19233 Results
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exhibitions
exhibitions
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Description:
Dissections brings together several works by Vancouver-based artist Geoffrey Smedley and reflects on many disciplines such as the history of science, geometry, philosophy, and architecture. The exhibition takes the form of a cabinet theatre in the mode of the absurd, staging the mythic figure of Descartes’ Clown, a neurotic and insecure robot that dissects himself with(...)
Dissections brings together several works by Vancouver-based artist Geoffrey Smedley and reflects on many disciplines such as the history of science, geometry, philosophy, and architecture. The exhibition takes the form of a cabinet theatre in the mode of the absurd, staging the mythic figure of Descartes’ Clown, a neurotic and insecure robot that dissects himself with(...)
Location:
Octagonal gallery
Octagonal gallery
Date:
6 June 2013 to 11 August 2013
6 June 2013 to 11 August 2013
Title:
Dissections: Geoffrey Smedley
Actions:
Description:
Dissections brings together several works by Vancouver-based artist Geoffrey Smedley and reflects on many disciplines such as the history of science, geometry, philosophy, and architecture. The exhibition takes the form of a cabinet theatre in the mode of the absurd, staging the mythic figure of Descartes’ Clown, a neurotic and insecure robot that dissects himself with(...)
Dissections: Geoffrey Smedley
Actions:
Description:
Dissections brings together several works by Vancouver-based artist Geoffrey Smedley and reflects on many disciplines such as the history of science, geometry, philosophy, and architecture. The exhibition takes the form of a cabinet theatre in the mode of the absurd, staging the mythic figure of Descartes’ Clown, a neurotic and insecure robot that dissects himself with(...)
Form:
exhibitions
exhibitions
Date:
6 June 2013 to
11 August 2013
6 June 2013 to
11 August 2013
Location:
Octagonal gallery
Octagonal gallery
Level of archival description:
Project
Project
Title:
Maison Coloniale
Maison Coloniale
Reference number:
AP066.S2.D19
Description:
Le dossier documente le projet de construction de la Maison Coloniale, une habitation associée à un atelier d'architecture et un hall d'exposition, situé au 4333 avenue Coloniale, à Montréal, Québec. Les matériaux utilisés pour réaliser cette construction sont le béton armé, l'acier et le bois. Le budget alloué pour ce projet était de 300 000$ et la superficie est de 340 mètres carrés. Aussi, le projet s'est mérité le Prix d'architecture du Gouverneur général du Canada. Le dossier contient des dessins, des reprographies, des photographies, des documents textuels, des maquettes et un négatif. Description du projet par l'architecte: "En concevant la Maison Coloniale, entre autres choses qui s'y trouvent inscrites, j'ai pensé à l'état des métiers. La solidarité qui nous lie est tellement ténue, les savoir-faire se déplacent, les langages s'autonomisent. Ici la structure de béton n'aura pour but structural que de survivre à sa peine : le squelette est dehors, qu'est-ce que cela veut nous dire? Partout la division, la séparation des éléments. La juxtaposition, la superposition et la répétition forment un langage dans le langage. Tout y est contact de points et de surface, d'appuis et d'ancrages. Le squelette est dehors, le corps est dedans. Qu'est-ce que cela veut nous dire? La Maison nous dit la nature de notre côtoiement. Elle nous rappelle nos liens possibles et nous apprend qu'à force de séparation, tout s'unit. Elle nous indique la distance qu'il nous reste à franchir pour se toucher et s'émouvoir. Elle est comme vous et moi, un peu résistante et prête à tout donner. Elle nous dit la convivialité et nous rappelle nos moyens d'humains. Elle nous rappelle que c'est nous qui l'avons faite!" Jacques Rousseau, "Éthique et tact", dans Architecture, éthique et technologie, édité par Louise Pelletier et Alberto Pérez-Gómez, McGill-Queen's University Press, Montréal, 1994, p. 137-150.
AP066.S2.D19
Description:
Le dossier documente le projet de construction de la Maison Coloniale, une habitation associée à un atelier d'architecture et un hall d'exposition, situé au 4333 avenue Coloniale, à Montréal, Québec. Les matériaux utilisés pour réaliser cette construction sont le béton armé, l'acier et le bois. Le budget alloué pour ce projet était de 300 000$ et la superficie est de 340 mètres carrés. Aussi, le projet s'est mérité le Prix d'architecture du Gouverneur général du Canada. Le dossier contient des dessins, des reprographies, des photographies, des documents textuels, des maquettes et un négatif. Description du projet par l'architecte: "En concevant la Maison Coloniale, entre autres choses qui s'y trouvent inscrites, j'ai pensé à l'état des métiers. La solidarité qui nous lie est tellement ténue, les savoir-faire se déplacent, les langages s'autonomisent. Ici la structure de béton n'aura pour but structural que de survivre à sa peine : le squelette est dehors, qu'est-ce que cela veut nous dire? Partout la division, la séparation des éléments. La juxtaposition, la superposition et la répétition forment un langage dans le langage. Tout y est contact de points et de surface, d'appuis et d'ancrages. Le squelette est dehors, le corps est dedans. Qu'est-ce que cela veut nous dire? La Maison nous dit la nature de notre côtoiement. Elle nous rappelle nos liens possibles et nous apprend qu'à force de séparation, tout s'unit. Elle nous indique la distance qu'il nous reste à franchir pour se toucher et s'émouvoir. Elle est comme vous et moi, un peu résistante et prête à tout donner. Elle nous dit la convivialité et nous rappelle nos moyens d'humains. Elle nous rappelle que c'est nous qui l'avons faite!" Jacques Rousseau, "Éthique et tact", dans Architecture, éthique et technologie, édité par Louise Pelletier et Alberto Pérez-Gómez, McGill-Queen's University Press, Montréal, 1994, p. 137-150.
People:
Date:
1986-1990
1986-1990
Title:
Maison Coloniale
Actions:
AP066.S2.D19
Description:
Le dossier documente le projet de construction de la Maison Coloniale, une habitation associée à un atelier d'architecture et un hall d'exposition, situé au 4333 avenue Coloniale, à Montréal, Québec. Les matériaux utilisés pour réaliser cette construction sont le béton armé, l'acier et le bois. Le budget alloué pour ce projet était de 300 000$ et la superficie est de 340 mètres carrés. Aussi, le projet s'est mérité le Prix d'architecture du Gouverneur général du Canada. Le dossier contient des dessins, des reprographies, des photographies, des documents textuels, des maquettes et un négatif. Description du projet par l'architecte: "En concevant la Maison Coloniale, entre autres choses qui s'y trouvent inscrites, j'ai pensé à l'état des métiers. La solidarité qui nous lie est tellement ténue, les savoir-faire se déplacent, les langages s'autonomisent. Ici la structure de béton n'aura pour but structural que de survivre à sa peine : le squelette est dehors, qu'est-ce que cela veut nous dire? Partout la division, la séparation des éléments. La juxtaposition, la superposition et la répétition forment un langage dans le langage. Tout y est contact de points et de surface, d'appuis et d'ancrages. Le squelette est dehors, le corps est dedans. Qu'est-ce que cela veut nous dire? La Maison nous dit la nature de notre côtoiement. Elle nous rappelle nos liens possibles et nous apprend qu'à force de séparation, tout s'unit. Elle nous indique la distance qu'il nous reste à franchir pour se toucher et s'émouvoir. Elle est comme vous et moi, un peu résistante et prête à tout donner. Elle nous dit la convivialité et nous rappelle nos moyens d'humains. Elle nous rappelle que c'est nous qui l'avons faite!" Jacques Rousseau, "Éthique et tact", dans Architecture, éthique et technologie, édité par Louise Pelletier et Alberto Pérez-Gómez, McGill-Queen's University Press, Montréal, 1994, p. 137-150.
Maison Coloniale
Actions:
AP066.S2.D19
Description:
Le dossier documente le projet de construction de la Maison Coloniale, une habitation associée à un atelier d'architecture et un hall d'exposition, situé au 4333 avenue Coloniale, à Montréal, Québec. Les matériaux utilisés pour réaliser cette construction sont le béton armé, l'acier et le bois. Le budget alloué pour ce projet était de 300 000$ et la superficie est de 340 mètres carrés. Aussi, le projet s'est mérité le Prix d'architecture du Gouverneur général du Canada. Le dossier contient des dessins, des reprographies, des photographies, des documents textuels, des maquettes et un négatif. Description du projet par l'architecte: "En concevant la Maison Coloniale, entre autres choses qui s'y trouvent inscrites, j'ai pensé à l'état des métiers. La solidarité qui nous lie est tellement ténue, les savoir-faire se déplacent, les langages s'autonomisent. Ici la structure de béton n'aura pour but structural que de survivre à sa peine : le squelette est dehors, qu'est-ce que cela veut nous dire? Partout la division, la séparation des éléments. La juxtaposition, la superposition et la répétition forment un langage dans le langage. Tout y est contact de points et de surface, d'appuis et d'ancrages. Le squelette est dehors, le corps est dedans. Qu'est-ce que cela veut nous dire? La Maison nous dit la nature de notre côtoiement. Elle nous rappelle nos liens possibles et nous apprend qu'à force de séparation, tout s'unit. Elle nous indique la distance qu'il nous reste à franchir pour se toucher et s'émouvoir. Elle est comme vous et moi, un peu résistante et prête à tout donner. Elle nous dit la convivialité et nous rappelle nos moyens d'humains. Elle nous rappelle que c'est nous qui l'avons faite!" Jacques Rousseau, "Éthique et tact", dans Architecture, éthique et technologie, édité par Louise Pelletier et Alberto Pérez-Gómez, McGill-Queen's University Press, Montréal, 1994, p. 137-150.
Level of archival description:
Projet
Projet
Date:
1986-1990
1986-1990
People:
Form:
exhibitions
exhibitions
Actions:
Description:
When the Canadian Centre for Architecture building was conceived and designed as an addition to the nineteenth-century Shaughnessy House, it also became an addition to the CCA’s extensive collection. Accordingly, the inaugural exhibitions in the new building in 1989 included a display on the Building and Gardens. The CCA, which plays an influential role in furthering(...)
When the Canadian Centre for Architecture building was conceived and designed as an addition to the nineteenth-century Shaughnessy House, it also became an addition to the CCA’s extensive collection. Accordingly, the inaugural exhibitions in the new building in 1989 included a display on the Building and Gardens. The CCA, which plays an influential role in furthering(...)
Location:
Hall cases
Hall cases
Date:
22 April 2015 to 30 November 2015
22 April 2015 to 30 November 2015
Title:
The CCA in Photographs, 1987–2015
Actions:
Description:
When the Canadian Centre for Architecture building was conceived and designed as an addition to the nineteenth-century Shaughnessy House, it also became an addition to the CCA’s extensive collection. Accordingly, the inaugural exhibitions in the new building in 1989 included a display on the Building and Gardens. The CCA, which plays an influential role in furthering(...)
The CCA in Photographs, 1987–2015
Actions:
Description:
When the Canadian Centre for Architecture building was conceived and designed as an addition to the nineteenth-century Shaughnessy House, it also became an addition to the CCA’s extensive collection. Accordingly, the inaugural exhibitions in the new building in 1989 included a display on the Building and Gardens. The CCA, which plays an influential role in furthering(...)
Form:
exhibitions
exhibitions
Date:
22 April 2015 to
30 November 2015
22 April 2015 to
30 November 2015
Location:
Hall cases
Hall cases
Form:
exhibitions
exhibitions
Actions:
Description:
This exhibition features British architect Will Alsop’s preparatory work for the Sharp Centre for Design at the Ontario College of Art Design (OCAD) in Toronto and explores the role of painting in his design process. Completed in 2004, OCAD’s Sharp Centre for Design was designed by Alsop Architects in collaboration with the Toronto-based firm Robbie/Young + Wright. The(...)
This exhibition features British architect Will Alsop’s preparatory work for the Sharp Centre for Design at the Ontario College of Art Design (OCAD) in Toronto and explores the role of painting in his design process. Completed in 2004, OCAD’s Sharp Centre for Design was designed by Alsop Architects in collaboration with the Toronto-based firm Robbie/Young + Wright. The(...)
Location:
Octagonal gallery
Octagonal gallery
Date:
13 June 2008 to 5 October 2008
13 June 2008 to 5 October 2008
Title:
Will Alsop: OCAD, An Urban Manifesto
Actions:
Description:
This exhibition features British architect Will Alsop’s preparatory work for the Sharp Centre for Design at the Ontario College of Art Design (OCAD) in Toronto and explores the role of painting in his design process. Completed in 2004, OCAD’s Sharp Centre for Design was designed by Alsop Architects in collaboration with the Toronto-based firm Robbie/Young + Wright. The(...)
Will Alsop: OCAD, An Urban Manifesto
Actions:
Description:
This exhibition features British architect Will Alsop’s preparatory work for the Sharp Centre for Design at the Ontario College of Art Design (OCAD) in Toronto and explores the role of painting in his design process. Completed in 2004, OCAD’s Sharp Centre for Design was designed by Alsop Architects in collaboration with the Toronto-based firm Robbie/Young + Wright. The(...)
Form:
exhibitions
exhibitions
Date:
13 June 2008 to
5 October 2008
13 June 2008 to
5 October 2008
Location:
Octagonal gallery
Octagonal gallery
Form:
webpages
webpages
Title:
Audio guides
Audio guides
Actions:
Summary:
Listen to audio introductions to our exhibitions
Form:
webpages
webpages
Form:
photographs
photographs
Actions:
Reference number:
ARCH256101
Description:
"Le pavillon thématique illustrant 'L'Homme à l'oeuvre' dans l'Ile Notre-Dame brille vraiment de tous ces feux, à la tombée du jour. Cet ensemble de pavillons comme d'ailleurs celui qui illustre 'L'Homme interroge l'Univers', dans l'Ile Sainte-Hélène acquiert de plus en plus une réputation d'excellence, à cause de ses éléments d'exposition. / The theme pavilion devoted to Man the Producer occupies a site facing the Expo Express station on Ile Notre-Dame. Its sections are designed in the shape of truncated tetrahedrons. The pavilion has four levels. The main exhibits entitled 'Resources for Man', 'Progress' and 'Man in Control' are confined to the second and fourth levels. The ground floor contains restaurants and other services, while the third level constitutes a plaza leading to all exhibits."--Description.
ARCH256101
Description:
"Le pavillon thématique illustrant 'L'Homme à l'oeuvre' dans l'Ile Notre-Dame brille vraiment de tous ces feux, à la tombée du jour. Cet ensemble de pavillons comme d'ailleurs celui qui illustre 'L'Homme interroge l'Univers', dans l'Ile Sainte-Hélène acquiert de plus en plus une réputation d'excellence, à cause de ses éléments d'exposition. / The theme pavilion devoted to Man the Producer occupies a site facing the Expo Express station on Ile Notre-Dame. Its sections are designed in the shape of truncated tetrahedrons. The pavilion has four levels. The main exhibits entitled 'Resources for Man', 'Progress' and 'Man in Control' are confined to the second and fourth levels. The ground floor contains restaurants and other services, while the third level constitutes a plaza leading to all exhibits."--Description.
People:
Date:
1967?
1967?
Title:
Night view of the Man the Producer Pavilion, Expo 67, Montréal, Québec
Actions:
ARCH256101
Description:
"Le pavillon thématique illustrant 'L'Homme à l'oeuvre' dans l'Ile Notre-Dame brille vraiment de tous ces feux, à la tombée du jour. Cet ensemble de pavillons comme d'ailleurs celui qui illustre 'L'Homme interroge l'Univers', dans l'Ile Sainte-Hélène acquiert de plus en plus une réputation d'excellence, à cause de ses éléments d'exposition. / The theme pavilion devoted to Man the Producer occupies a site facing the Expo Express station on Ile Notre-Dame. Its sections are designed in the shape of truncated tetrahedrons. The pavilion has four levels. The main exhibits entitled 'Resources for Man', 'Progress' and 'Man in Control' are confined to the second and fourth levels. The ground floor contains restaurants and other services, while the third level constitutes a plaza leading to all exhibits."--Description.
Night view of the Man the Producer Pavilion, Expo 67, Montréal, Québec
Actions:
ARCH256101
Description:
"Le pavillon thématique illustrant 'L'Homme à l'oeuvre' dans l'Ile Notre-Dame brille vraiment de tous ces feux, à la tombée du jour. Cet ensemble de pavillons comme d'ailleurs celui qui illustre 'L'Homme interroge l'Univers', dans l'Ile Sainte-Hélène acquiert de plus en plus une réputation d'excellence, à cause de ses éléments d'exposition. / The theme pavilion devoted to Man the Producer occupies a site facing the Expo Express station on Ile Notre-Dame. Its sections are designed in the shape of truncated tetrahedrons. The pavilion has four levels. The main exhibits entitled 'Resources for Man', 'Progress' and 'Man in Control' are confined to the second and fourth levels. The ground floor contains restaurants and other services, while the third level constitutes a plaza leading to all exhibits."--Description.
Form:
photographs
photographs
Date:
1967?
1967?
People:
Form:
photographs
photographs
Actions:
Reference number:
ARCH256501
Description:
"Le Pavillon des Jeunesses Musicales à l'Expo '67 / Vue du pavillon des Jeunesses Musicales du Canada. L'édifice permanent de $250,000 est commandité par la Portland Cement Association en collaboration avec les J.M.C. A la fin de l'Exposition, le pavillon sera démonté et transporté au village des J.M.C. au Mont Orford, dans les Cantons de L'Est, où il sera reconstruit. / Jeunesses Musicales Pavilion at Expo '67 / This concrete paneled pavilion in Cité du Havre contains exhibits on music in Canada from 1610 and on systems for the musical education of the young. An opportunity to listen to Canadian works and a studio where leading musicians direct practice sessions for students also form part of the display. The world congress of the Jeuneses Musicales International Federation will be held here in mid-summer."--Description.
ARCH256501
Description:
"Le Pavillon des Jeunesses Musicales à l'Expo '67 / Vue du pavillon des Jeunesses Musicales du Canada. L'édifice permanent de $250,000 est commandité par la Portland Cement Association en collaboration avec les J.M.C. A la fin de l'Exposition, le pavillon sera démonté et transporté au village des J.M.C. au Mont Orford, dans les Cantons de L'Est, où il sera reconstruit. / Jeunesses Musicales Pavilion at Expo '67 / This concrete paneled pavilion in Cité du Havre contains exhibits on music in Canada from 1610 and on systems for the musical education of the young. An opportunity to listen to Canadian works and a studio where leading musicians direct practice sessions for students also form part of the display. The world congress of the Jeuneses Musicales International Federation will be held here in mid-summer."--Description.
People:
Date:
1967
1967
Title:
View of the Pavilion of the Jeunesses Musicales of Canada, Expo 67, Montréal, Québec
Actions:
ARCH256501
Description:
"Le Pavillon des Jeunesses Musicales à l'Expo '67 / Vue du pavillon des Jeunesses Musicales du Canada. L'édifice permanent de $250,000 est commandité par la Portland Cement Association en collaboration avec les J.M.C. A la fin de l'Exposition, le pavillon sera démonté et transporté au village des J.M.C. au Mont Orford, dans les Cantons de L'Est, où il sera reconstruit. / Jeunesses Musicales Pavilion at Expo '67 / This concrete paneled pavilion in Cité du Havre contains exhibits on music in Canada from 1610 and on systems for the musical education of the young. An opportunity to listen to Canadian works and a studio where leading musicians direct practice sessions for students also form part of the display. The world congress of the Jeuneses Musicales International Federation will be held here in mid-summer."--Description.
View of the Pavilion of the Jeunesses Musicales of Canada, Expo 67, Montréal, Québec
Actions:
ARCH256501
Description:
"Le Pavillon des Jeunesses Musicales à l'Expo '67 / Vue du pavillon des Jeunesses Musicales du Canada. L'édifice permanent de $250,000 est commandité par la Portland Cement Association en collaboration avec les J.M.C. A la fin de l'Exposition, le pavillon sera démonté et transporté au village des J.M.C. au Mont Orford, dans les Cantons de L'Est, où il sera reconstruit. / Jeunesses Musicales Pavilion at Expo '67 / This concrete paneled pavilion in Cité du Havre contains exhibits on music in Canada from 1610 and on systems for the musical education of the young. An opportunity to listen to Canadian works and a studio where leading musicians direct practice sessions for students also form part of the display. The world congress of the Jeuneses Musicales International Federation will be held here in mid-summer."--Description.
Form:
photographs
photographs
Date:
1967
1967
People:
Form:
exhibitions
exhibitions
Title:
Inside the Sponge
Inside the Sponge
Actions:
Description:
Simmons Hall is an award-winning university dormitory designed by architect Steven Holl on the Massachusetts Institute of Technology (MIT) campus in Cambridge. Inspired by the sea sponge and the concept of porosity, the building is radical in structure and ambitious in its program to encourage social interaction. Inside the Sponge is an investigation of Simmons Hall from(...)
Simmons Hall is an award-winning university dormitory designed by architect Steven Holl on the Massachusetts Institute of Technology (MIT) campus in Cambridge. Inspired by the sea sponge and the concept of porosity, the building is radical in structure and ambitious in its program to encourage social interaction. Inside the Sponge is an investigation of Simmons Hall from(...)
Location:
Octagonal gallery
Octagonal gallery
Date:
10 August 2006 to 19 November 2006
10 August 2006 to 19 November 2006
Title:
Inside the Sponge
Actions:
Description:
Simmons Hall is an award-winning university dormitory designed by architect Steven Holl on the Massachusetts Institute of Technology (MIT) campus in Cambridge. Inspired by the sea sponge and the concept of porosity, the building is radical in structure and ambitious in its program to encourage social interaction. Inside the Sponge is an investigation of Simmons Hall from(...)
Inside the Sponge
Actions:
Description:
Simmons Hall is an award-winning university dormitory designed by architect Steven Holl on the Massachusetts Institute of Technology (MIT) campus in Cambridge. Inspired by the sea sponge and the concept of porosity, the building is radical in structure and ambitious in its program to encourage social interaction. Inside the Sponge is an investigation of Simmons Hall from(...)
Form:
exhibitions
exhibitions
Date:
10 August 2006 to
19 November 2006
10 August 2006 to
19 November 2006
Location:
Octagonal gallery
Octagonal gallery
Form:
exhibitions
exhibitions
Actions:
Description:
British gardens and garden buildings have held particular importance in British artistic and cultural life over the last four centuries, as well as influenced the development of the architectural and landscape ideas of the European and North American continents. An English Arcadia 1600–1990 documents the history of these gardens and buildings. The exhibition consists of(...)
British gardens and garden buildings have held particular importance in British artistic and cultural life over the last four centuries, as well as influenced the development of the architectural and landscape ideas of the European and North American continents. An English Arcadia 1600–1990 documents the history of these gardens and buildings. The exhibition consists of(...)
Location:
Main galleries
Main galleries
Date:
12 February 1992 to 19 April 1992
12 February 1992 to 19 April 1992
Title:
An English Arcadia, 1600-1990: Designs for Gardens and Garden Buildings in the Care of the National Trust with Selected Objects from the CCA Collections
Actions:
Description:
British gardens and garden buildings have held particular importance in British artistic and cultural life over the last four centuries, as well as influenced the development of the architectural and landscape ideas of the European and North American continents. An English Arcadia 1600–1990 documents the history of these gardens and buildings. The exhibition consists of(...)
An English Arcadia, 1600-1990: Designs for Gardens and Garden Buildings in the Care of the National Trust with Selected Objects from the CCA Collections
Actions:
Description:
British gardens and garden buildings have held particular importance in British artistic and cultural life over the last four centuries, as well as influenced the development of the architectural and landscape ideas of the European and North American continents. An English Arcadia 1600–1990 documents the history of these gardens and buildings. The exhibition consists of(...)
Form:
exhibitions
exhibitions
Date:
12 February 1992 to
19 April 1992
12 February 1992 to
19 April 1992
Location:
Main galleries
Main galleries
Form:
exhibitions
exhibitions
Actions:
Description:
Inspired by the theme of travel, this exhibition presents the personal vision of four photographers—Clara Sipprell, Lida Moser, Laura Volkerding, and Tadashi Kawamata—who visited Québec between the 1920s and today. The artists from elsewhere turn their attention to architecture and its environment, offering a view of Québec society from the perspective of their own(...)
Inspired by the theme of travel, this exhibition presents the personal vision of four photographers—Clara Sipprell, Lida Moser, Laura Volkerding, and Tadashi Kawamata—who visited Québec between the 1920s and today. The artists from elsewhere turn their attention to architecture and its environment, offering a view of Québec society from the perspective of their own(...)
Location:
Octagonal gallery
Octagonal gallery
Date:
10 May 1995 to 15 October 1995
10 May 1995 to 15 October 1995
Title:
Four Photographers Visit Québec: Sipprell, Moser, Volkerding, Kawamata
Actions:
Description:
Inspired by the theme of travel, this exhibition presents the personal vision of four photographers—Clara Sipprell, Lida Moser, Laura Volkerding, and Tadashi Kawamata—who visited Québec between the 1920s and today. The artists from elsewhere turn their attention to architecture and its environment, offering a view of Québec society from the perspective of their own(...)
Four Photographers Visit Québec: Sipprell, Moser, Volkerding, Kawamata
Actions:
Description:
Inspired by the theme of travel, this exhibition presents the personal vision of four photographers—Clara Sipprell, Lida Moser, Laura Volkerding, and Tadashi Kawamata—who visited Québec between the 1920s and today. The artists from elsewhere turn their attention to architecture and its environment, offering a view of Québec society from the perspective of their own(...)
Form:
exhibitions
exhibitions
Date:
10 May 1995 to
15 October 1995
10 May 1995 to
15 October 1995
Location:
Octagonal gallery
Octagonal gallery
