16481 Results
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books
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$81.50
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Following the invention of the daguerreotype and calotype processes in 1839, views of ruins, classical statuary, and the antiquities of the Mediterranean and the Orient were among the first images produced by pioneer photographers. The unique accuracy and immediacy of photographs fundamentally changed aesthetic and scholarly approaches to the artifacts of the past.(...)
$81.50
(available to order)
Summary:
Following the invention of the daguerreotype and calotype processes in 1839, views of ruins, classical statuary, and the antiquities of the Mediterranean and the Orient were among the first images produced by pioneer photographers. The unique accuracy and immediacy of photographs fundamentally changed aesthetic and scholarly approaches to the artifacts of the past.(...)
Subject:
Photography by Region
Photography by Region
Publication:
October 2005, Los Angeles
October 2005, Los Angeles
Title:
Antiquity and photography : early views of ancient mediterranean sites
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Following the invention of the daguerreotype and calotype processes in 1839, views of ruins, classical statuary, and the antiquities of the Mediterranean and the Orient were among the first images produced by pioneer photographers. The unique accuracy and immediacy of photographs fundamentally changed aesthetic and scholarly approaches to the artifacts of the past. This book, published to coincide with the inaugural exhibition at the Getty villa, explores the intellectual underpinnings of the relationship between antiquity and photography in the period 1840-1880. Drawing on the extensive collections of the Getty museum and the Getty research institute, this illustrated volume presents an introduction to the subject, followed by a detailed discussion of the influence of photography on archaeology, by an analysis of the ways antiquity is depicted, and by biographical studies of two major photographers, Joseph-Philibert Girault de Prangey and William James Stillman. Portfolios of works by Maxime Du Camp, John B. Greene, Francis Frith, Robert Macpherson, Adolphe Braun, and others appear between the essays.
Antiquity and photography : early views of ancient mediterranean sites
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$81.50
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Summary:
Following the invention of the daguerreotype and calotype processes in 1839, views of ruins, classical statuary, and the antiquities of the Mediterranean and the Orient were among the first images produced by pioneer photographers. The unique accuracy and immediacy of photographs fundamentally changed aesthetic and scholarly approaches to the artifacts of the past. This book, published to coincide with the inaugural exhibition at the Getty villa, explores the intellectual underpinnings of the relationship between antiquity and photography in the period 1840-1880. Drawing on the extensive collections of the Getty museum and the Getty research institute, this illustrated volume presents an introduction to the subject, followed by a detailed discussion of the influence of photography on archaeology, by an analysis of the ways antiquity is depicted, and by biographical studies of two major photographers, Joseph-Philibert Girault de Prangey and William James Stillman. Portfolios of works by Maxime Du Camp, John B. Greene, Francis Frith, Robert Macpherson, Adolphe Braun, and others appear between the essays.
Form:
books
books
Publication:
October 2005, Los Angeles
October 2005, Los Angeles
Subject:
Photography by Region
Photography by Region
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books
books
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Description:
189 pages : illustrations ; 39 cm
Description:
189 pages : illustrations ; 39 cm
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©2016, New Haven : Yale University Art Gallery, 2016., New Haven ; London : Distributed by Yale University Press
©2016, New Haven : Yale University Art Gallery, 2016., New Haven ; London : Distributed by Yale University Press
Title:
Lee Friedlander : western landscapes / with an essay by Richard Benson ; and an afterword by Jock Reynolds.
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189 pages : illustrations ; 39 cm
Lee Friedlander : western landscapes / with an essay by Richard Benson ; and an afterword by Jock Reynolds.
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189 pages : illustrations ; 39 cm
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books
books
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©2016, New Haven : Yale University Art Gallery, 2016., New Haven ; London : Distributed by Yale University Press
©2016, New Haven : Yale University Art Gallery, 2016., New Haven ; London : Distributed by Yale University Press
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16 unnumbered pages : illustrations ; 28 cm
Description:
16 unnumbered pages : illustrations ; 28 cm
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[Haifa] : Haifa Museum of Modern Art, 1988.
[Haifa] : Haifa Museum of Modern Art, 1988.
Title:
Margalit Mannor, photographs 1984-1988.
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16 unnumbered pages : illustrations ; 28 cm
Margalit Mannor, photographs 1984-1988.
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16 unnumbered pages : illustrations ; 28 cm
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books
books
Publication:
[Haifa] : Haifa Museum of Modern Art, 1988.
[Haifa] : Haifa Museum of Modern Art, 1988.
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books
books
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$49.95
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Summary:
Photographic images can, apart from their capacity to show, convey an experience, a quality that has seldom been recognized. In this book, the artist and photographer Maarten Vanvolsem explains how the strip technique can tell a different story of time and space in photographic images, a story that leads to new expressions and experiences of time and movement. The strip(...)
$49.95
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Photographic images can, apart from their capacity to show, convey an experience, a quality that has seldom been recognized. In this book, the artist and photographer Maarten Vanvolsem explains how the strip technique can tell a different story of time and space in photographic images, a story that leads to new expressions and experiences of time and movement. The strip(...)
Title:
The art of strip photography : making still images with a moving camera
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$49.95
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Photographic images can, apart from their capacity to show, convey an experience, a quality that has seldom been recognized. In this book, the artist and photographer Maarten Vanvolsem explains how the strip technique can tell a different story of time and space in photographic images, a story that leads to new expressions and experiences of time and movement. The strip technique itself seems to be neglected in the debate on time and photography, although it has a long history — from Muybridge to the photo booth. Its use is widespread and, especially in recent years, more and more artists have rediscovered the technique. Based on an historical overview, a knowledge and understanding of the technique, and experiments with the building of cameras, this book will propose a new use of this forgotten art: a use in which the temporal terms "speed," “rhythm,” and “pace” are of more value than terms so often associated with photography such as “freeze,” “split second,” or “capture.” Within the book one can find more than thirty artists using the strip technique for their artistic practice. Vanvolsem shows how the technique may be used to rediscover the time-based possibilities of the photographic image.
The art of strip photography : making still images with a moving camera
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$49.95
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Summary:
Photographic images can, apart from their capacity to show, convey an experience, a quality that has seldom been recognized. In this book, the artist and photographer Maarten Vanvolsem explains how the strip technique can tell a different story of time and space in photographic images, a story that leads to new expressions and experiences of time and movement. The strip technique itself seems to be neglected in the debate on time and photography, although it has a long history — from Muybridge to the photo booth. Its use is widespread and, especially in recent years, more and more artists have rediscovered the technique. Based on an historical overview, a knowledge and understanding of the technique, and experiments with the building of cameras, this book will propose a new use of this forgotten art: a use in which the temporal terms "speed," “rhythm,” and “pace” are of more value than terms so often associated with photography such as “freeze,” “split second,” or “capture.” Within the book one can find more than thirty artists using the strip technique for their artistic practice. Vanvolsem shows how the technique may be used to rediscover the time-based possibilities of the photographic image.
Form:
books
books
Publication:
February 2011
February 2011
Subject:
Theory of Photography
Theory of Photography
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books
books
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$36.00
(available in store)
Summary:
The now-legendary 1975 New Topographics show represented a true "seismic shift" in American landscape photography, moving past the romantic legacy of Ansel Adams and Edward Weston to the minimalist-influenced work typified by Lewis Baltz and Joe Deal. This catalog of 2011's Seismic Shift exhibition offers a comprehensive narrative of California photographic history made(...)
$36.00
(available in store)
Summary:
The now-legendary 1975 New Topographics show represented a true "seismic shift" in American landscape photography, moving past the romantic legacy of Ansel Adams and Edward Weston to the minimalist-influenced work typified by Lewis Baltz and Joe Deal. This catalog of 2011's Seismic Shift exhibition offers a comprehensive narrative of California photographic history made(...)
Title:
Seismic shift : Lewis Baltz, Joe Deal and California Landscape photography, 1944-1984
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$36.00
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The now-legendary 1975 New Topographics show represented a true "seismic shift" in American landscape photography, moving past the romantic legacy of Ansel Adams and Edward Weston to the minimalist-influenced work typified by Lewis Baltz and Joe Deal. This catalog of 2011's Seismic Shift exhibition offers a comprehensive narrative of California photographic history made by the 43 featured artists; it includes 58 reproductions (mostly black-and-white) and essays by curator Colin Westerbeck, photographic historian Susan Laxton and regionalist Jason Weems. The exhibition is one of over 60 funded by the Getty Research Institute's initiative looking at Southern California art 1945-1980, called Pacific Standard Time.
Seismic shift : Lewis Baltz, Joe Deal and California Landscape photography, 1944-1984
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$36.00
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Summary:
The now-legendary 1975 New Topographics show represented a true "seismic shift" in American landscape photography, moving past the romantic legacy of Ansel Adams and Edward Weston to the minimalist-influenced work typified by Lewis Baltz and Joe Deal. This catalog of 2011's Seismic Shift exhibition offers a comprehensive narrative of California photographic history made by the 43 featured artists; it includes 58 reproductions (mostly black-and-white) and essays by curator Colin Westerbeck, photographic historian Susan Laxton and regionalist Jason Weems. The exhibition is one of over 60 funded by the Getty Research Institute's initiative looking at Southern California art 1945-1980, called Pacific Standard Time.
Form:
books
books
Publication:
October 2011
October 2011
Subject:
Photography Collections
Photography Collections
Form:
journals and magazines
journals and magazines
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$35.00
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Decades following the rise of computer aided design and the aesthetic-theoretical debates that coincided, it might seem late, at this point, to place a spotlight on photography. After all, hardly anyone defends photography’s loyalty to the analog index anymore, or mourns the medium specificities of centuries past. And yet, who can dispute that the photograph has become(...)
$35.00
(available to order)
Summary:
Decades following the rise of computer aided design and the aesthetic-theoretical debates that coincided, it might seem late, at this point, to place a spotlight on photography. After all, hardly anyone defends photography’s loyalty to the analog index anymore, or mourns the medium specificities of centuries past. And yet, who can dispute that the photograph has become(...)
Title:
Texte zur Kunst 99: photography
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$35.00
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Decades following the rise of computer aided design and the aesthetic-theoretical debates that coincided, it might seem late, at this point, to place a spotlight on photography. After all, hardly anyone defends photography’s loyalty to the analog index anymore, or mourns the medium specificities of centuries past. And yet, who can dispute that the photograph has become the primary base for establishing identity now, for cohering a social body; one that, as the substrate across which today’s human subject is drawn, stands as, in a sense, our material support? As the image’s gaze has become omnipresent, it is perhaps prime time to ask how do we now understand photo-media to operate? What information do we expect it to carry? What facts do we trust it to convey?
Texte zur Kunst 99: photography
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$35.00
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Decades following the rise of computer aided design and the aesthetic-theoretical debates that coincided, it might seem late, at this point, to place a spotlight on photography. After all, hardly anyone defends photography’s loyalty to the analog index anymore, or mourns the medium specificities of centuries past. And yet, who can dispute that the photograph has become the primary base for establishing identity now, for cohering a social body; one that, as the substrate across which today’s human subject is drawn, stands as, in a sense, our material support? As the image’s gaze has become omnipresent, it is perhaps prime time to ask how do we now understand photo-media to operate? What information do we expect it to carry? What facts do we trust it to convey?
Form:
journals and magazines
journals and magazines
Publication:
September 2015
September 2015
Subject:
Magazines
Magazines
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books
books
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Description:
92 pages : illustrations ; 32 cm.
Description:
92 pages : illustrations ; 32 cm.
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Publication:
[Paris] : Editions Hoëbeke/Bibliothèque nationale, ©1991.
[Paris] : Editions Hoëbeke/Bibliothèque nationale, ©1991.
Title:
Les photographes de Barbizon : la forêt de Fontainebleau / Daniel Challe et Bernard Marbot.
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92 pages : illustrations ; 32 cm.
Les photographes de Barbizon : la forêt de Fontainebleau / Daniel Challe et Bernard Marbot.
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92 pages : illustrations ; 32 cm.
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books
books
Publication:
[Paris] : Editions Hoëbeke/Bibliothèque nationale, ©1991.
[Paris] : Editions Hoëbeke/Bibliothèque nationale, ©1991.
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books
books
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16 pages : illustrations ; 22 cm
Description:
16 pages : illustrations ; 22 cm
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Publication:
Buenos Aires : CEDODAL : CTOD, 2007.
Buenos Aires : CEDODAL : CTOD, 2007.
Title:
César Loustau : miradas a la modernidad uruguaya.
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16 pages : illustrations ; 22 cm
César Loustau : miradas a la modernidad uruguaya.
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16 pages : illustrations ; 22 cm
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books
books
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Buenos Aires : CEDODAL : CTOD, 2007.
Buenos Aires : CEDODAL : CTOD, 2007.
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books
books
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16 pages, [104] leaves of plates : chiefly illustrations ; 36 cm
Description:
16 pages, [104] leaves of plates : chiefly illustrations ; 36 cm
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Oshkosh, Wis. : Art photogravure Co., 1900.
Oshkosh, Wis. : Art photogravure Co., 1900.
Title:
Art work of the state of Washington.
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16 pages, [104] leaves of plates : chiefly illustrations ; 36 cm
Art work of the state of Washington.
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Description:
16 pages, [104] leaves of plates : chiefly illustrations ; 36 cm
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books
books
Publication:
Oshkosh, Wis. : Art photogravure Co., 1900.
Oshkosh, Wis. : Art photogravure Co., 1900.
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books
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253 pages : illustrations (some color) ; 31 cm
Description:
253 pages : illustrations (some color) ; 31 cm
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Alcobendas : T.F. Editores ; New York, NY : D.A.P. ; Madrid : Fundación MAPFRE, [2012], ©2012
Alcobendas : T.F. Editores ; New York, NY : D.A.P. ; Madrid : Fundación MAPFRE, [2012], ©2012
Title:
Imogen Cunningham : Fundación MAPFRE, Madrid, September 2012-January 2013 ; Kulturhuset, Stockholm, May-September 2013.
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253 pages : illustrations (some color) ; 31 cm
Imogen Cunningham : Fundación MAPFRE, Madrid, September 2012-January 2013 ; Kulturhuset, Stockholm, May-September 2013.
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253 pages : illustrations (some color) ; 31 cm
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books
books
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Alcobendas : T.F. Editores ; New York, NY : D.A.P. ; Madrid : Fundación MAPFRE, [2012], ©2012
Alcobendas : T.F. Editores ; New York, NY : D.A.P. ; Madrid : Fundación MAPFRE, [2012], ©2012
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