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Title:
Urban interventions
Urban interventions
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A three-year enterprise is charted in this volume that chronicles the editors’ survey of their architectural colleagues, which asked them to identify problems in their cities and seek solutions for them. This series of projects received considerable public attention and media and the study digs deeper, exploring new possibilities for dialogue regarding public space that(...)
$53.95
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Summary:
A three-year enterprise is charted in this volume that chronicles the editors’ survey of their architectural colleagues, which asked them to identify problems in their cities and seek solutions for them. This series of projects received considerable public attention and media and the study digs deeper, exploring new possibilities for dialogue regarding public space that(...)
Title:
Urban interventions
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$53.95
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A three-year enterprise is charted in this volume that chronicles the editors’ survey of their architectural colleagues, which asked them to identify problems in their cities and seek solutions for them. This series of projects received considerable public attention and media and the study digs deeper, exploring new possibilities for dialogue regarding public space that exists between the triumvirate of architects, municipal officials, and the general public. The collected interviews focus mainly on exhibitions in major cities such as Bratislava in Slovakia or Prague and Brno in the Czech Republic, as well as blogs and presentations surrounding individual projects. Illustrating these projects as processes that can bring about significant progress in the field, this discussion divides its content between the texts of the featured architects and the details of the 60 projects in question. This edition is written in both English and Slovak.
Urban interventions
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A three-year enterprise is charted in this volume that chronicles the editors’ survey of their architectural colleagues, which asked them to identify problems in their cities and seek solutions for them. This series of projects received considerable public attention and media and the study digs deeper, exploring new possibilities for dialogue regarding public space that exists between the triumvirate of architects, municipal officials, and the general public. The collected interviews focus mainly on exhibitions in major cities such as Bratislava in Slovakia or Prague and Brno in the Czech Republic, as well as blogs and presentations surrounding individual projects. Illustrating these projects as processes that can bring about significant progress in the field, this discussion divides its content between the texts of the featured architects and the details of the 60 projects in question. This edition is written in both English and Slovak.
Form:
books
books
Publication:
April 2012
April 2012
Subject:
Urban Theory
Urban Theory
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books
books
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$67.99
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Access and accessibility are central themes in architecture and urbanism. The goal is to make buildings accessible both horizontally and vertically, as well as to provide them with technical infrastructure. But the aim is also to ensure the accessibility of whole streets, routes, parks, and squares, and even entire cities and regions. Today, access is a key concept in the(...)
$67.99
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Access and accessibility are central themes in architecture and urbanism. The goal is to make buildings accessible both horizontally and vertically, as well as to provide them with technical infrastructure. But the aim is also to ensure the accessibility of whole streets, routes, parks, and squares, and even entire cities and regions. Today, access is a key concept in the(...)
Title:
Access for all : approaches to the built environment
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Access and accessibility are central themes in architecture and urbanism. The goal is to make buildings accessible both horizontally and vertically, as well as to provide them with technical infrastructure. But the aim is also to ensure the accessibility of whole streets, routes, parks, and squares, and even entire cities and regions. Today, access is a key concept in the most disparate areas of life. Thus, it is also a matter of access to knowledge and education, access to knowledge media like the Internet, access to healthcare, access to languages, etc. In thirteen articles, this book deals with this world of access in architecture, city planning, and neighboring fields. Topics include ensuring the accessibility of entire urban areas, renewing that of areas that were previously utilized differently, including the general populace in concept planning, and how architecture can help provide access to a better quality of life.
Access for all : approaches to the built environment
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$67.99
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Summary:
Access and accessibility are central themes in architecture and urbanism. The goal is to make buildings accessible both horizontally and vertically, as well as to provide them with technical infrastructure. But the aim is also to ensure the accessibility of whole streets, routes, parks, and squares, and even entire cities and regions. Today, access is a key concept in the most disparate areas of life. Thus, it is also a matter of access to knowledge and education, access to knowledge media like the Internet, access to healthcare, access to languages, etc. In thirteen articles, this book deals with this world of access in architecture, city planning, and neighboring fields. Topics include ensuring the accessibility of entire urban areas, renewing that of areas that were previously utilized differently, including the general populace in concept planning, and how architecture can help provide access to a better quality of life.
Form:
books
books
Publication:
November 2009
November 2009
Subject:
Urban Theory
Urban Theory
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books
books
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$24.95
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In the twenty-first century, commerce and culture are ever more closely entwined. This new collection of essays by design critic Rick Poynor takes a searching look at visual culture to discover the reality beneath the ultra-seductive surfaces. Poynor explores the thinking behind the emerging resistance to commercial rhetoric among designers, and offers critical insights(...)
$24.95
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Summary:
In the twenty-first century, commerce and culture are ever more closely entwined. This new collection of essays by design critic Rick Poynor takes a searching look at visual culture to discover the reality beneath the ultra-seductive surfaces. Poynor explores the thinking behind the emerging resistance to commercial rhetoric among designers, and offers critical insights(...)
Title:
Obey the giant : life in the image world
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$24.95
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In the twenty-first century, commerce and culture are ever more closely entwined. This new collection of essays by design critic Rick Poynor takes a searching look at visual culture to discover the reality beneath the ultra-seductive surfaces. Poynor explores the thinking behind the emerging resistance to commercial rhetoric among designers, and offers critical insights into the changing dialogue between advertising and design. Other essays address the topics of visual journalism; brands as religion; the new solipsism; graphic memes; the pleasures of imperfect design; and the poverty of “cool”. Around the world, many are now waking up to the dominance of huge corporations – invariably expressed by visual means. This pointed and provocative counterblast arrives at a moment when critical responses are vital if this mono-culture is to be challenged. It offers inspirational evidence of alternative ways of engaging with design, and it will appeal to any reader with a questioning interest in design, advertising, cultural studies, media studies, and the visual arts.
Obey the giant : life in the image world
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$24.95
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Summary:
In the twenty-first century, commerce and culture are ever more closely entwined. This new collection of essays by design critic Rick Poynor takes a searching look at visual culture to discover the reality beneath the ultra-seductive surfaces. Poynor explores the thinking behind the emerging resistance to commercial rhetoric among designers, and offers critical insights into the changing dialogue between advertising and design. Other essays address the topics of visual journalism; brands as religion; the new solipsism; graphic memes; the pleasures of imperfect design; and the poverty of “cool”. Around the world, many are now waking up to the dominance of huge corporations – invariably expressed by visual means. This pointed and provocative counterblast arrives at a moment when critical responses are vital if this mono-culture is to be challenged. It offers inspirational evidence of alternative ways of engaging with design, and it will appeal to any reader with a questioning interest in design, advertising, cultural studies, media studies, and the visual arts.
Form:
books
books
Publication:
December 2001, London
December 2001, London
Subject:
Design Theory
Design Theory
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books
books
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$22.99
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Summary:
What is the first thing to learn in art school? "Art can be anything." The second thing? "Learn to draw." With "101 things to learn in art school," artist and teacher Kit White delivers and develops such lessons, striking an instructive balance between technical advice and sage concepts. These 101 maxims, meditations, and demonstrations offer both a toolkit of ideas for(...)
$22.99
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Summary:
What is the first thing to learn in art school? "Art can be anything." The second thing? "Learn to draw." With "101 things to learn in art school," artist and teacher Kit White delivers and develops such lessons, striking an instructive balance between technical advice and sage concepts. These 101 maxims, meditations, and demonstrations offer both a toolkit of ideas for(...)
Title:
101 things to learn in art school, revised
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$22.99
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What is the first thing to learn in art school? "Art can be anything." The second thing? "Learn to draw." With "101 things to learn in art school," artist and teacher Kit White delivers and develops such lessons, striking an instructive balance between technical advice and sage concepts. These 101 maxims, meditations, and demonstrations offer both a toolkit of ideas for the art student and a set of guiding principles for the artist. Complementing each of the 101 succinct texts is an equally expressive drawing by the artist, often based on a historical or contemporary work of art, offering a visual correlative to the written thought. "Art can be anything" is illustrated by a drawing of Duchamp’s famous urinal; a description of chiaroscuro art is illuminated by an image "after Caravaggio"; a lesson on time and media is accompanied by a view of a Jenny Holzer projection; advice about surviving a critique gains resonance from Piero della Francesca’s arrow-pierced Saint Sebastian.
101 things to learn in art school, revised
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$22.99
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Summary:
What is the first thing to learn in art school? "Art can be anything." The second thing? "Learn to draw." With "101 things to learn in art school," artist and teacher Kit White delivers and develops such lessons, striking an instructive balance between technical advice and sage concepts. These 101 maxims, meditations, and demonstrations offer both a toolkit of ideas for the art student and a set of guiding principles for the artist. Complementing each of the 101 succinct texts is an equally expressive drawing by the artist, often based on a historical or contemporary work of art, offering a visual correlative to the written thought. "Art can be anything" is illustrated by a drawing of Duchamp’s famous urinal; a description of chiaroscuro art is illuminated by an image "after Caravaggio"; a lesson on time and media is accompanied by a view of a Jenny Holzer projection; advice about surviving a critique gains resonance from Piero della Francesca’s arrow-pierced Saint Sebastian.
Form:
books
books
Publication:
October 2024
October 2024
Subject:
Art Theory
Art Theory
Form:
books
books
Price:
$29.95
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Summary:
Crowds explores the key role assumed by human multitudes in modern life by means of a graphically innovative, multi-author volume in which essays, word histories, and personal testimonies are woven together into a multiperspectival and multilayered group portrait. The portrait in question includes analyses of market crowds, crowds in modern art and literature, modern(...)
$29.95
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Summary:
Crowds explores the key role assumed by human multitudes in modern life by means of a graphically innovative, multi-author volume in which essays, word histories, and personal testimonies are woven together into a multiperspectival and multilayered group portrait. The portrait in question includes analyses of market crowds, crowds in modern art and literature, modern(...)
Title:
Crowds
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Crowds explores the key role assumed by human multitudes in modern life by means of a graphically innovative, multi-author volume in which essays, word histories, and personal testimonies are woven together into a multiperspectival and multilayered group portrait. The portrait in question includes analyses of market crowds, crowds in modern art and literature, modern assemblies as compared to their premodern and ancient counterparts, modern sports crowds, human multitudes and mass media such as photography and cinema, crowds as political actors, and the emergence of crowd-centred discourses in social sciences such as psychology, anthropology, and sociology. Contributors include Stefan Jonsson, Allen Guttmann, Susanna Elm, John Plotz, Christine Poggi, William Egginton, Haun Saussy, Joan Ramon Resina, and Charles Tilly, with testimonies by authors such as Greil Marcus, Richard Rorty, Michel Serres, Alain Schnapp, Michael Hardt, T. J. Clark, and Susan Buck-Morss. The book represents the main output of one of the Stanford Humanities Lab’s prototype “Big Humanities” projects.
Crowds
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$29.95
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Summary:
Crowds explores the key role assumed by human multitudes in modern life by means of a graphically innovative, multi-author volume in which essays, word histories, and personal testimonies are woven together into a multiperspectival and multilayered group portrait. The portrait in question includes analyses of market crowds, crowds in modern art and literature, modern assemblies as compared to their premodern and ancient counterparts, modern sports crowds, human multitudes and mass media such as photography and cinema, crowds as political actors, and the emergence of crowd-centred discourses in social sciences such as psychology, anthropology, and sociology. Contributors include Stefan Jonsson, Allen Guttmann, Susanna Elm, John Plotz, Christine Poggi, William Egginton, Haun Saussy, Joan Ramon Resina, and Charles Tilly, with testimonies by authors such as Greil Marcus, Richard Rorty, Michel Serres, Alain Schnapp, Michael Hardt, T. J. Clark, and Susan Buck-Morss. The book represents the main output of one of the Stanford Humanities Lab’s prototype “Big Humanities” projects.
Form:
books
books
Publication:
May 2006, Stanford
May 2006, Stanford
Subject:
Urban Theory
Urban Theory
Form:
books
books
Title:
Marshall McLuhan : unbound
Marshall McLuhan : unbound
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$41.95
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Summary:
The essay is for exploring; the book, for explaining. Such was McLuhan’s philosophy about these two forms. The essay is the freer form and one better suited to exploration than the longer meditation, the book. This startling new series puts the reader in the place of colleague and co-researcher. Instead of giving the reader just another collection of articles and(...)
$41.95
(available to order)
Summary:
The essay is for exploring; the book, for explaining. Such was McLuhan’s philosophy about these two forms. The essay is the freer form and one better suited to exploration than the longer meditation, the book. This startling new series puts the reader in the place of colleague and co-researcher. Instead of giving the reader just another collection of articles and(...)
Title:
Marshall McLuhan : unbound
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$41.95
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Summary:
The essay is for exploring; the book, for explaining. Such was McLuhan’s philosophy about these two forms. The essay is the freer form and one better suited to exploration than the longer meditation, the book. This startling new series puts the reader in the place of colleague and co-researcher. Instead of giving the reader just another collection of articles and interviews, "McLuhan : unbound" gives you offprints of the original essays. See how the two McLuhans, the literary academic and the public media expert are really one. Some of these articles were written before the subsequent book was envisioned: they are preliminary forays into new territory. Some were written after the book and encapsulate major themes; some set out additional discoveries or matters left out of the book; some present material discovered as a result of writing the book. The McLuhan "Unbound" offprints series is not the last word in presenting McLuhan´s ideas and discoveries, but the first.
Marshall McLuhan : unbound
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$41.95
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Summary:
The essay is for exploring; the book, for explaining. Such was McLuhan’s philosophy about these two forms. The essay is the freer form and one better suited to exploration than the longer meditation, the book. This startling new series puts the reader in the place of colleague and co-researcher. Instead of giving the reader just another collection of articles and interviews, "McLuhan : unbound" gives you offprints of the original essays. See how the two McLuhans, the literary academic and the public media expert are really one. Some of these articles were written before the subsequent book was envisioned: they are preliminary forays into new territory. Some were written after the book and encapsulate major themes; some set out additional discoveries or matters left out of the book; some present material discovered as a result of writing the book. The McLuhan "Unbound" offprints series is not the last word in presenting McLuhan´s ideas and discoveries, but the first.
Form:
books
books
Publication:
January 2001, Corte Madera
January 2001, Corte Madera
Subject:
Critical Theory
Critical Theory
Form:
books
books
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$30.70
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Summary:
'Television: Technology and Cultural Form' was first published in 1974, long before the dawn of multi-channel TV, or the reality and celebrity shows that now pack the schedules. Yet Williams' analysis of television's history, its institutions, programmes and practices, and its future prospects, remains remarkably prescient. Williams stresses the importance of(...)
$30.70
(available to order)
Summary:
'Television: Technology and Cultural Form' was first published in 1974, long before the dawn of multi-channel TV, or the reality and celebrity shows that now pack the schedules. Yet Williams' analysis of television's history, its institutions, programmes and practices, and its future prospects, remains remarkably prescient. Williams stresses the importance of(...)
Title:
Television: technology and cultural form
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$30.70
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'Television: Technology and Cultural Form' was first published in 1974, long before the dawn of multi-channel TV, or the reality and celebrity shows that now pack the schedules. Yet Williams' analysis of television's history, its institutions, programmes and practices, and its future prospects, remains remarkably prescient. Williams stresses the importance of technology in shaping the cultural form of television, while always resisting the determinism of McLuhan's dictum that 'the medium is the message'. If the medium really is the message, Williams asks, what is left for us to do or say? Williams argues that, on the contrary, we as viewers have the power to disturb, disrupt and to distract the otherwise cold logic of history and technology - not just because television is part of the fabric of our daily lives, but because new technologies continue to offer opportunities, momentarily outside the sway of transnational corporations or the grasp of media moguls, for new forms of self and political expression.
Television: technology and cultural form
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$30.70
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Summary:
'Television: Technology and Cultural Form' was first published in 1974, long before the dawn of multi-channel TV, or the reality and celebrity shows that now pack the schedules. Yet Williams' analysis of television's history, its institutions, programmes and practices, and its future prospects, remains remarkably prescient. Williams stresses the importance of technology in shaping the cultural form of television, while always resisting the determinism of McLuhan's dictum that 'the medium is the message'. If the medium really is the message, Williams asks, what is left for us to do or say? Williams argues that, on the contrary, we as viewers have the power to disturb, disrupt and to distract the otherwise cold logic of history and technology - not just because television is part of the fabric of our daily lives, but because new technologies continue to offer opportunities, momentarily outside the sway of transnational corporations or the grasp of media moguls, for new forms of self and political expression.
Form:
books
books
Publication:
June 2003
June 2003
Subject:
Critical Theory
Critical Theory
Form:
books
books
Title:
Art: an introduction
Art: an introduction
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$32.00
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Summary:
This publication offers an original, clear, and wide-ranging introduction to the arts of painting and sculpture, to the principal artistic print media, and to the visual arts of modernism and post-modernism. Covering the entire history of art, from Paleolithic cave painting to contemporary art, it provides foundational guidance on the basic character and techniques of the(...)
$32.00
(available to order)
Summary:
This publication offers an original, clear, and wide-ranging introduction to the arts of painting and sculpture, to the principal artistic print media, and to the visual arts of modernism and post-modernism. Covering the entire history of art, from Paleolithic cave painting to contemporary art, it provides foundational guidance on the basic character and techniques of the(...)
Title:
Art: an introduction
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$32.00
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This publication offers an original, clear, and wide-ranging introduction to the arts of painting and sculpture, to the principal artistic print media, and to the visual arts of modernism and post-modernism. Covering the entire history of art, from Paleolithic cave painting to contemporary art, it provides foundational guidance on the basic character and techniques of the different art forms, on the various genres of painting in the Western tradition, and on the techniques of sculpture as they have been practiced over several millennia and across a wide range of cultures. Throughout the book, Harrison discusses the relative priorities of aesthetic appreciation and historical inquiry, and the importance of combining the two approaches. Written in a style that is at once graceful, engaging, and personal, as well as analytical and exact, this illuminating book offers an impassioned and timely defense of the importance and value of the firsthand encounter with works of art, whether in museums or in their original locations.
Art: an introduction
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$32.00
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Summary:
This publication offers an original, clear, and wide-ranging introduction to the arts of painting and sculpture, to the principal artistic print media, and to the visual arts of modernism and post-modernism. Covering the entire history of art, from Paleolithic cave painting to contemporary art, it provides foundational guidance on the basic character and techniques of the different art forms, on the various genres of painting in the Western tradition, and on the techniques of sculpture as they have been practiced over several millennia and across a wide range of cultures. Throughout the book, Harrison discusses the relative priorities of aesthetic appreciation and historical inquiry, and the importance of combining the two approaches. Written in a style that is at once graceful, engaging, and personal, as well as analytical and exact, this illuminating book offers an impassioned and timely defense of the importance and value of the firsthand encounter with works of art, whether in museums or in their original locations.
Form:
books
books
Publication:
March 2020
March 2020
Subject:
Art Theory
Art Theory
Form:
books
books
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$34.00
(available to order)
Summary:
Why write about buildings? Buildings are chunks of the material of the natural world, refashioned by humans and set down into place to stand as silent as the rocks and trees from which they were made. How can we describe that mute actuality? A building’s only complete description is itself. Writing often intensifies the cloud that obscures buildings rather than dissipates(...)
$34.00
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Summary:
Why write about buildings? Buildings are chunks of the material of the natural world, refashioned by humans and set down into place to stand as silent as the rocks and trees from which they were made. How can we describe that mute actuality? A building’s only complete description is itself. Writing often intensifies the cloud that obscures buildings rather than dissipates(...)
Title:
Buildings: between living time and rocky space
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$34.00
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Summary:
Why write about buildings? Buildings are chunks of the material of the natural world, refashioned by humans and set down into place to stand as silent as the rocks and trees from which they were made. How can we describe that mute actuality? A building’s only complete description is itself. Writing often intensifies the cloud that obscures buildings rather than dissipates it. So why do it? Two generations ago, architects had a real job to do, rebuilding cities shattered by war. It turned out to be more difficult than it looked. Now the grandchildren of those utopians have a different role, which is to rescue a world that is being turned by the media, the money men and the machines into a replica of itself. In this book Paul Shepheard takes a sideways look at this elusive task and finds himself writing an ode to buildings, which asks: What are they? When do they happen? And how are they used?
Buildings: between living time and rocky space
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Price:
$34.00
(available to order)
Summary:
Why write about buildings? Buildings are chunks of the material of the natural world, refashioned by humans and set down into place to stand as silent as the rocks and trees from which they were made. How can we describe that mute actuality? A building’s only complete description is itself. Writing often intensifies the cloud that obscures buildings rather than dissipates it. So why do it? Two generations ago, architects had a real job to do, rebuilding cities shattered by war. It turned out to be more difficult than it looked. Now the grandchildren of those utopians have a different role, which is to rescue a world that is being turned by the media, the money men and the machines into a replica of itself. In this book Paul Shepheard takes a sideways look at this elusive task and finds himself writing an ode to buildings, which asks: What are they? When do they happen? And how are they used?
Form:
books
books
Publication:
October 2016
October 2016
Subject:
Architectural Theory
Architectural Theory
Form:
books
books
Price:
$23.95
(available to order)
Summary:
Silence is not simply the absence of noise. It is within us, in that inner citadel which great writers, thinkers, scholars and people of faith have cultivated over the centuries. Today, when noise is everywhere, distinguished historian Alain Corbin goes back to a time when speech was rare and precious.Silence, prerequisite for contemplation, reverie and prayer, is that(...)
$23.95
(available to order)
Summary:
Silence is not simply the absence of noise. It is within us, in that inner citadel which great writers, thinkers, scholars and people of faith have cultivated over the centuries. Today, when noise is everywhere, distinguished historian Alain Corbin goes back to a time when speech was rare and precious.Silence, prerequisite for contemplation, reverie and prayer, is that(...)
Title:
A history of silence: from the Renaissance to the present day
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$23.95
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Summary:
Silence is not simply the absence of noise. It is within us, in that inner citadel which great writers, thinkers, scholars and people of faith have cultivated over the centuries. Today, when noise is everywhere, distinguished historian Alain Corbin goes back to a time when speech was rare and precious.Silence, prerequisite for contemplation, reverie and prayer, is that private space out of which speech emerges. It characterises our most intimate and sacred spaces, from private bedrooms to grand cathedrals – those vast reservoirs of silence. Philosophers and novelists have long sought solitude and inspiration in mountains and forests. Yet despite the centrality of silence to some of our most intense experiences, the transformations of the twentieth century have gradually diminished its value. Today, raucous urban spaces and a continual bombardment from different media pressure us into constant activity. We are losing a sense of our inner selves, a process which is changing the very nature of the individual.
A history of silence: from the Renaissance to the present day
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$23.95
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Summary:
Silence is not simply the absence of noise. It is within us, in that inner citadel which great writers, thinkers, scholars and people of faith have cultivated over the centuries. Today, when noise is everywhere, distinguished historian Alain Corbin goes back to a time when speech was rare and precious.Silence, prerequisite for contemplation, reverie and prayer, is that private space out of which speech emerges. It characterises our most intimate and sacred spaces, from private bedrooms to grand cathedrals – those vast reservoirs of silence. Philosophers and novelists have long sought solitude and inspiration in mountains and forests. Yet despite the centrality of silence to some of our most intense experiences, the transformations of the twentieth century have gradually diminished its value. Today, raucous urban spaces and a continual bombardment from different media pressure us into constant activity. We are losing a sense of our inner selves, a process which is changing the very nature of the individual.
Form:
books
books
Publication:
April 2018
April 2018
Subject:
Critical Theory
Critical Theory
