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This book examines one of the key notions of modernist architecture as it was formulated in Vienna around 1900. Providing a close analysis of four major buildings - Olbrich's Secession Building, Hoffmann's Purkersdorf Sanatorium, Wagner's Postal Savings Bank, and Loos's Michaelerplatz building - Leslie Topp investigates how "truth" had a variety of meanings, including(...)
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This book examines one of the key notions of modernist architecture as it was formulated in Vienna around 1900. Providing a close analysis of four major buildings - Olbrich's Secession Building, Hoffmann's Purkersdorf Sanatorium, Wagner's Postal Savings Bank, and Loos's Michaelerplatz building - Leslie Topp investigates how "truth" had a variety of meanings, including(...)
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Architecture and truth in fin-de-siècle Vienna
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This book examines one of the key notions of modernist architecture as it was formulated in Vienna around 1900. Providing a close analysis of four major buildings - Olbrich's Secession Building, Hoffmann's Purkersdorf Sanatorium, Wagner's Postal Savings Bank, and Loos's Michaelerplatz building - Leslie Topp investigates how "truth" had a variety of meanings, including truth to purpose, symbolist or ideal truth, and ethical notions of authenticity. Drawing on newly uncovered archival material, Topp offers a new interpretation of familiar buildings that are shown to encompass utopianis, hyper-rationality and subjectivism. She also explores the connections between Viennese modern architecture and contemporary painting, psychiatry, fashion, labor issues, and anti-Semitic politics.
Architecture and truth in fin-de-siècle Vienna
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This book examines one of the key notions of modernist architecture as it was formulated in Vienna around 1900. Providing a close analysis of four major buildings - Olbrich's Secession Building, Hoffmann's Purkersdorf Sanatorium, Wagner's Postal Savings Bank, and Loos's Michaelerplatz building - Leslie Topp investigates how "truth" had a variety of meanings, including truth to purpose, symbolist or ideal truth, and ethical notions of authenticity. Drawing on newly uncovered archival material, Topp offers a new interpretation of familiar buildings that are shown to encompass utopianis, hyper-rationality and subjectivism. She also explores the connections between Viennese modern architecture and contemporary painting, psychiatry, fashion, labor issues, and anti-Semitic politics.
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books
books
Publication:
March 2004, Cambridge
March 2004, Cambridge
Subject:
History until 1900
History until 1900
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books
books
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$34.50
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Nonetheless, it presents ambiguities that offer a highly productive departure point for analysis of the cultural shifts in our post-digital society. Digital technology is embedded in our personal relationships, in labor conditions and in aesthetic practices. What does this fact mean for the “authentic”? This book gathers various thinkers who explore the meaning of(...)
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Nonetheless, it presents ambiguities that offer a highly productive departure point for analysis of the cultural shifts in our post-digital society. Digital technology is embedded in our personal relationships, in labor conditions and in aesthetic practices. What does this fact mean for the “authentic”? This book gathers various thinkers who explore the meaning of(...)
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Authenticity? observations and artistic strategies in the post-digital age
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Nonetheless, it presents ambiguities that offer a highly productive departure point for analysis of the cultural shifts in our post-digital society. Digital technology is embedded in our personal relationships, in labor conditions and in aesthetic practices. What does this fact mean for the “authentic”? This book gathers various thinkers who explore the meaning of authenticity today—not just in terms of art and art-making, but in every single nook of contemporary life, from the intimate to the public. The contributors are Erika Balsom, Franco “Bifo” Berardi, Mat Dryhurst, Jazmina Figueroa, Holly Herndon, Rob Horning, David Joselit, Oliver Laric, Timotheus Vermeulen, Beny Wagner and McKenzie Wark.
Authenticity? observations and artistic strategies in the post-digital age
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Nonetheless, it presents ambiguities that offer a highly productive departure point for analysis of the cultural shifts in our post-digital society. Digital technology is embedded in our personal relationships, in labor conditions and in aesthetic practices. What does this fact mean for the “authentic”? This book gathers various thinkers who explore the meaning of authenticity today—not just in terms of art and art-making, but in every single nook of contemporary life, from the intimate to the public. The contributors are Erika Balsom, Franco “Bifo” Berardi, Mat Dryhurst, Jazmina Figueroa, Holly Herndon, Rob Horning, David Joselit, Oliver Laric, Timotheus Vermeulen, Beny Wagner and McKenzie Wark.
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books
books
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August 2017
August 2017
Subject:
Digital Architecture
Digital Architecture
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books
books
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Infrastuctural monument
Infrastuctural monument
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$41.95
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Infrastructural Monument presents the proceedings of the first of two conferences organized by MIT's new Center for Advanced Urbanism around the biennial theme of infrastructure. Held in the spring of 2013, the "Infrastructural Monument" conference gathered designers, developers, policy experts, and scholars to address the potential to leverage infrastructure design(...)
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Infrastructural Monument presents the proceedings of the first of two conferences organized by MIT's new Center for Advanced Urbanism around the biennial theme of infrastructure. Held in the spring of 2013, the "Infrastructural Monument" conference gathered designers, developers, policy experts, and scholars to address the potential to leverage infrastructure design(...)
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Infrastuctural monument
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Infrastructural Monument presents the proceedings of the first of two conferences organized by MIT's new Center for Advanced Urbanism around the biennial theme of infrastructure. Held in the spring of 2013, the "Infrastructural Monument" conference gathered designers, developers, policy experts, and scholars to address the potential to leverage infrastructure design beyond the realm of transportation of goods and labor into the realm of culture, public space, architecture, and landscape form. In other words, can infrastructure transcend mere practicality and fulfill a role that is profoundly cultural? Can targeted infrastructure projects transform a city from a collection of fragments to one with a common and cohesive regional identity?
Infrastuctural monument
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Infrastructural Monument presents the proceedings of the first of two conferences organized by MIT's new Center for Advanced Urbanism around the biennial theme of infrastructure. Held in the spring of 2013, the "Infrastructural Monument" conference gathered designers, developers, policy experts, and scholars to address the potential to leverage infrastructure design beyond the realm of transportation of goods and labor into the realm of culture, public space, architecture, and landscape form. In other words, can infrastructure transcend mere practicality and fulfill a role that is profoundly cultural? Can targeted infrastructure projects transform a city from a collection of fragments to one with a common and cohesive regional identity?
Form:
books
books
Publication:
February 2016
February 2016
Subject:
Urban Theory
Urban Theory
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books
books
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$81.50
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''Reciprocal landscapes: stories of material movements'' traces five everyday landscape construction materials – fertilizer, stone, steel, trees, and wood – from seminal public landscapes in New York City, back to where they came from. Drawing from archival documents, photographs, and field trips, the author brings these two separate landscapes – the material’s source and(...)
$81.50
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''Reciprocal landscapes: stories of material movements'' traces five everyday landscape construction materials – fertilizer, stone, steel, trees, and wood – from seminal public landscapes in New York City, back to where they came from. Drawing from archival documents, photographs, and field trips, the author brings these two separate landscapes – the material’s source and(...)
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Reciprocal landscapes: stories of material movements
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$81.50
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''Reciprocal landscapes: stories of material movements'' traces five everyday landscape construction materials – fertilizer, stone, steel, trees, and wood – from seminal public landscapes in New York City, back to where they came from. Drawing from archival documents, photographs, and field trips, the author brings these two separate landscapes – the material’s source and the urban site where the material ended up – together, exploring themes of unequal ecological exchange, labor, and material flows. This book considers the social, political, and ecological entanglements of material practice, challenging readers to think of materials not as inert products but as continuous with land and the people that shape them, and to reimagine forms of construction in solidarity with people, other species, and landscapes elsewhere.
Reciprocal landscapes: stories of material movements
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$81.50
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Summary:
''Reciprocal landscapes: stories of material movements'' traces five everyday landscape construction materials – fertilizer, stone, steel, trees, and wood – from seminal public landscapes in New York City, back to where they came from. Drawing from archival documents, photographs, and field trips, the author brings these two separate landscapes – the material’s source and the urban site where the material ended up – together, exploring themes of unequal ecological exchange, labor, and material flows. This book considers the social, political, and ecological entanglements of material practice, challenging readers to think of materials not as inert products but as continuous with land and the people that shape them, and to reimagine forms of construction in solidarity with people, other species, and landscapes elsewhere.
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books
books
Publication:
October 2019
October 2019
Subject:
Landscape Theory
Landscape Theory
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books
books
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$34.95
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“Craft” is a contested concept in art history and a vital category through which to understand contemporary art. Through craft, materials, techniques, and tools are investigated and their histories explored in order to reflect on the politics of labor and on the extraordinary complexity of the made world around us. This anthology offers an ethnography of craft, surveying(...)
$34.95
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“Craft” is a contested concept in art history and a vital category through which to understand contemporary art. Through craft, materials, techniques, and tools are investigated and their histories explored in order to reflect on the politics of labor and on the extraordinary complexity of the made world around us. This anthology offers an ethnography of craft, surveying(...)
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Craft
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“Craft” is a contested concept in art history and a vital category through which to understand contemporary art. Through craft, materials, techniques, and tools are investigated and their histories explored in order to reflect on the politics of labor and on the extraordinary complexity of the made world around us. This anthology offers an ethnography of craft, surveying its shape-shifting identities in the context of progressive art and design through writings by artists and makers as well as poetry, fiction, anthropology, and sociology. It maps a secret history of craft through lost and overlooked texts that consider pedagogy, design, folk art, the factory, and new media in ways that illuminate our understanding of current art practice.
Craft
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$34.95
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Summary:
“Craft” is a contested concept in art history and a vital category through which to understand contemporary art. Through craft, materials, techniques, and tools are investigated and their histories explored in order to reflect on the politics of labor and on the extraordinary complexity of the made world around us. This anthology offers an ethnography of craft, surveying its shape-shifting identities in the context of progressive art and design through writings by artists and makers as well as poetry, fiction, anthropology, and sociology. It maps a secret history of craft through lost and overlooked texts that consider pedagogy, design, folk art, the factory, and new media in ways that illuminate our understanding of current art practice.
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books
books
Publication:
September 2018
September 2018
Subject:
Art Theory
Art Theory
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books
books
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$46.95
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A monumental history of the nineteenth century, The Transformation of the World offers a panoramic and multifaceted portrait of a world in transition. Jürgen Osterhammel, a scholar who has been called the Braudel of the nineteenth century, moves beyond conventional Eurocentric and chronological accounts of the era, presenting instead a truly global history of breathtaking(...)
$46.95
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Summary:
A monumental history of the nineteenth century, The Transformation of the World offers a panoramic and multifaceted portrait of a world in transition. Jürgen Osterhammel, a scholar who has been called the Braudel of the nineteenth century, moves beyond conventional Eurocentric and chronological accounts of the era, presenting instead a truly global history of breathtaking(...)
Title:
The transformation of the world: a global history of the nineteenth century
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$46.95
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A monumental history of the nineteenth century, The Transformation of the World offers a panoramic and multifaceted portrait of a world in transition. Jürgen Osterhammel, a scholar who has been called the Braudel of the nineteenth century, moves beyond conventional Eurocentric and chronological accounts of the era, presenting instead a truly global history of breathtaking scope and towering erudition. He examines the powerful and complex forces that drove global change during the "long nineteenth century," taking readers from New York to New Delhi, from the Latin American revolutions to the Taiping Rebellion, from the perils and promise of Europe's transatlantic labor markets to the hardships endured by nomadic, tribal peoples across the planet.
The transformation of the world: a global history of the nineteenth century
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A monumental history of the nineteenth century, The Transformation of the World offers a panoramic and multifaceted portrait of a world in transition. Jürgen Osterhammel, a scholar who has been called the Braudel of the nineteenth century, moves beyond conventional Eurocentric and chronological accounts of the era, presenting instead a truly global history of breathtaking scope and towering erudition. He examines the powerful and complex forces that drove global change during the "long nineteenth century," taking readers from New York to New Delhi, from the Latin American revolutions to the Taiping Rebellion, from the perils and promise of Europe's transatlantic labor markets to the hardships endured by nomadic, tribal peoples across the planet.
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books
books
Publication:
May 2014
May 2014
Subject:
Architectural Theory
Architectural Theory
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books
books
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$54.00
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In this book, Nina Lager Vestberg artfully details the range of research skills, reproduction machinery, and communication infrastructures that was needed to make pictures available to a public before digitization. Drawing on documents and representations across a range of cultural expressions, ''Picture research'' reveals the intermediation that has been performed by(...)
$54.00
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In this book, Nina Lager Vestberg artfully details the range of research skills, reproduction machinery, and communication infrastructures that was needed to make pictures available to a public before digitization. Drawing on documents and representations across a range of cultural expressions, ''Picture research'' reveals the intermediation that has been performed by(...)
Title:
Picture research: The work of intermediation from pre-photography to post-digitization
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In this book, Nina Lager Vestberg artfully details the range of research skills, reproduction machinery, and communication infrastructures that was needed to make pictures available to a public before digitization. Drawing on documents and representations across a range of cultural expressions, ''Picture research'' reveals the intermediation that has been performed by skilled workers in a variety of roles, making use of pre-photographic, photographic, and digital machineries of capture, accumulation, extraction, and transmission. Tracing a history of the modern pictorial economy from the pre-photographic 1830s to the post-digitized 2010s, it makes visible and explicit the invisible labor that has built—and still sustains—the visual commodity culture of everyday life.
Picture research: The work of intermediation from pre-photography to post-digitization
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$54.00
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In this book, Nina Lager Vestberg artfully details the range of research skills, reproduction machinery, and communication infrastructures that was needed to make pictures available to a public before digitization. Drawing on documents and representations across a range of cultural expressions, ''Picture research'' reveals the intermediation that has been performed by skilled workers in a variety of roles, making use of pre-photographic, photographic, and digital machineries of capture, accumulation, extraction, and transmission. Tracing a history of the modern pictorial economy from the pre-photographic 1830s to the post-digitized 2010s, it makes visible and explicit the invisible labor that has built—and still sustains—the visual commodity culture of everyday life.
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books
books
Publication:
August 2023
August 2023
Subject:
Theory of Photography
Theory of Photography
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books
books
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$63.00
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Anna Andreeva (1917–2008) was a Soviet textile designer and leading artist at the famous Red Rose Silk Factory in Moscow from 1944 to 1984. The former Giraud silk factory, nationalized in 1919 after the October Revolution and renamed to commemorate the murdered Polish-German socialist revolutionary Rosa Luxemburg, became a site of collective female design labor that(...)
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Anna Andreeva (1917–2008) was a Soviet textile designer and leading artist at the famous Red Rose Silk Factory in Moscow from 1944 to 1984. The former Giraud silk factory, nationalized in 1919 after the October Revolution and renamed to commemorate the murdered Polish-German socialist revolutionary Rosa Luxemburg, became a site of collective female design labor that(...)
Title:
Collective threads: Anna Andreeva at the Red Rose Silk Factory
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Anna Andreeva (1917–2008) was a Soviet textile designer and leading artist at the famous Red Rose Silk Factory in Moscow from 1944 to 1984. The former Giraud silk factory, nationalized in 1919 after the October Revolution and renamed to commemorate the murdered Polish-German socialist revolutionary Rosa Luxemburg, became a site of collective female design labor that shaped the fashion and material culture of late socialism. Andreeva’s spectacular patterns range from abstract and geometric to cosmic and space-age and to pictorial themes of the city of Moscow and Russian folk art. Her mass-produced designs were among the most popular textile prints distributed within the USSR in the 1960s and 1970s.
Collective threads: Anna Andreeva at the Red Rose Silk Factory
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Anna Andreeva (1917–2008) was a Soviet textile designer and leading artist at the famous Red Rose Silk Factory in Moscow from 1944 to 1984. The former Giraud silk factory, nationalized in 1919 after the October Revolution and renamed to commemorate the murdered Polish-German socialist revolutionary Rosa Luxemburg, became a site of collective female design labor that shaped the fashion and material culture of late socialism. Andreeva’s spectacular patterns range from abstract and geometric to cosmic and space-age and to pictorial themes of the city of Moscow and Russian folk art. Her mass-produced designs were among the most popular textile prints distributed within the USSR in the 1960s and 1970s.
Form:
books
books
Publication:
August 2025
August 2025
Subject:
Design Monographs
Design Monographs
Form:
journals and magazines
journals and magazines
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$8.00
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Our new editorial cycle, Transformers, begins from the reckoning that transformation in the arts has never been linear. For us at AWC, it flourishes in repetition, meandering, and the subtle work of what often goes unnoticed. Rather than asking what is new, Transformers—not the 2007 blockbuster, but the era it anticipated, a spectacle of war, digitalization, and(...)
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Summary:
Our new editorial cycle, Transformers, begins from the reckoning that transformation in the arts has never been linear. For us at AWC, it flourishes in repetition, meandering, and the subtle work of what often goes unnoticed. Rather than asking what is new, Transformers—not the 2007 blockbuster, but the era it anticipated, a spectacle of war, digitalization, and(...)
Title:
Arts of the Working Class #40: Synthetics
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Our new editorial cycle, Transformers, begins from the reckoning that transformation in the arts has never been linear. For us at AWC, it flourishes in repetition, meandering, and the subtle work of what often goes unnoticed. Rather than asking what is new, Transformers—not the 2007 blockbuster, but the era it anticipated, a spectacle of war, digitalization, and profit—attends to what has been quietly shifting as new configurations of power, labor, and life crystallize. The unfolding chronicle of atrocities revealed in the Jeffrey Epstein files exposes how greed underwrites tribalism, and how the dismantling of an already iniquitous globalism has been further engineered to concentrate wealth in the hands of the fewest of the few.
Arts of the Working Class #40: Synthetics
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Our new editorial cycle, Transformers, begins from the reckoning that transformation in the arts has never been linear. For us at AWC, it flourishes in repetition, meandering, and the subtle work of what often goes unnoticed. Rather than asking what is new, Transformers—not the 2007 blockbuster, but the era it anticipated, a spectacle of war, digitalization, and profit—attends to what has been quietly shifting as new configurations of power, labor, and life crystallize. The unfolding chronicle of atrocities revealed in the Jeffrey Epstein files exposes how greed underwrites tribalism, and how the dismantling of an already iniquitous globalism has been further engineered to concentrate wealth in the hands of the fewest of the few.
Form:
journals and magazines
journals and magazines
Publication:
February 2026
February 2026
Subject:
Magazines
Magazines
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books
books
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Description:
xiv, 232 pages : illustrations ; 24 cm
Description:
xiv, 232 pages : illustrations ; 24 cm
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Publication:
Charlottesville : University of Virginia Press, 2014.
Charlottesville : University of Virginia Press, 2014.
Title:
The working man's green space : allotment gardens in England, France, and Germany, 1870-1919 / Micheline Nilsen.
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Description:
xiv, 232 pages : illustrations ; 24 cm
The working man's green space : allotment gardens in England, France, and Germany, 1870-1919 / Micheline Nilsen.
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xiv, 232 pages : illustrations ; 24 cm
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books
books
Publication:
Charlottesville : University of Virginia Press, 2014.
Charlottesville : University of Virginia Press, 2014.
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