie screens, are formed by latex house paint that slowly yellows over time, creating what are essentially unhurried photographic exposures. Conrad sought to make abstract films that would last a lifetime, and there's a discreet thrill to knowing that what you're seeing is changing, invisibly, before your eyes."
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February 2009
Contemporary Art Monographs
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First published in 1971. In this volume, British artist David Musgrave revisits Franz Kafka's novella Blumfeld, an Elderly Bachelor, the tale of a man who arrives home one day to find two plastic balls bouncing off the ground of their own accord. To his great irritation, these balls follow Blumfeld--who is a stickler for absolute order in his universe--wherever he goes,(...)
Graphic Design and Typography
January 2009, London
Blumfeld, an elderly bachelor
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First published in 1971. In this volume, British artist David Musgrave revisits Franz Kafka's novella Blumfeld, an Elderly Bachelor, the tale of a man who arrives home one day to find two plastic balls bouncing off the ground of their own accord. To his great irritation, these balls follow Blumfeld--who is a stickler for absolute order in his universe--wherever he goes, and his attempts to divest himself of their presence are described with Kafka's customary flair for the detached observation of the extremely bizarre. Musgrave has responded to Kafka's story with a series of pencil drawings of curious artifacts and pseudo-archaeological fragments of his own invention. Combined with John Morgan's austere design--which finds the book typeset in Kafka's preferred font and large type size, which he was never able to see printed in his lifetime--this volume almost feels like a case study of some unique bygone supernatural phenomenon.
Graphic Design and Typography
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At the dawn of his international fame, architect Richard Neutra was approached by a St. Louis socialite, Grace Lewis Miller, to design a small winter home on the edge of glamour-baked Palm Springs. Miller wanted an open, light-filled house that could also act as a studio for her fashionably avant-garde exercise course in posture and grace, "The Mensendieck System." This(...)
Richard Neutra's Miller House
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At the dawn of his international fame, architect Richard Neutra was approached by a St. Louis socialite, Grace Lewis Miller, to design a small winter home on the edge of glamour-baked Palm Springs. Miller wanted an open, light-filled house that could also act as a studio for her fashionably avant-garde exercise course in posture and grace, "The Mensendieck System." This unique program, combined with the desert landscape and the proactive, health-minded client appealed to the idealist in Neutra. The frequent, fervent dialog between Neutra and Miller, who had great mutual respect, produced a work of forward-thinking and artful architecture. In "Richard Neutra's Miller House", Stephen Leet traces the conception and realization of the house, examines the complex relationship between architect and client, and shows how the Mensendieck System influenced the creation of this seminal Neutra project. Beautiful duotone photographs by Julius Shulman, excerpts from the detailed correspondence between Neutra and Miller, and sketches and drawings provide valuable insight into the design process.
Architecture Monographs
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David Rusk argues that America must end the isolation of the central city from its suburbs in order to attack its urban problems. Rusk's analysis, extending back to 1950, covers 522 central cities in 320 metro areas of the United States. He finds that cities trapped within old boundaries have suffered severe racial segregation and the emergence of an urban(...)
Cities without suburbs : a census 2000 update, 3rd edition
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David Rusk argues that America must end the isolation of the central city from its suburbs in order to attack its urban problems. Rusk's analysis, extending back to 1950, covers 522 central cities in 320 metro areas of the United States. He finds that cities trapped within old boundaries have suffered severe racial segregation and the emergence of an urban underclass. But cities with annexation powers-- termed 'elastic' by Rusk-- have shared in areawide development. Rusk assesses the major trends of the 1990s, including the preceived rebound of central cities, the impact of Hispanic and Asian migration, and the emerging influence of faith-based movements. New recommendations take account of growing restrictions on cities' annexation powers, even in the south-western United States, and of new opportunities for federal shaping of home mortgage programs and urban planning processes. Rusk's conclusion stresses cities' growing experience with building political coalitions in pursuit of development and growth.
Suburbs
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Renowned natural dyer, artist, and educator Sasha Duerr envisions a new age of fresh, modern color palettes, drawing from our original source of inspiration and ingredients-the natural world around us. This innovative plant-based color-guide includes twenty-five palettes with five hundred natural color swatches, providing inspiration for sustainable fashion, textiles,(...)
Natural palettes: inspiration from plant-based color
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Renowned natural dyer, artist, and educator Sasha Duerr envisions a new age of fresh, modern color palettes, drawing from our original source of inspiration and ingredients-the natural world around us. This innovative plant-based color-guide includes twenty-five palettes with five hundred natural color swatches, providing inspiration for sustainable fashion, textiles, fine art, floral design, food, medicine, gardening, interior design, and other creative disciplines. Bring the healing power of forest bathing into your home with a palette of spruce cones, pine needles, and balsam branches. Move past Pantone and embrace the natural balance of a pollinator palette with Hopi sunflower, red poppy, echinacea, and scabiosa. Duerr complements the palettes with short essays that provide useful information. She connects the colors with particular landscapes, the restorative qualities of medicinal plants, common garden flora, lifestyle experiences, food and floral waste, and the ecological benefits of using organic materials to create colors. You may never view color-or your plants-the same way again.
Colour Theory and Design