Design and truth
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From the ornate cathedrals of Renaissance Europe to the much-maligned Ford Edsel of the late 1950s, all products of human design communicate much more than their mere intended functions. Design holds both psychological and moral power over us, and these forces may be manipulated, however subtly, to surprising effect. In an argument that touches upon subjects as seemingly(...)
Design and truth
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From the ornate cathedrals of Renaissance Europe to the much-maligned Ford Edsel of the late 1950s, all products of human design communicate much more than their mere intended functions. Design holds both psychological and moral power over us, and these forces may be manipulated, however subtly, to surprising effect. In an argument that touches upon subjects as seemingly unrelated as the Japanese tea ceremony, Italian mannerist painting, and Thomas Jefferson’s Monticello plantation, Grudin turns his attention to the role of design in our daily lives, focusing especially on how political and economic powers impress themselves on us through the built environment.
Design Theory
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After World War I, architects around the world aspired to transcend national boundaries devastated by conflicts, resulting in a flurry of artistic creativity. In Japan, a generation of young architects strove to create "international architecture," or kokusai kenchiku, a product of increasing international travel and communication, growth of the mass media, and(...)
International architecture in interwar Japan: constructing Kokusai Kenchiku
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After World War I, architects around the world aspired to transcend national boundaries devastated by conflicts, resulting in a flurry of artistic creativity. In Japan, a generation of young architects strove to create "international architecture," or kokusai kenchiku, a product of increasing international travel and communication, growth of the mass media, and technological innovation. Ken Tadashi Oshima traces the many interconnections between architects from Japan, Europe, and America and their designs during the interwar years by examining the careers and buildings of three leading modernists in Japan: Yamada Mamoru (1894-1966), Horiguchi Sutemi (1895-1984), and Antonin Raymond (1888-1976).
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January 2001
Contemporary Asian Architecture
Berenice Abbott
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The American photographer Berenice Abbott (1898–1991) is known best for her documentation of New York in the 1930s and for her efforts to gain recognition for the work of Eugène Atget in both Europe and the United States. This book features 120 photographs and a series of rarely seen documents (including letters, book layouts, and periodicals), illuminating the three(...)
Berenice Abbott
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The American photographer Berenice Abbott (1898–1991) is known best for her documentation of New York in the 1930s and for her efforts to gain recognition for the work of Eugène Atget in both Europe and the United States. This book features 120 photographs and a series of rarely seen documents (including letters, book layouts, and periodicals), illuminating the three major periods of Abbott's career: her early work in the United States and Paris during the 1920s; her project Changing New York (1935–39), created for the Federal Art Project; and her scientific pictures made between 1939 and 1961.
Photography monographs
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A collection of photographs of Banksy’s street work. Banksy — You Are An Acceptable Level of Threat concentrates on this singular artist’s iconic imagery, spanning the late ’90s up until the end of 2011.The locations are from around the world (predominantly the UK, US and Europe), and many images have never been seen before. When Banksy started out painting, the political(...)
July 2012
Banksy : you are an acceptable level of threat and if you were not you would know about it
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A collection of photographs of Banksy’s street work. Banksy — You Are An Acceptable Level of Threat concentrates on this singular artist’s iconic imagery, spanning the late ’90s up until the end of 2011.The locations are from around the world (predominantly the UK, US and Europe), and many images have never been seen before. When Banksy started out painting, the political landscape was bleak. Fortunately now, it’s ten times worse. As Banksy’s cheerfully aggressive political work becomes ever more relevant, this comprehensive tome sets about presenting his art in the context of the era he was responding to.
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City as Loft examines the remarkable legacy of the industrial age in the United States, Russia, Brazil, China, and Europe. Looking at thirty case studies of repurposed industrial areas, the editors have assembled a variety of essays and interviews to provide a full cast of characters and context for each location, while scholars have contributed information on the history(...)
City as loft: adaptive reuse as a resource for sustainable urban development
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City as Loft examines the remarkable legacy of the industrial age in the United States, Russia, Brazil, China, and Europe. Looking at thirty case studies of repurposed industrial areas, the editors have assembled a variety of essays and interviews to provide a full cast of characters and context for each location, while scholars have contributed information on the history and theory behind the conversion of industrial spaces into other uses. The volume is rounded out with breathtaking images of each venture and an infographic by famed Dutch designer Joost Grootens that allows for the reader to visually compare all thirty projects.
Urban Theory
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This publication documents Helmut Jahn's oeuvre, starting in Chicago and the United States in the 1980s and expanding initially to South Africa, then to Europe, with the focus on Germany, and from there via the Middle East to China, Singapore, Japan and Korea. The photos are combined with a comprehensive collection of Helmut Jahn's design sketches. They provide insights(...)
Helmut Jahn: process - progress
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This publication documents Helmut Jahn's oeuvre, starting in Chicago and the United States in the 1980s and expanding initially to South Africa, then to Europe, with the focus on Germany, and from there via the Middle East to China, Singapore, Japan and Korea. The photos are combined with a comprehensive collection of Helmut Jahn's design sketches. They provide insights into the development of the buildings and the underlying design process. An essay by architecture historian Franz Schultz explains the meaning of Jahn's oeuvre within the contemporary architecture. A text by Helmut Jahn himself comments on the philosophy behind his buildings.
Architecture Monographs
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As planners and designers have turned their attentions to the blighted, vacant areas of the city, the concept of "terrain vague," has become increasingly important. Terrain Vague seeks to explore the ambiguous spaces of the city - the places that exist outside the cultural, social, and economic circuits of urban life. From vacant lots and railroad tracks, to more diverse(...)
Terrain vague : interstices at the edge of pale
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As planners and designers have turned their attentions to the blighted, vacant areas of the city, the concept of "terrain vague," has become increasingly important. Terrain Vague seeks to explore the ambiguous spaces of the city - the places that exist outside the cultural, social, and economic circuits of urban life. From vacant lots and railroad tracks, to more diverse interstitial spaces, this collection of original essays and cases presents innovative ways of looking at marginal urban space, with studies from the United States, Europe and the Middle East, from a diverse group of planners, geographers, and urban designers.
Urban Theory
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Revolutionary Beauty offers the first sustained study of the German artist John Heartfield's groundbreaking political photomontages, published in the left-wing weekly Arbeiter Illustrierte Zeitung (AIZ) during the 1930s. Sabine T. Kriebel foregrounds the critical artistic practices with which Heartfield directly confronted the turbulent, ideologically charged currents of(...)
Revolutionary beauty: the radical photomontages of John Heartfield
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Revolutionary Beauty offers the first sustained study of the German artist John Heartfield's groundbreaking political photomontages, published in the left-wing weekly Arbeiter Illustrierte Zeitung (AIZ) during the 1930s. Sabine T. Kriebel foregrounds the critical artistic practices with which Heartfield directly confronted the turbulent, ideologically charged currents of interwar Europe, exposing the cultural politics of the crucial historical moment that witnessed the consolidation of National Socialism. In this period of radicalization and mass mobilization, the medium of photomontage—the cut-and-paste assemblage of photograph and text—offered a way to deconstruct the visual world and galvanize beholders on a mass scale.
Photography monographs
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Nearly a century after it was first published in 1925, Medieval Cities remains one of the most provocative works of medieval history ever written. Here, Henri Pirenne argues that it was not the invasion of the Germanic tribes that destroyed the civilization of antiquity, but rather the closing of Mediterranean trade by Arab conquest in the seventh century. The consequent(...)
Medieval cities: their origins and the revival of trade
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Nearly a century after it was first published in 1925, Medieval Cities remains one of the most provocative works of medieval history ever written. Here, Henri Pirenne argues that it was not the invasion of the Germanic tribes that destroyed the civilization of antiquity, but rather the closing of Mediterranean trade by Arab conquest in the seventh century. The consequent interruption of long-distance commerce accelerated the decline of the ancient cities of Europe. Pirenne challenges conventional wisdom by attributing the origins of medieval cities to the revival of trade, tracing their growth from the tenth century to the twelfth.
History until 1900, Middle Ages
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Andreas Schlüter (1659–1714) was a well-known Baroque sculptor and the architect behind some of Berlin’s most famous buildings, from the legendary Amber Room to the City Palace—which is in the midst of a major rebuilding effort. In his role as court sculptor and court architect, Schlüter worked under the direction of Frederick I of Prussia, who hoped to position the city(...)
Schlüter in Berlin: a city guide
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Andreas Schlüter (1659–1714) was a well-known Baroque sculptor and the architect behind some of Berlin’s most famous buildings, from the legendary Amber Room to the City Palace—which is in the midst of a major rebuilding effort. In his role as court sculptor and court architect, Schlüter worked under the direction of Frederick I of Prussia, who hoped to position the city through ambitious new art and architectural projects alongside Paris and Rome as a chief artistic center of Europe. This publication takes readers through all of the architect’s most famous works with illustrations and convenient city maps.
City Guides