19167 Results
Form:
exhibitions
exhibitions
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Description:
Trois Architectes, Trois Quartiers focuses on three Montréal-based architects whose work had a strong presence in a specific area of the city during the first half of the twentieth century: Ludger Lemieux (1872–1953) in St-Henri, Ernest lsbell Barott (1884–1966) in St-Antoine on the southern and western slopes of Mount Royal, and Ernest Cormier (1885–1980) at the(...)
Trois Architectes, Trois Quartiers focuses on three Montréal-based architects whose work had a strong presence in a specific area of the city during the first half of the twentieth century: Ludger Lemieux (1872–1953) in St-Henri, Ernest lsbell Barott (1884–1966) in St-Antoine on the southern and western slopes of Mount Royal, and Ernest Cormier (1885–1980) at the(...)
Location:
1440 rue Sainte-Catherine Ouest
1440 rue Sainte-Catherine Ouest
Date:
20 May 1983 to 19 August 1983
20 May 1983 to 19 August 1983
Title:
Trois architectes, trois quartiers : Ludger Lemieux (St. Henri), Ernest Cormier (Cité universitaire), Ernest Isbell Barott (St. Antoine)
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Description:
Trois Architectes, Trois Quartiers focuses on three Montréal-based architects whose work had a strong presence in a specific area of the city during the first half of the twentieth century: Ludger Lemieux (1872–1953) in St-Henri, Ernest lsbell Barott (1884–1966) in St-Antoine on the southern and western slopes of Mount Royal, and Ernest Cormier (1885–1980) at the(...)
Trois architectes, trois quartiers : Ludger Lemieux (St. Henri), Ernest Cormier (Cité universitaire), Ernest Isbell Barott (St. Antoine)
Actions:
Description:
Trois Architectes, Trois Quartiers focuses on three Montréal-based architects whose work had a strong presence in a specific area of the city during the first half of the twentieth century: Ludger Lemieux (1872–1953) in St-Henri, Ernest lsbell Barott (1884–1966) in St-Antoine on the southern and western slopes of Mount Royal, and Ernest Cormier (1885–1980) at the(...)
Form:
exhibitions
exhibitions
Date:
20 May 1983 to
19 August 1983
20 May 1983 to
19 August 1983
Location:
1440 rue Sainte-Catherine Ouest
1440 rue Sainte-Catherine Ouest
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Reference number:
AP171
Synopsis:
This fonds documents the professional practice and activities of the Foreign Office Architects between 1989 and 2011, with a primary focus on their architectural projects. The documents in the fonds include drawings and plans, photographic materials, presentation panels, models, textual records, and digital files relating to 192 projects and international exhibitions . Additionally, the fonds includes material relating to publications, office activities, and research.
AP171
Synopsis:
This fonds documents the professional practice and activities of the Foreign Office Architects between 1989 and 2011, with a primary focus on their architectural projects. The documents in the fonds include drawings and plans, photographic materials, presentation panels, models, textual records, and digital files relating to 192 projects and international exhibitions . Additionally, the fonds includes material relating to publications, office activities, and research.
People:
Date:
circa 1983-2011
circa 1983-2011
Title:
Foreign Office Architects fonds
Actions:
AP171
Synopsis:
This fonds documents the professional practice and activities of the Foreign Office Architects between 1989 and 2011, with a primary focus on their architectural projects. The documents in the fonds include drawings and plans, photographic materials, presentation panels, models, textual records, and digital files relating to 192 projects and international exhibitions . Additionally, the fonds includes material relating to publications, office activities, and research.
Foreign Office Architects fonds
Actions:
AP171
Synopsis:
This fonds documents the professional practice and activities of the Foreign Office Architects between 1989 and 2011, with a primary focus on their architectural projects. The documents in the fonds include drawings and plans, photographic materials, presentation panels, models, textual records, and digital files relating to 192 projects and international exhibitions . Additionally, the fonds includes material relating to publications, office activities, and research.
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Date:
circa 1983-2011
circa 1983-2011
People:
Actions:
Reference number:
DR2006:0167
Description:
Le lustre est composé de 105 éléments en forme de larme. Chaque larme est en acrylique et contient soit un spécimen organique soit un objet trouvé cueilli par Gilles Clément d'un "Tiers paysage" près du Jardin du CCA. Attaché au bout de chaque élément est un fil en plastique. Lors de l'exposition "Environ(ne)ment", les éléments furent supendus du plafond pour former le lustre. -- The chandelier is composed of 105 teardrop-shaped elements, each of which is attached to a plastic cord. Each "teardrop" is made of acrylic, and in each one is encased either an organic specimen or a found object collected by Gilles Clément from a "Third Landscape" near the CCA Garden. For the "Environ(ne)ment" exhibition, each teardrop was suspended from the ceiling to form the chandelier.
DR2006:0167
Description:
Le lustre est composé de 105 éléments en forme de larme. Chaque larme est en acrylique et contient soit un spécimen organique soit un objet trouvé cueilli par Gilles Clément d'un "Tiers paysage" près du Jardin du CCA. Attaché au bout de chaque élément est un fil en plastique. Lors de l'exposition "Environ(ne)ment", les éléments furent supendus du plafond pour former le lustre. -- The chandelier is composed of 105 teardrop-shaped elements, each of which is attached to a plastic cord. Each "teardrop" is made of acrylic, and in each one is encased either an organic specimen or a found object collected by Gilles Clément from a "Third Landscape" near the CCA Garden. For the "Environ(ne)ment" exhibition, each teardrop was suspended from the ceiling to form the chandelier.
People:
Date:
2006
2006
Title:
Lustre installé au Centre canadien d'architecture dans le cadre de l'exposition "Environnement - manières d'agir pour demain"
Actions:
DR2006:0167
Description:
Le lustre est composé de 105 éléments en forme de larme. Chaque larme est en acrylique et contient soit un spécimen organique soit un objet trouvé cueilli par Gilles Clément d'un "Tiers paysage" près du Jardin du CCA. Attaché au bout de chaque élément est un fil en plastique. Lors de l'exposition "Environ(ne)ment", les éléments furent supendus du plafond pour former le lustre. -- The chandelier is composed of 105 teardrop-shaped elements, each of which is attached to a plastic cord. Each "teardrop" is made of acrylic, and in each one is encased either an organic specimen or a found object collected by Gilles Clément from a "Third Landscape" near the CCA Garden. For the "Environ(ne)ment" exhibition, each teardrop was suspended from the ceiling to form the chandelier.
Lustre installé au Centre canadien d'architecture dans le cadre de l'exposition "Environnement - manières d'agir pour demain"
Actions:
DR2006:0167
Description:
Le lustre est composé de 105 éléments en forme de larme. Chaque larme est en acrylique et contient soit un spécimen organique soit un objet trouvé cueilli par Gilles Clément d'un "Tiers paysage" près du Jardin du CCA. Attaché au bout de chaque élément est un fil en plastique. Lors de l'exposition "Environ(ne)ment", les éléments furent supendus du plafond pour former le lustre. -- The chandelier is composed of 105 teardrop-shaped elements, each of which is attached to a plastic cord. Each "teardrop" is made of acrylic, and in each one is encased either an organic specimen or a found object collected by Gilles Clément from a "Third Landscape" near the CCA Garden. For the "Environ(ne)ment" exhibition, each teardrop was suspended from the ceiling to form the chandelier.
Date:
2006
2006
People:
Form:
exhibitions
exhibitions
Actions:
Description:
The exhibition Industrial Architecture: ÁbalosHerreros selected by OFFICE Kersten Geers David Van Severen presents a precise reading of the industrial approach to architecture in the work of ÁbalosHerreros, a firm that operated in Madrid from 1984 until 2008. Diverse objects are presented: CAD drawings, photographs of archival material taken by Stefano Graziani, a replica(...)
The exhibition Industrial Architecture: ÁbalosHerreros selected by OFFICE Kersten Geers David Van Severen presents a precise reading of the industrial approach to architecture in the work of ÁbalosHerreros, a firm that operated in Madrid from 1984 until 2008. Diverse objects are presented: CAD drawings, photographs of archival material taken by Stefano Graziani, a replica(...)
Location:
Octagonal gallery Keyword(s):
Kersten Geers, David Van Severen, OFFICE, KGVDS, Ábalos, Herreros, Ábalos&Herreros, out of the box
Octagonal gallery Keyword(s):
Kersten Geers, David Van Severen, OFFICE, KGVDS, Ábalos, Herreros, Ábalos&Herreros, out of the box
Date:
12 March 2015 to 17 May 2015
12 March 2015 to 17 May 2015
Title:
Industrial Architecture: Ábalos&Herreros selected by OFFICE Kersten Geers David Van Severen
Actions:
Description:
The exhibition Industrial Architecture: ÁbalosHerreros selected by OFFICE Kersten Geers David Van Severen presents a precise reading of the industrial approach to architecture in the work of ÁbalosHerreros, a firm that operated in Madrid from 1984 until 2008. Diverse objects are presented: CAD drawings, photographs of archival material taken by Stefano Graziani, a replica(...)
Industrial Architecture: Ábalos&Herreros selected by OFFICE Kersten Geers David Van Severen
Actions:
Description:
The exhibition Industrial Architecture: ÁbalosHerreros selected by OFFICE Kersten Geers David Van Severen presents a precise reading of the industrial approach to architecture in the work of ÁbalosHerreros, a firm that operated in Madrid from 1984 until 2008. Diverse objects are presented: CAD drawings, photographs of archival material taken by Stefano Graziani, a replica(...)
Form:
exhibitions
exhibitions
Date:
12 March 2015 to
17 May 2015
12 March 2015 to
17 May 2015
Location:
Octagonal gallery Keyword(s):
Kersten Geers, David Van Severen, OFFICE, KGVDS, Ábalos, Herreros, Ábalos&Herreros, out of the box
Octagonal gallery Keyword(s):
Kersten Geers, David Van Severen, OFFICE, KGVDS, Ábalos, Herreros, Ábalos&Herreros, out of the box
Form:
exhibitions
exhibitions
Actions:
Description:
During the eighteenth century, Rome was both an important centre for Italian art and the focal point for the studies of most European artists; all were drawn by the city’s antique art, architecture, and statuary, as well as its Renaissance, Baroque, and eighteenth-century masterpieces. Exploring Rome: Piranesi and His Contemporaries is concerned with eighteenth-century(...)
During the eighteenth century, Rome was both an important centre for Italian art and the focal point for the studies of most European artists; all were drawn by the city’s antique art, architecture, and statuary, as well as its Renaissance, Baroque, and eighteenth-century masterpieces. Exploring Rome: Piranesi and His Contemporaries is concerned with eighteenth-century(...)
Location:
Main galleries
Main galleries
Date:
18 August 1993 to 2 January 1994
18 August 1993 to 2 January 1994
Title:
Exploring Rome: Piranesi and His Contemporaries
Actions:
Description:
During the eighteenth century, Rome was both an important centre for Italian art and the focal point for the studies of most European artists; all were drawn by the city’s antique art, architecture, and statuary, as well as its Renaissance, Baroque, and eighteenth-century masterpieces. Exploring Rome: Piranesi and His Contemporaries is concerned with eighteenth-century(...)
Exploring Rome: Piranesi and His Contemporaries
Actions:
Description:
During the eighteenth century, Rome was both an important centre for Italian art and the focal point for the studies of most European artists; all were drawn by the city’s antique art, architecture, and statuary, as well as its Renaissance, Baroque, and eighteenth-century masterpieces. Exploring Rome: Piranesi and His Contemporaries is concerned with eighteenth-century(...)
Form:
exhibitions
exhibitions
Date:
18 August 1993 to
2 January 1994
18 August 1993 to
2 January 1994
Location:
Main galleries
Main galleries
Form:
exhibitions
exhibitions
Actions:
Description:
The terms contemplation, solitude, exile, leisure, rest, retreat, reverse, and solitude—and their antonyms action, court, world, worldliness and society—constitute a recurring chain of ideas in seventeenth-century fictional and biographical literature. From Society to Solitude combines history, literature, and architecture, focusing on the theme of the retreat and its(...)
The terms contemplation, solitude, exile, leisure, rest, retreat, reverse, and solitude—and their antonyms action, court, world, worldliness and society—constitute a recurring chain of ideas in seventeenth-century fictional and biographical literature. From Society to Solitude combines history, literature, and architecture, focusing on the theme of the retreat and its(...)
Location:
Hall cases
Hall cases
Date:
12 October 1994 to 15 January 1995
12 October 1994 to 15 January 1995
Title:
From Society to Solitude: Public and Private Space in Seventeenth-Century France
Actions:
Description:
The terms contemplation, solitude, exile, leisure, rest, retreat, reverse, and solitude—and their antonyms action, court, world, worldliness and society—constitute a recurring chain of ideas in seventeenth-century fictional and biographical literature. From Society to Solitude combines history, literature, and architecture, focusing on the theme of the retreat and its(...)
From Society to Solitude: Public and Private Space in Seventeenth-Century France
Actions:
Description:
The terms contemplation, solitude, exile, leisure, rest, retreat, reverse, and solitude—and their antonyms action, court, world, worldliness and society—constitute a recurring chain of ideas in seventeenth-century fictional and biographical literature. From Society to Solitude combines history, literature, and architecture, focusing on the theme of the retreat and its(...)
Form:
exhibitions
exhibitions
Date:
12 October 1994 to
15 January 1995
12 October 1994 to
15 January 1995
Location:
Hall cases
Hall cases
Form:
exhibitions
exhibitions
Actions:
Description:
In 1982, the CCA organized its first exhibition, Photography and Architecture: 1839–1939, prior to the construction of the CCA’s current building. The exhibition was shown in Galerie Lempertz Contempora in Cologne (1982), the Art Institute of Chicago (1983), the Cooper-Hewitt National Design Museum in New York (1983), Centre Georges Pompidou in Paris (1984), and the(...)
In 1982, the CCA organized its first exhibition, Photography and Architecture: 1839–1939, prior to the construction of the CCA’s current building. The exhibition was shown in Galerie Lempertz Contempora in Cologne (1982), the Art Institute of Chicago (1983), the Cooper-Hewitt National Design Museum in New York (1983), Centre Georges Pompidou in Paris (1984), and the(...)
Date:
15 September 1982 to 16 October 1982
15 September 1982 to 16 October 1982
Title:
Photography and Architecture: 1839–1939
Actions:
Description:
In 1982, the CCA organized its first exhibition, Photography and Architecture: 1839–1939, prior to the construction of the CCA’s current building. The exhibition was shown in Galerie Lempertz Contempora in Cologne (1982), the Art Institute of Chicago (1983), the Cooper-Hewitt National Design Museum in New York (1983), Centre Georges Pompidou in Paris (1984), and the(...)
Photography and Architecture: 1839–1939
Actions:
Description:
In 1982, the CCA organized its first exhibition, Photography and Architecture: 1839–1939, prior to the construction of the CCA’s current building. The exhibition was shown in Galerie Lempertz Contempora in Cologne (1982), the Art Institute of Chicago (1983), the Cooper-Hewitt National Design Museum in New York (1983), Centre Georges Pompidou in Paris (1984), and the(...)
Form:
exhibitions
exhibitions
Date:
15 September 1982 to
16 October 1982
15 September 1982 to
16 October 1982
Form:
exhibitions
exhibitions
Actions:
Description:
*Opening the Gates of Eighteenth-Century Montréal* explores the development of the city during the eighteenth century, when Montréal was a fortified town. The exhibition provides a unique opportunity to consider the building of the eighteenth-century military and commercial town, the nucleus from which Montréal grew. The product of nearly fifteen years of research and(...)
*Opening the Gates of Eighteenth-Century Montréal* explores the development of the city during the eighteenth century, when Montréal was a fortified town. The exhibition provides a unique opportunity to consider the building of the eighteenth-century military and commercial town, the nucleus from which Montréal grew. The product of nearly fifteen years of research and(...)
Location:
Main galleries
Main galleries
Date:
8 September 1992 to 28 February 1993
8 September 1992 to 28 February 1993
Title:
Opening the Gates of Eighteenth-Century Montréal
Actions:
Description:
*Opening the Gates of Eighteenth-Century Montréal* explores the development of the city during the eighteenth century, when Montréal was a fortified town. The exhibition provides a unique opportunity to consider the building of the eighteenth-century military and commercial town, the nucleus from which Montréal grew. The product of nearly fifteen years of research and(...)
Opening the Gates of Eighteenth-Century Montréal
Actions:
Description:
*Opening the Gates of Eighteenth-Century Montréal* explores the development of the city during the eighteenth century, when Montréal was a fortified town. The exhibition provides a unique opportunity to consider the building of the eighteenth-century military and commercial town, the nucleus from which Montréal grew. The product of nearly fifteen years of research and(...)
Form:
exhibitions
exhibitions
Date:
8 September 1992 to
28 February 1993
8 September 1992 to
28 February 1993
Location:
Main galleries
Main galleries
Form:
exhibitions
exhibitions
Title:
Architects’ Books
Architects’ Books
Actions:
Description:
This exhibition presents three phases in the history of the architect’s book: the mid-sixteenth century, when architects first proved themselves in the field; the late-nineteenth to early-twentieth centuries, when architects turned to book design as a serious complement to their professional career; and contemporary times, when architectural firms, in league with their(...)
This exhibition presents three phases in the history of the architect’s book: the mid-sixteenth century, when architects first proved themselves in the field; the late-nineteenth to early-twentieth centuries, when architects turned to book design as a serious complement to their professional career; and contemporary times, when architectural firms, in league with their(...)
Location:
Octagonal gallery
Octagonal gallery
Date:
24 June 2004 to 26 September 2004
24 June 2004 to 26 September 2004
Title:
Architects’ Books
Actions:
Description:
This exhibition presents three phases in the history of the architect’s book: the mid-sixteenth century, when architects first proved themselves in the field; the late-nineteenth to early-twentieth centuries, when architects turned to book design as a serious complement to their professional career; and contemporary times, when architectural firms, in league with their(...)
Architects’ Books
Actions:
Description:
This exhibition presents three phases in the history of the architect’s book: the mid-sixteenth century, when architects first proved themselves in the field; the late-nineteenth to early-twentieth centuries, when architects turned to book design as a serious complement to their professional career; and contemporary times, when architectural firms, in league with their(...)
Form:
exhibitions
exhibitions
Date:
24 June 2004 to
26 September 2004
24 June 2004 to
26 September 2004
Location:
Octagonal gallery
Octagonal gallery
Form:
exhibitions
exhibitions
Actions:
Description:
Media and Machines marks the second phase of the research project initiated with the 2013 exhibition Archaeology of the Digital. This initiative investigates how architecture engaged with digital technology from the 1980s until the turn of the century. The first exhibition identified the earliest practices looking to computation as a design medium that could serve(...)
Media and Machines marks the second phase of the research project initiated with the 2013 exhibition Archaeology of the Digital. This initiative investigates how architecture engaged with digital technology from the 1980s until the turn of the century. The first exhibition identified the earliest practices looking to computation as a design medium that could serve(...)
Location:
Main galleries
Main galleries
Date:
21 May 2014 to 5 October 2014
21 May 2014 to 5 October 2014
Title:
Archaeology of the Digital: Media and Machines
Actions:
Description:
Media and Machines marks the second phase of the research project initiated with the 2013 exhibition Archaeology of the Digital. This initiative investigates how architecture engaged with digital technology from the 1980s until the turn of the century. The first exhibition identified the earliest practices looking to computation as a design medium that could serve(...)
Archaeology of the Digital: Media and Machines
Actions:
Description:
Media and Machines marks the second phase of the research project initiated with the 2013 exhibition Archaeology of the Digital. This initiative investigates how architecture engaged with digital technology from the 1980s until the turn of the century. The first exhibition identified the earliest practices looking to computation as a design medium that could serve(...)
Form:
exhibitions
exhibitions
Date:
21 May 2014 to
5 October 2014
21 May 2014 to
5 October 2014
Location:
Main galleries
Main galleries
