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This unprecedented collection compiles the writings of artist and poet Jesse Murry (1948–93), an extraordinary thinker who believed in the capacity of painting to hold the complexity of human meaning. Painting Is a Supreme Fiction brings together Murry’s published art criticism with previously unpublished philosophical writing and poetry from 1980 to his tragic death from(...)
Painting is a supreme fiction: Writings by Jesse Murry
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This unprecedented collection compiles the writings of artist and poet Jesse Murry (1948–93), an extraordinary thinker who believed in the capacity of painting to hold the complexity of human meaning. Painting Is a Supreme Fiction brings together Murry’s published art criticism with previously unpublished philosophical writing and poetry from 1980 to his tragic death from AIDS-related illness at the age of 44. The result is a portrait of an original mind who sought to unite the histories of Romantic landscape painting with the realities of Black experience through ''a belief in the restorative and creative powers of the imagination.'' No artist before occupied the exact intersections Murry created through his work, which aimed to reclaim ''painting as a poetic act amid the ''death of painting'' discourse of the 1980s. In addition to Murry’s writings, this volume also includes reproductions of selected paintings; excerpts from a a pair of panel discussions on art criticism and expressionism that took place in 1980; as well as transcriptions of two of the artist's notebooks, in which the spatialization of the words across the page approaches the condition of thought. ''Painting is a supreme fiction'' presents Jesse Murry in his own words, offering intimate access to this remarkable figure.
Art Theory
Landscape as protagonist
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A publication that attempts to challenge the property development industry’s current perspective on plants and landscapes in the built realm; where generally speaking, they are viewed as aesthetic objects used to beautify built spaces. Discussions, findings, interviews with Thomas Doxiadis, Marjetica Potrc and Dan Pearson and essays by Bruce Pascoe, Tanya Patrick,(...)
Landscape as protagonist
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A publication that attempts to challenge the property development industry’s current perspective on plants and landscapes in the built realm; where generally speaking, they are viewed as aesthetic objects used to beautify built spaces. Discussions, findings, interviews with Thomas Doxiadis, Marjetica Potrc and Dan Pearson and essays by Bruce Pascoe, Tanya Patrick, Katherine Sundermann, Andrew Reynolds and Cameron Allan McKean. Illustrations by Al Stark. The publication content is informed by a symposium held as part of Melbourne Design Week 2019. It features findings, essays, interviews and original photography by Melbourne design studio U-P.
Landscape Theory
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In this timely and enlightening book, the bestselling author of Deep Work introduces a philosophy for technology use that has already improved countless lives. Digital minimalists are all around us. They're the calm, happy people who can hold long conversations without furtive glances at their phones. They can get lost in a good book, a woodworking project, or a(...)
Digital minimalism: choosing a focused life in a noisy world
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In this timely and enlightening book, the bestselling author of Deep Work introduces a philosophy for technology use that has already improved countless lives. Digital minimalists are all around us. They're the calm, happy people who can hold long conversations without furtive glances at their phones. They can get lost in a good book, a woodworking project, or a leisurely morning run. They can have fun with friends and family without the obsessive urge to document the experience. They stay informed about the news of the day, but don't feel overwhelmed by it. They don't experience "fear of missing out" because they already know which activities provide them meaning and satisfaction. Now, Newport gives us a name for this quiet movement, and makes a persuasive case for its urgency in our tech-saturated world. Common sense tips, like turning off notifications, or occasional rituals like observing a digital sabbath, don't go far enough in helping us take back control of our technological lives, and attempts to unplug completely are complicated by the demands of family, friends and work. What we need instead is a thoughtful method to decide what tools to use, for what purposes, and under what conditions.
Critical Theory
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Before there was money, there was debt. Every economics textbook says the same thing: Money was invented to replace onerous and complicated barter systems—to relieve ancient people from having to haul their goods to market. The problem with this version of history? There’s not a shred of evidence to support it. Here anthropologist David Graeber presents a stunning(...)
Debt: The first 5,000 years, updated and expanded
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Before there was money, there was debt. Every economics textbook says the same thing: Money was invented to replace onerous and complicated barter systems—to relieve ancient people from having to haul their goods to market. The problem with this version of history? There’s not a shred of evidence to support it. Here anthropologist David Graeber presents a stunning reversal of conventional wisdom. He shows that for more than 5,000 years, since the beginnings of the first agrarian empires, humans have used elaborate credit systems to buy and sell goods—that is, long before the invention of coins or cash. It is in this era, Graeber argues, that we also first encounter a society divided into debtors and creditors. Graeber shows that arguments about debt and debt forgiveness have been at the center of political debates from Italy to China, as well as sparking innumerable insurrections. He also brilliantly demonstrates that the language of the ancient works of law and religion (words like ''guilt,'' ''sin,'' and ''redemption'') derive in large part from ancient debates about debt, and shape even our most basic ideas of right and wrong. We are still fighting these battles today without knowing it. ''Debt: The first 5,000 years'' is a fascinating chronicle of this little known history—as well as how it has defined human history. It shows how debt has defined our human past, and what that means for our economic future.
Critical Theory
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Who gets to be where? ''The arsenal of exclusion & inclusion'' examines some of the policies, practices, and physical artifacts that have been used by planners, policymakers, developers, real estate brokers, community activists, and other urban actors in the United States to draw, erase, or redraw the lines that divide. The Arsenal inventories these weapons of exclusion(...)
Architectural Theory
June 2021
The arsenal of exclusion and inclusion (revised)
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Who gets to be where? ''The arsenal of exclusion & inclusion'' examines some of the policies, practices, and physical artifacts that have been used by planners, policymakers, developers, real estate brokers, community activists, and other urban actors in the United States to draw, erase, or redraw the lines that divide. The Arsenal inventories these weapons of exclusion and inclusion, describes how they have been used, and speculates about how they might be deployed (or retired) for the sake of more open cities in which more people have access to more places. With contributions from over fifty architects, planners, geographers, historians, and journalists, ''The arsenal'' offers a wide-ranging view of the forces that shape our cities.
Architectural Theory
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The current epoch is one of accumulation: not only of capital but also of raw, often unruly material, from plastic in the ocean and carbon in the atmosphere to people, buildings, and cities. Alongside this material growth, image-making practices embedded within the fields of art and architecture have proven to be fertile, mobile, and capacious. Images of accumulation help(...)
Architectural Theory
April 2022
Accumulation: the art, architecture and media of climate change
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The current epoch is one of accumulation: not only of capital but also of raw, often unruly material, from plastic in the ocean and carbon in the atmosphere to people, buildings, and cities. Alongside this material growth, image-making practices embedded within the fields of art and architecture have proven to be fertile, mobile, and capacious. Images of accumulation help open up the climate to cultural inquiry and political mobilization and have formed a cultural infrastructure focused on the relationships between humans, other species, and their environments. The essays in ''Accumulation'' address this cultural infrastructure and the methodological challenges of its analysis. They offer a response to the relative invisibility of the climate now seen as material manifestations of social behavior. Contributors outline opportunities and ambitions of visual scholarship as a means to encounter the challenges emergent in the current moment: how can climate become visible, culturally and politically? Knowledge of climatic instability can change collective behavior and offer other trajectories, counteraccumulations that draw the present into a different, more livable, future.
Architectural Theory
Art after liberalism
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This publication is an account of creative practice at a moment of converging social crises. It is also an inquiry into emergent ways of living, acting, and making art in the company of others. The apparent failures of liberal thinking mark its starting point. No longer can the framework of the nation-state, the figure of the enterprising individual, and the premise of(...)
Art after liberalism
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This publication is an account of creative practice at a moment of converging social crises. It is also an inquiry into emergent ways of living, acting, and making art in the company of others. The apparent failures of liberal thinking mark its starting point. No longer can the framework of the nation-state, the figure of the enterprising individual, and the premise of limitless development be counted on to produce a world worth living in. No longer can talk of inclusion, representation, or a neutral public sphere pass for something like equality. It is increasingly clear that these commonplace liberal conceptions have failed to improve life in any lasting way. In fact, they conceal fundamental connections to enslavement, conscription, colonization, moral debt, and ecological devastation. Now we must decide what comes after.
Art Theory
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This publication presents Rahul Mehrotra’s writings over the last thirty years and illustrates his long-term engagement with and analysis of urbanism in India. This work has given rise to a new conceptualization of the city. Mehrotra calls it the Kinetic City, which is the counterpoint to the Static City, as familiar to most of us from conventional city maps. He argues(...)
The kinetic city & other essays
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This publication presents Rahul Mehrotra’s writings over the last thirty years and illustrates his long-term engagement with and analysis of urbanism in India. This work has given rise to a new conceptualization of the city. Mehrotra calls it the Kinetic City, which is the counterpoint to the Static City, as familiar to most of us from conventional city maps. He argues that the city should instead be perceived, read, and mapped in terms of patterns of occupation and associative values attributed to space. The framework is established in this publication by Rahul Mehrotra’s anchor essay, which draws out its potential to “allow a better understanding of the blurred lines of contemporary urbanism and the changing roles of people and spaces in urban society.”
Urban Theory
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When the “sharing economy” launched a decade ago, proponents claimed that it would transform the experience of work—giving earners flexibility, autonomy, and a decent income. It was touted as a cure for social isolation and rampant ecological degradation. But this novel form of work soon sprouted a dark side: exploited Uber drivers, neighborhoods ruined by Airbnb, racial(...)
After the gig: how the sharing economy got hijacked, and how to win it back
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When the “sharing economy” launched a decade ago, proponents claimed that it would transform the experience of work—giving earners flexibility, autonomy, and a decent income. It was touted as a cure for social isolation and rampant ecological degradation. But this novel form of work soon sprouted a dark side: exploited Uber drivers, neighborhoods ruined by Airbnb, racial discrimination, and rising carbon emissions. Several of the most prominent platforms are now faced with existential crises as they prioritize growth over fairness and long-term viability. Based on nearly a decade of pioneering research, this publication dives into what went wrong with this contemporary reimagining of labor. It examines multiple types of data from thirteen cases to identify the unique features and potential of sharing platforms that prior research has failed to pinpoint. Juliet B. Schor presents a compelling argument that we can engineer a reboot: through regulatory reforms and cooperative platforms owned and controlled by users, an equitable and truly shared economy is still possible.
Critical Theory
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A world-leading expert shares her amazing story of discovering the communication that exists between trees, and shares her own story of family and grief. Now, in her first book, Suzanne Simard brings us into her world, the intimate world of the trees, in which she brilliantly illuminates the fascinating and vital truths—that trees are not simply the source of timber(...)
Finding the mother-tree: discovering the wisdom of the forest
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A world-leading expert shares her amazing story of discovering the communication that exists between trees, and shares her own story of family and grief. Now, in her first book, Suzanne Simard brings us into her world, the intimate world of the trees, in which she brilliantly illuminates the fascinating and vital truths—that trees are not simply the source of timber or pulp but are a complicated, interdependent circle of life; that forests are social, cooperative creatures connected through underground networks by which trees communicate their vitality and vulnerabilities with communal lives not that different from our own. Simard describes up close—in revealing and accessible ways—how trees, living side by side for hundreds of years, have evolved; how they perceive one another, learn and adapt their behaviors, recognize neighbors, and remember the past; how they have agency about their future; how they elicit warnings and mount defenses, compete and cooperate with one another with sophistication: characteristics previously ascribed to human intelligence, traits that are the essence of civil societies. And, at the center of it all, the Mother Trees: the mysterious, powerful forces that connect and sustain the others that surround them.Simard, born and raised in the rain forests of British Columbia, spent her days as a child cataloging the trees from the forest; she came to love and respect them and embarked on a journey of discovery and struggle. Her powerful story is one of love and loss, of observation and change, of risk and reward. And it is a testament to how deeply human scientific inquiry exists beyond data and technology: it’s about understanding who we are and our place in the world.
Landscape Theory